china travel

Hardcover. Ann Arbor, University of Michigan Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 231 pages. Hardcover with dust jacket. SIGNED AND INSCRIBED BY AUTHOR ON TITLE PAGE. Clean, tight copy with light edge wear to covers.

Hardcover. Ann Arbor , The University of Michigan Press, reprint, 2004, Book: Very Good, Dust Jacket: Very Good, 231 pages, hardcover with dust jacket. An erudite and authoritative guide of Chinese travel literature by American and British writers. Mild rubbing and slight fading to dust jacket. Unmarked and scarce; a tight copy.

Hardcover. New Haven, Mercatorfonds, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. Like new in publisher's shrink-wrap. The flourishing of photography as a medium in the mid-19th century coincided with a rise in curiosity about China on the part of the Western world. As the number of foreigners living and traveling in China increased, early photographs of China were taken by and for an international audience. Among the Celestials assembles 250 fascinating images of China in the second half of the 19th century and first half of the 20th, captured by the Western camera lens. The photographs portray the gritty side of the country as well as stunning views of palaces, temples, harbors, and gardens. This juxtaposition of the sordid and the serene provides a multidimensional picture of China's physical and social landscape before Mao Zedong's ascent to power changed the country forever. The photographs, many published here for the first time, are both beautiful and moving, and together offer a new understanding of a social and cultural history associated with a time of significant historical change.

Hardcover. London, Palazzo Editions, reprint, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 209 pages. Illustrated in color by Robert Ingpen. Around the World in Eighty Days is an evocation of an era when all travel was an adventure - and Jules Verne's tale of a race against the clock has never lost its power to thrill. Set in 1872, Mr. Phileas Fogg, a gentleman of precision and predictability, and his manservant, the ever resourceful Passepartout, ride through India on an elephant, sail the South China Sea in the teeth of a typhoon and cross the snow-covered plains of the American Wild West in order to fulfill a wager that the journey can be completed in just eighty days. Clean copy.

Softcover. self-published, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, 267 pages. INSCRIBED BY AUTHOR on title page. The autobiography of an American missionary recalling her travel and adventures in China and later Africa. Clean copy with mild warp to book.

Hardcover. Gottingen, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. Like new in publisher's shrink-wrap. This volume presents Bruce Davidson's personal selections from his lesser-known color archive, from a period of nearly 60 years. Assignments from various magazines including Vogue, National Geographic and Life, as well as commercial projects led Davidson to photograph subjects as diverse as fashion (in the early 1960s), the Shah of Iran with his family (1964), keepers of French monuments (1988), the supermodel Kylie Bax (1997) and college cheerleaders (1989). He photographed in India and China, but also at home in New York, in Chicago and along the Pacific Coast Highway. In 1968, Michelangelo Antonioni invited Davidson to document the making of his film Zabriskie Point. Davidson also continued to pursue personal projects, such as photographing the Yiddish writer and Nobel Prize laureate Isaac Bashevis Singer (1972-75), the New York City subway (1980) and Katz's Delicatessen (2004). Often staying on in a country after an official assignment, Davidson documented Welsh coalfields, family holidays in Martha's Vineyard and travelled through Patagonia and Mexico.

Hardcover. NY, Random House, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 228 pages. At the beginning of World War II Cecil Beaton was commissioned by the British government to photograph the home front. He set to work recording both the destruction of the city, and the heroism of Londoners under attack. He conducted a survey of Bomber and Fighter Commands for the RAF, which was published with his own astute commentary. Beaton was an effective propagandist, but his voice, like his photographs, was touchingly elegant. Beaton's wartime work amounted to 7,000 photographs. He traveled through the Western Desert and on to Iraq, Palestine, Transjordan, Syria, and India, where he photographed the final days of the Raj in New Delhi and Calcutta before joining the Burma campaign. He ended the war deep in Chinese territory where he witnessed the Nationalist resistance to the Japanese. This collection of Beaton's masterful WWII photography captures the home front, the Middle East, arms and vehicle manufacturing in Britain, India, the Burma Campaign, and the war in China. It also includes a chronology placing events in Beaton's life alongside developments in photography, journalism, and the arts; war photography; and world events. His original photographs are reproduced large on the page, alongside his diary extracts, allowing for deep scrutiny and appreciation of the images and their artist.

Hardcover. New York, Harper and Brothers, 1st, 1869, Book: Very Good, Dust Jacket: None, Hardcover, faded blue pebbled cloth, 456 pages, gilt title on spine. The work of an American Protestant missionary, with much material on missionaries in China. Many b&w engravings, fold-out map.

Hardcover. New York, Harry N. Abrams, Inc., 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 200 pages. Hardcover. Dust jacket unclipped, just a bit age-yellowed. Color and b/w illustrations throughout. Gilt title on spine, bound in red cloth. Other than a slight age-yellow, pages clean and unmarked inside. Touch of foxing to top edge and back of dust jacket. In great shape.

Hardcover. Bew Haven CT, Yale/Fine Arts Museums of San Francisco, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Coming of age in the 1960s, the photographer Danny Lyon (b. 1942) distinguished himself with work that emphasized intimate social engagement. In 1962 Lyon traveled to the segregated South to photograph the civil rights movement. Subsequent projects on biker culture, the demolition and redevelopment of lower Manhattan, and the Texas prison system, and more recently on the Occupy movement and the vanishing culture in China's booming Shanxi Province, share Lyon's signature immersive approach and his commitment to social and political issues that concern those on the margins of society. Lyon's photography is paralleled by his work as a filmmaker and a writer. Danny Lyon: Message to the Future is the first in-depth examination of this leading figure in American photography and film, and the first publication to present his influential bodies of work in all media in their full context. Lead essayists Julian Cox and Elisabeth Sussman provide an account of Lyon's five-decade career. Alexander Nemerov writes about Lyon's work in Knoxville, Tennessee; Ed Halter assesses the artist's films; Danica Willard Sachs evaluates his photomontages; and Julian Cox interviews Alan Rinzler about his role in publishing Lyon's earliest works. With extensive back matter and illustrations, this publication will be the most comprehensive account of this influential artist's work. Clean copy. Still in publisher's shrinkwrap.

Hardcover. Bew Haven CT, Yale/Fine Arts Museums of San Francisco, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Coming of age in the 1960s, the photographer Danny Lyon (b. 1942) distinguished himself with work that emphasized intimate social engagement. In 1962 Lyon traveled to the segregated South to photograph the civil rights movement. Subsequent projects on biker culture, the demolition and redevelopment of lower Manhattan, and the Texas prison system, and more recently on the Occupy movement and the vanishing culture in China's booming Shanxi Province, share Lyon's signature immersive approach and his commitment to social and political issues that concern those on the margins of society. Lyon's photography is paralleled by his work as a filmmaker and a writer. Danny Lyon: Message to the Future is the first in-depth examination of this leading figure in American photography and film, and the first publication to present his influential bodies of work in all media in their full context. Lead essayists Julian Cox and Elisabeth Sussman provide an account of Lyon's five-decade career. Alexander Nemerov writes about Lyon's work in Knoxville, Tennessee; Ed Halter assesses the artist's films; Danica Willard Sachs evaluates his photomontages; and Julian Cox interviews Alan Rinzler about his role in publishing Lyon's earliest works. With extensive back matter and illustrations, this publication will be the most comprehensive account of this influential artist's work. Clean copy. Still in publisher's shrinkwrap.

Softcover. Princeton, NJ, Markus Weiner Publishers, 1st English Translation, 2001, Book: Very Good, Dust Jacket: None, 327 pages. Softcover. B/w illustrations throughout. Decorated wrapper, excellent. Pages clean and bright. Binding good. Like new copy. This fascinating study of eunuchs guides readers as they travel through various lands and periods, familiarizing themselves with the duties and responsibilities, the unspeakable torments, and the passions and joys of these individuals.

New York, Aperture, Rep., 1998 , Book: Very Good, Dust Jacket: Very Good, Hardcover, 162 pages, many B&W & sepia period photographs of China, its people and culture. Very richly illustrated, captions, chronology, list pioneer phiotographers, sources, general bibliography, acknowledgements. Photographs from the archives of Arnold Arboretum - Harvard University.

Hardcover. New York, Aperture, reprint, 1998 , Book: Very Good, Dust Jacket: Very Good, Hardcover, 162 pages, many B&W & sepia period photographs of China, its people and culture. Very richly illustrated, captions, chronology, list pioneer photographers, sources, general bibliography, acknowledgments. Photographs from the archives of Arnold Arboretum - Harvard University.

Hardcover. New York, Spiegel & Grau, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 420 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy.

Softcover. NY, Kelly O'Quinn, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover magazine, 70 pages. Very light wear. A periodical devoted to scientific speculation about the future. This issue contains: Jane Fonda's China Syndrome by Nancy Naglin; War in Space by Stella Morris; The Great H. G. Wells Film Revival by Joseph Kay; H. G. Wells Revival - Return of the Time Traveler by Barbara Lewis; Interview: Timothy Leary by Robin Snelson; The 23rd Century: A Vision for Star Trek by Jesco von Puttkamer; Building the First Space Colonies by Gerard O'Neill; The Sound of the Future by Todd Rundgren; and How to Design a Getaway Special to Space by G. Harry Stine; along with the usual features, including a painting of Titan by Don Davis.

Softcover. Berkeley CA, University of California Press, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 210 pages. In this rich comparative ethnography, Lee describes how two radically different factory cultures have emerged from a period of profound economic change. In Hong Kong, "matron workers" remain in factories for decades. In Guangdong, a seemingly endless number of young "maiden workers" travel to the south from northern provinces, following the promise of higher wages. Whereas the women in Hong Kong participate in a management system characterized by "familial hegemony," the young women in Guangdong find an internal system of power based on regional politics and kin connections, or "localistic despotism." Having worked side-by-side with these women on the floors of both factories, Lee concludes that it is primarily the differences in the gender politics of the two labor markets that determine the culture of each factory. Posing an ambitious challenge to sociological theories that reduce labor politics to pure economics or state power structures, Lee argues that gender plays a crucial role in the cultures and management strategies of factories that rely heavily on women workers. Clean copy.

Hardcover. Damiani, 1st, 2015, Hardcover in a bright dust jacket, still sealed in publisher's shrinkwrap, 156 pages. Outside the Studio is photographer Greg Gorman's tenth monograph. This book takes Gorman (born 1949) outside the reaches of his studio portrait and figure-study work, for which he is best known, and onto the streets of Southeast Asia-uncharted territory for the artist. Traveling initially on behalf of Epson, giving symposiums on fine art digital printing throughout Singapore, Malaysia, China and India, Gorman got a firsthand look at these very different cultures at the very beginning of the digital revolution. The transition from analogue to digital cameras was another new experience for Gorman, who had shot film for more than 30 years. For Gorman, being in the studio with the likes of Marlon Brando or Robert De Niro was second nature, but being thrust in front of strangers in China, Kuala Lampur, India, Thailand, Cambodia and Vietnam was a new adventure.

Hardcover. London/NY, Thames & Hudson, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket The first visual chronicle of a little-known chapter in the career of Henri Cartier-Bresson--one of the great photographers of the twentieth century.In December 1948, Henri Cartier-Bresson traveled to China at the request of Life magazine. He wound up staying for ten months and captured some of the most spectacular moments in China's history: he photographed Beijing in "the last days of the Kuomintang," and then headed back to Shanghai, where he bore witness to the new regime's takeover. Moreover, in 1958, Henri Cartier-Bresson was one of the first Western photographers to go back to China to explore the changes that had occurred over the preceding decade. The "picture stories" he sent to Magnum and Life on a regular basis played a key role in Westerners' understanding of Chinese political events. Many of these images are among the best-known and most significant photographs in Cartier-Bresson's oeuvre; his empathy with the populace and sense of responsibility as a witness making them an important part of his legacy. This volume allows these photographs to be reexamined along with all of the documents that were preserved: the photographer's captions and comments, contact sheets, and abundant correspondence, as well as the published versions that appeared in both American and European magazines. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. Barre MA, Imprint Society, 1st thus, 1971, Book: Very Good, Dust Jacket: None, Hardcover in a slipcase, 248 pages. Many illustrations from manuscript charts and drawings by Ingraham, introduction by Mark D. Kaplanoff, one of 1950 copies. Binding is decorated gray paper over boards, with yellow cloth spine and pasted on label. A record of a voyage for the sea otter trade, with a route that took the ship to the Sandwich (Hawaiian) Islands, the Marquesas, and China as well as to the northwest coast of North America.

Hardcover. NY, Random House, 1st, 1939, Book: Good, Dust Jacket: None, Hardcover, textured beige cloth, moderately soiled. No edition or printing stated on copyright page. Illustrated with 32 pages of b/w photographs, as well as endpaper maps, red and black frontispiece illustration. The story of the trip Auden and Isherwood made to China during its war with Japan, prior to the outbreak of the Second World War. Includes 32 pages of photographs, as well as several sonnets and one long poem by Auden. Narrative written by Isherwood. There is a tan stain that goes across pages 68-69, that looks like a rorschach test. Otherwise clean.

Hardcover. Chapel Hill, North Carolina, Algonquin Young Readers, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 113 pages. Hardcover. Extensive color illustrations by James McMullan throughout. Illustrated paste downs and end papers. Clean, unmarked copy with only minor wear to dust jacket. McMullan explained, "In my late seventies I decided to organize my memories of my childhood before and during the Second World War into a coherent narrative. The tension of our lives when the Japanese army took over our town in China and the subsequent anxieties of traveling from country to country with my mother has imprinted the incidents of those years into my memory with an enduring lucidity that defies the otherwise fading recall of my aging mind."

Hardcover. NY/London, Thames & Hudson, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover, illustrated boards with short wrap-around dust jacket. 400 color photos. This lavishly illustrated book is the history of China, spanning the pre-revolutionary years to China's present day rise as a global power as told through the Magnum photo agency's legendary photographs. Magnum Photos first covered China on assignment in the 1930s, when Robert Capa and Henri Cartier-Bresson established what has become a long-standing cultural engagement with the ever-changing country. Magnum's long history with China puts the agency in the unique position of being able to provide an in-depth photographic account of China, its people, and the changes they have witnessed over the last nine decades.Featuring an outstanding selection of photographs, Magnum China is a thorough illustrated history of a vast, enigmatic country, fascinating for China-watchers and novices alike.Chronologically organized into four parts, charting the history of China from 1933 to the present day, Magnum China presents in-depth portfolios by individual photographers, accompanied by introductory commentaries on the featured work and group selections that curate individual photographs to illustrate the diverse state of China. Each part also features an introduction by respected scholar Jonathan Fenby, as well as "key dates" timelines and lists of the photographers' travels, setting the socio-political and historical context for the photography on show. Remainder line on bottom edge.

Hardcover. New York , Harry N. Abrams, 1st US, 1997, Book: Very Good, Dust Jacket: Very Good, 175 pages, illustrated throughout with photos in b&w. Clean, unmarked copy with only minor wear to dust jacket. It was a major feat when, in December 1956, Marc Riboud became one of the first Western photographers to enter China after the Communist takeover of 1949. A member of the famed Magnum photo agency, Riboud was permitted to return to China at regular intervals over the next four decades, observing and recording the enormous changes that have taken place. French journalist Jean Daniel provides a thoughtful introduction and Riboud himself comments on each photograph, explaining the time, the place, and the circumstance. This is a book that will intrigue and disturb - through its insights into the soul of the Chinese people, and through its picture of a nation transforming itself with such wrenching speed.