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Hardcover. Minneapolis MN, University of Minnesota Press, 1st, 1969, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket that has a closed tear to the front panel. 523 pages with index. A collection of significant critical pieces about Kenneth Burke's work. 67 selections by 56 contributors arranged chronologically. Among the selections are reviews, essay-reviews, essays, excerpts from books, and some previously unpublished material. Collectively, they chart Burke's development and assess his achievements as a contemporary American man of letters. Clean copy.

Hardcover. London, Jonathan Cape Ltd, 1st UK, 2003, Book: Very Good, Dust Jacket: Very Good, 272 pages. Hardcover. SIGNED BY AUTHOR on title page. Clean, bright copy.

Hardcover. NY, Barefoot Books, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This picture book celebrates a small boy's relationship with his father, whom he regards as a secure island on which he can be anything he wants to be - as bright as a star, as fierce as a bear, or as still as a rock. Illustrated with watercolor and ink paintings by Niki Daly. Clean copy.

Hardcover. NY, Villard Books, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 258 pages, b&w illustrations. Beginning with the 1987 death of Andy Warhol, the author traces the ensuing dispute between the Warhol estate and the Andy Warhol Foundation for the Visual Arts over the artist's multimillion-dollar estate. Clean copy.

Hardcover. Milano, Gruppo Editoriale Fabbri, 1st, 1982, Book: Very Good, Dust Jacket: None, Hardcover, 62 pages. Text in Italian with an essay by Mark Haworth-Booth. Includes numerous black and white images by British photographer McCullin. A clean near fine copy in photo-illustrated boards. No dust jacket as issued.

Hardcover. San Francisco, Last Gasp, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 48 pages in color. A catalog of Gary Baseman's "I Melt in Your Presence" solo art show in San Francisco. Baseman's paintings reflect an oozing, sexual frenzy and dripping, cream-filled energy. This large-format hardcover collector's edition features beautiful reproductions of Baseman's nude studies in mixed media and his paintings such as "Dripping With Desire." Still in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY due to size.

Softcover. Eastham Tercentenary Committee, 1st, 1952, Book: Very Good, Dust Jacket: None, Softcover in heavy blue textured wrappers, stamped with gilt titles and design. 184 pages illustrated with black and white photographs, with an introduction by Henry Beston. This copy is in very good condition, tight and unmarked.

Hardcover. NY, Alfred A. Knopf, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 335 pages. A novel set in the high-gloss world of contemporary Mexico's societal and intellectual elite. Remainder dot on bottom edge otherwise clean.

Hardcover. Urbana IL, University of Illinois, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, chipped dust jacket, 237 pages. An intellectual biography and assessment of the career of Edmund Wilson. Name. address on front fly leaf, otherwise clean.

Hardcover. New York , privately printed, 1st, 1882, Book: Good, Dust Jacket: None, Hardcover. large folio, maroon cloth with gilt stamping. Covers worn, especially corners. Internally clean. 187 pages plus 51 full-page plates: 32 artotypes, 18 engravings, 1 chromo-lithograph. Some plates with light foxing, small water stains to some margins.In 1879, Gorringe won the contract to move the obelisk of Thutmosis III from Alexandria to Central Park for $75,000. This book is about the expedition to retrieve the obelisk and a study of the other standing obelisks in Paris and London. Frontispiece portrait of William Vanderbilt who financed the acquisition of the monument. Scarce in original printing.

Hardcover. NY, Knopf, reprint, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 62 pages illustrated in 2-colors by Johnson. Originally published in 1959 this collection of very short stories chronicles Ellen's relationship- complete with two-way conversations-with her floppy stuffed lion. Ellen's temperament is a bit like Christopher Robin's (though her appearance is a clone of Harold, from Harold and the Purple Crayon fame), but her lion is a no-nonsense, tougher-minded Pooh, with the voice of reason and reality to counter Ellen's high-flying imagination. The stories range from fear of the dark and being sad to playing doctor, being a fairy princess, and dealing with a new toy that almost replaces lion.Parents will find the subtly droll stories as entertaining as children, and a child who reads chapter books will find especially rewarding. Clean copy.

Hardcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. "Some people find a certain cruelty in parts of our work," say the rising conceptualist-collaborators Michael Elmgreen and Ingar Dragset, "but they are definitely not more vicious than any real life experiences." Since 1995, Elmgreen and Dragset have tackled issues of privatization, gentrification, social alienation and the dismantling of social welfare. For their first show at Tanya Bonakdar Gallery in 2001 they papered over the windows with the announcement "Opening Soon Prada." Pursuing and inverting this theme, in 2005 they installed a mocked-up Prada store on a deserted road near Marfa, Texas. They have recreated hospitals and prison cells, and have reconfigured gallery spaces to spatially deter their would-be audience. "Our aim is to investigate some of the power structures that these spaces derive from, and by exchanging and replacing some of these structures, show how fragile they actually are." This monograph is the first extensive survey of their work to date.

Hardcover. Hatje Cantz, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. "Some people find a certain cruelty in parts of our work," say the rising conceptualist-collaborators Michael Elmgreen and Ingar Dragset, "but they are definitely not more vicious than any real life experiences." Since 1995, Elmgreen and Dragset have tackled issues of privatization, gentrification, social alienation and the dismantling of social welfare. For their first show at Tanya Bonakdar Gallery in 2001 they papered over the windows with the announcement "Opening Soon Prada." Pursuing and inverting this theme, in 2005 they installed a mocked-up Prada store on a deserted road near Marfa, Texas. They have recreated hospitals and prison cells, and have reconfigured gallery spaces to spatially deter their would-be audience. "Our aim is to investigate some of the power structures that these spaces derive from, and by exchanging and replacing some of these structures, show how fragile they actually are." This monograph is the first extensive survey of their work to date.

Hardcover. NY, W. W. Norton & Company, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 580 pages, b&w illustrations. Los Angeles is a city founded on blood. Once a small Mexican pueblo teeming with Californios, Indians, and Americans, all armed with Bowie knives and Colt revolvers, it was among the most murderous locales in the Californian frontier. In Eternity Street: Violence and Justice in Frontier Los Angeles, "a vivid, disturbing portrait of early Los Angeles" (Publishers Weekly), John Mack Faragher weaves a riveting narrative of murder and mayhem, featuring a cast of colorful characters vying for their piece of the city. These include a newspaper editor advocating for lynch laws to enact a crude manner of racial justice and a mob of Latinos preparing to ransack a county jail and murder a Texan outlaw. In this "groundbreaking" (True West) look at American history, Faragher shows us how the City of Angels went from a lawless outpost to the sprawling metropolis it is today. A riveting popular history of Los Angeles's bloody beginnings. Clean copy.

Hardcover. NY, Knopf, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, 695 photographs. "[A] spectacular collection of images from the personal archives of Italian countess Camilla McGrath (1925-2007). McGrath and her husband, Earl--at various times a screenwriter, record producer, and art curator--had an outsized social life, and the sheer number of celebrities who passed through their orbit is mind-boggling. Among the photographs are ones capturing Jackie Kennedy lounging by a pool, Andy Warhol smiling alongside his dachshund Archie, and vacation shots with Princess Margaret and Bianca Jagger. As art dealer Beatrice Monti remembers of McGrath's gift, "She was able to capture something of each one of us even in the middle of a party." . . . These spellbinding photos will beguile photographers, artists, and those enamored of the glamour of a bygone era." No dust jacket issued.

Softcover. NY, Schocken Books, reprint, 1969, Book: Very Good, Dust Jacket: None, Softcover, 222 pages, b&w illustrations. The Falashas, who are the most isolated and most ancient Jewish community extant, have preserved their own religious writings through the centuries. No one knows for certain how Judaism reached this part of Africa. They observe the Sabbath as indicated in the Torah, eat only kosher food, pray in straw-roofed synagogues, and use only unleavened bread during the seven days of Passover. This book offers a cross section of their sacred literature, translated for the first time into English from Ethiopic sources. In addition, the translator provides a detailed description of the life and mores of the Falashas, based on his personal experience and observation during a prolonged stay in their community. Clean copy.

Hardcover. NY, Watson-Guptill, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover. Frank Schoonover, one of the giants of the Golden Age of American Illustration, was renowned for his scenes of life on the western frontier of America and Canada. Schoonover captured the flavor of the west and northwest in his dramatic outdoor compositions which depicted cowboys, Indians, trappers, Eskimos - the people and way of life that he knew, loved, and painted first hand. His keen sense of observations, coupled with his vivid documentary style, made his illustrations powerful paintings in themselves. They are now exhibited and collected for their own sake, independent of the books they illustrated, as unforgettable documents of a legendary way of life. Like the other great painter/illustrators of the Brandywine School -he was a student of Howard Pyle and a contemporary of such notables as N. C. Wyeth and Harvey Dunn - Schoonover was passionate about the portrayal of the American past. Although he lived most of his life in the Brandywine River area of Pennsylvania and Delaware, his commitment to the frontier dominated his work. A natural love for adventure and a yearning to find his own style sent him initially to the Canadian northwest, where he took naturally to the challenge of frontier life. Living among the Indians, canoeing, traveling by dogsled, and fending for himself brought authentic flavor to his paintings which illustrated many popular books and stories of adventure - most of which are now forgotten, although the paintings endure. This handsome collection is the first full-scale illustrated study of Schoonover's work, not only rediscovering the paintings of a major artist, but providing an important visual document of frontier life. 208 pages. 10 1/2 X 11 1/4. 48 color plates. 150 black-and-white illustrations. Chronology. Index. Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. London, Victor Gollancz, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 63 pages. Corrections/alterations to several poems in blue ink and dated 4/23/85. Each dated alteration is accompanied by a capital letter 'M', presumably for Menashe. In addition there is a handwritten poem opposite the title page in blue ink titled "Walking Stick", probably by the author. Menashe's short, intense, spiritual poems canvas existential dilemmas and use implication and wordplay as a way of deepening the linguistic force of his words.

Hardcover. Boston, Houghton Mifflin , 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages, Illustrated in color by Mary Azarian.Clean copy.

Hardcover. Athens OH, Ohio University Press, 2nd pr., 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 373 pages. Editors Groth and Castronovo have chosen from Wilson's previously uncollected works to present materials illuminating his growth as a literary critic and writer. The works are arranged chronologically, beginning with essays published in the High School Record in 1911 proceeding to works penned for the Nation, New Republic, and the New Yorker in the Thirties, Forties, and Fifties, and winding up with an acceptance speech delivered by Wilson in 1966. Among the subjects of the essays are underrated pleasures (including Edith Wharton, satin breeches, and the human body), overrated experiences (such as afternoon tea, youth, summer, and weddings), and literary critiques, both admiring and scathing. Many libraries already own the source periodicals, but this collection includes a few items that would be difficult to obtain.

Hardcover. Milwaukie WI, Dark Horse Books, 1st, 2014, Book: Very Good, Dust Jacket: None, Volume 2. Like new in publisher's shrink-wrap. Presenting the second in a series that collects, in chronological order, all the Sunday pages of the celebrated newspaper strip! Discover the abundant wonder and dazzling beauty in the world--as seen through the eyes of creator Frank King and his beloved characters, Walt and Skeezix--in some of Gasoline Alley's most artistically imaginative art! Reprinted in full color, this giant-sized volume collects every Gasoline Alley Sunday strip from 1923 through 1925. Hardcover, 128 pages, 16 X 12". Due to size and weight, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Teachers College Press, 1st, 1968, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, unclipped dust jacket, 140 pages. A collection of essays by the German sociologist and philosopher concerning man's relationship to culture. Clean copy, minor wear to dust jacket.

Hardcover. NY, Viking Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 146 pages. Lukacs was a Hungarian Marxist philosopher, aesthetician, literary historian, and critic. He was one of the founders of Western Marxism, an interpretive tradition that departed from the Marxist ideological orthodoxy of the Soviet Union. He developed the theory of reification, and contributed to Marxist theory with developments of Karl Marx's theory of class consciousness. He was also a philosopher of Leninism. Clean copy.

Hardcover. NY, Orion Press/ Trianon Press, 1st, 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 180 pages, profusely illustrated in b&w. 112 pages of photos, 3 fold-outs. The definitive study of the 12th-century French sculptor, responsible for almost all the sculpture and reliefs in the medieval cathedral in Burgundy. Spine cracked at preliminary spread before title page. No markings, clean copy.