china

Softcover. NY, Stewart, Tabori & Chang, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. Photographs show the students' occupation of Beijing's Tiananmen Square. For fifty days, the world watched as a generation of China's young people stood up and spoke out about democracy and freedom.

Hardcover. US, Yale University Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 549 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. This book presents a survey of Chinese painting from the eighth to the 14th century, a period during which the nature of China's pictorial art changed dramatically. Illustrated by works in the collection of The Metropolitan Museum of Art, New York, the author begins by describing the advent toward the end of the Bronze Age of figural representation in Chinese art, and next traces the development of Chinese landscape painting from the third to the tenth century. He then moves on to discuss the art of the Sung dynasty, when the imperial government was increasingly absolute and repressive. In this period artists shifted from a realistic rendition of nature to more symbolic representation of single flowers, rocks and trees. By the time of the Yuan dynasty, following the Mongol conquest of 1279, objective representation in art had been replaced by imagery that drew on the artist's inner response to his world. Because it was believed that the meaning of a painted subject, made complex by personal and symbolic associations, could no longer be expressed without language, the painter began to inscribe poems and incorporate calligraphy in his works, the multiple relationships among word, image and calligraphy forming the basis of a new art. At this stage Chinese art entered its richest and most diverse stage f development.

Hardcover. San Francisco, CA, Chronicle Books , 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover. Vivid color illustrations throughout. In great shape, clean inside and out. "Lyrical text and illustrations featuring Chinese characters and paper collage introduce the beauty and richness of China."

NY, Bloomsbury, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Tim Raglin.Poor Bill! He is a bull with a passion for fine china. But, as we all know, bulls and china don't really go together too well - or is that just prejudice? In fact, Bill is a perfect collector of the most charming china cups, and only starts to break things when he is made to feel nervous. This is a delightful book about a bull, a china shop and three very kind old ladies. Clean copy.

NY, Bloomsbury, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Tim Raglin.Poor Bill! He is a bull with a passion for fine china. But, as we all know, bulls and china don't really go together too well - or is that just prejudice? In fact, Bill is a perfect collector of the most charming china cups, and only starts to break things when he is made to feel nervous. This is a delightful book about a bull, a china shop and three very kind old ladies. Clean copy.

Hardcover. Washington, D.C., Smithsonian Institution Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, 602 pages. Dark blue cloth covers, silver titles to spine, illustrated dust jacket, 38 color plates, 39 b&w drawings, textured blue endpapers decorated with map of China, variant names list, checklist of species, Latin and English alphabetical indices. Light edgewear and rubbing to dust jacket, pages crisp and unmarked, clean covers; a very clean, tight copy in great condition.

Hardcover. Philadelphia, David McKay, 1st, 1944, Book: Good, Dust Jacket: None, Hardcover, beige cloth with red lettering and boat design on front cover. Color, black & white illusration by Helen Sewell. 92 pages. Light wear to covers, old price blacked out on front fly leaf, internally VG.

Hardcover. Philadelphia, David McKay, 1st, 1944, Book: Very Good, Dust Jacket: Fair, 92 pages. Hardcover with dust jacket. Color, black & white illustrations by Helen Sewell. Previous owner's bookplate. Dust jacket chipped, worn with two chunks missing.

NY, Scholastic, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Jean and Mau-Sien Tseng. Honesty and resourcefulness triumph over greed and evil as a boy takes desperate measures to save himself and his neighbors from the malevolent magic of the dreaded ku snake. Clean copy.

Hardcover. Gottingen, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. Like new in publisher's shrink-wrap. This volume presents Bruce Davidson's personal selections from his lesser-known color archive, from a period of nearly 60 years. Assignments from various magazines including Vogue, National Geographic and Life, as well as commercial projects led Davidson to photograph subjects as diverse as fashion (in the early 1960s), the Shah of Iran with his family (1964), keepers of French monuments (1988), the supermodel Kylie Bax (1997) and college cheerleaders (1989). He photographed in India and China, but also at home in New York, in Chicago and along the Pacific Coast Highway. In 1968, Michelangelo Antonioni invited Davidson to document the making of his film Zabriskie Point. Davidson also continued to pursue personal projects, such as photographing the Yiddish writer and Nobel Prize laureate Isaac Bashevis Singer (1972-75), the New York City subway (1980) and Katz's Delicatessen (2004). Often staying on in a country after an official assignment, Davidson documented Welsh coalfields, family holidays in Martha's Vineyard and travelled through Patagonia and Mexico.

Hardcover. Rutland VT, Tuttle Publishing, 2nd pr., 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 255 pages, b&w illustrations. Treasured for centuries by karate's top masters, the Bubishi is a classic Chinese work on philosophy, strategy, medicine, and technique as they relate to the martial arts. Referred to as the "bible of karate" by famous master Chojun Miyagi, for hundreds of years the Bubishi was a secret text passed from master to student in China and later in Okinawa. All of karate's legendary masters have studied it, applied its teachings, or copied passages from it. No other classic work has had as dramatic an impact on the shaping and development of karate as the Bubishi. Karate historian and authority Patrick McCarthy spent over ten years researching and studying the Bubishi and the arts associated with it. The first English translation of this remarkable tome includes numerous explanations and notes. McCarthy's work also includes groundbreaking research on Okinawan and Chinese history, as well as the fighting and healing traditions that developed in those countries, making it a gold mine for researchers and practitioners alike. For the final word on the true origins and spirit of classic Okinawan martial arts, one need look no further. This karate book is one of the best karate training supplements available. Clean copy.

Hardcover. London, Printed by Order of the Trustees, 1st, 1892, Book: Very Good, Dust Jacket: None, Orange cloth covers with black lettering and rules on spine and both covers, 443 pages with hundreds of pictures. Front and rear hinges partially cracked, previous owner's initials on front fly leaf, otherwise the book is very good, clean throughout.

Hardcover. NY, Random House, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 228 pages. At the beginning of World War II Cecil Beaton was commissioned by the British government to photograph the home front. He set to work recording both the destruction of the city, and the heroism of Londoners under attack. He conducted a survey of Bomber and Fighter Commands for the RAF, which was published with his own astute commentary. Beaton was an effective propagandist, but his voice, like his photographs, was touchingly elegant. Beaton's wartime work amounted to 7,000 photographs. He traveled through the Western Desert and on to Iraq, Palestine, Transjordan, Syria, and India, where he photographed the final days of the Raj in New Delhi and Calcutta before joining the Burma campaign. He ended the war deep in Chinese territory where he witnessed the Nationalist resistance to the Japanese. This collection of Beaton's masterful WWII photography captures the home front, the Middle East, arms and vehicle manufacturing in Britain, India, the Burma Campaign, and the war in China. It also includes a chronology placing events in Beaton's life alongside developments in photography, journalism, and the arts; war photography; and world events. His original photographs are reproduced large on the page, alongside his diary extracts, allowing for deep scrutiny and appreciation of the images and their artist.

Hardcover. Chicago, Art Media Resources, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 305 pages. Hardcover with dust jacket. Light edgewear to cover boards, otherwise clean bright copy. Color pictures throughout. 12x12x1 dimensions. Numbering over 250 works spanning nearly 1500 years, the Dewey collection of ancient Chinese tomb sculpture is exceptional for its breadth and outstanding quality. Representing nearly all figural types, stylistic traditions and themes, it provides a comprehensive visual record with fascinating insights into the customs and fashions, inventions and superstitions of ancient China's ruling elite during the golden age of the Great Silk Road.

Softcover. Hong Kong, The Urban Council, 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, 146 pages. Illustrated in b&w, some color. Clean, bright copy.

Hardcover. New York , Harper and Brothers, 1st, 1939, Book: Good, Dust Jacket: None, Hardcover, tan cloth stamped with red decoration. Ex-library with bookplate and mild residue to rear end papers. The story of a Chinese boy who starts school, attractively illustrated in black and white with soft drawings by Laura Bannon.

Hardcover. NY, Harper & Row, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 217 pages. A 12 year old girl who knows little of her Chinese heritage is sent to San Francisco's Chinatown to live with her grandmother. Jane Addams Peace Award & Boston Globe-Horn Book Award. Color dust jacket art by Allen Say.

Hardcover. Cambridge, Mass., Harvard University Asia Center, 1st, 1983, Book: Very Good, Dust Jacket: None, Hardcover, 544 pages. Minor corner and edge wear, spine bump, otherwise, spotless and tight copy.

Hardcover. New York, Harper and Brothers, 1st, 1869, Book: Very Good, Dust Jacket: None, Hardcover, faded blue pebbled cloth, 456 pages, gilt title on spine. The work of an American Protestant missionary, with much material on missionaries in China. Many b&w engravings, fold-out map.

Hardcover. New York, Harry N. Abrams, Inc., 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 200 pages. Hardcover. Dust jacket unclipped, just a bit age-yellowed. Color and b/w illustrations throughout. Gilt title on spine, bound in red cloth. Other than a slight age-yellow, pages clean and unmarked inside. Touch of foxing to top edge and back of dust jacket. In great shape.

Softcover. Cambridge MA, Harvard University Asia Center, 1st pbk, 2004, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 445 pages, b&w illustrations. In China Made, Karl Gerth argues that two key forces shaping the modern world-nationalism and consumerism-developed in tandem in China. Early in the twentieth century, nationalism branded every commodity as either "Chinese" or "foreign," and consumer culture became the place where the notion of nationality was articulated, institutionalized, and practiced. Based on Chinese, Japanese, and English-language archives, magazines, newspapers, and books, this first exploration of the historical ties between nationalism and consumerism reinterprets fundamental aspects of modern Chinese history and suggests ways of discerning such ties in all modern nations. Clean copy.

Hardcover. Columbia MO, University of Missouri Press, 1st, 1976, Book: Very Good, Dust Jacket: None, Hardcover, orange paper covered boards with purple cloth spine and gold spine title, 64 pages. INSCRIBED BY AUTHOR on the half title page. Also card-size poem ("Billy Budd") laid in with envelope, signed by Barnstone. Clean , bright copy.

Hardcover. Chicago, University of Chicago, 1st, 1953, Book: Very Good, Dust Jacket: None, Hardcover, light green cloth stamped in dark green, 290 pages with index. Includes six life-histories of Chinese gentry families by Yung-teh Chow. Illustrations based on drawings by Hames K. Y. Kuo. Studies the social role of the scholar-gentry in imperial and modern China. Clean copy, no dust jacket.

Softcover. Honolulu, University of HawaiinPress, 2nd pr., 2000, Book: Very Good, Dust Jacket: None, Softcover, 362 pages, b&w illustrations and photos. China's Old Dwellings is the most comprehensive critical examination of China's folk architectural forms in any language. It begins by tracing the interest in Chinese vernacular buildings in the twentieth century. Early chapters detail common and distinctive spatial components, including the interior and exterior modular spaces that are axiomatic components of most Chinese dwellings as well as conventional structural components and building materials common in Chinese construction. Later chapters examine representative housing types in the three broad cultural realms--northern, southern, and western--into which China has been divided. Knapp completes his survey with an exploration of China's old dwellings in the context of the rapid economic and social changes that are destroying so