childrens reference

Softcover. Washington, Library of Congress, 1st thus, 1988, Book: Very Good, Dust Jacket: None, Softcover, 139 pages, illustrations in b&w. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. Oak Knoll Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 559 pages. First comprehensive bio-bibliography of one of the most loved children's book authors and illustrators in America and around the world. Not only does this book describe Tudor's sixty-year career, but also readers will enjoy the poignant stories about Tudor written by her two daughters, Bethany and Efner, and her editors, Patricia Gauch and Dorothy Haas. The daughter of naval architect, W. Starling Burgess, and portrait painter, Rosamond Tudor, Tasha Tudor, as a child, was greatly influenced by her father's engineering background and her mother's artistic life. She became particularly fascinated by life in the 1830's, which inspires her art, writing, and her own life. From 1938 onward, Tudor's children's books captivated a wide audience. Her fans are still intrigued by her magical stories and her romantic illustration of New England's countryside, drawn from her own experiences of family life. Her work is published in more than 90 books, which have been reprinted and republished many times. Through her eighties, Tudor remained active in publishing, meeting her fans, and autographing her books. In loving tribute, this work is illustrated with many drawings by Tudor's daughter, Bethany, as well as rare early photos of Tudor as a young woman, by Nell Dorr, and 16 pages of color photos of Tudor's book covers. The bibliography includes every known book illustrated and/or written by Tudor, including those published in the first half of 1998.

Hardcover. NY, Oxford University Press , 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 496 pages. color and b&w illustrations.

Hardcover. NY, Norton, reprint, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 396 pages. The Wonderful Wizard of Oz is the quintessential American fairy tale. Michael Patrick Hearn, the world's leading Oz scholar, now provides a fascinating new annotation that not only reacquaints readers with the Tin Woodman, Scarecrow, and Cowardly Lion, but also illuminates the colorful background of this treasured American classic. This edition explores numerous contemporary references, provides character sources, and explains the actual meaning of the word "Oz." A facsimile of the rare 1900 first edition appears with the original drawings by W.W. Denslow, as well as 25 previously unpublished illustrations. There is a bibliography of L. Frank Baum's published work, every notable "Oz" edition, and the stage and cinematic productions from 1939's The Wizard of Oz, to the 1974 Broadway hit, The Wiz. A beautiful, awe-inspiring work, The Annotated Wizard of Oz is an enduring tribute to the timeless joy of The Wizard of Oz, and a classic to rival Baum's own. Clean copy.

Hardcover. Winchester UK, St. Paul's Bibliographies, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 142 pages. Mary Elliott (then Mary Belson) began writing for children in 1809, at a time when increasing literacy and wealth and more progressive understanding of the reading needs of children were creating a growing demand for more and more books for young people. Beginning with two books in verse - one a lively tale about town and country mice, the other, an anthology including many of her own poems - she went on to produce a stream of books on a variety of subjects. Her stories, some eventful and exciting, were mostly about real children learning to tackle the everyday circumstances and difficulties which they encountered in the world around them. These books were made all the more attractive by her publisher, William Darton, who provided them with entertaining illustrations, many of them interesting today for their depiction of contemporary scenes and fashions. Mary Elliott's books soon spread across the Atlantic, and American publishers reissued many of them, sometimes adapting the text to local circumstances. Although her books are now forgotten, they cannot be disregarded by researchers into the history of childhood and of children's literature. This bibliography contains about 470 entries. Clean.

Hardcover. Athens GA, University of Georgia Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 145 pages, b&w illustrations. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. NY, Charles Scribner's Sons, reprint, 1967, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with black and gilt stamping, 305 pages. A guide for parents who wish to understand the physical and psychological problems of early childhood. A pioneering work on early childhood development that is as relevant today as when it was first published in 1950. Covers with some discoloration to blue color, interior of book is clean, tight.

Hardcover. London, Frederick Warne, Revised Ed., 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 173 pages. Illustrated with 8 color and 30 b&w plates. Although Beatrix Potter is known and loved by generations of children brought up on "Peter Rabbit" and others, her life began in great joylessness and solitude. Drawing was her once fascination and her creative genius was able to flourish in the loneliness and isolation of her early years. Despite the fame that her skill was later to bring, she nevertheless preferred to maintain her privacy and hide behind the persona of a Lakeland farmer. Margaret's Lane biography recounts, with reference to letters and photographs, Beatrix Potter's sad childhood, her struggle for independence, her ill-fated love affair and happy marriage. Clean copy.

Hardcover. Sandwich, MA, Thornton W. Burgess Society, 1st , 1979, Book: Very Good, Dust Jacket: Very Good, 151 pages & index, B&W illustrations. Hardcover with dust jacket. Gutter cracked page 30, otherwise clean, tight copy.

self published, circa 1970, Book: Good, Dust Jacket: None, A typed/xeroxed manuscript in a 3-ring orange binder with metal clasps. A scholarly history of boys series books complete with an introduction, biographies, criticism, and lists of titles/authors. A valuable research tool by someone with a passionate interest in the field of children's writing. No date anywhere but around mid 1970s. About 250 one-sided pages, with some hand-written notations. Probably an early version of a manuscript later published in 1982 by McFarland in North Carolina. "Tom Swift & Company: Boys Books by Stratemeyer and Others".

Hardcover. NY, Dial Books, reprint, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 686 pages. The Uncle Remus tales, originally written down by Joel Chandler Harris, were first published over a hundred years ago, and serve as the largest collection of African-American folklore. In this four-book series, Julius Lester masterfully retains the flavor of the tales, while dropping the heavy dialect of the Harris originals and adding contemporary language and references-- ensuring that the stories will be understood and enjoyed by new generations of readers. The stories are beautifully illuminated by the slyly humorous full-color and black-and-white art of Jerry Pinkney.

Softcover. Paducah, Ky., Collector Books, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 143 pages, illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers.

Softcover. Hanover NH, Dartmouth College, First Thus, 2000, Book: Very Good, Dust Jacket: None, 149 pages. Softcover published to commemorate the seventy-fifth anniversary of the graduation from Dartmouth College of Theodor Seuss Geisel. Grey cloth covers with silver titles to cover. Clean, unmarked copy.

Hardcover. NY, Atlantic Monthly Press , 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In 1911, famed cartoonist Winsor McCay debuted one of the first animated cartoons, based on his sophisticated newspaper strip "Little Nemo in Slumberland," itself inspired by Freud's recent research on dreams. McCay is largely forgotten today, but he unleashed an art form, and the creative energy of artists from Otto Messmer and Max Fleischer to Walt Disney and Warner Bros.' Chuck Jones. Their origin stories, rivalries, and sheer genius, as Reid Mitenbuler skillfully relates, were as colorful and subversive as their creations-from Felix the Cat to Bugs Bunny to feature films such as Fantasia-which became an integral part and reflection of American culture over the next five decades. Pre-television, animated cartoons were aimed squarely at adults; comic preludes to movies, they were often "little hand grenades of social and political satire." Early Betty Boop cartoons included nudity; Popeye stories contained sly references to the injustices of unchecked capitalism. "During its first half-century," Mitenbuler writes, "animation was an important part of the culture wars about free speech, censorship, the appropriate boundaries of humor, and the influence of art and media on society." During WWII it also played a significant role in propaganda. The Golden Age of animation ended with the advent of television, when cartoons were sanitized to appeal to children and help advertisers sell sugary breakfast cereals.

NY, Sterling, reprint, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards. Acclaimed artist and naturalist Jim Arnosky has created a breathtaking and informative reference on the subject, filled with intricately drawn prints from creatures both wild and domestic, as well as large-scale paintings of the animals in their environment. Best of all, many of the tracks are true to size, so children can compare the trace left by a big-footed polar bear (whose paws act as snowshoes in its icy environment) with that of a small bird. Adding to the eye-catching illustrations are four awesome gatefolds that display paintings of a bobcat, wolf, deer and a variety of hoofed animals right next to their prints. And the featured menagerie includes bighorn sheep and goats, chipmunks and rabbits, grizzlies and brown bears, horses and burros, domestic cats and dogs and even slithering reptiles!

Hardcover. Atglen PA, Schiffer Publishing , 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, in a bright dust jacket, 256 pages illustrated in color. Value Guide (for 1992) laid in. All the excitement and enchantment of over ninety years' worth of wonderful Wizard of Oz memorabilia awaits you on every page of this deluxe, full-color tribute to the collectibles and merchandise inspired by America's foremost fairy tale and everyone's favorite film! Oz experts Jay Scarfone and William Stillman have--for the first time ever!--compiled an astounding assemblage of over one thousand "Ozzy" artifacts documented and categorized for convenient reference in sixteen different sections. Autographs, books, buttons, dolls, games, puzzles, figurines, drinking glasses, postcards, novelties, publicity and promotion, posters and lobby cards, records, sheet music--it's all here AND SO MUCH MORE! You'll be amazed at the wealth of offerings to be found along that Yellow Brick Road of "Oz and ends." Supplemented by a timely value guide, this comprehensive volume is an absolute must for collectors of movie memorabilia, dolls, toys, Judy Garland, or anyone devoted to magical mementos of Ozmania! Like new, clean.

Hardcover. Portsmouth, NH, Peter E. Randall Publisher, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 93 pages, with illustrations. Spotless and tight copy, with dust jacket. "A Collection with Comments" A bibliography based on the collection of Joyce Hanrahan for over 30 years, and additions she has seen. Listings include points for first editions, and price ranges. Sections on ephemera, periodicals, visuals and posters.

Hardcover. NY, The Viking Press, 1st, 1947, Book: Very Good, Dust Jacket: None, Hardcover. First edition. Beige/light brown cloth with reddish lettering/decoration, top edge stained red as issued, 202 pages, illustrated with drawings. Clean, tight copy. No dust jacket.

Hardcover. Detroit MI, Gale Research Co., 1st, 1977, Book: Very Good, Dust Jacket: None, Two hardcover volumes with orange cloth covers. 275, 335 pages. Biographical data are interspersed with autobiographical and critical excerpts from the writings of nineteenth and twentieth-century authors and illustrators. B&w illustrations throughout. Name on front fly leafs, otherwise clean. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.