catalog photography

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 304 pages. Hardcover with no dust jacket. Very clean, unmarked copy with still in publishers shrink wrap. Visions of an American Dreamland highlights more than 200 images from Coney Island's history, including paintings, drawings, photographs, prints, posters, film stills, architectural artifacts, and carousel animals.

Softcover. Spain, Fundacion La Caixa, 1st, 2004, Book: Very Good, Dust Jacket: None, 284 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Beautiful color illustrations and photographs throughout.

Hardcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Swiss artist Daniele Buetti is notorious for his defaced photographs of supermodels, which feature scars, tattoos and disenchanted fragments of text. Buetti has been questioning the socially determined constructs of beauty and the commodification of sexuality and glamour since the 1980s. His altered photographs--large-scale C-prints on aluminum or light-boxes--have messages like "How much is my body worth?" and "What shall I hope for?" scrawled across them in electric colors. Buetti also often energetically scratches out or draws over portions of the image in a manner that recalls the destructive doodling of a truculent adolescent. Maybe You Can Be One of Us focuses on Buetti's recent drawings, videos, sculptures and installations. In these newer pieces, the fashion models give way to enigmatic illustrative symbols, such as two disembodied hands conjuring a puff of smoke. This publication accompanies an exhibition of new work at the Swiss Institute for Contemporary Art in New York.

Softcover. The Saint Louis Art Museum, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 158 pages illustrated in color and b&w. From well-known luminaries of the medium such as Arbus, Goldin, Lange, Cunningham, Cindy Sherman and Annie Leibovitz, to far less known figures, this book celebrates the role women have had in shaping photography's vision. Clean, bright copy.

Softcover. Amsterdam, Stedelijk Museum, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 128 pages, text in English by Rudi Fuchs and Jan Hein Sassen. Exhibition catalog for a 2001 Amsterdam retrospective. A very good copy in tall bound wrappers in very good photo-illustrated dustwrapper. Black-and-white and color reproductions of photography and art by Dennis Hopper.

Hardcover. France, Editions du ChIne, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 167 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Black & white and color photographs throughout.

Softcover. Pittsfield MA, The Berkshire Museum, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 32 pages, sepia toned illustrations. Essay by Fels. Clean copy.

Softcover. New York, Aperture, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. Illustrated with black & white photographs by Diane Arbus. Arbus's commercial photography and articles are less well known than her other works. Her assignments for 'Esquire', 'Harper's Bazaar' and the 'Sunday Times Magazine' in London covered the leaders of theater, fashion, show business and literature. Here are over 100 portraits and feature profiles which originally accompanied them. Luminaries include Jayne Mansfield, Mae West, William Golding, Susan Sontag, Norman Mailer, and many others. Clean, tight copy.

Softcover. New York, Aperture, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. Illustrated with black & white photographs by Diane Arbus. Arbus's commercial photography and articles are less well known than her other works. Her assignments for 'Esquire', 'Harper's Bazaar' and the 'Sunday Times Magazine' in London covered the leaders of theater, fashion, show business and literature. Here are over 100 portraits and feature profiles which originally accompanied them. Remainder stamp to bottom edge, otherwise a clean, tight copy.

Hardcover. New York, Metropolitan Museum of Art, 1st, 2016, Book: Very Good, Dust Jacket: None, 272 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Over 100 of Diane Arbus' early photographs in black and white. Tight copy. Diane Arbus (1923-1971) is one of the most distinctive and provocative artists of the twentieth century. Her photographs of children and eccentrics, couples and circus performers, female impersonators and nudists, are among the most recognizable images of our time. This book is the definitive study of the artist's first seven years of work, from 1956 to 1962. Drawn primarily from the rich holdings of the Metropolitan Museum's Diane Arbus Archive--a remarkable treasury of photographs, negatives, appointment books, notebooks, and correspondence--it is an essential contribution to our understanding of Arbus and her oeuvre.

Hardcover. Italy, Damiani, 1st, 2012, Book: Very Good, Dust Jacket: None, 240 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 200 color illustrations throughout. Portraits of famous celebrities such as Jessica Alba, Gabriel Byrne, Sofia Coppola, Diane von Furstenberg, Lazaro Hernandez of Proenza Schouler, Jack McCollough, Julianne Moore and Sting, as well as landscape photographs.

Hardcover. Philadelphia PA/New Haven CT, Philadelphia Museum of Art/Yale University Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 336 pages, hardcover with dust jacket. Published to commemorate the centenary of Levy's birth. With 300 photographs, including many unfamiliar works by well-known artists, the catalogue presents a stunning survey of this collection, long hidden from public view. Fading to dust jacket spine and fore edges. Unmarked. A clean and tight copy.

Softcover. London, Tate Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 248 pages, color and b&w illustrations. This book examines the work of Duchamp, Man Ray, and Picabia, three pioneering figures in the history of modernism. It explores the points of convergence and the parallels in their development throughout their careers. Central to this is their response to photography and film, and to the challenges posed to fine art by the development of mass production. Duchamp's paintings of 1911-12 were influenced by the representation of movement in photography, while Picabia's were shaped in part by the belief that the advent of the camera spelled the end of traditional painting. Man Ray used photography first to record his own art works and those of others, but soon saw in it a means of creating images of a status and inventiveness traditionally restricted to fine art. And, as this fully illustrated book shows, humor and eroticism were themes common to the work of all three artists.

Softcover. Oxford UK, Museum of Modern Art , 1982, Book: Very Good, Dust Jacket: None, 88 pages, b/w illustrations, very good paperback (exhibition catalogue). The essay is: Soviet photography between the wars. The photographers are: Max Alpert; Dimitr Dyebabov; Semyon Fridlyand; Boris Ignatovich; Yelizaveta Ignatovich; Georgi Lipskerov; Moisei Nappelbaum; Georgi Petrusov; Alexander Rodchenko; Galina Sanyko; Arkadi Shaikhet; Shaikhet/Alpert/Tules; Abram Shterenberg; Georgi Zelma.

Hardcover. Boston/NY, Bulfinch/Little Brown, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 96 pages. Essay by Maria Morris Hambourg. Includes 54 tritones, 10 text illustrations and 4 gatefolds. A clean and tight near fine copy. Published in conjunction with a traveling show that ran January 14 through April 21, 2002 at The Metropolitan Museum of Art

Hardcover. NY, powerHouse Books, 1st, 2019, Hardcover in a bright dust jacket. For some 70 years, Leo Goldstein's East Harlembodyof work remained mostly untouched and unseen.The silver gelatin prints were catalogued in 2016,and a selection is gathered here for the first time.The photographs were taken over a number of years,beginning in 1949 when Goldstein was a memberof the Photo League.The East Harlem corpus, edited by Regina Monfort,represents an important and unique addition to thephotographic history of New York City. Because thereare no negatives in existence, it was of particularimportance to preserve the images in book form andmake them available to the public.The selected images reflect the postwar years in theEast Harlem community, which would grow intoa center of Puerto Rican culture and life in the U.S.From the families portrayed gathering on stoops, tothe kids at their shoeshine stations, to youths playingball in the streets, to posters on neighborhood walls,Goldstein's images of East Harlem provide a windowinto the socio-economic, cultural, and politicallandscape of the time.

Hardcover. New Haven, CT, Yale University Press, 1st, 2018, Book: Very Good, Dust Jacket: None, 47 pages. Hardcover with no dust jacket. Very clean, LIKE NEW in publishers shrinkwrap. Ruscha's work comprises five black-and-white Los Angeles landscapes made in 1992 paired with color representations of the same sites as they appeared ten years later and draws attention to how often-overlooked changes in the evolving urban landscape are redolent of economic might and globalization or decline and stagnation.

Softcover. Washington DC, National Portrait Gallery/ Smithsonian Institution Press, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, 378 pages, illustrated with numerous b&w plates. Exhibition catalog for a show at the National Portrait Gallery in 1978. Tight, clean copy.

Hardcover. New Haven, CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 440 pages. Hardcover in purple slipcase. Very clean, unmarked copy still in shrink wrap. Gilt lettering on spine. Profusely illustrated with over 200 color plates. Tight copy. Prior to the invention of photography, European and American magazines used colorful prints to depict the latest fashion trends. These illustrations, known as "fashion plates," conveyed the cutting-edge styles embraced by the fashion-conscious elite and proved inspirational to the upwardly mobile. This lavishly illustrated book provides a comprehensive survey of 200 color plates from publications dating from 1778 to the early 20th century, accompanied by authoritative and fascinating texts. Organized chronologically and featuring both men's and women's garments, these lively and colorful vignettes not only are beautiful, but also deftly illustrate the evolution of fashion over time.

Softcover. Hong Kong, Christie's Hong Kong,, 2005, Book: Very Good, Dust Jacket: None, Softcover. 88 pages, 55 lots. Comprehensive catalogue accompanying the Christie's Hong Kong special auction of the Tianhe Shanfang collection, held May 30, 2005. All items illustrated with color photography, accompanied by detailed descriptions and historic information, with value estimates in HK and US dollars. Clean, like new.

Softcover. Zurich, Shedhalle Zurich, 1st, 1992, Book: Good, Dust Jacket: None, 112 pages. Softcover. Exhibition catalog. Text in German and English. Black & white photographs by Francesca Woodman. 3 pages with brief underlining in ink. Light wear to covers. Introductory essays by Harm Lux and Kathryn Hixson. Chronology, bibliography, list of exhibitions. Francesca Woodman "was an American photographer best known for her black and white pictures featuring either herself or female models. Many of her photographs show young women who are nude, blurred (due to movement and long exposure times), merging with their surroundings, or whose faces are obscured. Her work continues to be the subject of much critical acclaim and attention, years after she died by suicide at the age of 22, in 1981."

Softcover. Tokyo, Japan, A.D.A. Edita, 1st, 1986, Book: Very Good, Dust Jacket: None, 317 pages. Softcover with French flaps. (Japanese to English Text) Color and b/w illustrations throughout. Illustrations consist of photographs and drawings of completed buildings and relevant projects. A touch of age-yellowing throughout. Soil on bottom edge. Spine is slightly faded. Complete with no pages missing, binding still tight. Rare.

Softcover. Tokyo, Japan, A.D.A. Edita, 1st, 1989, Book: Very Good, Dust Jacket: None, 358 pages. Softcover with French flaps. (Japanese to English Text) Color and b/w illustrations throughout. Illustrations consist of photographs and drawings of completed buildings and relevant projects. A touch of age-yellowing throughout. Soil on bottom edge. Spine is slightly faded. Complete with no pages missing, binding still tight. Rare.

Softcover. Tokyo, Japan, A.D.A. Edita, 1st, 1988, Book: Very Good, Dust Jacket: None, 390 pages. Softcover with French flaps. (Japanese to English Text) Color and b/w illustrations throughout. Illustrations consist of photographs and drawings of completed buildings and relevant projects. A touch of age-yellowing throughout. Soil on bottom edge. Spine is slightly faded. Complete with no pages missing, binding still tight. Rare.