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Softcover. Columbus OH, Ohio State University Press, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 189 pages. Looks at the response of American writers to Prohibition with an analysis of fictional portrayals of bootleggers, moonshiners, cabarets, speakeasies, and Prohibition-era characters. Clean copy.

Hardcover. London, Chatto & Windus, 1st UK, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover. 403 pages, translated from the French by Sandra Smith. Spotless and tight copy in a bright dust jacket.

Hardcover. New York, Viking Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by Parker. Light edgewear to dust jacket, residue from a sticker to front flap.

Hardcover. Clover Press, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover, oversize pictorial boards. The saga continues in Terry and the Pirates Volume 12, reproduced from Milton Caniff's personal set of color syndicate tabloid proofs! In this final volume Milton Caniff gives curtain calls to many of his vivid, colorful characters. Readers will be sometimes delighted, sometimes shocked by their last visits with Terry, Pat, Connie, Big Stoop, the Dragon Lady, Burma, Hotshot Charlie, Jane Allen, Deeth Crispin III, Chopstick Joe, Tony Sandhurst, Baron DePlexus, Cap'n Blaze, and others. It's time to ring out the old and ring in the new in Caniff's classic Terry and the Pirates conclusion! Clean, still in publisher's shrinkwrap.

Hardcover. Knoxville, University Of Tennessee Press, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 432 pages. Shields shows how both the myth of Adam and the myth of Aeneas, in crossing over to America from Europe, dynamically intermingled in the thought of the earliest American writers. This rearticulation of the myths of Adam and Aeneas became peculiarly adapted to the demands of the American adventure in freedom. Shields argues that uncovering and acknowledging the classical roots of our culture can allay the American fear of "pastlessness" that the long-standing emphasis on the Adamic myth has generated. The authors probing analysis sheds new light on the works of such seminal figures as Edward Taylor, Cotton Mather, Phillis Wheatley, George Washington, Nathaniel Hawthorne, and Herman Melville.

Hardcover. NY, W. W. Norton, 4th pr., 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 462 pages. Maria Tatar's The Annotated Brothers Grimm celebrates the powerful cultural legacy of the stories collected by Jacob and Wilhelm Grimm --tales that have enchanted children and adults alike for generations. The volume includes over forty of the Grimms' most beloved stories, including: Rapunzel * Hansel and Gretel * The Brave Little Tailor * Cinderella * Little Red Riding Hood * The Robber Bridegroom * Briar Rose * Snow White * Rumplestilskin * The Golden Goose * The Singing, Soaring Lark * The Frog King * The Juniper Tree * and Mother Holle. With over 150 paintings and drawings from the most celebrated fairy tale illustrators, including George Cruikshank, Paul Hey, Walter Crane, Warwick Goble, Kay Nielsen, and Arthur Rackham. Clean copy.

Hardcover. NY, W. W. Norton, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 445 pages. Through the woods with Hansel and Gretel, out to the ball with Cinderella and into the ocean with the Little Mermaid, this volume takes us down the familiar paths of our folklore heritage. Maria Tatar's Annotated Classic Fairy Tales celebrates the powerful cultural legacy of fairy tales and provides an invaluable storytelling archive for children and adults alike. The volume includes twenty-six stories, along with annotations and sumptuous images. Among them are: Cinderella, Hansel and Gretel, Snow White, Sleeping Beauty, Rapunzel, Rumpelstiltskin, The Story of the Three Little Pigs, Master Cat or Puss in Boots, The Story of the Three Bears, The Emperor's New Clothes, The Little Match Girl, The Princess and the Pea, The Ugly Duckling, The Little Mermaid. With over 300 paintings and drawings in full colour throughout by Ivan Bilibin, Edward Burne-Jones, Walter Crane, George Cruikshank, Gustave Dore, Edmund Dulac, Kay Nielsen, Maxfield Parrish and Arthur Rackham. Clean copy.

Hardcover. NY, Norton, reprint, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 396 pages. The Wonderful Wizard of Oz is the quintessential American fairy tale. Michael Patrick Hearn, the world's leading Oz scholar, now provides a fascinating new annotation that not only reacquaints readers with the Tin Woodman, Scarecrow, and Cowardly Lion, but also illuminates the colorful background of this treasured American classic. This edition explores numerous contemporary references, provides character sources, and explains the actual meaning of the word "Oz." A facsimile of the rare 1900 first edition appears with the original drawings by W.W. Denslow, as well as 25 previously unpublished illustrations. There is a bibliography of L. Frank Baum's published work, every notable "Oz" edition, and the stage and cinematic productions from 1939's The Wizard of Oz, to the 1974 Broadway hit, The Wiz. A beautiful, awe-inspiring work, The Annotated Wizard of Oz is an enduring tribute to the timeless joy of The Wizard of Oz, and a classic to rival Baum's own. Clean copy.

Hardcover. Australia, Child & Associates, 2nd pr., 1988, Book: Very Good, Dust Jacket: None, Hardcover in glossy pictorial boards, 103 pages, 4 stories (poems): Possum Creek's Big Flood - The Great Possum Creek Bush Fire - The Great Possum Creek Earthquake - The Lost World of Possum Creek. Color illustrations by Yvonne Perrine. Clean copy.

Hardcover. Carbondale IL, Southern Illinois University Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 267 pages. In this original contribution to Elizabeth Bishop studies, Marilyn May Lombardi uses previously unpublished materials (letters, diaries, notebooks, and unfinished poems) to shed new light on the poet's published work. She explores the ways Bishop's lesbianism, alcoholism, allergic illnesses, and fear of mental instability affected her poetry--the ways she translated her bodily experiences into poetic form. Clean copy.

Hardcover. Barre MA, The Imprint Society, Ltd. Ed., 1971, Book: Very Good, Dust Jacket: None, Hardcover, blue and beige cloth covered boards with gilt vignette of telescope on cover and gilt titled spine. 80 pages, wood engravings by Michael McCurdy. Limited edition, one of 1,950, this unnumbered and unsigned. A science fiction tale set in Boston, a tasty satire. Book is bright, clean, housed in a lightly worn slipcase.

Hardcover. NY, Ars Edition, 1st US, 1981, Book: Very Good, Dust Jacket: None, Hardcover, pictorial glazed boards. Approximately 5 3/4" x 4 3/4", 18 pages. English version by Mary Lee Theobold. Bohatta was a Austrian writer/artist whose titles were republished in the U.S. in small printings. Color illustrations in the style of Thornton Burgess. Clean copy.

Hardcover. NY, Doubleday, reprint, 1972, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, price-clipped dust jacket with sunned spine, 821 pages, b&w illustrations. No date on title page, no first edition statement so assumed an early reprint. A comprehensive history of the Catskill Mountain region of New York by the popular local author. Includes notes, a select bibliography & index. Name on front fly leaf, otherwise clean.

Hardcover. NY, Henry Z. Walck, 1st, 1950, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with black lettering on spine, pasted label on front cover. unpaginated, 12 color illustrations by Tasha Tudor. Assumed first edition with 1950 on title page, 1950 on copyright page, no other printings noted. Name on front fly leaf, otherwise clean.

Hardcover. NY, Knopf, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 346 pages. An intimately perceptive account, by a poet who knew them all, of the brilliant circle of poets who lived and worked in Boston through the half-decade beginning in 1955. That was the year Peter Davison, coming to Boston as a book editor. was swept up in a world -- in a tumult -- of poetry. He rediscovered his father's old friend Robert Frost. He briefly squired Sylvia Plath. He came to know Robert Lowell (whose poems and private disasters dominated the period) and Adrienne Rich, Stanley Kunitz, Richard Wilbur. Anne Sexton, W. S. Merwin, and others who, closely bound together in friendship or rivalry or both, defined the shape of American poetry at mid-century Through their eves as well as his own, and often in their words, Davison presents a sharply fresh vision of the shift from confidence to a troubled questioning that overtook America -- a transformation that was, in a sense, foreshadowed in the sensibilities, in the writings, sometimes in the lives, of some of our finest poets. Clean copy.

Hardcover. NY, E. P. Dutton , 1st, 1967, Book: Good, Dust Jacket: None, Hardcover, tan and blue cloth boards stamped in brown., 255 pages. B&w illustrations by John Schoenherr. A nice copy of Daniel P. Mannix's story of a long-running duel between a fox and a hound. This intense study of animal habits, winner of the 1967 Dutton Animal Book Award, was later adapted by Disney into a heartwarming animated film. Stated First Edition. No dust jacket, light soiling to covers, otherwise a clean, tight copy.

Softcover. Cambridge MA, Harvard University Press, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, 139 pages. How does a poet repeatedly make art over a lifetime out of an arbitrary assignment of fate? By asking this question of the work of four American poets--two men of the postwar generation, two young women writing today--Helen Vendler suggests a fruitful way of looking at a poet's career and a new way of understanding poetic strategies as both mastery of forms and forms of mastery. Fate hands every poet certain unavoidable "givens." Of the poets Vendler studies, Robert Lowell sprang from a family famous in American and especially New England history; John Berryman found himself an alcoholic manic-depressive; Rita Dove was born black; Jorie Graham grew up trilingual, with three words for every object. In Vendler's readings, we see how these poets return again and again to the problems set out by their givens, and how each invents complex ways, both thematic and formal, of making poetry out of fate. Clean copy.

Hardcover. St Paul MN, Graywolf Press, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 62 pages. INSCRIBED/SIGNED BY THE POET on the front fly leaf. The poems discuss a journey across the ocean, a veterans' cemetery, money, an abandoned collection of dolls, and a man who escapes from his prison cell to commit a murder. Clean copy.

Hardcover. NY, Doubleday, Page & Co. , 1st, 1908, Book: Very Good, Dust Jacket: None, Hardcover, rust colored cloth binding decorated in silver and gilt. Color illustrated end papers. Four color plates by C. Cole Phillips. Gertrude Franklin Horn Atherton (October 30, 1857 - June 14, 1948) was an American author. Many of her novels are set in her home state of California. Her bestseller Black Oxen (1923) was made into a silent movie of the same name. In addition to novels, she wrote short stories, essays, and articles for magazines and newspapers on such issues as feminism, politics, and war. Light smudge to blank prelim page, otherwise clean.

Hardcover. NY, Ars Edition, 1st US, 1981, Book: Very Good, Dust Jacket: None, Hardcover, pictorial glazed boards. Approximately 5 3/4" x 4 3/4", 18 pages. English version by June Head. Bohatta was a Austrian writer/artist whose titles were republished in the U.S. in small printings. Color illustrations in the style of Thornton Burgess. Clean copy.

Hardcover. NY, Ars Edition, 1st US, 1981, Book: Very Good, Dust Jacket: None, Hardcover, pictorial glazed boards. Approximately 5 3/4" x 4 3/4", 26 pages. English version by Pia Kummer. Bohatta was a Austrian writer/artist whose titles were republished in the U.S. in small printings. Charming color illustrations. Clean copy.

Hardcover. NY, Stewart Tabori & Chang, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Cream parchment over brown cloth-covered boards, illustrated in color by Gary Kelley, designed by Rita Marshall. Clean copy.

Softcover. Stanford CA, Stanford University Press, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 837 pages. This volume presents the complete correspondence between two of the most important and influential American poets of the postwar period. The almost 500 letters range widely over the poetry scene and the issues that made the period so lively and productive. But what gives the exchange its special personal and literary resonance is the sense of spiritual affinity and shared conviction about the power of the visionary imagination. Duncan and Levertov explore these matters in rich detail until, under the stress of dealing with the Vietnam War in poetry, they discover deep-seated differences in the religious and ethical convictions underlying their politics and poetic stance. The issues that drew them together and those that drove them apart create a powerful personal drama with far-reaching historical and cultural significance. The editors have provided a critical Introduction, full notes, a chronology, and a glossary of names. Clean, bright copy.

Hardcover. NY, Oxford University Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 512 pages. The second volume in this masterful biography finds Hughes rooting himself in Harlem, receiving stimulation from his rich cultural surroundings. Here he rethought his view of art and radicalism, and cultivated relationships with younger, more militant writers such as Richard Wright, Ralph Ellison, James Baldwin, and Amiri Bakara. Illustrated with black & white photographs, a few by Roy DeCarava with whom Hughes published "The Sweet Flypaper of Life" and a portrait by Henri Cartier-Bresson. Clean copy.