books publishers

Hardcover. Madison WI, Borderland Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. The title comes from the cover image, a building named as such. "Created as a poetic and visual journey, spans twenty-five years and four continents. These striking photographs capture 'found text': The sometimes mysterious, occasionally humorous, often cryptic presence of words in the everyday landscape. In Koch's lyrical sequencing, the images reveal obscure and eccentric voices in their various and distinctive roles on the daily stage of the world around us.

Hardcover. Madison WI, Borderland Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. The title comes from the cover image, a building named as such. "Created as a poetic and visual journey, spans twenty-five years and four continents. These striking photographs capture 'found text': The sometimes mysterious, occasionally humorous, often cryptic presence of words in the everyday landscape. In Koch's lyrical sequencing, the images reveal obscure and eccentric voices in their various and distinctive roles on the daily stage of the world around us.

Hardcover. New York, Barse and Hopkins, 1st, Book: Very Good, Dust Jacket: None, Hardcover, 184 pages plus publisher's ads, 4 color plates and many b&w drawings by uncredited artist (but appears to be Campbell). Appears to be collected material from earlier books so copyright date make be earlier than published date. Bright blue cloth covers with red lettering, color illustration label on front. Previous owner's gift inscription in pencil on front fly leaf with 1927 date. A clean, bright copy.

NY, Delacorte, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 86 pages plus publisher's promotional exerpts from previous series books in back. "Summary: When fifteen-year-old Francis and two younger children lose their way in the wilderness of the Southwest, they face capture during the Mexican War." Clean copy.

Softcover. London, Hard Case Crime, 1st thus, 2017, Book: Very Good, Dust Jacket: None, Softcover, colorful wraps with a retro-style illustration by Laurel Blechman, Robert Maguire. Erle Stanley Gardner was not just the creator of PERRY MASON--at the time of his death, he was the best-selling American author of all time, with hundreds of millions of books in print. Among those books were the 29 cases of the brash, irresistible detective team of Bertha Cool and Donald Lam. In 2016, Hard Case Crime brought out the first new Cool and Lam novel in decades, THE KNIFE SLIPPED, lost for 77 years after Gardner's publisher refused it. Now here's the book Gardner wrote to replace it, often considered the best in the series: TURN ON THE HEAT. Hired by a mysterious "Mr. Smith" to find a woman who vanished 21 years earlier, Donald Lam finds himself facing a sadistic cop, a desperate showgirl, a duplicitous client, and one very dogged (and beautiful) newspaper reporter--while Bertha Cool's attempts to cut herself in on this lucrative opportunity land them both hip-deep in murder. Like new.

Softcover. NY, Penguin Books, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. Nice history of paperbacks from its early beginnings up to the mid 70's. Chapters on collecting. Many b&w stills + 111 color reproductions of covers & artwork. Clean, bright copy.

Hardcover. New Delhi, India, Lustre Press, Roli Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Stunningly photographed, this album offers a rarely seen view of the snow-clad peaks, mysterious lakes, massive glaciers, and fascinating people of the Himalayas.

Hardcover. London, Gordon Fraser, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 160 pages. Full color and black & white examples of fine Victorian book design. Some light foxing to preliminary pages and to blue cloth cover. Clean, tight copy. Traces the evolution of publishers' bindings from the printed paper wrappers which were normal at the beginning of the nineteenth century (when most purchasers of books had them bound by their own bookbinder), through the introduction of cloth by Pickering in about 1820, and on through the heyday of gold and coloured blocking down to the end of the Victorian period. This book will be invaluable to book collectors, bibliophiles, and dealers in rare books.

Softcover. NY, Grolier Club, 1st, 2017, Softcover, oblong format, 136 pages. A fascinating overview of the Golden Age of social and political satire in nineteenth-century France, Vive Les Satiristes! focuses on controversial and wildly popular journals like La Caricature and Le Charivari, and such great illustrators as Daumier and Grandville, who captured in their pages the foibles of those around them with unmatched humor, skill, and style. Published in conjunction with a Grolier Club exhibition, and beautifully illustrated, it includes a collector's statement, an introduction, and an essay by Josephine Lea Iselin. Still in publisher'e shrinkwrap.

Hardcover. US, Baby Tattoo Books, 1st, 2013, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. Hardcover, 64 pages. SIGNED book plate. A beautifully produced and richly illustrated book that showcases the day-to-day adventures of independent girl-about-town Victoria Psismall and her pet land octopus Otto. Thirty panoramic, full-page illustrations humorously chronicle the duo's home and social activities that include (among other things) bathing, biking, dating, cooking, playing croquet, and pumpkin carving. Accompanying text explains the "do"s and "don't"s of living with a large land octopus. The book's art is extremely detailed, and each illustration tells its own visual story. The Victorian era characters and period-influenced design elements combine to create a wonderful, collectible art-object for those who still value the classic elegance of ink-on-paper. The hardcover binding is plussed with two-layer embossing and spot varnish, and the interior is printed on extra heavy paper. An exquisite volume for lovers of books, art and pets.

Hardcover. London, Methuen & Co., 1st, 1924, Book: Very Good, Dust Jacket: Fair, 100 pages, b&w drawings throughout by Ernest H. Shepard. Dark blue cloth with gilt image to front board of three characters after Shepard's drawings and gilt image to back cover of girl peeking through curtain. Also gilt edge rulings, gilt titles to spine & gilt to top leaf edge. Tight binding with only minimal wear to edges. Blank endpapers, front & back, with light tanning and ripples from publisher's glue. Dust jacket has darkening to spine and chipping to corners, larger chip to top of spine. Front and rear panels with Shepard's drawings, two spots of soil to front around type of title. This is the first of the four Pooh books and scarcest with a print run of about 4,000. Second state of the true first with ix on contents page.

Hardcover. Franklin Center PA, Franklin Library, 1st, 2000, Book: Very Good, Dust Jacket: None, This is a memoir from the acclaimed author of "The Princess Bride" and numerous other books and screenplays. Includes a special message from Goldman not present in the trade edition. A fine copy in decorated full leather binding with all page edges gilt and a bound in silk book marker. SIGNED BY GOLDMAN. Something odd, if predictable, became of screenwriter William Goldman after he wrote the touchstone tell-all book on filmmaking, Adventures in the Screen Trade (1983), he became a Hollywood leper. Goldman opens his long-awaited sequel by writing about his years of exile before he found himself--again--as a valuable writer in Hollywood. Fans of the two-time Oscar-winning writer ( Butch Cassidy and the Sundance Kid , All the President's Men ) have anxiously waited for this follow-up since his career serpentined into a variety of big hits and critical bombs in the '80s and '90s. Here Goldman scoops on The Princess Bride (his own favorite), Misery , Maverick , Absolute Power , and others. Goldman's conversational style makes him easy to read for the film novice but meaty enough for the detail-oriented pro. His tendency to ramble into other subjects may be maddening (he suddenly switches from being on set with Eastwood to anecdotes about Newman and Garbo), but we can excuse him because of one fact he is so darn entertaining. An as new copy and still in the publisher's shrinkwrap.

Hardcover. White Plains NY, Peter Pauper Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover. Soothe little ones' nighttime fears with this unique bedtime book! Shine the beam of a light (not included) through the page ''windows'' to cast pictures on the wall as you read with your child. It's a fun and comforting way to end the day and experience a book together. PUBLISHER'S NOTE: For best results, use this shadow book with a small, single-bulb light source. A small pen light, other single-LED light, or the light on the back of a smartphone is recommended. Multi-LED flashlights are not recommended. If you have trouble getting a clear image, try moving your light closer to or farther away from the page. Clean copy.

Hardcover. Boston, Twayne Publishers, 1st, 1982, Book: Good, Dust Jacket: None, 191 pages, green cloth covers. A scarce study of the Caribbean writer which has been heavily annotated and underlined by Joyce Adler, the previous owner. Adler was a literary scholar and published two books on Harris herself.

Hardcover. Portsmouth, NH, Peter E. Randall Publisher, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 93 pages, with illustrations. Spotless and tight copy. Light foxing to top edge.

Hardcover. Portsmouth, NH, Peter E. Randall Publisher, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, 93 pages. Hardcover with dust jacket. With illustrations. Spotless and tight copy.

Hardcover. Portsmouth, NH, Peter E. Randall Publisher, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 93 pages, with illustrations. Spotless and tight copy, with dust jacket. "A Collection with Comments" A bibliography based on the collection of Joyce Hanrahan for over 30 years, and additions she has seen. Listings include points for first editions, and price ranges. Sections on ephemera, periodicals, visuals and posters.

Hardcover. Chesterfield MA, Chameleon Books, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Bright salmon cloth, bright salmon flyleaves, color illustrations. dust jacket, 260 pages. 140 color illustrations, 60 in b&w. Considers the life and work of American artist John George Brown (1831-1913). Treats Brown"s overall career and themes; his rural scenes and those of his contemporaries; his masterpiece, a view of New York City"s dockworkers and the subject matter for which he is best known, the New York City bootblack. This is the first lengthy treatment of his life and career. Like new in publishers shrink-wrap.

Hardcover. London, Titan Books , 1st, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages, illustrated in color. The concept: the world's greatest music, presented according to the highest acoustic standard, and illustrated by the brilliance of the Disney studio at the height of its powers. The journey of how Fantasia came to be, beset with almost insurmountable challenges, is one of the most breathtaking in movie history. In 1940, Walt Disney released his third feature film: Fantasia, consisting of eight animated segments set to music by Leopold Stokowski and the Philadelphia Orchestra. The film was groundbreaking: it was the first to record using multiple audio channels in a process called Fantasound, the precursor to surround sound. Apart from its technical achievements, Fantasia is remembered as being the first Disney movie meant not only for children. With emotional depth and innovative techniques that pushed the boundaries of animated storytelling, Fantasia was the first to appeal to an audience of every age. To celebrate The Walt Disney Company's 100th Anniversary, author J.B. Kaufman presents the definitive history of the making of Fantasia, from source material to hundreds of photographs documenting the film's production. In Worlds to Conquer, become a part of the wild ride that was the making of a Disney classic. Still in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.