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Hardcover. Prestel, 1st, 1998, Book: Very Good, Hardcover, 167 pages. Louise Bourgeois: The Secret of the Cells is both a catalog of works by and a biography of the famous Parisian artist. Born in 1911, the now-octogenarian Bourgeois has shown widely throughout the world and to great critical acclaim, especially within the last decade. Bourgeois's personal history is vastly important in the content of her work, and this book takes readers on a journey from her affluent childhood in France, including family photographs, to her schooling under painter Fernand Leger to her eventual marriage and move to the United States, where she continued her long and varied career working primarily as a sculptor and installation artist. Bourgeois's abstract figurative sculptures range in materials from plaster, marble, and bronze to the more nontraditional latex, glass, thread, etc. Regardless of the medium, the work is imbued with a strong physicality that echoes the forms of the human body. Included in the book are discussions of Bourgeois's work in relation to other artists and movements such as Rodin, Brancusi, and primitivism. Bourgeois has been an inspiration to an entire generation of artists, not just because of her long and illustrious career but because her work has pushed so many boundaries. Louise Bourgeois: The Secret of the Cells is an informative and beautiful book with 77 color and 176 black-and-white images.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 497 pages. "The critic Adam Plunkett expertly teases out the many meanings of Frost's poems . . . Blending biography and criticism, Plunkett shows how the circumstances of Frost's peripatetic life gave rise to some of his most successful poems. As in the best critical biographies, Plunkett does not merely track down real-world inspiration for a given work. Rather, he brings together Frost's personal life, literary sources, and publication history to enrich our understanding of the poems, then uses the poems to enhance our understanding of the life. The result is a thorough, elegant, and, at times, surprising study of Frost, who emerges as a remarkably complex poet and a compelling but complicated man." -Maggie Doherty, The New Yorker. Clean copy.

Softcover. Southbury CT, privately printed, 1st, 1977, Book: Very Good, Dust Jacket: None, Including letters written to her in 1862 from Professor Benjamin Silliman of Yale College. Softcover, 129 pages, b&w illustrations. Published by Muriel Davies McKenzie in Southbury, Connecticut. Clean copy.

Softcover. Stanford CA, Stanford University Press, 1st pbk, 2003, Book: Very Good, Dust Jacket: None, Softcover, 390 pages. Magic and Modernity is the first book to explore comparatively how magic-usually portrayed as the antithesis of the modern-is also something that is at home in modernity. "Magic" and "modernity" are rarely regarded as belonging together. Evolutionism regarded magic as quintessentially "unmodern." Although psychologists and romantic artists have sometimes declared magic to be a human universal, few modern scholars in the humanities and social sciences have studied how modern culture and institutions incorporated and even produced magic. Light pencil marking to about 30 pages.

Hardcover. NY, Simon & Schuster, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 432 pages. "Am I happy enough?": This has been a pivotal question since America's inception. Am I not happy enough because I am depressed? is a more recent version. Greenberg shows how depression has been manufactured--not as an illness, but as an idea about our suffering, its source, and its relief. He challenges us to look at depression in a new way. "Greenberg['s] bouts of deep depressions [are] smartly conveyed here, including [his] participation in a clinical trial for an antidepressant...the author engages in extended, illuminating discussions of a host of therapeutic techniques, the confounding power of the placebo effect, the evolution of psychopharmacology and the ways in which expectations shape response. A humanistic, witty exploration of the human response to depression." --Kirkus. Clean copy.

Softcover. NY, Metropolitan Museum of Art, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, stapled wrappers, 48 pages illustrated in color and b&w.

Hardcover. San Francisco, Pomegranate, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 164 pages. It was estimated in the 1920s that one out of four homes in America had one of Parrish's make-believe illustrations on the wall, and he remains one of our best-loved illustrators. This unique work, a celebration of "Parrish Blue" water and skies, hued hills, and young women draped in classical garments, is the result of a 1995 traveling exhibit, "Maxfield Parrish: A Retrospective." The Cutlers, he an architect and she a gallery owner, were instrumental in working with the Parrish Family Trust to put together that international exhibit to commemorate the artist's 125th birthday. The Cutlers were able to locate numerous items in private collections for the exhibit. Many of the 130 color plates are of these works, never reproduced before, while better-known pieces are lavishly reproduced from the original paintings rather than prints. The Parrish family offered rare photos for the biographical text, which is supplemented with a reminiscence by granddaughter Joanna Maxfield Parrish.

Hardcover. Paris, Huillery, reprint, 1868, Book: Good, Dust Jacket: None, Hardcover, bound in half red calf over marbled boards. Frontispiece portrait, b&w engraved illustrations. Eugene Vidocq (1775-1857) was a French police officer and adventurer who rose in rank to become chief of a small, specialized detective force in Paris (the Police de Surete). He later organized a daring robbery which he was ironically put in charge of investigating. Eventually found out, he was dismissed from the police force and died in poverty and obscurity. First published 1n 1828. FRENCH TEXT.

Softcover. Shelburne VT, New England Press, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 323 pages, b&w illustrations. A selection of 52 interviews (from over 120) conducted 1938-1940 around Barre, Vermont. All of whom had a connection to the granite industry. Edited by Alfred Rosa and Mark Wanner. Name and address on front fly leaf, otherwise clean.

Hardcover. NY, Bonanza Books, reprint, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 335 pages, gilt-stamped maroon cloth. Profusely illustrated in color and b&w. Unabridged and still the best biography/bibliography/oeuvre catalogue on this American master illustrator and painter. Includes all modes of work: books, periodicals, newspapers, posters, calendars, advertisements, etc. Clean copy.

Hardcover. Leipzig, Bernhard Tauchnitz, 1884, Book: Very Good, Dust Jacket: None, Copyright Edition, 326 pages, illuminated vellum binding, with front-edge flaps, leather stitching, 6.5 x 4.5", beautiful binding reminiscent of Medieval manuscripts with latticed cords and illuminated initial. Previous owner's inscription on front fly leaf, otherwise clean.

Softcover. Chicago, University of Chicago Press, reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 253 pages. Friedrich Nietzsche's work has had a significant impact on the intellectual life of non-Western cultures and elicited responses from important thinkers outside of the Anglo-American philosophical traditions as well. Bringing together thirteen internationally renowned scholars, this is the first collection of essays to address the connection between Nietzsche's ideas and philosphies in India, China, and Japan. The contributors are Roger T. Ames, Johann Figl, Chen Guying, Michel Hulin, Arifuku Kogaku, David A. Kelly, Glen T. Martin, Sonoda Muneto, Graham Parkes, okochi Ryogi, Eberhard Scheiffele, Mervyn Sprung, and Joan Stambaugh.

Softcover. Ithaca NY, State University of New York , 2nd pr., 1990, Book: Very Good, Dust Jacket: None, Softcover, 350 pages. The contributors discuss the current debate about what philosophy is, how it works, and how Nietzsche's thought clarifies or complicates its understanding. They represent a wide range of views and practices, some aggressively postmodern in their approach, some profoundly skeptical about postmodernism. Although the issue of postmodernism is the central focus, the essays also touch on many other areas of interest to readers of Nietzsche. Spine faded, light pencil underlining to a few pages.

Softcover. UK, Cambridge University Press, reprint, 1991, Book: Very Good, Dust Jacket: None, Softcover, 298 pages. Friedrich Nietzsche haunts the modern world. His elusive writings with their characteristic combination of trenchant analysis of the modern predicament and suggestive but ambiguous proposals for dealing with it have fascinated generations of artists, scholars, critics, philosophers, and ordinary readers. Maudemarie Clark's highly original study gives a lucid and penetrating analytical account of all the central topics of Nietzsche's epistemology and metaphysics, including his views on truth and language, his perspectivism, and his doctrines of the will-to-power and the eternal recurrence. CLEAN COPY.

Softcover. Chjcago, University of Chicago Press, 2nd pr., 1991, Book: Very Good, Dust Jacket: None, Softcover, 240 pages. Nietzsche's New Seas makes available for the first time in English a representative sample of the best recent Nietzsche scholarship from Germany, France, and the United States. Michael Allen Gillespie and Tracy B. Strong have brought together scholars from a variety of disciplines--philosophy, history, literary criticism, and musicology--and from schools of thought that differ both methodologically and ideologically. The contributors--Karsten Harries, Robert Pippin, Eugen Fink, Hans-Georg Gadamer, Kurt Paul Janz, Sarah Kofman, Jean-Michel Rey, and the editors themselves--take a new approach to Nietzsche, one that begins with the claim that his enigmatic utterances can best be understood by examining the style or structure of his thought. Clean copy.

Softcover. New Haven CT, Yale University Press, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, 378 pages. The first comprehensive interpretation of Nietzsche's Thus Spoke Zarathustra-an important and difficult text and the only book Nietzsche ever wrote with characters, events, setting, and a plot. Laurence Lampert's chapter-by-chapter commentary on Nietzsche's magnum opus clarifies not only Zarathustra's narrative structure but also the development of Nietzsche's thinking as a whole. "An impressive piece of scholarship. Insofar as it solves the riddle of Zarathustra in an unprecedented fashion, this study serves as an invaluable resource for all serious students of Nietzsche's philosophy. Lampert's persuasive and thorough interpretation is bound to spark a revival of interest in Zarathustra and raise the standards of Nietzsche scholarship in general."-Daniel W. Conway, Review of Metaphysics. Clean copy.

Hardcover. Boston, Little, Brown Books for Young Readers, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages illustrated in color by Ed Young. Late at night, when all is quiet and everyone is asleep, a ninja creeps silently through the house in search of treasure. Soon he reaches his ultimate goal...and gets a big surprise! Will the nighttime ninja complete his mission? With spare text and lush illustrations, Nighttime Ninja is a fun, adventure-filled story about the power of play and imagination.

Softcover. Baylor University Press, 1st, 2024, Book: Very Good, Dust Jacket: None, Softcover, 226 pages. The English poet U. A. Fanthorpe (1929-2009) liked to call herself "a middle-aged drop-out," having abandoned a successful teaching career to focus on her poetry, even concealing her Oxford degree so she could find paid work--at Hoover, then as a hospital receptionist. This gave her a chance to study people, which is what her wonderful poems do best. Fanthorpe's verse is instinctively English, often very moving, frequently funny, invariably rooted in her faith. Fanthorpe and her partner, Rosie Bailey, became Quakers in the 1980s. These poems touch on spiritual matters, dramatize Bible stories, and are underpinned by a profound moral sense. Fanthorpe does not judge; rather, she watches, records, and allows her words to do their work. Clean copy.

Softcover. Burlington VT, privately printed, 3rd pr., 1975, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. Black and white photos, map, and acknowledgments. A biography of the author's mother and a record of life in central Vermont during the turn of the century. SIGNED BY FARNSWORTH on the front fly leaf. Previous owner's signature also on the front fly leaf, otherwise clean.

Hardcover. NY, Viking Press, reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with the gold foil Caldecott Medal on the front. SIGNED BY HALL on the title page. Cooney's award-winning color paintings throughout. Also laid in: A signed typewritten note from Hall on his stationery and a newspaper article about the author. Clean copy.

Hardcover. Orlando FL, Academic Press, 1st, 1984, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with some discoloration along edges. 299 pages, b&w illustrations. This book contains a selection of papers from the Third International Conference on Hunting and Gathering Societies held in Bad Homburg, Germany, in 1983; these papers combine archaeology, history, and ethnography to explore the relationship between prehistoric and living hunter gatherer societies; they look for both continuity in these societies through time and for the effects of changing degrees of contact with surrounding farmers, herders, traders, and settlers. Clean copy.

Softcover. Montclair NJ, Montclair Art Museum, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 98 pages, 41 color plates. Issued in connection with an exhibition held October 19, 2008 to February 1, 2009, Montclair Art Museum.

Hardcover. NY, Knopf, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 600 pages. Frank Lloyd Wright has long been known as a rank egotist who held in contempt almost everything aside from his own genius. Harder to detect, but no less real, is a Wright who fully understood, and suffered from, the choices he made. This is the Wright whom Paul Hendrickson reveals in this masterful biography: the Wright who was haunted by his father, about whom he told the greatest lie of his life. And this, we see, is the Wright of many other neglected aspects of his story: his close, and perhaps romantic, relationship with friend and early mentor Cecil Corwin; the eerie, unmistakable role of fires in his life; the connection between the 1921 Black Wall Street massacre in Tulsa, Oklahoma, and the murder of his mistress, her two children, and four others at his beloved Wisconsin home.In showing us Wright's facades along with their cracks, Hendrickson helps us form a fresh, deep, and more human understanding of the man. Clean copy.

Hardcover. Seattle, Fantagraphics, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 344 pages. The second volume in a series reprinting in its entirety the syndicated run of Walt Kelly's classic newspaper strip. It features all the strips from 1951 and 1952, which have been collected before, but in now long-out-of print books, and even there they were not as meticulously restored and reproduced as in this new series. Bona Fide Balderdash also reprints, literally for the first time ever in full color, the two full years of Sunday pages, also carefully restored and color-corrected, shot from the finest copies available. This second volume is once again edited and designed by the cartoonist's daughter, Carolyn Kelly, who is also handling much of the restoration work.