Hardcover. Philadephia, Delaware Valley Orthithology club, 1st, 1937, Book: Very Good, Two volumes complete. Hardcovers in green cloth, two frontispieces in full color with tissue guards, prolifically illustrated throughout and SIGNED by all contributors. Illustrated by Earl L. Pool; Richard Bishop; Conrad Roland; J. Fletcher Street; Herbert Brown. Moderate wear on cover boards. Inscribed by Stone. One of 1400 numbered sets.
Softcover. Bowie MD, Heritage Books , 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover, 398 pages. Colorfully depicts colonial life in Pennsylvania, New Jersey, New York, Delaware and Maryland as reported in the newspapers and journals of the region. 'Feel the pulse of the people by reading the same items and advertisements presented in their weekly newspapers; the same words, the same spellings, the same compositions as they were written by Colonial compositors and publishers.' These pages are 'filled with newspaper abstracts concerning runaway slaves and indentured servants, the near frontier, piracy, ships and mariners, plantations, land and home sales, and many more happenings and items of interest to the highborn as well as the common tradesman.
Hardcover. NY, Architectural Book Pub. Co., 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth, 291 pages. Measured drawings by William Allen Dunn, Many b&w photos, ex-lib but very clean, tight. stamp on foredge, small envelope on back end paper
NY, William Helburn, 1st, 1938, Book: Very Good, Dust Jacket: None, Hardcover, bright blue cloth covers stamped in gilt. 153 b&w plates, mostly photographic. American domestic interiors, homes from New Jersey, Delaware, southeastern Pennsylvania, and Maryland pictured in detail. An exceptional reference book in excellent condition, clean.
Softcover. Createspace Independent Publishing, 1st, 2018, Book: Very Good, Dust Jacket: None, Sodtcover, 254 pages. Actor, director, writer Evans connect his dots and long dashes through a life both creative and chaotic. Family, career, and cancer bump heads in a runaway boxcar full of colorful entanglements with the famous and the foolish. Tracing his family history through the years from the Dust Bowl and the Great Depression to the tragedy of the Hindenburg, and his early childhood in Japan before WW2, Evans cleverly sets the stage for what follows. His career as an actor ultimately clashed with an early marriage and fatherhood, providing many temptations that carried Evans to Mexico, Arizona, Ohio, Delaware, Kauai, Hawaii, and points beyond. Working in films with stars Jack Nicholson, George C. Scott, David Hemmings, and Michael J. Pollard were high points in his 50-year career that led to a love affair with France and La Nouvelle Vague and the writing, production and direction of his own films and plays. After a season as series regular Paul Hanley opposite Mia Farrow in tv's Peyton Place, Evans moved from early shows like Mr. Novak, Gunsmoke, and Bonanza to an episode of Star Trek with Shatner and Nimoy. Countless other roles sent him on his way to features including major roles in Islands in the Stream, The Nickel Ride, Dirty Little Billy and Synanon, productions that brought him together with many of Hollywood's top directors including Richard Rush, Robert Mulligan, Stan Dragoti and Richard Quine. As his wife, Jo, frequently reminds us, "Dick has made many things, but never without the help of others." Clean copy.
Hardcover. Spanish Fork UT, Hillcrest Publications, 1st, 1982, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 160 pages. 212 black-and-white photographs, 76 fine color plates, 16 illustrations and 2 maps and 8 decoy profiles. SIGNED BY BOB WHITE who wrote the Foreword. Clean copy.
Hardcover. NY, Watson-Guptill, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover. Frank Schoonover, one of the giants of the Golden Age of American Illustration, was renowned for his scenes of life on the western frontier of America and Canada. Schoonover captured the flavor of the west and northwest in his dramatic outdoor compositions which depicted cowboys, Indians, trappers, Eskimos - the people and way of life that he knew, loved, and painted first hand. His keen sense of observations, coupled with his vivid documentary style, made his illustrations powerful paintings in themselves. They are now exhibited and collected for their own sake, independent of the books they illustrated, as unforgettable documents of a legendary way of life. Like the other great painter/illustrators of the Brandywine School -he was a student of Howard Pyle and a contemporary of such notables as N. C. Wyeth and Harvey Dunn - Schoonover was passionate about the portrayal of the American past. Although he lived most of his life in the Brandywine River area of Pennsylvania and Delaware, his commitment to the frontier dominated his work. A natural love for adventure and a yearning to find his own style sent him initially to the Canadian northwest, where he took naturally to the challenge of frontier life. Living among the Indians, canoeing, traveling by dogsled, and fending for himself brought authentic flavor to his paintings which illustrated many popular books and stories of adventure - most of which are now forgotten, although the paintings endure. This handsome collection is the first full-scale illustrated study of Schoonover's work, not only rediscovering the paintings of a major artist, but providing an important visual document of frontier life. 208 pages. 10 1/2 X 11 1/4. 48 color plates. 150 black-and-white illustrations. Chronology. Index. Due to size and weight, DOMESTIC SHIPPING ONLY.
Hardcover. NY, Watson-Guptill, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover. Frank Schoonover, one of the giants of the Golden Age of American Illustration, was renowned for his scenes of life on the western frontier of America and Canada. Schoonover captured the flavor of the west and northwest in his dramatic outdoor compositions which depicted cowboys, Indians, trappers, Eskimos - the people and way of life that he knew, loved, and painted first hand. His keen sense of observations, coupled with his vivid documentary style, made his illustrations powerful paintings in themselves. They are now exhibited and collected for their own sake, independent of the books they illustrated, as unforgettable documents of a legendary way of life. Like the other great painter/illustrators of the Brandywine School -he was a student of Howard Pyle and a contemporary of such notables as N. C. Wyeth and Harvey Dunn - Schoonover was passionate about the portrayal of the American past. Although he lived most of his life in the Brandywine River area of Pennsylvania and Delaware, his commitment to the frontier dominated his work. A natural love for adventure and a yearning to find his own style sent him initially to the Canadian northwest, where he took naturally to the challenge of frontier life. Living among the Indians, canoeing, traveling by dogsled, and fending for himself brought authentic flavor to his paintings which illustrated many popular books and stories of adventure - most of which are now forgotten, although the paintings endure. This handsome collection is the first full-scale illustrated study of Schoonover's work, not only rediscovering the paintings of a major artist, but providing an important visual document of frontier life. 208 pages. 10 1/2 X 11 1/4. 48 color plates. 150 black-and-white illustrations. Chronology. Index.
Softcover. Fleischmanns NY, Purple Mountain Press, Revised Ed., 2009, Book: Very Good, Dust Jacket: None, Softcover, 314 pages, b&w illustrations. Second Edition with supplement. Small ink name on title page. Otherwise, like new.
Hardcover. US, University of Delaware Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 204 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy.
Softcover. Wilmington, DE, Delaware Art Museum, 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover, 150 pages. Exhibition catalog. Mostly black-and-white, with some color, illustrations. Light sun-fade to spine. A little wear to bottom corner of front cover. Very good, unmarked copy.
Hardcover. East Petersburg PA, Fox Chapel Publishing, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Cigar box labels in the late 19th and early 20th centuries were not only amusing and beautiful to admire, they were a testament to the printing process of chromolithography and an important precursor to today's methods of product advertising. Labeling America: Popular Culture on Cigar Box Labels showcases the unique collection of John Grossman which covers 90 years of cigar box labels and bands printed by four generations of George Schlegel Lithographers. What makes this archive unique is that the Schlegel Company kept meticulous sample albums and files showing an unbroken record of American graphic style evolution. The work of many other lithographers of that era either destroyed or irreversibly dispersed their work.Now housed at the Winterthur Museum in Delaware, the carefully cataloged Grossman collection gives a glimpse into life at the turn of the century, when over 5 billion cigars were being sold in the United States via boxes with colorful labels depicting everything from women, animals, and sports icons to actors, heroes, and political figures. This book takes these beautifully printed slices of American culture and combines them with the history of chromolithography into an interesting story of America's changing tastes. Clean, bright copy.
Hardcover. NY, Norton, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 112 pages. Stern's 12th collection is his first since winning the 1998 National Book Award for the new and selected This Time. The poems still rely on Stern's inimitable blend of coiled anger, love of life and raffish, on-the-outside-looking-in wit. Poem after poem reflects on what it means to have been a Jew, a Pennslyvanian, a nature-and-weather watcher, a world traveler and, for a longer time than many poets of his stature, an unknown writer during the middle of the last century: "If you can stand Strauss then so can I,/ oh filthy Danube, oh filthy Delaware, oh filthy Allegheny.// And anyone who never opened a Murphy bed/ night after night for seven years without ripping/ the sheet and had neither desk nor dresser can't walk/ in my shoes or wear my crocodile t-shirt." Stern's remembrances are not so much nostalgias as attempts to telescope the speaker's world and worldview through verse-talking, to test everyday language's ability to render his experiences to his liking, or at least his satisfaction.
Hardcover. Washington, D.C., U.S. Government Printing Office, 1st, 1935, Book: Good, Dust Jacket: None, Hardcover, 653 pages. Gilt top edge. Minor spine and cover edge wear. Minor soiling on cover and spine. Otherwise, a clean and tight copy. Foreword by President Roosevelt and a preface by Captain Dudley W. Knox. plus 10 plates including 2 folded maps and the frontispiece. Fp: U.S. Ship of War Delaware. Cloth cover, gilt title on spine.
1951, Book: Very Good, Color art of Washington in his boat crossing the Delaware River. Painting by Tom Lovell. 10 X 13", label shadoe not affecting art. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1926, Book: Very Good, Color art: "Peter Minuet buys the Delaware River lands from the Indians for a brass kettle and a few trinkets, March 1638". Painting by Stanley Arthurs. 10 X 13", small printed address. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Softcover. Delaware, Delaware Art Museum, 1st, 1984, Book: Very Good, Dust Jacket: None, Pictorial green wrappers, full-cover color painting on front cover. 174 pages, profusely illustrated in b/w, some color. Back cover slightly scratched and spine slightly worn, otherwise, tight, clean copy. Essay by Helen Farr Sloan, catalogue and prologue by Bennard B. Perlman. Chronology, bibliography, list of exhibitions. Catalogue lists 100 works.
Softcover. Wilmington, DE, Delaware Art Museum, 1st, 1980, Book: Good, Dust Jacket: None, Softcover, 235 page catalog. Includes 167 artists. Numerous b&w and color illustrations, most of which are accompanied by biographical text on artist. Some mild wear on back cover. Else is very good.
Softcover. Forty Fort PA, Harold Cox, 1st, 1970, Book: Good, Dust Jacket: None, Softcover, 86 pages, b&w photos, drawings and maps. Some light soill to covers. Folded map in rear is missing.