canada

Hardcover. Ottawa Ontario, Ru-Mi-Lou Books, 1st, 1928, Book: Good, Dust Jacket: None, Hardcover, pictorial boards stamped in two shades of blue, 79 pages, endpaper illustration and line drawings by the author. Dime-size stain to front cover, two pages with small chips to fore-edge. Otherwise a clean copy.

Hardcover. Toronto, McClelland & Stewart Ltd, 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering, 274 pages. B&w decorations by Lois Lenski. A nice selection of Canadian stories. Bookplate on inside front cover, otherwise a bright, clean copy.

Softcover. Quebec, Frank Carrel/Daily Telegraph Office, unknown, 1907, Book: Very Good, Dust Jacket: None, 145 pages, b&w photographs, folding map in back. Illustrated wrappers with green design and photo of fort, shoreline. Cover title: Carrel's Illustrated Guide & Map of Quebec Showing Electric Railway Circuit. Price 25 Cents. Stapled, a little dusty with faint damp wrinkle to bottom of several pages. Overall, very good

Hardcover. Boston, W. A. Wilde Company, 1st, 1905, Book: Fair, Dust Jacket: None, Hardcover, brown cloth with 3-color pictorial decoration on the cover. Five b&w plates by Harry Burgess. Covers with edgewear, front hinge cracked, binding shaken but still holding. Dog advntures set in the northern wilds of Canada, told from the dog's viewpoint.

Softcover. Toronto, Musson Book Company Limited, Revised Ed., 1931, Book: Very Good, Dust Jacket: None, Softcover, original cream paper cover with light green and black lettering and decoration, and color pastedown of a painting. Ad for Chateau Frontenac inside front cover, and one for McColl-Frontenac Oil Co. Limited inside back cover. Interior is clean and free of markings. The book describes historical places of interest in the Montreal area. 96 pages including Index. Size: 6 1/4 x 9 Inches. Mild edgewear to covers.

Hardcover. Toronto, William Briggs, 1st, 1894, Book: Very Good, Dust Jacket: None, Inscribed by author's son. 568 pages, b&w illustrations. Fold-out map in rear torn, but present. Bright blue cloth covers w/ gilt lettering and design. Light wear to corners; small stains on rear cover. Ex-lib with number on bottom of spine, embossed stamp on title page, pocket inside rear cover. Else a very nice, tight copy.

Hardcover. NY, Alfred A. Knopf, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A collection of his writings on his home country. Clean copy.

Hardcover. London, Gollancz, 1st , 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. This is Gough's third novel featuring the tough duo of police detectives Jack Willows and Claire Parker, who work out of Vancouver, Canada. The interaction, cooperation and unspoken understanding essential to a successful police partnership is one of the most fascinating aspects of Gough's writing as he sends his sleuths into an investigation of a brutal drug-related murder. In tight, hard-hitting prose, Gough delineates a plot in which a monstrously cruel drug king, Gary Silk, orders his underlings to kill one another off after a multimillion-dollar drug deal has gone awry.

Hardcover. NY, Henry Z. Walck, 1st, 1969, Book: Very Good, Dust Jacket: Good, Hardcover, 32 pages, illustrated throughout in color by Elizabeth Cleaver. Light wear, rubbing to dust jacket edges and spine, small closed tear to front cover upper edge, else a clean, tight copy.

Hardcover. NY, Basic Books, 2nd pr., 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 416 pages. How did the West--Europe, Canada, and the United States--escape from immemorial poverty into sustained economic growth and material well-being when other societies remained trapped in an endless cycle of birth, hunger, hardship, and death? In this elegant synthesis of economic history, two scholars argue that it is the political pluralism and the flexibility of the West's institutions--not corporate organization and mass production technology--that explain its unparalleled wealth. Clean copy.

Softcover. Seattle, University of Washington Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover. Like new in publishers shrink-wrap. Chief Joseph's exhausted words of surrender, 'Hear me, my chiefs, I am tired; my heart is sick and sad. From where the sun now stands, I will fight no more forever', are the accepted end of the Nez Perce War of 1877, in which several bands of Nez Perce attempting to find a new home outside their diminished Idaho reservation clashed with the U.S. military (and occasionally other Indians) along the Clearwater and Big Hole Rivers, and finally at the foot of the Bear Paw Mountains. However, a number of Nez Perce escaped transportation to Indian Territory with Joseph and continued their flight to Canada, with perhaps a hundred eventually joining Sitting Bull's Lakota."I Will Tell of My War Story" reproduces, describes, and discusses a remarkable series of drawings by an anonymous Indian artist who fought with Chief Joseph and later reached Canada. The drawings, in red, blue, and black pencil, include portraits of principal participants in the war, battle scenes, and views of Nez Perce camp life and celebrations during the war and after. The drawings are preserved in a small pocket ledger labeled 'Cash Book' on the front, which was acquired by Indian Agent Charles D. Warner in the 1880s. It was willed by him to a family living in northern Idaho, and is now in the collection of the Idaho State Historical Society. Scott Thompson worked closely both with the owners and with members of the Nez Perce community in preparing his manuscript. Thompson's detective work and research methods to identify Nez Perce and other parties pictured in the Cash Book make fascinating reading. He is careful to point out what is speculation and what has been documented or attested to by experts on dress, weapons, ceremony, and other aspects of Native culture. The Cash Book drawings are unique in several ways. They are one of very few firsthand pictorial records of the Nez Perce War, representing an even scarcer record of this war as seen from the Indian viewpoint. They contain invaluable historical and ethnographic information not only explicit in the form of military and Native dress, regalia, and quite graphic battle scenes, but also implicit. The drawings reveal an important stage of cultural adaptation as shown by the mixture of white and Native goods combined in Nez Perce material culture during the 1870s and 1880s, and by the artist's assimilation of white/European drawing techniques such as texture and perspective. The artist combined these drawing techniques with Native art traditions to make exceptionally effective pictorial communications. Scott M. Thompson is an art teacher at Chase Middle School in Spokane, Washington.

Hardcover. McLelland and Stewart, 1st, 1960, Book: Very Good, Dust Jacket: Fair, Hardcover in an edgeworn, chipped dust jacket. Blue cloth with black lettering, 208 pages, b&w photo illustrations. Girl's adventure story set among the Eskimos of Arctic Canada. Features Ginnie, who drives her team of huskies as well as any man. Clean copy.

Hardcover. Canada, 5 Continents, 1st, 2016, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. light ding to bottom edge front board. 272 pages, many color and b&w photos. Josef Sudek (1896-1976) was a Czech photographer, best known for his photographs of Prague. He was a bookbinder before turning to photography after losing his right arm in WWI. This book, published to accompany an exhibition, examines how Sudek's photographs reflect his relationship to the world around him, from intimate explorations of cherished objects and views through his window to his night walks through the streets of Prague and its periphery, as well as excursions into the surrounding countryside. With essays, reminiscences by two former assistants, and stunning illustrations, here is a compelling view of Sudek's photographs, and the art of his friends and fellow artists. Sudek's legacy includes some of the 20th century's most haunting images of nature, monuments, city streets, and objects--all transformed by his sensitivity to the power of light to reveal and the power of darkness to render all impenetrable.

Hardcover. Toronto, Random House of Canada, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 321 pages. In the generation of singer-songwriters who came to fame in the '60s, none has had more impact--or created a more evocative, bittersweet, literate, and reflective body of work--than Joni Mitchell. Today's music owes much to her innovation and inspiration. This complete collection of her poetry and song lyrics reads like a poem cycle that finds unexpected meaning and beauty on the page. After displaying a haunting and sophisticated quality in her first albums, Joni Mitchell (1968), Clouds (1969), Ladies of the Canyon (1970), and Blue (1972), Mitchell reached her poetic apotheosis in the surreal and mythical Hejira (1976) and Don Juan's Reckless Daughter (1977). During the '80s, Mitchell used her words to explore and mirror the commercial energy of the decade. She became more reflective in the following years with Night Ride Home (1991) and Turbulent Indigo (1994). Clean copy.

Softcover. Canada, Art Gallery of Ontario, Toronto, 1st, 2010, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. This survey of Schnabel's career to date presents the artist's painterly production, from the 1970s through to the present, juxtaposing his large-scale paintings with his numerous critically acclaimed movies-'Basquiat' (1996), 'Before Night Falls' (2000), 'The Diving Bell and the Butterfly' (2007) and his newest film 'Miral,' which addresses the Palestinian-Israeli conflict. The complete scripts of each of these movies are featured, punctuated with stills chosen by Schnabel. Published for the Art Gallery of Ontario's 2010 survey, 'Julian Schnabel: Art and Film' is the first appraisal of how Schnabel works across media, bridging painting, writing and cinema. 447 pages.

hardcover. Toronto, University of Toronto, 1st , 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 203 pages. 79 full-page B&W portraits by Karsh.

Hardcover. Canada, Nostalgia Press, Inc., Reprint, 1977, Book: Very Good, Dust Jacket: Very Good, 166 pages. Hardcover with dust jacket. Mild soiling to dust jacket with only minor wear to dust jacket edges. Inside otherwise clean & unmarked. A tight copy with illustrations throughout.

Softcover. Musee McCord d'histoire, 1st, d'histoire, Book: Very Good, Dust Jacket: None, Softcover, 143 pages, illustrated throughout in b&w. Text in French and English. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. Montreal, Poirier, Bessette & Co., unk., 1893, Book: Good, Dust Jacket: None, 546 pages, many b&w illustrations including maps and fold-outs. Binding is shaken and both covers loose with cracked hinges, front fly leaf loose. Internally good. Leather spine and corners with pink pebbled cloth covers, marled end papers.

Hardcover. New York, Council of Women for Home Missions and Missionary Education Movement of the United States ands Canada, 1st, 1924, Book: Very Good, Dust Jacket: None, 260 pages, hardcover. A study of the Appalachian Mountain dwellers. Gilt title on spine. Black-and white frontispiece photo intact. Mild soiling to boards, light bumping to corners as well. Mild age spotting to pages throughout. Unmarked. A bright and tight copy.

Hardcover. NY, Grosset & Dunlap, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with a blue cloth spine, 174 pages illustrated with b&w photos. Clean copy.

Softcover. New York, Charles Scribner's Sons, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover. White glossy covers with b&w photographic plate of Louise Nevelson, perfect binding, introduction by John Canaday, profusely illustrated throughout with large b&w plates. Light rubbing to covers; otherwise a very clean, tight copy in great condition.

Softcover. Hantsport NS, Lancelot Press, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 159 pages. The appendix is a 15 page list of Loyalists giving their residence in Nova Scotia, their nationality, American residence and their occupation. Includes articles on such subjects as Col. James Delancey, Nathan Pushie , the Black Loyalists, etc., etc. Clean copy.

Softcover. University of Toronto Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Softcover, 264 pages. Two critical discourses central to current Canadian literary theory emerged in the late 1960s and early 1970s: post-colonialism as a political paradigm and postmodernism as a literary practice in Canadian and Quebecois fiction. Sylvia Soderlind considers the current debate about the relationship between these two discourses, and proposes a methodology that makes it possible to identify and distinguish between features pertaining to the two. Clean, bright copy.