books printing

Hardcover. Middlebury VT, self-published, 1st, 1825, Book: Fair, Dust Jacket: None, Hardcover, leatherbound, 321 pages. Leather label on spine present but coming loose. J.W. Copeland, printer. A rare early Vermont imprint. Brown calf covers worn, binding fragile but holding. Pictures available on request. Deming (1787-1853), born in Connecticut became a Vermont political figure and Middlebury resident, living at 38 Washington Street until his death in 1853.

Hardcover. New Castle DE, Oak Knoll, 1st, 2004, Hardcover in a bright dust jacket. A History of the Eragny Press, 1894-1914, is a full and exceptionally well-researched account of the Press. It begins with a brief survey of Lucien Pissarro's early career in France in order to establish the influences and motivations for his book designs and proceeds to examine Lucien's association with Charles Ricketts, the establishment of the Eragny Press, and the Press' relationship to the publishers Hacon & Ricketts. Eragny was not a commercial publisher, yet profits was an important motivation for the Pissarros. Included here is the first major account for a private press of the costs of production, profits, and marketing and distribution practices. Eragny Press books were promoted and sold in England, the Continent, and the United States. Two of the Eragny Press books were the results of commissions from French bibliophile clubs. This history of the Eragny Press includes a discussion of the influences and artistic theories that are the basis for the Pissarros' books and provides a critical reassessment of their significance within the history of the English Arts and Crafts Private Press movement. About half the book is devoted to an exhaustive and detailed bibliography of all the Eragny Press publications, with critical commentary on each. Accompanying the text and the descriptive bibliography are more than seventy-five reproductions of rare Eragny wood engravings ( by Lucien Pissarro, T. Sturge Moore, and others), title pages, borders and decorated initials, binding papers, and book covers. A History of the Eragny Press, 1894-1914, is an important book for anyone interested in the history of printing, the Arts and Crafts movement, Impressionism, private presses, the art of wood engraving, and illustrated and fine books.

Hardcover. NY, Macmillan, reprint, 1932, Book: Very Good, Dust Jacket: None, Hardcover, 257 pages. Later printing. Bound in black cloth boards with paper titles present to the spine and front board. Stuart Chase was an American economist and engineer trained at MIT. His writings covered topics as diverse as general semantics and physical economy. His hybrid background of engineering and economics places him in the same philosophical camp as R. Buckminster Fuller. Chase's thought was shaped by Henry George, Thorstein Veblen and Fabian socialism. Chase spent his early political career supporting "a wide range of reform causes: the single tax, women's suffrage, birth control and socialism." Chase's early books The Tragedy of Waste (1925) and Your Money's Worth (1928) were notable for their criticism of corporate advertising and their advocacy of consumer protection. Although not a Marxist, Chase admired the planned economy of the Soviet Union, being impressed with it after a 1927 visit. Chase stated that "The Russians, in a time of peace, have answered the question of what an economic system is for." It has been suggested that he was the originator of the expression a New Deal, which became identified with the economic programs of American president Franklin Delano Roosevelt. Inscription on front fly leaf, otherwise clean.

Hardcover. San Francisco, Chronicle Books, 2nd printing, 2010-06-23, Book: Very Good, Dust Jacket: Very Good, 263 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. 263 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. Created by McSweeney's in celebration of their 11th anniversary, this book showcases the independent literary publisher's award-winning art and design across all its activities, including McSweeney's books, quarterly journals, Wholphin DVDs, and The Believer magazine. Hundreds of images - from napkin sketches to final objects - offer insights into McSweeney's creative process, and a narrative history in interviews explores the incidental, accidental, and deliberate ways they have helped transform the visual experience of reading. hundreds of photos and illustrations, and interviews with the staff and writers and artists such as Rick Moody, Sarah Vowell, John Hodgeman, Lawrence Weschler, Michael Chabon, Chris Ware, Ben Katchor, Charles Burns, and many more.

Hardcover. San Francisco, Chronicle Books, 2nd printing, 2010, Book: Very Good, Dust Jacket: Very Good, 263 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. Created by McSweeney's in celebration of their 11th anniversary, this book showcases the independent literary publisher's award-winning art and design across all its activities, including McSweeney's books, quarterly journals, Wholphin DVDs, and The Believer magazine. Hundreds of images - from napkin sketches to final objects - offer insights into McSweeney's creative process, and a narrative history in interviews explores the incidental, accidental, and deliberate ways they have helped transform the visual experience of reading. hundreds of photos and illustrations, and interviews with the staff and writers and artists such as Rick Moody, Sarah Vowell, John Hodgeman, Lawrence Weschler, Michael Chabon, Chris Ware, Ben Katchor, Charles Burns, and many more.

Hardcover. Totowa, NJ, Rowman and Littlefield, reprint, 1973, Book: Good, Dust Jacket: None, Hardcover, 223 pages. Foreword by Walter Shewring. Blue cloth covers with gilt decoration. First edition published in 1953. Frontispiece portrait of Gill and numerous facsimiles of type, text, and illustration. Written by Eric Gill's brother.

Hardcover. NY, Grove Press, 1st, 1960, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, unclipped dust jacket, 184 pages. Blue cloth covers with gilt printing to the spine. A novel of "wartime love and death" in the London of 1917. In the heroine Julia Ashton, Doolittle creates a vibrantly sensitive character through the evocation of her feelings, moods and memories. Previous bookseller's price sticker on the front fly leaf, otherwise clean.

Hardcover. Akron OH, Saalfield Publishing, reprint, Book: Fair, Dust Jacket: None, Hardcover, color illustrated paper covered boards. Brown cloth spine. Color frontispiece. Illustrations in color and black and white in text. This is a reprint, the first printing had 6 color plates. Frances Trego Montgomery (February 18, 1858 - April 5, 1925) was a prolific writer of children's stories during the early twentieth century. She is best known for her popular "Billy Whiskers" series, which were about the misadventures of a mischievous but somewhat short-tempered goat. Many children loved the books--twenty-five in all--and couldn't get enough of them. Fair condition only, front and rear hinges cracked.

Hardcover. Seattle, Fantagraphics Books, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover. Over 400 pages of original art collected over 50 years. In the mid-sixties, Glenn Bray was a kid with a lot of money -- his family owned a very successful hardware store chain -- and an appreciation for obscure art that was prescient to the point of being visionary; he was a fanboy-turned-tastemaker who elevated his private collecting into something that would influence the evolution of the comic medium. He became a loyal and passionate patron of artists who went largely ignored, like some mellow, SoCal Medici. It seems crazy today, but original comic art pages were still considered 'by-products' of printing and publication when Bray began purchasing the black-&-white illustration-boards from EC greats like Wolverton, Kurtzman, Davis, Feldstein, Wood and Elder. More importantly, his original art purchases and private commissions were key in fostering the careers of unknown artists in his own age bracket, particularly now legendary Underground greats like R. Crumb, S. Clay Wilson, Robert Williams, Rick Griffin, and Gilbert Shelton. With a collection of original comic art and illustration spanning 6 decades, Bray has become vital to the work of establishing the official histories of comic art.

Hardcover. New York , Margaret K. McElderry Books, 4th Printing, 1993, Book: Very Good, Dust Jacket: Very Good, 196 pages. Hardcover. SIGNED BY COOPER on title-page. Stated 1st edition - 4th printing. In excellent condition.

Hardcover. New York , Margaret K. McElderry Books, 7th Printing, 1993, Book: Very Good, Dust Jacket: Very Good, 196 pages. Hardcover. SIGNED & INSCRIBED BY COOPER on FRONT FLY LEAF WITH SIGNED BOOKPLATE PASTED IN. In excellent condition.

Hardcover. Westport, Rabbitt Ears Books, 2nd printing, 1990, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover. Full color illustrations by Henrik Drescher. Light wear. Clean, tight copy.

Softcover. San Diego, Green Tiger Press, 2nd printing, 1987, Book: Good, Dust Jacket: Good, 100 pages. Softcover with dust jacket. Light and minor wear to cover edges. Color and black and white pictures throughout.

Hardcover. Tokyo, Kodansha, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 187 pages. Large format. Illustrated with full color and black & white examples of of fine contemporary prints from Japan. Dust jacket shows wear with dime sized chunk missing at top of spine and piece missing at bottom left corner of rear flap. Clean, tight copy. May require additional postage. "Contemporary Japanese Prints" is a fine, beautifully printed folio book--just the way art books should be. Written by a key art historian and critic as well as museum director, it serves as an excellent and eye-opening overview of just what the straightforward title indicates, artistic prints by Japanese artists then currently active as of 1967. Kawakita's introduction is clear and concise but properly informative, defining this art form's general characteristics and then outlining its modern history, starting with its rise in the early twentieth century. Contrary to what one might expect, these prints are almost totally unrelated to Japan's rather famous ukiyo-e prints of the early modern period, these modern "hanga" instead representing the creative vision and artistic labor of one individual artist. And well, a picture's worth a thousand words, so the bulk of the book presents a selection of 150 prints by 119 artists--47 color plates and 103 monochrome plates.

Hardcover. New York , Viking Studio Books, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 298 pages, reproduces 3500 covers in color. An indispensable volume for the collector or researcher. Three thousand and five hundred reproductions include virtually every cover of the America's most popular magazine during its entire run, from 1899 to 1969, complemented by an essay tracing the magazine's evolution. 15,000 first printing.

Hardcover. Boston, David R Godine, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 218 pages. Dust jacket spine slightly sunned, else like new. 21 black & white plates (some folding), and facsimiles. Edited by Nicholas Barker, and published posthumously. Printed at the Stamperia Valdonega. A major work examining the history and development of early Italian writing books from one of the world"s most noted typographic historians.

Hardcover. London, Farrand Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Hardcover, 374 pages. Black & white illustrations. Minor fading to cover cloth. Clean, tight copy. B&w frontispiece & 282 illustrations. An important study of the wide range of uses to which lithography was put through the 19th century, with chapters on military manuals, music printing, shorthand, facsimiles including the publications of Sir Thomas Phillipps; with a catalogue of 423 examples traced by Professor Twyman. No dust jacket.

Hardcover. Christie's, 1987-1989, Book: Very Good, Dust Jacket: None, Complete 7 volume set including index, bound handsomely in red cloth over boards with gilt lettering and insignia to front covers, gilt titles to spines. Part I, Eighteenth Century Books Including the Gutenberg Bible; Part II, Medieval and Renaissance Manuscripts; Part III, Printed Books and Manuscripts Including Western Americana; Part IV, Printed Books and Manuscripts Including Early Printing, Literature, and Fine Bindings; Part V, Printed Books and Manuscripts Including Americana, Literature, and Fine Bindings; Part VI, Printed Books and Manuscripts Concerning William Morris and His Circle; Index and Price Lists. (12" x 9"). 302pp, 125pp, 320pp, 344pp, 316pp, 102pp, 99pp. Color and b/w plates throughout.

Hardcover. NY, Grolier Club, 1st, 1914, Book: Very Good, Dust Jacket: None, Ltd to 303 copies. 216 pages. Light foxing to some pages, spotting to edges.Some flecking or spotting to cloth spine. Black slipcase worn at edges.

Hardcover. NY, Arthur A. Levine Books, 1st US, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The copyright page has the full number line "10 9 8 7 6 5 4 3 2 1 0/0 01 02 03 04". Below the number line is "Printed in the U.S.A. 23." The dust jacket back has a red bar code field on the bottom right side, and a blurb on the top that says "Sequel to the #1 New York Time Bestseller HARRY POTTER AND THE PRISONER OF AZKABAN". Boards are rust red with an embossed diamond pattern, and a black cloth spine with gold lettering. The dust jacket has $25.95 price on the upper corner of the front flap The first printing has a YEAR 4 badge on the upper spine of both the book and the dust jacket. This is the second novel in the Harry Potter series to carry the badge when first issued. Clean, collectible copy.

Hardcover. NY, Arthur A. Levine Books, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped ($29.99) dust jacket. B&w Illustrations by Mary GrandPre. Black half-cloth, purple boards with diamond embossed design, Year 6 printed at top of spine. First American edition, July 2005, printing line: ''10 9 8 7 6 5 4 3 2 1 05 06 07 08 09 USA 23''. Error on page 100: ''eleven 'Outstanding' O.W.L.s.'', in later editions this was changed to ''ten'' O.W.L.'s'. Clean, collectible copy.

Hardcover. NY, Arthur A. Levine Books/Scholastic, 1st US, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Illustrated by Mary GrandPre. This is the true first edition first printing of the US edition of the fifth book in the Harry Potter series. The copyright page states "First Edition" with the full number line, price $29.99 intact.

Hardcover. Boston, MFA Publications, Museum of Fine Arts, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages, profusely illustrated. From the 1890s through the turn of the century, there was a flourishing of new, imaginative art and craft throughout Europe that we now know as Art Nouveau. The Netherlands experienced an inventive variant of this art and design phenomenon, but until now it has been largely overshadowed by its counterparts in other countries, especially France. This richly illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of more than 100 works on paper--posters, decorative calendars and illustrated books, as well as prints and drawings. These innovative works of graphic design reveal the progressive Dutch artists' conscious reaction against the past, their inspiration in natural forms and exotic cultures, and their embrace of the principle that art should transform everyday life. They also show how the New Art--Nieuwe Kunst in Dutch--coexisted and sometimes intertwined in the Netherlands with other artistic strands, including persistent realist trends, Symbolism and the emergence of modernism. Included here are early drawings by well-known artists Vincent van Gogh and Bart van der Leck, as well as new discoveries from Jan Toorop, Theo Nieuwenhuis, Samuel Jessurun de Mesquita, Theo Hoytema, G. W. Dijsselhof and C. A. Lion Cachet. This beautifully illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of over one hundred posters, decorative calendars, and illustrated books, as well as prints and drawings. With text by Clifford S. Ackley, one of the leading specialists on Dutch prints and drawings, Holland on Paper in the Age of Art Nouveau provides a fascinating and visually rewarding introduction to a rich and creative artistic era.

Hardcover. Cleveland, World Publishing, 1st thus, 1946, Book: Very Good, Dust Jacket: Poor, Hardcover, first printing of the Tower Books Motion Picture edition, August 1946. In a very worn, tape-repaired dust jacket that shows scenes from the 20th Century-Fox film starring Peggy Ann Garner & Randolph Scott.