Hardcover. NY, Harry N. Abrams/Hood Museum of Art, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A beautiful and intimate treatment of the architecture of the early industrialization of New England. 108 pages of color plates. Essays by Noel Perrin & Kenneth Breisch. Clean copy.
Hardcover. NY, Metropolitan Museum of Art, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 200 pages. A look at the artistic and technical innovation of British printmaking from World War I to the eve of World War II, as artists from the Grosvenor School and beyond harnessed an emerging modernist style. This richly illustrated volume reintroduces rare print works from the collection of Leslie and Johanna Garfield into the narrative of modernism, demonstrating their relationship to other movements such as Cubism, Futurism, and Constructivism. Essays explore how artists turned to printmaking to alleviate trauma, memorialize their wartime experiences, and capture the aspirations and fears of the twenties and thirties. Special attention is given to the linocut technique revolutionized by Claude Flight and his students at London's Grosvenor School of Modern Art. Highlighted as well are the pioneering works of artists such as C. R. W. Nevinson, Sybil Andrews, Cyril E. Power, Paul Nash, Edward Wadsworth, Edith Lawrence, Ursula Fookes, and Lill Tschudi. In their quest to promote a more democratic art, these artists created innovative graphics that portrayed in subject, form, material, and technique the dynamic era in which they lived. In publisher's shrinkwrap.
Hardcover. London, Oxford University Press, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 157 pages. A study of the popular English children's writer, Mrs Sherwood, 1775-1851 considering her style, writings, relations with publishers, etc. Includes reprints of The little woodman and his dog Caesar originally published: London, Houlston, 1850 and Soffrona and her cat Muff originally published: Wellington, Salop, Houlston, 1828. Includes a 38 page bibliography. "No study of nineteenth - century children's books in England can afford to ignore Mrs. Sherwood. She produced over four hundred different titles - books, tales, tracts, texts, magazines, articles in periodicals, cbapbooks, and Sunday School rewards. There is evidence that the writings of her Evangelical period, in particular, had a remarkable influence upon Victorian literature for the young.
Hardcover. NY, Alfred A. Knopf, 2nd pr., 1987, Book: Very Good, Dust Jacket: None, Hardcover, Beautifully illustrated scenes from the world's jungles teem with hidden life. Can you spot the wonderful selection of camouflaged creatures? Test your powers of observation to find the answers and more information about them. Includes intricate die-cut gatefolds. John Norris Wood is a renowned wildlife artist who has exhibited at London's Royal Academy of Arts, Natural History Museum, and Victoria and Albert Museum. He lives on his own nature reserve in England with his boa constrictor.
Softcover. Brighton UK, Sussex Academic Press, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 283 pages. The first book to study the history of the Nazis in Britain. In September 1930, the Nazi Party newspaper, Volkischer Beobachter, sent its first representative to London. Soon afterwards, German residents in London established an Ortsgruppe, or local Nazi group, which provided Party members with a place to congregate and support the new movement. By 1933, more than 100 members belonged to the London group. The Nazis in pre-war London created a dilemma for the Foreign Office and the Home Office, who were divided as to how best to treat residents whose allegiance was to the German Reich. Some felt that all Nazi organizations should be banned, and Party Members should not be allowed to enter the UK. Others, including MI5, argued that it would be easier to keep track of Nazis if they were in-country. Previously unpublished German documents reveal the fates of German diplomats, journalists, and professionals, many of whom were interned in Britain or deported to Nazi Germany once war broke out on September 3, 1939. Clean copy.
Softcover. London, Profile Books, reprint, 2006, Book: Very Good, Dust Jacket: None, Softcover, 312, b&w illustrations. In September 1939, housewife and mother Nella Last began a diary whose entries, in their regularity, length and quality, have created a record of the Second World War which is powerful, fascinating and unique. When war broke out, Nella's younger son joined the army while the rest of the family tried to adapt to civilian life. Writing each day for the "Mass Observation" project, Nella, a middle-aged housewife from the bombed town of Barrow, shows what people really felt during this time. This was the period in which she turned 50, saw her children leave home, and reviewed her life and her marriage - which she eventually compares to slavery. Her growing confidence as a result of her war work makes this a moving (though often comic) testimony, which, covering sex, death and fear of invasion, provides a new, un-glamorised, female perspective on the war years. 'Next to being a mother, I'd have loved to write books.' Clean copy.
Softcover. Boston, Museum of Fine Arts Boston , 1st, 1982, Book: Good, Dust Jacket: None, 3 Softcover Volumes. Volume 1 - 94 pages. Features:Introduction/Migration and Settlement. Many illustrations in black & white and 8 pages in full color. Covers show light/moderate wear with some soiling to rear cover. Clean, tight copy. Volume 2 - 260 pages. Features: Mentality and Environment. Many illustrations in black & white and 8 pages in full color. Light/moderate wear. Clean, tight copy. Volume 3 - 209 pages. Features: Style. Many illustrations in black & white and 16 pages in full color. Light/moderate wear. Clean, tight copy. All 3 Volumes: Good+ condition.
Hardcover. Salem MA, Peabody Museum, 1st, 1939, Book: Very Good, Dust Jacket: Good, Hardcover, 88 pages, 8 b&w illustration, fold-out chart. Blue cloth with gilt lettering, top edge gilt, dust jacket edgewear, small clear tape repair to top of spine. Previous owner's inscription on front fly leaf.
Hardcover. NY, Norton, 1st, 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket. Memories of growing up in Hancock, New Hampshire. B&w illustrations by Leonard Vosburgh. Clean copy.
Hardcover. New York, Harry N. Abrams, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Unpaginated. Hardcover with dust jacket. Black and white photographs throughout. Clean, toght copy with only light edge wear to dut jacket and cover boards.
Hardcover. Woodstock, Elm Tree Press, 1st Thus, 1926, Book: Very Good, Dust Jacket: None, 44 pages. INSCRIBED BY MARY M. BILLINGS FRENCH TO HERBERT H. HINES, WHO WROTE THE INTRODUCTION. Black & white tipped-in photographic illustrations. Covers show light wear. Clean, tight copy.
Softcover. self-published, 1st, circa 1990, Book: Very Good, Dust Jacket: None, Softcover, 48 pages. The author was a traveling salesman and railroad buff. In the course of his work in the 1930s, he had the opportunity to photograph many of the trains he traveled on. The variety of locomotives and the trackside structures captured should make this invaluable to historians and railroad fans.. Also includes 2 carefully drawn maps. Clean copy.
Softcover. East Greenwich RI, Society of Colonial Wars in the State of Rhode Island, reprint, 1986, Book: Very Good, Dust Jacket: None, Softcover, red card stock with black lettering on the front cover. Book is clean, tight and bright. With Introductory Notes and a Biographical Index By Bruce Campbell MacGunnigle, Editor and Historian of the Society. 70 pages with 36 pages reproduced in facsimile. Clean.
Hardcover. New York , Skira, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Like new in publisher's shrink-wrap. The artists included: Victoria Miro or Maureen Paley, as well as in the collections of the Saatchi Gallery and the Tate Modernare Lucy Levene, Lisa Castagner, Sarah Pickering, Anne Hardy, Esther Teichmann, Gareth McConnell, Melissa Moore, Suzanne Mooney, Harold Offeh, Sophie Rickett, Annabel Elgar, Danny Treacy, Kirk Palmer, Becky Beasley, Bianca Brunner, Simon Cunningham, and Heiko Tieman.
Hardcover. London, Hutchinson, 1st, 1967, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt lettering on spine. 246 pages, b&w plates. Very good, clean. No dust jacket.
Hardcover. New York, St. Martin's Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 272 pages. Hardcover. B/w illustrations throughout. Gilt title on spine. Dust jacket unclipped. Binding tight. Clean inside and out. In very good condition.
Hardcover. Boston, MA, Little Brown & Company, 1st, 1928, Book: Good, Dust Jacket: None, Hardcover, light gray cloth with red lettering, 228 pages. INSCRIBED BY AUTHOR on prelim-page. Slight wear and soil to covers, internally very good
Hardcover. Hartford CT, Guyde Publishing Co., 1927, Book: Very Good, Dust Jacket: None, Limp red cloth covers stamped in gilt, now faded. Vintage travel guide for the northeast. Maps, advertising, photos, large folding map inside rear cover with a tear to one panel, no paper loss. Previous owners embossed stamp on front fly leaf, otherwise clean, very good.
Softcover. London, Tate Publishing, 1st, 2007, Book: Near Fine, Dust Jacket: None, Softcover. Clean, unmarked copy with only minor wear to wrappers. 136 pages, 40 color & 50 black & white illustrations. Helio Oiticia (1937-80) was one of the most influential artists of the late twentieth century. At the end of the 1960s Oiticica was invited to exhibit at the Whitechapel Art Gallery in London. This book captures not only a pivotal moment in the life and career of a unique artist but also in the development of the avant-garde in London.
Softcover. Leopard Publishing Ventures, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, 60 pages, illustrated. Built in the cottage orne style from a plan by the Regency architect John Nash (1752-1835), Old Came Rectory is the historic home of the poet philologist, William Barnes (1801-1886), Thomas Hardy's mentor. Amid gatherings of poets, writers and historical figures, how many discussions around the fire of this homely home have gone on to shape the world we know today? INSCRIBED BY AUTHOR on Dedication page.