1966, Book: Very Good, Color art by Mahood of advertising grafitti on side of a building. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1973, Book: Very Good, Color art by Getz of a girl walking out of apartment building with her bicycle. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1974, Book: Very Good, Color art by Weber of a two-story building squeezed between skyscrapers. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1966, Book: Very Good, Color art by Martin of a red construction crane towering next to skyscraper buildings. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1973, Book: Very Good, Color art by Francois of water towers, skylights and spires atop city buildings. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
Hardcover. London, Cartago, 1st UK, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Color and black & white photography by Nicholas Sapieha. By studying a period of nearly four centuries and examining houses over the entire region of Goa, this lavishly illustrated book, with architectural drawings, attempts to define the specific identity of Indo-Portuguese architecture. It is possible to observe, particularly during the 17th and 18th centuries, a progressive cross-influencing of Indian and Portuguese aesthetic tastes: the resulting mixture has produced a fascinating style of architecture, which this text has captured with more than 200 color photographs.
Hardcover. NY, Monacelli, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, color illustrations throughout. Highlights structures, both in the planning and executed stages, designed in the 1990s by the firm of Philip Johnson/Alan Ritchie Architects, that demonstrate the firm's sculptural achievements, including Da Monsta and the Glass House in New Canaan, Connecticut. Introduction by Paul Goldberger. In a bright dust jacket, clean.
Hardcover. NY, Holt, Rinehart and Winston, 1st, 1966, Hardcover, white embossed cloth with gilt lettering on the spine. 115 pages profusely illustrated throughout in color and bw. Introduction by Henry Russell Hitchcock. Fifty-one color plates with plans cover all of Johnson's major buildings. In addition, relevant plans and drawings complement Hitchcock's text. The volume is completed by a thorough chronology of all of Johnson's architecture and bibliography of writings by and about the architect up to 1966. Mild darkening to cloth cover, otherwise clea copy. Lacks dust jacket.
Softcover. Albiano, e. s. Po., Reprint, 2000, Book: Very Good, Dust Jacket: None, 249 pages. Softcover with light wear to covers, crease to corner edge. Profusely illustrated in full page, full color & black & white throughout, including charts, diagrams, instructions. Clean & unmarked.
Hardcover. New York, William T. Comstock, 5th, 1889, Book: Very Good, Dust Jacket: None, 44 pages. Hardcover. Green cloth with gilt titles on spine and cover. Fifth edition. Light rubbing to cover edges, corners. Clean, unmarked.
Hardcover. International Marine/McGraw Hill, 4th Ed., 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 352 page, illustrated throughout. A comprehensive guide covering all aspects of designing and creating your dream yacht, from hull geometry to sail rigging and performance evaluation. Principles of Yacht Design has established itself as the standard book on the subject for practicing designers, naval architecture students, discerning boat owners as well as the boatbuilding industry as a whole. The fourth edition is completely revised and expanded and follows the design from scratch of a completely new yacht including all new computer-generated explanatory illustrations. As such, it examines every aspect of the process of yacht and powerboat design. The authors have used a newly designed 41 foot performance cruiser to demonstrate the practical application of yacht design theory. Name on front fly leaf, otherwise clean, like new.
Hardcover. NY, John Wily & Sons, 2nd Ed., 1909, Book: Good, Dust Jacket: None, Hardcover, dark blue cloth with gilt lettering on spine. 808 pages, b&w illustrations, charts. This comprehensive vintage guide offers a detailed overview of water supply systems, including their design, construction, and operation. It covers the various types of water sources, treatment methods and distribution networks. A valuable resource for engineers, planners, and policy makers dealing with water supply and sanitation issues. A dozen or so checks or short notations in text, name on front fly leaf.
Hardcover. New York, Abbeville Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, large format, 342 pages. "Each of the 300 posters included in Reel Art has been reproduced to the uncompromising standards of all Abbeville's fine art books. The selection of posters is world-class, many never been published, and the definite text, by screenwriter and film historian Stephen Rebello, tells the vastly entertaining story behind the posters and their creators." The four decades between 1910 and 1950 were the golden age of the American movie poster, an era when wonderful films wer promoted through the talents of legendary illustrators like Thomas Hart Benton, Norman Rockwell, Howard Chandler Christy and Jmes Montgomery Flagg, as well as a small army of unknowns. It was a time when big studios lavished fortunes on poster campaigns - from modest one-sheets posted on neighbourhood fences to the gargantuan forty-eight sheets that usurped entire sides of multi-storey buildings. Hollywood knew that the right image could seduce millions past the box office and into the theatre. Today such graphics fetch five-figure prices from collectors seeking a Casablanca or a King Kong.
Hardcover. NY, McGraw-Hill, 4th Ed., 1937, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on the spine, 454 pages, B&w diagrams, illustrations. This book provides a comprehensive guide to the construction of reinforced concrete structures, from design to implementation. It covers topics such as the properties of concrete and steel, the various forms of reinforcement, and the principles of beam and column design. A practical and informative resource for engineers and architects alike. Light marking to inside front cover, otherwise clean.
Hardcover. Germany, Hatje Cantz Publishers, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 159 pages. Like new in publishers shrink-wrap. The prominent Genovese architect Renzo Piano--recipient of the 1998 Pritzker Award and architect of the Whitney Museum of American Art and Morgan Library renovations, as well as the new New York Times building--has just completed a new and unusual museum building--the Zentrum Paul Klee on the outskirts of Bern. The center, says Piano, is dedicated to the "poet of silence," and thus it was fitting to consider building a museum that would speak softly. The Zentrum Paul Klee rises upward in the form of three hills connected by a 150-meter-long thoroughfare, the "Museum Street" serving as a path within the complex. The three structures make up a harmonious yet prominent landscape sculpture whose roofs are supported by innovative steel construction. Includes photographs, design sketches, plans and models--a living image of a magnificent building.
Hardcover. Germany, Hatje Cantz Publishers, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 159 pages. Like new in publishers shrink-wrap. The prominent Genovese architect Renzo Piano--recipient of the 1998 Pritzker Award and architect of the Whitney Museum of American Art and Morgan Library renovations, as well as the new New York Times building--has just completed a new and unusual museum building--the Zentrum Paul Klee on the outskirts of Bern. The center, says Piano, is dedicated to the "poet of silence," and thus it was fitting to consider building a museum that would speak softly. The Zentrum Paul Klee rises upward in the form of three hills connected by a 150-meter-long thoroughfare, the "Museum Street" serving as a path within the complex. The three structures make up a harmonious yet prominent landscape sculpture whose roofs are supported by innovative steel construction. Includes photographs, design sketches, plans and models--a living image of a magnificent building.
Hardcover. Koln GR, Taschen, 1st, 2000, Book: Very Good, Dust Jacket: None, Hardcover, 464 pages. Original publisher's faux wood boards, lettered orange at the spine and front cover. Copiously illustrated in color and black and white throughout. Text in English, German and French. Many photographs By Julius Shulman. Originally from Vienna, Richard Neutra came to America early in his career, settling in California. His influence on post-war architecture is undisputed, the sunny climate and rich landscape being particularly suited to his cool, sleek modern style. Neutra had a keen appreciation for the relationship between people and nature; his trademark plate glass walls and ceilings which turn into deep overhangs have the effect of connecting the indoors with the outdoors. Neutra's ability to incorporate technology, aesthetic, science, and nature into his designs brought him to the forefront of Modernist architecture. For the first time, all of Neutra's works (nearly 300 private homes, schools, and public buildings) are gathered together in one volume.
Hardcover. Hatje Cantz, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 304 pages illustrated in b&w and color. At the first mention of his name, one can easily picture them: light-flooded bungalows that are lavishly composed into nature and that characterize the architectural style of the American West Coast surrounding Los Angeles. But it is sometime overlooked that the career of Richard Neutra (1892-1970) began in Berlin-Zehlendorf. And yet these houses in Zehlendorf represent a fascinating phase in Neutra's work. With their complex color schemes and extravagant interior design, they reveal themselves to be more than just an experimental and radically innovative design. Indeed, these lesser-known aspects already hint at elements that will be taken up again in future projects. The present publication finally provides for a rightful appreciation of Neutra's early works and, alongside historical sources, it collects countless new and unpublished documents about the houses and their first residents. Clean, still in publisher's shrink wrap.
Hardcover. Zurich, Verlag fur Architektur], 1st, 1949, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, lightly soiled dust jacket with a chunk missing from the rear panel. 180 pages. Text in German, French and English, illustrated in black and white throughout. History of Robert Maillart bridges. Previous owner's signature on inside front cover, otherwise clean.
New York , Princeton Architectural Press, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 330 pages, color, b&w illustrations. Like-new condition. The first architect trained in America, Robert Mills is best known as the designer of many iconic buildings in our nation's capital: the Washington Monument, the Department of Treasury headquarters, the Patent Office Building (now National Portrait Gallery) , and the Post Office Headquarters.Beautifully illustrated with never-before-published watercolors and renderings and new color photography commissioned for the book.
Hardcover. New York, Henry Holt & Co, 1st, 1991, Book: Very Good, Dust Jacket: Good, Hardcover, 205 pages, illustrated throughout. Minor dust jacket edge wear, otherwise, very clean and tight copy. An examination of rooftop designs for living spaces, conservatories, studios, conference rooms, tea houses, and pool rooms includes floor plans and discusses building and zoning codes
Hardcover. New York, Abrams Books, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover. 95 pages. Oversized. Striking design, black cloth covered boards with embossed titles to cover & spine. Black & grey toned dust jacket with illlustration. Black endpapers. Crisp edges, only light marginal wear to dust jacket edges. Full page, black & white illustrations of the legendary Italian film studio Cinecitta, where directors such as Federico Fellini and Roberto Rossellini shot films, beautifully presented. A nice copy.
Softcover. Saratoga Springs NY, Lyrical Ballad Book Store, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 183 pages. Conceiving of the City of Saratoga Springs as a museum in which the exteriors of buildings are the works of art, many key examples of architecture are carefully placed within the context of local and national history and of architectural style. Illustrated with many black and white photos. Clean copy
Hardcover. Taschen, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 332 pages. Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a showplace for exhibitions of modern and contemporary artists ranging from Matthew Barney to Dan Flavin, Ellsworth Kelley, Louise Bourgeois or Rachel Whiteread. It is the only public modern and contemporary art gallery in central London, which maintains free admission and is open seven days a week.The pavilions are the work of international architects or design teams who at the time of the Serpentine's invitation have not completed a building in England. A maximum of six months from invitation to completion is allotted. The only architecture program of its type in the world, the Serpentine Gallery Pavilions attract up to 250,000 visitors each summer. The architect Richard Rogers has stated, This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.