Hardcover. Syracuse University Press, 1st, 1958, Book: Very Good, Dust Jacket: Very Good, Hardcover, brown cloth with title on cover label. Translated by Antje Lemke. Introduction by Donald Bean. Fine in fine printed acetate dust jacket. Contains the first appearance in English of the prologue in which Aldus announces his plans to publish the first printed editions of Aristotle's works. facsimiles printed on rectos and versos of 14 pages at back, facsimiles in text. Clean copy.
Hardcover. NY, Oxford University Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This book examines the far-reaching legacy of one of the great myths of classical antiquity. According to Greek legend, Antigone, daughter of Oedipus, secretly buried her brother in defiance of the orders of Creon, king of Thebes. Creon sentenced Antigone to death, but, before the order could be executed, she committed suicide. The theme of the conflict between Antigone and Creon - between the state and the individual, between young and old, between men and women - has captured the Western imagination for more than 2,000 years. Antigone and Creon are as alive in the politics and poetics of our own day as they were in ancient Athens. Here, Steiner examines the treatment of the Antigone theme in Western art, literature and thought, leading us to look again at the unique influence Greek myths exercise on twentieth-century culture.
Hardcover. Ithaca NY, Cornell University Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. INSCRIBED BY TATUM on the front fly leaf. In this readable and scholarly work, Tatum looks at the enduring appeal of Apuleius' novel, the sophistication and artistry the work, and places The Golden Ass within its ancient contexts. This is the first book-length study of The Golden Ass. It is aimed at both specialists and a general audience.
Hardcover. NY, Oxford University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 166 pages. Pindar (c. 518-438 B.C.), one of ancient Greece's most famous lyric poets, is perhaps best known for his victory (epinicean) odes, written to honor the winners at various sets of games, such as the Olympiad. In Crown of Song, Deborah Steiner's study of these odes, she writes "If Pindar is remote from us in genre, his style strikes the reader as vivid and immediate. And in my reading of the epinicean odes, it is the poet's use of metaphor that accounts for the dynamic quality of his verse." Steiner begins her analysis by exploring both ancient and modern theories of metaphor, and then turns to specific imagery employed by the poet--plant life, athletics, minerals and numerous others--as a way of understanding how these metaphoric complexes function in the poet's praise of the victor, his assertion of his own place as perpetuator of the victor's immortal fame, and in his vision of human achievement and glory in the context of mortal life and immortal gods. Written in a lively, readable style, Crown of Song opens up the sometimes difficult verse of this celebrated ancient poet to modern readers. Name on front fly leaf, otherwise clean.
Hardcover. New York, Oxford University Press, 3rd Ed., 1931, Book: Very Good, Dust Jacket: None, Five volumes complete, 594, 576, 543. 645 and 593 pages. Olive cloth binding with gilt lettering on spine, top edge gilt.Couple hinges tender. Bright, clean set. DUE TO WEIGHT, DOESTIC SHIPPING ONLY.
Hardcover. NY/Oxford UK, Routledge, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 190 pages. This book examines Gore Vidal's lifelong engagement with the ancient world. Incorporating material from his novels, essays, screenplays and plays, it argues that his interaction with antiquity was central to the way in which he viewed himself, his writing, and his world. Divided between the three primary subjects of his writing - sex, politics, and religion - this book traces the lengthy dialogue between Vidal and antiquity over the course of his sixty-year career. Broughall analyses Vidal's portrayals of the ancient past in novels such as Julian (1964), Creation (1981) and Live from Golgotha (1992). He also shows how classical literature inspired Vidal's other fiction, such as The City and the Pillar (1948), Myra Breckinridge (1968), and his Narratives of Empire (1967-2000) novels. Beyond his fiction, Broughall examines the ways in which antiquity influenced Vidal's careers as a playwright, an essayist and a satirist, and evaluates the influence of classical authors and their works upon him. Clean copy.
Hardcover. NY, Jewish Theological Seminary of America, 2nd Ed., 1962, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth with gilt lettering on spine, 231 pages. (Essays in Judaism series) In this book, master Talmudist and scholar of the Greco-Roman world, the late Professor Saul Lieberman, elucidates words, texts, customs, and practices in either rabbinic or classical literature, often by reference to passages in the other. In Greek in Jewish Palestine, he demonstrates that almost every foreign word and phrase have their raison d'etre in rabbinic literature and that all Greek phrases in rabbinic literature are quotations. Hellenism in Greek Palestine is an inquiry into the spirit of many rabbinic observations and investigations of the facts, incidents, opinions, notions and beliefs to which the Rabbis allude in their statements. Name on front fly leaf, otherwise clean.
Hardcover. London, Walter Scott Publishing, reprint, nd, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers with gilt lettering on spine, 348 pages plus publisher's ads in rear. Walter Savage Landor's most celebrated prose work. This collection features a series of dialogues that blend historical and fictional figures, spanning from antiquity to Landor's contemporary period. The conversations are structured in various formats, including classical dialogues, discussions between sovereigns, and exchanges among literary figures, showcasing Landor's classical influences and intellectual rigor. Spine color faded, name on front fly leaf otherwise clean.
Softcover. Stanford CA, Stanford University Press, 1st transl., 1944, Book: Very Good, Dust Jacket: None, Softcover, 246 pages. Philosophical aesthetics has seen an amazing revival over the past decade, as a radical questioning of the very grounds of Western epistemology has revealed that some antinomies of aesthetic experience-and in particular of the limits of the aesthetical-can be viewed as a general, yet necessarily open model for human understanding. In this revival, no text in the classical corpus of Western philosophy has been more frequently discussed than the complex paragraphs modestly inserted into Kant's Critique of Judgment as sections 23-29: the Analytic of the Sublime.This book is a rigorous explication de texte, a close reading of these sections. First, Lyotard reconstitutes, following the letter of Kant's analysis, the philosophical context of his critical writings and of the European Enlightenment. Second, because the analytic of the sublime reveals the inability of aesthetic experience to bridge the separate realms of theoretical and practical reason, Lyotard can connect his reconstitution of Kant's critical project with today's debates about the very conditions-and limits-of presentation in general.
Softcover. NY, Zone Books, reprint, 2006, Book: Very Good, Dust Jacket: None, Softcover, 525 pages. Jean-Pierre Vernant and Pierre Vidal-Naquet are leaders in a contemporary French classical scholarship that has produced a a stunning reconfiguration of Greek thought and literature. In this work, published here as a single volume, the authors present a disturbing and decidedly non-classical reading of Greek tragedy that insists on its radical discontinuity with our own outlook and with our social, aesthetic, and psychological categories. Originally published in French in two volumes, this new single-volume edition includes revised essays from volume one and is the first English translation of both volumes. Remainder mark top edge otherwise a clean copy.
Hardcover. Gloucester MA, Peter Smith , reprint, 1973, Book: Very Good, Dust Jacket: None, Hardcover, 342 pages. Beige cloth with black lettering on spine. Light underlining to about 10 pages, otherwise clean.
Hardcover. UK, Cambridge University Press , 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright orange dust jacket, 336 pages. This book is a commentary on the surviving testimonia and fragments of Posidonius' work collected in Volume I of this edition. Posidonius was one of the most important philosophers and intellectuals writing in the first century BC Graeco-Roman world. The purpose of this commentary is to assess the fragmentary evidence and reports of Posidonius found in the writings of about sixty ancient authors, and to separate what Posidonius himself actually said from the interpretations and distortions of his reporters. Since Posidonius also wrote at length on the sciences and on geography, and composed a large History, Kidd assesses his work against the philosophical, scientific, and historical writings of Posidonius' predecessors and contemporaries. Each fragment is explored through detailed examination of its context, philosophical and scientific content, and its relationship to Posidonius' whole thought and to contemporary ideas. VOLUME 1 ONLY. The fragments are in the original Greek and Latin (mostly Greek). The Introduction is in English. Previous owner's name on front fly leaf, embossed stamp, otherwise a clean copy.
Hardcover. Milwaukee WI, Amadeus, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 406 pages, illustrations. INSCRIBED by co-editor Malcolm Crocker. A rare, revealing look at the composer, written by his granddaughter Tatiana. Featuring a wealth of correspondence and photographs from his family's archives, this book provides new, fascinating details about the composer's life, work, and relations with close friends and colleagues, including Borodin, Mussorgsky, and Tchaikovsky. It also sheds new light on his wife, Nadezhda Purgold, an accomplished composer and pianist who helped her husband with his own compositions. Many letters involve Rimsky-Korsakov's other family members and important figures in art, history, literature, and music of the late 19th and early 20th centuries. Clean copy.
Hardcover. NY, Bloomsbury Academic, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, glazed pictorial boards, 362 pages. The essays collected in this volume were written to mark the centenary of the birth of Sir Kenneth Dover, one of the twentieth centurys most influential classical scholars. Between them, they explore the two major sides of his career: his groundbreaking scholarship on Greek language, literature and history, and the more public-facing roles he assumed in universities and at the British Academy which brought him into the national spotlight, not without some notoriety, in his later years.The contributors consider the various facets of Dover's life and work from a range of perspectives which reflect the burgeoning field of the history of scholarship. Some contributors were students and colleagues of Dovers at different stages of his career, while others are themselves leading experts in areas of Classics to which he devoted his energies. Chapters on his academic publications and on the controversies he faced in the public realm are not bland celebrations of his legacy but offer critical assessments of his motivations and achievements, cumulatively demonstrating that there is much to be learned not just about Dover himself but also about the fields he helped to shape. Clean copy.
Softcover. San Francisco, Last Gasp, reprint, 2001-06-01, Book: Near Fine, Dust Jacket: None, Softcover, unpaginated. Like new in publishers shrink-wrap. A first hand account of the 60s and 70s counterculture seen through the eyes of pioneering photographer Charles Gatewood and legendary writer Williams S. Burroughs.
Hardcover. Knoxville, University Of Tennessee Press, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 432 pages. Shields shows how both the myth of Adam and the myth of Aeneas, in crossing over to America from Europe, dynamically intermingled in the thought of the earliest American writers. This rearticulation of the myths of Adam and Aeneas became peculiarly adapted to the demands of the American adventure in freedom. Shields argues that uncovering and acknowledging the classical roots of our culture can allay the American fear of "pastlessness" that the long-standing emphasis on the Adamic myth has generated. The authors probing analysis sheds new light on the works of such seminal figures as Edward Taylor, Cotton Mather, Phillis Wheatley, George Washington, Nathaniel Hawthorne, and Herman Melville.
Hardcover. Cambridge MA, Harvard University Press, 1st, 1940, Book: Very Good, Dust Jacket: Poor, Hardcover, red cloth in a worn and chipped dust jacket with closed tears, 191 pages with index. Dr. Worcester presents a theory of satire, surveying the whole field since Dryden's Discourse of the Origin of Satire and drawing illustrations not only from English but from classical, French, German, and American literature. At the same time he makes a penetrating study of irony and its uses. Name on inside front cover otherwise clean.
Hardcover. London, Oxford University Press, 1st, 1927, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering on spine, 274 pages. Nine lectures. Contents: Introductory; What is Meant by Tradition; The Molpe; Drama; Metre; Poetic Diction; Unity and Organic Construction; The Heroic Age; Hamlet and Orestes; Poetry; Index. Clean copy. Top of cloth spine frayed. Remnants of dust jacket laid in.
Hardcover. NY, Hogarth Press, Book: Very Good, Dust Jacket: None, Hardcover in cloth with dark green buckram spine with gold lettering on the spine, no DJ, deckled edges. 359 pages, 6 full page plates and chapter head drawings by Philip Hagreen. Uncommon edition. Clean, bright copy.
Softcover. Los Angeles, Getty Conservation Institute, 1st, 2006, Book: Very Good, Dust Jacket: None, Softcover, 138 pages illustrated in color. As the Roman Empire expanded its African settlements in the early centuries of the common era, thousands of mosaic floor pavements were fashioned to adorn the townhouses and rural estates of the African upper classes. Between the second and sixth centuries, mosaic art blossomed, particularly in Africa Proconsularis, the region comprising modern Tunisia. In contrast to the official art of imperial Rome, mosaics generally expressed the worldviews of private citizens. These artworks are remarkable for the intricate beauty of their polychromatic geometric and floral designs, as well as for figural scenes depicting the interests and activities of the patrons who commissioned them--scenes of daily life, athletic contests, gladiator spectacles, and classical literature and mythology.Abundantly illustrated throughout, Tunisian Mosaics: Treasures from Roman Africa offers the general reader a lively introduction to this extraordinary ancient art. Initial chapters survey the historical background of Roman Africa and discuss the development of mosaic art in the Mediterranean. Subsequent chapters profile Tunisia's major mosaic sites and tour the collections of important museums. A final chapter surveys current initiatives to preserve this heritage for future generations. Clean copy.