caribbean

Hardcover. NY, Harper & Brothers, reprint, Book: Very Good, Dust Jacket: None, Hardcover, tan boards with a black cloth spine and a color illustration paste-down on front cover. K-E code on copyright page. 247 pages. Color and black and white illustrated plates throughout, all present as called for. A collection of tales, interweaving historical information, on various pirates and other notorious figures in the Spanish Main (Caribbean). Includes chapters on Henry Morgan, Blackbeard, Captain Kidd and others. Mild edgewear to covers, light water stain to rear board, gilt lettering on spine faded, otherwise clean.

Hardcover. New Haven CT, Yale University Press, 4th pr., 1927, Book: Very Good, Dust Jacket: None, Hardcover, marbled boards with a gray cloth spine, title label on spine, 343 pages, endpapers map, top edge gilt. Journey of Janet Schaw, a Scottish woman who traveled through the American colonies and the Caribbean in the late 18th century. Her observations provide firsthand accounts of colonial society, politics, slavery, and daily life on the eve of the American Revolution. With historical notes and context by the editor, this work offers valuable insight into the era from a unique perspective. Bookplate on inside front cover, otherwise clean.

Austin, Texas, Marion Kooagler McKay Art Institute, University of Texas Press, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover. 106 pages. Illustrated with color, black & white sketches. Introduction by John Palmer Leeper. Dust jacket with edgewear to bottom edges, closed tear.

Hardcover. NY, Harper & Row, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 274 pages. Ex-library with a stamp on front fly leaf and a scar to rear endpaper where pocket was removed. The covers have light tape marks where dust jacket was attached to book. Otherwise clean. Junius and his father travel "over far" - back to the Caribbean to rescue his grandfather and to reclaim their lost heritage.

Softcover. Clintondale NY, Bleak Beauty, 1st, 1988, Book: Very Good, Dust Jacket: None, 64 pages, b&w images by Lyon, softcover. Cover with minor wear, clean. Lyon's account of the fall of the Duvalier regime in Haiti produced an extraordinary visual and textual record of this historic series of events.

Hardcover. Washington DC, National Geographic Society, 1913, Book: Very Good, Dust Jacket: None, Hardcover, six bound editions from the first 6 months of 1913. Nice folding map of Central America/ Caribbean (pg. 166), fold-out b&w photo of Machu Picchu (pg. 434), poster-size fold-out of Titkana Peak (pg. 600, Color porfolio of 50 birds of Farm and Orchard (pgs. 669-697) with paintings by Louis Agassiz Fuertes. Interior pages and fold-outs pristine, rear upper spine label rubbed, faded. DOMESTIC SHIPPING ONLY.

Softcover. New Haven CT, Yale University Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 283 pages. An examination of the pioneering Caribbean and Latin American artists who resided in New York prior to WWII and shaped the American avant-garde Between 1900 and 1942, New York City was the site of extraordinary creative exchange where artists could share ideas in a global context. The swiftly changing urban landscape before and between the World Wars inspired the erosion of artistic boundaries and fostered a new climate of modernist experimentation. Nexus New Yorkfocuses on key artists from the Caribbean and Latin America who entered into dynamic cultural and social dialogues with the American-based avant-garde and participated in the development of a new modern discourse. Featuring both celebrated and little-known figures of this period, including Carlos Enriquez, Alice Neel, Marius de Zayas, Francis Picabia, Joaquin Torres-Garcia,Jose Clemente Orozco, Matta, and Robert Motherwell, contributing authors also discuss the specific environments in which they flourished, including the Art Students League, the Siqueiros Experimental Workshop, and the New School for Social Research. A fascinating look at 20th-century modernism, this book provides the first view of the important encounters between artists of the Americas.

1938, Book: Very Good, Dust Jacket: None, Jamaican street scene, watercolor art by John Pike. 10 1/4 X 13 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1970, Book: Very Good, Color art of cruise ship in Caribbean port by Martin. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1946, Book: Very Good, Color cartoon of woman riding in a horse-drawn cart in the Caribbean by Helen Hokinson. 8 1/4 X 11 1/2", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, The Century Co., 1st, 1920, Book: Very Good, Dust Jacket: None, Hardcover, light green cloth stamped in black, 486 pages, b&w photos by the author. A journal with bits of history of the West Indies in the early 20th century. It also covers some of the older history of the islands. There are some pictures of the ruins of Christophe's palace of Sans Souci, and of Cuba's new presidential palace. Bookplate and name on front endpapers otherwise clean.

Softcover. Los Angeles, UCLA Fowler Museum , 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover in bright wrappers, 446 pages. This abundantly illustrated anthology brings together 16 essays by scholars, artists, and ritual experts who examine the sacred arts of Haitian Vodou from multiple perspectives. Among the many topics covered are the 10 major Vodou divinities, the paintings of Hector Hyppolite, the multimedia pieces of Pierrot Barra, sequined bottles and sequined flags, and the work of the Brooklyn Priestess Mama Lola. Like new. DOMESTIC SHIPPING ONLY.

Hardcover. London, Sampson Low, Marston, Low, & Searle, 1st, 1873, Book: Good, Dust Jacket: None, 511 pages. Hardcover with gilt and black lettering on front and spine. Fraying on corners. Heavy soil on top page block. Illustrations and maps. Gutter crack on page 176.

Hardcover. New York, Farrar Straus & Company, 1st US, 1964, Book: Very Good, Dust Jacket: Very Good, 85 pages, in a bright, unclipped dust jacket. His first book of poetry to be published in the United States.

Softcover. London, Faber and Faber, Uncorrected proof, 1970, Book: Good, Dust Jacket: None, Softcover, 81 pages, b&w drawings by Karen Usborne, INSCRIBED BY WILSON to Irving and Joyce (Adler) on the title page and dated August 1970. Wilson has also added 3 titles to the list of his previously published books on the opposite page. Joyce Adler wrote several books on Caribbean literature and Harris. She has marked up this book in pencil and pen with underlining and marginal notes. This edition published before the hardcover printing. Peach color wrappers faded..

Softcover. NY, Routledge, 1st pbk, 2003, Book: Very Good, Dust Jacket: None, Softcover, 366 pages. The African Diaspora presents musical case studies from various regions of the African diaspora, including Africa, the Caribbean, Latin America, and Europe, that engage with broader interdisciplinary discussions about race, gender, politics, nationalism, and music. Clean copy.

Softcover. Washington DC, National Gallery of Art , 2nd pr., 203, Book: Very Good, Dust Jacket: None, Softcover, 334 pages illustrated with 224 color plates, 86 black & white. One of America's most innovative artists, Romare Bearden (1911-1988) made colorful and passionate images that reflected his life in a time of creative ferment. His influences ranged from the old masters to African art, as well as the world around him: popular religion and ritual, jazz clubs and brothels, the history and literature of his time, and the places he lived (the rural South, Pittsburgh and Harlem, the Caribbean island of St. Martin). The resulting images are fresh and evocative, filled with quirky details and rhythmic forms. This authoritative and beautiful book, which accompanies a major retrospective opening at the National Gallery of Art in Washington, D.C., provides a provocative and absorbing look at a beloved artist. The Art of Romare Bearden showcases compelling examples of his pioneering work: complex collages and photostats; watercolors, gouaches, and oils; little-known landscapes; his only known sculpture; costume designs; and book illustrations. Mildwear to corners otherwise very good, clean copy.

Hardcover. London , Rupert Hart=Davis, 1st, 1968, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket with light edgewear, 365 pages. An informal military history of the North American continent. The two major campaigns covered being the war with France for the possession of Canada & the American War of Independence. Service discipline in the British Army meant a bloody back, hence the nickname for the soldiers of the time. Name on front fly leaf, otherwise clean.

Softcover. Berkeley, University of California, reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, 371 pages, b&w illustrations. A bright, clean copy with sunning to spine.

Hardcover. New Haven CT, Yale University Press., 4th pr., 1955, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth covers, black lettering on spine, 342 pages. Endpapers map, foreword by the author; includes: caste and class, religion, sex relations & home life, politics and economcs, and modern Haiti, notes & bibliography, index. Clean copy.

Hardcover. NY, G. P. Putnam's Sons, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 64 pages. Yarbrough weaves a beautiful story in picture-book format about the role of music in the lives of Africans and shows how it was transformed on American and Caribbean soil. The tale revolves around a "Roots of Rhythm and Blues" concert attended by a sister and brother and their parents, great grandmother, and elderly neighbor. At the park, the father tells his children about slavery and the "culture baggage" the slaves carried with them from Africa. With a compelling delivery that echoes the rhythmic chanting of the griot, the man speaks about concepts such as spirit power and the tree of life that at first are hard for his young son to grasp. The performance begins with a song of praise for the strength and endurance of a transplanted people. By the end, the youngsters understand more about their heritage and the role spirituals played and continue to play in it. Geter's pencil-and-charcoal illustrations are richly imaginative, evoking images of Africa, slavery, roots, and soaring trees. Clean copy.

Hardcover. Salem, Peabody Essex Museum & Mystic Seaport Museum, reprint, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 371 pages. Clean, bright copy. Between 1932 and 1934, in the depths of the Depression, Donald Starr and six friends sailed the 85' Alden schooner Pilgrim around the world from Boston by way of the Panama and Suez Canals. Their adventure is recounted with wit and detail in this illustrated book -- a look at bluewater cruising, the Caribbean, the South Pacific, and the Mediterranean before war and tourism altered them forever.

Softcover. NY, Oxford University Press, repriny, 1989, Book: Very Good, Dust Jacket: None, Softcover, 290 pages. Henry Louis Gates, Jr.'s original, groundbreaking study explores the relationship between the African and African-American vernacular traditions and black literature, elaborating a new critical approach located within this tradition that allows the black voice to speak for itself.Examining the ancient poetry and myths found in African, Latin American, and Caribbean culture, and particularly the Yoruba trickster figure of Esu-Elegbara and the Signifying Monkey whose myths help articulate the black tradition's theory of its literature, Gates uncovers a unique system forinterpretation and a powerful vernacular tradition that black slaves brought with them to the New World. His critical approach relies heavily on the Signifying Monkey--perhaps the most popular figure in African-American folklore--and signification and Signifyin(g). Exploring signification in black American life and literature by analyzing the transmission and revision of various signifying figures, Gates provides an extended analysis of what he calls the "Talking Book," a central trope in early slave narratives that virtually defines the tradition of black American letters. Gates uses this critical framework to examine several major works of African-American literature--including Zora Neale Hurston's Their Eyes Were Watching God, Ralph Ellison's Invisible Man, and Ishmael Reed's Mumbo Jumbo--revealing how these works signify on the black tradition and on each other. Clean copy.

Softcover. Kingston, Ian Randle Publishers, 1st pbk, 1998, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 434 pages with index. The book traces the African ancestral line of Black Jamaicans through to the influence of Asian, European & Spanish rule of the island throughout the ages, culminating with early English white settlers, forging 2-types of Jamaican People. Clean, like new.