crafts

Hardcover. West Chester PA, Schiffer Publishing, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 128 pages illustrated in color and b&w. The story of the life and works of an American wildfowl artist. Lem's life is a tale of courage - of a man who overcame a withered arm, lack of formal education, cultural isolation, and severe illness to become one of the founders of American Wildfowl Art. This is a close look at how he and his brother, Steve, grew up together in the marshes along the Chesapeake Bay, how they subsisted as barbers and foragers, how they retained their independent spirits to create birds that pleased them - wildfowl art - while carvers around them were creating decoys just good enough for hunting ducks. Lem's work is described in pictures, accompanied by colorful comments and interesting insights by a collector who became one of the artist's closest friends. Clean copy.

Softcover. State University of New York Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 285 pages. This book charts new directions in Egyptian social history, providing the first systematic account of adaptation and protest among crafts and service workers in Egypt in the nineteenth and early twentieth centuries. Using a wealth of new sources, John T. Chalcraft challenges conventional notions of craft stagnation and decline by recovering the largely unknown histories of crafts workers' restructuring in the face of world economic integration, and their petitions, demonstrations, and strike-action at a time of state-building and colonial rule. Chalcraft demonstrates the economic importance of petty producers and service providers, and tells the story of widespread collective assertion couched in new discourses of citizenship and nationalism. He also gives a new interpretation of the end of the guilds in Egypt and addresses larger debates about unevenness under capitalism. Clean copy.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with light tanning to edges. 214 pages with a pictorial section in rear. Stated first printing on copyright page. The story of the building of birch-bark canoes and of a 150 mile trip through the Maine woods in those graceful survivors of a prehistoric technology.

Hardcover. NY, Harry N. Abrams, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, 176 pages. The official companion book to the feature-length documentary Street Gang: How We Got to Sesame Street, featuring previously unpublished photographs from the first season of Sesame Street and interviews with cast and crew. The Unseen Photos of Street Gang: How We Got to Sesame Street expands on the film's exploration of the origins and legacy of Sesame Street with exclusive interviews and previously unpublished photographs from the first season of the globally beloved children's series. Author and filmmaker Trevor Crafts, who was given unprecedented access to archival footage and photography, presents more than 150 of photographer David Attie's behind-the-scenes images of Jim Henson, Will Lee, Loretta Long, Bob McGrath, Frank Oz, Matt Robinson, Caroll Spinney, Big Bird, Oscar the Grouch, Bert and Ernie, and dozens of other pioneering puppeteers, animators, actors, and Sesame Street Muppets. Crafts uses Attie's remarkable photos and additional interviews from the film to dive deeper into the story of how show creator Joan Ganz Cooney, along with Sesame Workshop cofounder Lloyd Morrisett, director Jon Stone, and Muppet creator Jim Henson, took the values and goals of the civil rights movement and revolutionized children's television. Clean, no dj issued.

Hardcover. NY, William Morrow, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dustjacket. An enthralling collection of nonfiction essays on a myriad of topics--from art and artists to dreams, myths, and memories--observed in #1 New York Times bestselling author Neil Gaiman's probing, amusing, and distinctive style. An inquisitive observer, thoughtful commentator, and assiduous craftsman, Neil Gaiman has long been celebrated for the sharp intellect and startling imagination that informs his bestselling fiction. Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author's experiences at the 2010 Academy Awards in Hollywood.

Hardcover. NY, Albatross, reprint, 2008, Book: Very Good, Dust Jacket: Good, Hardcover, 280 pages, The World's Best Sailboats has become the most cherished and respected illustrated sailing book of all time. Its unique format includes over 400 spectacular color photographs by the world's leading nautical photographers coupled with astutely presented technical information on the best and most beautiful sailboats manufactured. Mate's insistence on uncompromising quality and his always engaging, entertaining style make this a timeless work and must-reading for anyone interested in sailboats. Its encyclopedic scope covering all aspects of sailboat design and construction, gleaned from personal visits to the world's best boatyards and interviews with the leading builders and designers, gives us not only a feast for the eyes and the stuff of dreams but also a thorough education. Mate visited the world's best boat builders from Finland to Italy, from Maine to California, and in his book evaluates and describes the sailboats of the nineteen best yards. The text is full of technical information on design and construction of available boats, while the magnificent color photos celebrate the beauty of sailboats and fine craftsmanship. His writing, as always is both informative and entertaining. Shelfworn dust jacket with wear to edges, short repaired tears. Book is clean, no markings. NOTE: DUE TO WEIGHT DOMESTIC SHIPPING ONLY.

Hardcover. NY, Albatross, 1st, 2003, Book: Very Good, Dust Jacket: Good, Hardcover, 299 pages, The World's Best Sailboats Vol. 2 includes over 400 spectacular color photographs by the world's leading nautical photographers coupled with astutely presented technical information on the best and most beautiful sailboats manufactured. Mate's insistence on uncompromising quality and his always engaging, entertaining style make this a timeless work and must-reading for anyone interested in sailboats. Its encyclopedic scope covering all aspects of sailboat design and construction, gleaned from personal visits to the world's best boatyards and interviews with the leading builders and designers, gives us not only a feast for the eyes and the stuff of dreams but also a thorough education. Mate visited the world's best boat builders from Finland to Italy, from Maine to California, and in his book evaluates and describes the sailboats of the nineteen best yards. The text is full of technical information on design and construction of available boats, while the magnificent color photos celebrate the beauty of sailboats and fine craftsmanship. His writing, as always is both informative and entertaining. Shelfworn dust jacket with wear to edges, short repaired tears. Book is clean, no markings. NOTE: DUE TO WEIGHT DOMESTIC SHIPPING ONLY.

Softcover. Montpelier VT, Craftsbury Common Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 222 pages. In 1964 Ethan Hubbard began photographing and tape-recording the most unique and intriguing rural Vermonters he could find, believing that they were a vanishing race. B&w photos.

Softcover. Brookville, NY, Hillwood Art Museum, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover. Side-stapled, 42 pages. Full-color catalog featuring essays and images of traditional and contemporary African textiles.

Softcover. 1982/83, Book: Very Good, Softcovers. Two stapled brochures, Fall 1982 and Spring 1983, 32 pages and 48 pages, Craftsmen Gallery, Boston. B&w photos. Back cover with stamp and written address. A small leaflet for an exhibition "Gustav Stickley and the Craftsman Ideal", eight pages, New Jersey, 1983.

Softcover. San Diego, CA, H.S. Wake, 1st, 1982, Book: Good, Dust Jacket: None, Non-paginated. Report cover style binding. Fold out plans, diagrams, etc. throughout. Light wear and soil to plastic cover. Pages lightly soiled.

Softcover. Berkeley CA, University of California Press, 1st pbk., 1990, Book: Very Good, Dust Jacket: None, Softcover, 273 pages, b&w illustrations. The first in-depth analysis of the rich spiritual and artistic traditions of the Carib-speaking Yekuana Indians of Venezuela, who live in the dense rain forest of the upper Orinoco. Within their homeland of Ihuruna, the Yekuana have succeeded in maintaining the integrity and unity of their culture, resisting the devastating effects of acculturation that have befallen so many neighboring groups. Yet their success must be attributed to more than natural barriers of rapids and waterfalls, to more than lack of "contact" with our "modern" world. The ethnographic history recounted here includes not only the Spanish discovery of the Yekuana but detailed indigenous accounts of the entire history of Yekuana contact with Western culture, revealing an adaptive technique of mythopoesis by which the symbols of a new and hostile European ideology have been consistently defused through their incorporation into traditional indigenous structures. Clean copy.

Softcover. Boston, Museum of Fine Arts, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, 271 pages illustrated in color and b&w. Textiles were the Incas' most prized possessions. Their first gifts to European strangers were made not of gold and silver, but of camelid fibre and cotton. They believed that the highest form of weaving was created expressly for the sun, which they considered the greatest of the celestial powers. This book uses this image to symbolize Andean tradition as a whole and documents the collection of ancient and Colonial Andean textiles in the Museum of Fine Arts, Boston, which is among the most comprehensive of its kind in the world. Described and illustrated here, in many cases for the first time are the finest examples from the collection: weavings of astonishing virtuosity with striking geometric designs, elaborate carpets and covers, mantles, tunics, featherwork, woven shoes with metal decoration and intriguing figural sculptures with tapestry faces - representing the major cultures of the pre-Columbian period as well as the achievements of Spanish Colonial times. Mild wear to outer wraps, otherwise a clean, bright copy.

Hardcover. Seattle, Fantagraphics, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, large format pictorial boards, 200 pages. In 1949, the ambitious Charles Biro - who had previously co-created the realistically brutal comic Crime Does Not Pay - edited and wrote an oversized comic aimed at adults, called Tops. Like several other radical adult comics projects that would follow, it proved to be a commercial failure and lasted only two Life magazine-sized issues. The original comics have since become a legendary holy grail among comics fans and historians, fetching as much as $6,000 on the collector's market: written about but rarely seen and never reprinted. Until now.Fantagraphics' Tops collects both issues of these oversized experimental comics in their entirety. Some of the best craftsmen working in comics at that time drew these pulpy, sexy, and melodramatic stories: Dan Barry, George Tuska, and others. It includes two stunning pre-EC crime tales illustrated by Reed Crandall, reminiscent of his Crime SuspenStories work. Actor Melvyn Douglas (believe it or not) takes the reader on a tour of utopia, entitled "How Would You Live Under A World Government?" - a positive spin on global Socialism! A treasure trove of fascinating and revelatory comics history for scholars and fans, this compilation includes an introduction by the editor, the historian and cartoonist Michael T. Gilbert, as well as several other essays providing background on the creation of the series and the publisher, editors, and cartoonists who realized it. It includes a chronicle in essay form of experimental, adult comics endeavors throughout the first half of the 20th century. Tops is a landmark work of historical importance and a mind-boggling reading experience from a bygone era meticulously restored and reproduced in a deluxe hardcover in its originally published dimensions. Full-color illustrations throughout.

Softcover. NY, Thames & Hudson, reprint, 1995, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 160 pages in color. The fabrics of Indonesia have long held an allure. They have now won universal popularity, so much so that local names for techniques of dying and weaving - batik, ikat, tritik - have been adopted internationally as generic terms. The reverence accorded to textile art on the islands is reflected in every area of production; precision of weave and exquisite patterning are testimony to superlative craftsmanship. Lying at the heart of a vast network of trading routes, Indonesia has absorbed a wealth of foreign influences that have spawned an eclectic culture uniquely mirrored in its textile art. Over 200 color plates. Clean copy.

Hardcover. Chicago, Frederick J. Drake and Co., 1902, Book: Fair, Dust Jacket: None, Hardcover, pictorial cloth, 164 pages plus publisher's ads. 86 illustrations, frontis portrait of author. Only date is the copyright year 1902. Features detailed explanations and diagrams of numerous feats with coins-most prominent among them the author's world-famous original creation, "The Miser's Dream," a much-imitated act climaxing in the production of a shower of half-dollars. In this complete manual of the art of conjuring with coins, Downs shares his secrets for scores of "fakes" and sleights, including passing a coin through the bottom of a hat, the money-producing cigarette, the mysterious claret glass, the crystal coin ladder, the obedient coins, and many more. He also offers a wealth of suggestions for stage "business" involving handkerchiefs, goblets, hats and other props, as well as helpful tips on presentation, patter and other techniques. Overall fair, fragile condition with some chipping to cloth on front cover.

Softcover. NY, Singer Sewing Machine Co., 1930/1934, Book: Good, Dust Jacket: None, Two stapled brochures, 48, 64 pages. 5 1/2 X 8 1/4", both illustrated with b&w photos and drawings. Both clean. The draperies pages have some light wrinkling.

Softcover. NY, Van Nostrand Reinhold, 1st pbk., 1982, Book: Very Good, Dust Jacket: None, Softcover, 218 pages with 256 b&w illustrations. From cover: "describes the ideals that inspired an earlier generation to leave city and factory in order to practice crafts ranging from bookbinding and metalwork to furniture making." Mild curl to cover, otherwise very good, clean.

Hardcover. Salt Lake City, Peregrine Smith, Inc, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 218 pages. Green cloth cover with gilt lettering to spine, color illustrated dust jacket, 256 b&w plates, some in color. Light wear to dust jacket; overall a tight, clean copy.

Hardcover. University of South Carolina Press, Supreme Council, Scottish Rite of Freemasonry, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 269 pages. " ...a fascinating journey through the history of Scottish Rite in America. This comprehensive pictorial history provides valuable insights into the critical role masons have played throughout our nation's history." b/w, sepia, & color plates throughout. In Valley of the Craftsmen, the story of "higher degree" Freemasonry is depicted through portraits, official papers, material objects, photographs, buildings, and stagecraft. Featuring many previously unpublished images, Valley of the Craftsmen begins with rare illustrations of the English and French philosophical sources that were projected upon an American landscape vitalized and transformed by the concept of fraternity. The story is framed by American popular culture and the serious private effort of individual men in small towns and expansive cities who were intent on developing a moral life in service to their communities. Clean copy.

Hardcover. Racine, WI, S. C. Johnson & Son, unknown, Book: Good, Dust Jacket: None, 25 real wood samples. Brown boards w/ red cloth spine and corner tips. Light rubbing to corners; small scratch to rear cover. Staining to pages from wood samples. Else a nice, tight copy.

Hardcover. Burlington, VT, Self-published, 1st Edition, 1970, Book: Very Good, Dust Jacket: Very Good, 313 pages. Hardcover. B/w illustrations throughout. Color title page. Edition limited to 1000 copies. Previous owner's ID label on front flyleaf. Decorated, clean endpapers. Dust jacket unclipped, dust jacket has some light shelf wear, very good. Red cloth cover boards, gilt title on spine and title and design on front cover board. Pages unmarked. Spine straight. Binding tight. Beautiful, clean copy. Previous owner's notes on notepaper and original typed book review laid in. The only comprehensive compendium of information concerning early Vermont silversmiths, clock and watchmakers and jewelers. Also includes 4 separate chapters detailing the craft of watchmaking.

Hardcover. Burlington VT, self-published, 1st, 1970, Book: Very Good, Dust Jacket: Fair, Hardcover, 9" x 11 1/4", red cloth with silver gilt titling and decorative detail to front board and spine, 313 pages, map illustrated endpapers, Dust jacket very worn with minor paper loss. SIGNED BY CARLISLE on title page, also with a promotional sheet laid in with the author's comments on sales, addressed to publisher of Garden Wat Publications. Biographical sketches of 983 Vermont craftsmen. Limited to 1000 copies.

Softcover. Burlington VT, Robert Hull Fleming Museum, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 175 pages, illustrated in b&w and color. Six pages with light pencil marking otherwise clean.