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Softcover. NY, Peacock Press/Bantam Book, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover, 92 pages, 40 color plates, 5 text illustrations. Introduction by Rowland Elzea. A collection of vibrantly colorful reproductions of the paintings which preceded Surrealism by Victorian dream artists who combined illusion with reality. Each facing page shows a painting, with the following being its title, artist, date, and location. Includes such well-known paintings as "The Lady of Shallot", "The Escape of the Heretic", "Ophelia", and similar works. Mild wrinkle to top edge of last 8 pages. Clean copy.

Softcover. Berkeley CA, University of California Press, 1st pbk, 1981, Book: Very Good, Dust Jacket: None, Softcover, yellow wrappers, 258 pages. Examines the unique religious brotherhoods of Morocco, tracing their origins to two saints from the late 17th and early 18th centuries, Sidi Ali ben Hamdush and Sidi Ahmed Dghughi. Known for their dramatic and sometimes controversial rituals, such as trance dances and acts of self-mutilation, the Hamadsha are healers who address spiritual and psychogenic ailments through symbolic and therapeutic practices. Their activities, deeply rooted in the Moroccan cult of saints, reflect a complex interplay of Islamic mysticism, local traditions, and social dynamics. Through these rituals, the Hamadsha incorporate patients into their brotherhoods, providing them with new roles and a symbolic framework to articulate and resolve personal and societal tensions. Drawing on extensive fieldwork, historical analysis, and psychoanalytic perspectives, this study explores the Hamadsha's history, their organizational structure, and their relationship with Moroccan culture and religion. It examines the saints' tombs as focal points of veneration, the social dynamics of the brotherhoods, and their therapeutic methods, including pilgrimages and trance dances. Clean copy.

Softcover. Berkeley CA, University of California Press, reprint, 1987, Book: Good, Dust Jacket: None, Softcover, 242 pages. Scholars have only recently discovered that the human body itself has a history. Not only has it been perceived, interpreted, and represented differently in different epochs, but it has also been lived differently, brought into being within widely dissimilar material cultures, subjected to various technologies and means of control, and incorporated into different rhythms of production and consumption, pleasure and pain. The eight articles in this volume support, supplement, and explore the significance of these insights. They belong to a new historical endeavor that derives partly from the crossing of historical with anthropological investigations, partly from social historians' deepening interest in culture, partly from the thematization of the body in modern philosophy (especially phenomenology), and partly from the emphasis on gender, sexuality, and women's history that large numbers of feminist scholars have brought to all disciplines. Lightly worn copy, clean, solid binding.

Hardcover. NY, Watson-Guptill, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 142 pages illustrated in color. Charles Reid's latest book is the culmination of his organic approach to painting. Reid's aim is to show artists how to achieve a natural-looking, painterly style within the context of a progressive, step-by-step format. Each aspect of developing the figure is clearly demonstrated.

Softcover. New Brunswick, Rutgers University Press, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 262 pages. Explores various expressions of religious fervor such as shamanism, trances, possession, witchcraft and cult activity. Using cultural anthropology and psychoanalysis as a base, the contributors ask how religious imagination connects concepts of the self to ideas of the sacred. Light pencil underlining to about 25 pages.

Hardcover. London, Ward, Lock & Co, reprint, 1959, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with silver pattern and lettering. Novel about three young merchant navy officers on a ship captured by pirates in the 1930s their imprisonment on a fortified island and their escape by sea. Has black and white frontis and plates. Clean copy.

Hardcover. New York, Lothrop, 1st US, 1990, Book: Very Good, Dust Jacket: Good, Unpaginated. Color illustrations by Shirley Hughes. Dust jacket has closed tear at spine and is faded. Tight copy.

Hardcover. NY, Viking Press, 1st, 1936, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn and chipped dust jacket that has been price-clipped. Bound in publisher's decorated pink paper-covered boards backed with a tan cloth spine. Stated First with no other printings. "First Published September 1936" with 1936 in Roman numerals on title page. Ferdinand is the world's most peaceful--and--beloved little bull. While all of the other bulls snort, leap, and butt their heads, Ferdinand is content to just sit and smell the flowers under his favorite cork tree. Leaf's simple storytelling paired with Lawson's pen-and-ink drawings make The Story of Ferdinand a true classic. Touch of fading to spine, clean copy. Scarce in this condition.

Hardcover. NY, McElderry Books, 1st , 1988, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by Warwick Hutton. Light edgewear to dust jacket. Clean, tight copy.

Softcover. NJ, Rutgers University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 244 pages. The story of westering Americans in the late nineteenth and early twentieth centuries has been told most notably through photographs of American Indians. Unlike this vast archive, produced primarily by male photographers, which depicted American Indians as either vanishing or domesticated, the lesser-known images by the women featured in Trading Gazes provide new ways of seeing the intersecting histories of colonial expansion and indigenous resistance. Four unconventional women-Jane Gay, who documented land allotment to the Nez Perces; Kate Cory, an artist who lived for years in a Hopi community; Grace Nicholson, who purchased cultural items from the Karuk and other northern California tribes; and Mary Schaffer, who traveled among the Stoney and Metis of Alberta, Canada-used cameras to document their cross-cultural encounters. Trading Gazes reconstructs the rich biographical and historical contexts explaining these women's presence in different Native communities of the North American West. Their photographs not only record the unprecedented opportunities available for Euro-American women eager to shed gender restrictions, but also reveal how women's newfound mobility depended on the increasing restrictions placed on Native Americans in this era.

Hardcover. London, Faber & Faber, 1st UK, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY CAREY. Winner of the Booker Prize. Clean copy.

Softcover. NY, Random House, uncorr proof, 1992, Book: Very Good, Dust Jacket: None, Softcover, uncorrected proof, 165 pages. Clean.

Hardcover. Sauk City, Arkham House, 1st, 1946, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The second and final collection of supernatural tales by Whitehead, a companion to Jumbee and Other Uncanny Tales. Pictorial dust jacket, illustrated by Ronald Clyne, is clean with minor toning. 3,000 copies printed. Clean copy.

Softcover. PS Artbooks, reprint, Book: Very Good, Dust Jacket: None, Softcover, 64 pages. From December, 1941. Art by Mac Raboy, C. C. Beck et al. A key issue, with Captain Nazi jumping over from the pages of Master Comics to fight CM and it all brings about, right here, the origin of Captain Marvel, Jr. Capt. Nazi attacks a young boy and leaves him crippled, which can't be reversed. But CM goes to his mentor Shazam and agrees to give some of his power to the boy, so that when Freddy says "Captain Marvel" he turns into the super-powered Captain Marvel, Jr. CM then sends him back to Master Comics (yes, really) to aid Bulletman in his own battle with Captain Nazi. All of this is part of a 3-part origin story. CM Jr. immediately became the long running cover feature of Master Comics.

Hardcover. NC, TwoMorrows Publishing, 2nd printing, 2015, Book: Very Good, Dust Jacket: None, 254 pages. Hardcover no dust jacket. Clean, unmarked copy in excellent condition. Color and black and white illustrations. Explores the fascinating life of Will Eisner , detailing a more than 70-year career in which he spearheaded comics for adult readers and created the first widely accepted graphic novel, A Contract with God.

Softcover. Vintage, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. Throughout his travels, writer Bruce Chatwin took thousands of photographs. They demonstrate his legendary "eye" at its best, showing a sense of color and surface, an ability to find beauty in the most mundane of objects or prosaic of places.