Hardcover. London/Calcutta, Seagull Books , 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Circuses provide surreal, fantastic entertainment. At times magical and at others chilling, the circus is a world of magic and spectacle for the viewer, but for the performer, a career in the circus often brings with it a nomadic, lonely life. In Circus Girl, photographer Saibal Das captures beautiful and unusual images of circus girls, photographs which evokes this sense of darkness and resignation that underlies the otherworldly feats they perform under the big top. For instance, in one photograph, a circus girl whose act involves a lioness is seen sitting in front of a mirror putting on her makeup. The lioness that she usually whips in the ring stands behind her, her paw touching the girl's shoulder affectionately. But both wear a solemn look. In another, the girl sits on her props, staring silently at the snack packets strewn on the ground. The giant marquee is empty. Internationally renowned mime Nola Rae provides a haunting accompanying text that poetically comments on the transient wanderings of the circus performers who often yearn for a conventional family life while donning their costumes and taking hold of the trapeze. Rae gives voice to the circus girls, articulating the thoughts too often hidden by the brilliant illusion of stage lights.
NY, Golden Book, 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards. Color illustrations by the author. Step right up and see the dazzling displays and sensational sights of the brightest circus parade ever. From the golden calliope wagon to the proud pachyderms, each page of detailed delights will keep readers rapt. A treat for both young and old; no one will want to miss the clowns in cars and penguins in pools; ferocious felines and aerial artistry--everything that's marvelous and magical about the legendary big top! So get yourself some peanuts and cotton candy and settle in for the greatest parade on earth.
Hardcover. New York, North South Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by Peter Kuhner. Clean and tight copy.
Hardcover. NY, Lothrop Lee & Shepard, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Robert Andrew Parker. Kael, a black timber wolf, is captured & performs for a circus, until he has the opportunity to escape. Haunting story of a wild Wolf & the gentle man who trains him. Clean copy.
Hardcover. NY, Lothrop Lee & Shepard, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Robert Andrew Parker. Kael, a black timber wolf, is captured & performs for a circus, until he has the opportunity to escape. Haunting story of a wild Wolf & the gentle man who trains him. Clean copy.
Hardcover. Lausanne, Librairie Marguerat , 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 157 pages, b&w and tipped-in color plates. French text. Previous owner's signature on front fly leaf. Edge wear, rubbing to dust jacket. Foxing to top edge. Else a clean, tight copy.
Hardcover. Boston, Little Brown & Company, 1st, 1982, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket. The dean of Ringling Brothers-Barnum and Bailey Circus' Clown College tells the story of the school and of his life as a clown. 400 pages, b&w drawings by Ballantine. Fading to dust jacket spine.
Hardcover. New York, Atheneum, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 250 pages, b&w illustrations by Ray Abel. Bright, unclipped dust jacket with some light chipping to top edge. Was Wales, North Dakota, really a wicked little village? Lucy was worried not only because she loved Wales, but also because that summer she was going to drive to Minneapolis with her parents to meet cousins she had never seen before. Would they think Wales was a terrible place too? Yet there were good things, like the county fair and the Stone Age Girls Club that met in the little stone house in Lucy's backyard.
Hardcover. Boston, Little Brown , 1st, 1966, Book: Very Good, Dust Jacket: Good, Hardcover, 319 pages, b&w photos. In a bright, unclipped dust jacket with a couple closed tears, mild soil.
Hardcover. NY, Dodd Mead, 1st US, 1950, Book: Fair, Dust Jacket: None, Hardcover, pictorial boards, 64 pages illustrated in color and b&w by Trier. Cover and spine worn, chipped. Walter Trier was a Czech-German illustrator, best known for his work for the children's books of Erich Kastner and the covers of the magazine Lilliput. This is a sequel to his Dandy the Donkey first published in 1943. Book is fragile with shakey binding.
Hardcover. New York, Holiday House, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white illustrations by Rounds. Dust jacket with rubbing, minor chipping.
Hardcover. Huntington Beach, James Cahill Publishing, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED AND DATED on title page by Dunning. Originally a paperback in 1981, this is the first hardcover edition. Clean copy. This early standalone novel by Dunning presents a Pulitzer prize-winning journalist for a smaller New Jersey paper who has several stories assigned- an Amish woman who becomes a Radio City Rockette, a traveling circus fire that kills an eight year old girl and no one claims the body, and an old FBI investigation of student activists.
Hardcover. New York, Metropolitan Museum of Art, 1st, 2016, Book: Very Good, Dust Jacket: None, 272 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Over 100 of Diane Arbus' early photographs in black and white. Tight copy. Diane Arbus (1923-1971) is one of the most distinctive and provocative artists of the twentieth century. Her photographs of children and eccentrics, couples and circus performers, female impersonators and nudists, are among the most recognizable images of our time. This book is the definitive study of the artist's first seven years of work, from 1956 to 1962. Drawn primarily from the rich holdings of the Metropolitan Museum's Diane Arbus Archive--a remarkable treasury of photographs, negatives, appointment books, notebooks, and correspondence--it is an essential contribution to our understanding of Arbus and her oeuvre.
Hardcover. New York, Fred A. Stokes Co., 1st US, 1924, Book: Fair, Dust Jacket: None, 379 pages, hardcover. Stamped and illustrated boards. Illustrated endpapers and color frontispiece. Heavy soiling and age toning to boards. Heavy bumping to all corners. Moderate age toning to text block edges. Previous owner's inscription on half title page. Front hinge cracked. A fair reading copy.
Hardcover. NY/Tokyo, Weatherhill, 3rd pr., 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Delightful illustrations depict the imaginative and illogical world of a fantasy circus where the musicians' instruments are matchsticks and kitchenware, and fierce lions turn into wooden toys.
Hardcover. Boston, David R. Godine, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 32 pages illustrated in b&w by the author. Tim is so discouraged and bored by life at home and school that he seizes a chance to join a circus, not knowing what really awaits him. Clean copy.
Hardcover. Boston, David R. Godine, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 32 pages illustrated in b&w by the author. Tim is so discouraged and bored by life at home and school that he seizes a chance to join a circus, not knowing what really awaits him. Clean copy.
Hardcover. Boston , Godine, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white illustrations by the author. Light edgewear to dust jacket.Tim is so discouraged and bored by life at home and school that he seizes a chance to join a circus, not knowing what really awaits him. Clean copy.
Hardcover. San Francisco, Chronicle Books, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Discover the unlikely--and entirely unforgettable--friendship between Flora, an elephant calf stolen from her African home, and David, the circus impresario and magician who adopts, trains, and ultimately liberates her, in this tale freely inspired by actual events.With a minimum of language--only 22 words in all--but a maximum of inventive ele-fantabulous wordplay, Jane Yolen deftly re-imagines this initially tentative but ultimately unconditional relationship between a man and an elephant. Brett Helquist not only lovingly illuminates the tale with all the excitement and tension, mystery and color of a vintage circus poster but also fully captures the subtle range of emotions of a remarkable and enduring ele-friendship. Clean copy.
Hardcover. London, White House Editions, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 312 pages. b&w and color photos throughout. Beautifully illustrating the art of the Circus, with thematically arranged chapters. Rare. Folio. Red cloth, gilt lettering to spine and front cover. Original slip case decorated by Fred Fowle. Minor wear to slip case opening edge, still very good copy, DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. The Woodlands TX, New Century Books, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 585 pages. INSCRIBED BY EDITOR to fellow publisher Paul Erikkson and his wife. The kidnapping of the first son of aviator Charles Lindbergh became the crime of the century and defined 'media circus.' As much as the world in the 1930's loved 'Lucky Lindy' for his flight from New York to Paris, so the world despised the kidnapper of the Lindbergh's child. Although the crime occurred in New Jersey, the FBI maintained complete files on the case, because ransom money crossed state lines. These are the complete, never-published, FBI files on the Lindbergh baby kidnapping. The files end with the single word PENDING, as the case was still in progress. This is time stopped in 1934.
Hardcover. NY, Platt & Munk, reprint, 1930, Book: Very Good, Dust Jacket: Good, 24 pages. Hardcover with dust jacket. illustrated in color, black & white. Dust jacket with chipping, wear along spine but very attractive.
Hardcover. Mad Cave, 1st, 2026, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 286 pages in b&w. From the very depths of the ocean floor to self-imposed exile in outer space... From the post-apocalyptic world of New York City in the far-flung future to enslavement in an intergalactic space circus... Science fiction's most enduring icon, Flash Gordon, is back to continue his never-ending battle against intergalactic evil! 'The Lost Continent' reprints all of Dan Barry's daily strips from October 26, 1953 to July 9, 1956, restored from the original tearsheets, and includes a feature on Flash Gordon written by newspaper comic strip expert, Rick Norwood. Clean copy.
Softcover. Washington DC, National Geographic, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. The Smithsonian National Air and Space Museum draws more visitors than any other museum in the world--90,000 a day in the summertime--and the exhibit of air travel posters featured in this unique companion volume combines arresting, colorful art, rare archival material, and a unique approach to aeronautical history. The posters--most of them never before published--feature barnstormers, gliders, and flying boats, the earliest passenger flights, the first luxury-liners, mail carriers, jets, and much more. Spanning a century and a half, they combine the popular art and the commerce of their eras, with both explored in the entertaining, informative text by a longstanding National Air and Space Museum curator. From 19th-century circus impresarios offering rides in gaudy hot-air balloons to the sleek 21st-century airliners, the posters provide a fascinating illustrated history of flight as it evolved from an exotic realm inhabited only by visionaries and daredevils into our modern world of speedy jets and frequent flyers--no longer extraordinary, perhaps, but still echoing with the exhilarating thrill and glamorous excitement captured here.