collectibles england

Softcover. New Haven, Yale University Press , 1st, 1970, Book: Very Good, Dust Jacket: None, Hardcover set. Two volumes in a cardboard slipcase, 344, 300 pages. Illustrated with b&w photographs throughout. Vol. 1 covers New England, Vol. 2 - The Middle Colonies and the South. Clean, tight copies.

Hardcover. Hanover NH, University Press of New England , 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 458 pages. Through furniture, this exhibition catalogue will explore the cultural identity of a little-studied region of 18th and 19th century New England: southeastern Massachusetts, an area that stretches from just south of Boston to Providence, east to the tip of Cap Cod, and includes the islands of Nantucket and Martha's Vineyard. The era between 1710 and 1850 was marked by enormous changes in the landscape, population, and economy of this area, as well as in the activities of furniture craftsmen and the purchasing patterns of local residents. Three themes are paramount here: 1. Regionalism in the character of furniture made in the area and the forces that shaped that identity. 2. Fashion, changing tastes and the growing affluence of local residents over time. 3. Shop practices and the evolving craft practices of furniture makers through the recreation of two shops, the rural handcraft tradition of Samuel Wing of Sandwich in 1800 and the mechanized operation of a New Bedford or Fall River chair factory in 1850. The exhibition will include approximately 75 pieces of furniture from private and institutional collections, tools and equipment from the Samuel Wing cabinet shop (now owned by Sturbridge Village), and selected household furnishings depicting interiors in southeastern Massachusetts during the 18th and 19th centuries. Still in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.

Softcover. New York, Rizzoli, 1st US, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 302 pages. Blue cloth cover with gilt lettering to spine, color illustrated dust jacket, 405 b&w and 80 color illustrations, stapled cardboard slipcase. Bottom right corner of cover slightly bumped. Very light wear to dust jacket edges; a very clean, tight copy. This book is the first to survey the whole i development of porcelain n Europe between the Napoleonic era and the First World War. The nineteenth century was a period of technological change and of artistic innovation: both these strands came together in the development of porcelain, which industrialization brought within the reach of the burgeoning middle classes of industrial Europe. While early in the century Neoclassicism had brought about a new purity of line and decoration, in Germany and in England taste demanded more elaborate styles and resulted in the emergence of the 'new Rococo' and later in the development of revived styles of decoration such as Minton's 'Majolica' and the work of studio potters. This book covers not only the great factories, Sevres, Limoges, Copenhagen, Meissen, but also the smaller producers in Holland, Italy and Spain and extends to the birth of Art Nouveau.

Hardcover. London, Published at the Offices of "Country Life", 1st, 1924, Book: Very Good, Dust Jacket: None, Three matching hardcover volumes. Elephant folios, 16 by 11''. Original green cloth, spines and front covers gilt lettered, top edge gilt. 51 colored plates and many other plates and illustrations in black and white. Vol. I (A-Ch): xl, 262 pages of text. 19 color plates. Vol. II (Ch-M): xii, 360 pages of text. 14 color plates. Vol. III (Mo-Z): [xii], 340 pages of text. 16 color plates. Small label on bottom of spines. Architect Albert Kahn's set with his ownership signature in Vol.1 in ink on the front blank page. DOMESTIC SHIPPING ONLY.

Hardcover. Lanham MD, AltaMira Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 217 pages with color photos throughout. This book is a full-color catalogue raisonne and interprets the distinctive furniture made by John Shearer, one of the most accomplished and intriguing furniture makers during the post-Revolutionary period. Shearer emigrated from Scotland in the late 18th century and retained loyalist sympathies throughout his life, evidenced by the imagery and inscriptions sympathetic to various British causes-such as the suppression of the Irish rebellion in 1798 and the British victory in the Battle of Trafalgar in 1805-that he worked into his furniture. Davison provides insight into the furniture's appeal to Anglo-American patrons, not secret loyalists, but men still culturally tied to Great Britain. Shearer's pieces are scattered among various collections, and many of them have been identified only in the last 25 years. This catalog is the only work in which all of Shearer's known pieces of furniture are presented in a single volume.