canada colonial

Softcover. University of Toronto Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 264 pages. Two critical discourses central to current Canadian literary theory emerged in the late 1960s and early 1970s: post-colonialism as a political paradigm and postmodernism as a literary practice in Canadian and Quebecois fiction. Sylvia Soderlind considers the current debate about the relationship between these two discourses, and proposes a methodology that makes it possible to identify and distinguish between features pertaining to the two. Clean, bright copy.

Softcover. Youngstown NY, Old Fort Niagra Association, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 120 pages, b&w illustrations, maps. SIGNED BY AUTHOR on the title page. Few events in the long and complex history of Fort Niagara occupy so prominent a niche as the Seven Years War and the dramatic nineteen-day siege of 1759. The North American conflict of 1754-1760 resulted in the expulsion of French colonial power from the Great Lakes and Canada, and the siege of Fort Niagara was the climax of a century-long struggle for the northern gateway to the heart of the continent. Clean copy.

Hardcover. Simcoe, Ontario, The Norfolk Historical Society/Fanshawe College, 2nd revised, 1977, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth stamped in black. Unpaginated. 16 full color reproductions of family members in Colonial costumes. Intact and very clean. No dust jacket.

Softcover. NJ, Rutgers University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 244 pages. The story of westering Americans in the late nineteenth and early twentieth centuries has been told most notably through photographs of American Indians. Unlike this vast archive, produced primarily by male photographers, which depicted American Indians as either vanishing or domesticated, the lesser-known images by the women featured in Trading Gazes provide new ways of seeing the intersecting histories of colonial expansion and indigenous resistance. Four unconventional women-Jane Gay, who documented land allotment to the Nez Perces; Kate Cory, an artist who lived for years in a Hopi community; Grace Nicholson, who purchased cultural items from the Karuk and other northern California tribes; and Mary Schaffer, who traveled among the Stoney and Metis of Alberta, Canada-used cameras to document their cross-cultural encounters. Trading Gazes reconstructs the rich biographical and historical contexts explaining these women's presence in different Native communities of the North American West. Their photographs not only record the unprecedented opportunities available for Euro-American women eager to shed gender restrictions, but also reveal how women's newfound mobility depended on the increasing restrictions placed on Native Americans in this era.