crafts pottery

Softcover. Santa Fe NM, School of American Research Press, 1st pbk, 1992, Book: Very Good, Dust Jacket: None, Softcover, 241 pages. UW. Scholar and ceramic artist Dillingham offers a comprehensive cultural and technical history of pottery making at the New Mexico pueblos of Acoma and Laguna, lavishly illustrated (color and b&w photos), and supplemented with appendixes listing potters, detailing signs of commercial origin, and cataloging pottery housed in the Indian Arts Research Center at the School of American Research. Commentary extends to the contemporary market and challenges facing today's potters. Clean copy.

Hardcover. Santa Fe, NM, Clear Light Publishers, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 139 pages illustrated in throughout with 96 color photographs; portrays the lives and works of eighteen ceramic artists including Maria Martinez, Grace Medicine Flower, Popovi Da, Nampeyo, Russell Sanchez, Nathan and Nancy Youngblood and many more. Clean copy.

Hardcover. New York , St Martins/Christies, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 236 pages. Illustrations in color, b&w. Bright, clean copy in a similar dust jacket. Everyone knows the beauty and value of Tiffany glass lamps, vases and windows. But few know that the masterful pieces fron the Tiffany Studios would not have been possible without Arthur Nash, developer of the now-priceless Favrile glass, and his son Leslie, director of the Studio's division of glassmaking, pottery and enamel. Leslie's memoirs, along with notes and references, tell the unfiltered and refreshing story of the Studio's heyday, and substantially expand our knowledge, and his photos comprise the largest collection of here-to-fore unseen images of the studio's earliest pieces. This historical find is an event in the decorative arts world and will appeal to both collectors and museums.

Hardcover. London/NY, Castle Books (Thomas Nelson & Sons), 1st, nd, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket with some light spotting to rear panel. 204 pages, 24 color plates, 96 b&w illustrations and 9 Figure illustrations. "Previous books on the subject have often been based on inaccurate and varying translations of Chinese writings. Mr. Thiel, on the other hand, has carefully and studiously avoided speculation and fantasies, confining himself absolutely to the facts. Beginning with Chou and Ha Dynasties of 1122-206 B.C. and covering the periods up to and including the Ch-ing Dynasty of 1644-1912 A.D.; all that a collector needs to know about style, workmanship, color, texture, glaze is included here with stress on exact information. chapters are devoted to the all-important T-ang and Ming Dynasties."

Hardcover. London ; Boston, Faber & Faber, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, b&w illustrations. Light shelf-wear and rubbing to dust jacket. Previous owner's blind stamp on front end paper, else a clean, tight copy.

Hardcover. London, UK, Barrie & Jenkins, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 304 pages, illustrated throughout in color and b&w. Scarce title. Light gray cloth with gilt title to spine. Pictorial dust jacket. Minor bump to upper front corner, else like new.

Hardcover. Lokapala, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 27 pages. Illustrated with full color photographs. Clean, bright copy. INSCRIBED BY YOUNGMAN on the front fly leaf.

Hardcover. Lokapala, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 27 pages. Illustrated with full color photographs. Clean, bright copy.

Hardcover. New York, Kodansha, 2nd, 1978, Book: Very Good, Dust Jacket: Good, 300 pages. SIGNED BY BY MARIA POVEKA (MARTINEZ) AND FAMILY ON FRONT ENDPAPER. Full color and black & white photographs and illustrations. Unclipped dust jacket has some minor moisture wrinkling on back. Book has faint damp smell. Clean, tight copy.

Hardcover. West Chester PA, Schiffer Publishing, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 199 pages. SIGNED BY THE ARTIST/POTTER MARGARET TAFOYA on the title page. Foreword by Rick Dillingham. Illustrated throughout with black & white and color photography. Bibliography. Index. This beautiful book presented in large format tells the story of Margaret Tafoya and her contributions to Tewa Pueblo pottery. The book explores her life, pottery making techniques, the Tafoya family and descendants, and the history of the Pueblo people. clean copy.

Hardcover. NY, Abbeville Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 224 pages. This book provides a personal look at the three generations of American Indian women who made (and are still making) traditional pottery. Color illustrations throughout. Primarily a women's art, American Indian pottery reflects a heritage of powerful social, religious, and aesthetic values. Even now, modern American Indian women use the clay, paint, and fire of pottery making to express themselves, creating designs that range from dutifully traditional to strikingly original. This book--written in conjunction with one of the most important exhibitions of American Indian pottery ever mounted--provides an in-depth look at a unique North American art form. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. New York, O'Gorman Publishing, 1st, 1911, Book: Very Good, Dust Jacket: None, Hardcover, 188 pages plus 4 pages of ads. Black & white photographs and illustrations. Swipe of white paint at top of spine, and stamp label beneath. Covers show light wear. Clean, tight copy.

Hardcover. Chicago, University of Chicago Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 284 pages. In Rustic Cubism, Bruce Adams tells the fascinating story of Moly-Sabata, an art colony founded in the Rhone Valley during the height of French modernism by Cubist pioneer Albert Gleizes. Following his social and spiritual agenda of earthly labor and a Celtic-medievalist view of Christianity, Gleizes' disciples worked to fuse Cubism with a revival of ancient agrarian, artisanal traditions. The most important and committed member of this experimental commune was ceramicist Anne Dangar (1885-1951). Generously illustrated with photographs of the art and social milieu of the period, this captivating and original narrative makes a considerable contribution to our understanding of French modernism and early twentieth-century cultural politics as well as of the life of a most talented and intriguing female artist.

Hardcover. New York, Kodansha, 1st US, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages. Illustrated with full color and black & white photographs. Previous owners inscription on front endpaper. Dust jacket shows light edgewear. Clean, tight copy.

Hardcover. NY, D. Appleton & Co, 1st, 1886, Book: Good, Dust Jacket: None, Hardcover, red-brown boards with gilt lettering and illustration; 269 pages.; richly illustrated by the author. Corners and edges of covers show wear, interior clean and bright.

Softcover. Santa Fe, Museum of New Mexico Press, 1st revised, 2003, Book: Very Good, Dust Jacket: None, Softcover, pages. Maria, the potter of San Ildefonso (1887-1981), is not only the most famous of Pueblo Indian potters but ranks among the best of international potters. Her work Is collected and exhibited around the world, and more than any other artist, Maria Martinez brought "signatures" to Indian art. She and other members of her family revived a dying art form and kindled a renaissance in pottery for all the Pueblos. She raised this regional art to one of international acclaim. This lavishly illustrated book draws from Spivey's 1979 classic work. Featuring entirely new photography and 120 added pots as well as a significantly expanded text, this volume considers the entirety of this artist's immense oeuvre and important works and developments in her collaboration with Julian, and after his death, with her daughter-in-law Santana, son Popovi Da, and grandson Tony Da, bringing the legacy of Maria into the bright future of Pueblo ceramics.