england regional

Hardcover. NY, Harper & Brothers, 1st, 1891, Hardcover, original decorative blue cloth stamped in gilt, with a paper black and white oval cameo laid on front board. First edition. A cornerstone collection of 24 New England regional tales, including the ghost stories "A Gentle Ghost", "The Twelfth Guest," and "A Village Lear". Spine gilt lightly faded otherwise a clean, tight copy.

Softcover. Burlington VT, New England Telephone & Telegraph Company, 1933, Book: Very Good, Dust Jacket: None, Softcover, light green card covers with dark blue lettering. 60 pages of listed subscriber phone numbers with ads throughout plus a 24 page classified business section. Directory covers Bristol, Burlington, Charlotte, Essex Center, Essex Junction and Richmond. Small perforated hole in upper corner, clean, bright copy of uncommon Vermont ephemera.

Hardcover. NY, The MacMillan Co., 3rd pr., 1945, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 200 pages. Endpaper maps, b&w illustrations by the author. Inns and colorful personalities of Groton, Hanover and Old Boston Post Road. Five of the principal routes of New England's earlier days are the focus of this book. With these routes, the writer recalls much of the romance of these ancient highways over which our ancestors jogged on horseback with saddlebags, in jolting stage-wagons, or in the later Concord coach. Clean copy.

Hardcover. Hanover NH, University Press of New England, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 214 pages, color and b&w illustrations. Edward and Jo Hopper first discovered Vermont in 1927, making day trips from the Whitney Studio Club's summer retreat for New York artists in Charlestown, New Hampshire. In 1935 and 1936 the Hoppers again traveled to Vermont, this time from their summer home in Cape Cod, in Edward's continuing search for new places to paint. During these quests they identified the White River and what Edward considered to be Vermont's "finest" river valley, and they returned there for longer visits in 1937 and 1938, boarding at Robert and Irene Slater's Wagon Wheels farm in South Royalton. These "vacations" were a change from the usual tempo of their lives, a break from the studio-bound easels, canvas, and oils, an opportunity to paint something different, to be in a new place and paint en plein air. Over the course of Vermont sojourns, Edward Hopper produced some two dozen paintings, watercolors that are among the most distinctive of his regional works, strongly characterized by place. In this accessible volume, Bonnie Tocher Clause tells the story of the Hoppers' visits to Vermont, their stays on the Slater farm, and their introduction to farm life. She locates the sites shown in Hopper's Vermont paintings, identifies two watercolors not previously recognized as Vermont scenes, and traces the development of Hopper's singular interpretations of the Vermont landscape. Clean copy.

Hardcover. Hanover NH, University Press of New England , 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 458 pages. Through furniture, this exhibition catalogue will explore the cultural identity of a little-studied region of 18th and 19th century New England: southeastern Massachusetts, an area that stretches from just south of Boston to Providence, east to the tip of Cap Cod, and includes the islands of Nantucket and Martha's Vineyard. The era between 1710 and 1850 was marked by enormous changes in the landscape, population, and economy of this area, as well as in the activities of furniture craftsmen and the purchasing patterns of local residents. Three themes are paramount here: 1. Regionalism in the character of furniture made in the area and the forces that shaped that identity. 2. Fashion, changing tastes and the growing affluence of local residents over time. 3. Shop practices and the evolving craft practices of furniture makers through the recreation of two shops, the rural handcraft tradition of Samuel Wing of Sandwich in 1800 and the mechanized operation of a New Bedford or Fall River chair factory in 1850. The exhibition will include approximately 75 pieces of furniture from private and institutional collections, tools and equipment from the Samuel Wing cabinet shop (now owned by Sturbridge Village), and selected household furnishings depicting interiors in southeastern Massachusetts during the 18th and 19th centuries. Still in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.

Hardcover. Vermont, Tenth Vermont Regimental Association, 1st, 1870, Book: Very Good, Dust Jacket: None, 249 pages, green cover, small gilt design to front cover, gilt lettering on spine. Previous owner's bookplate to front endpaper, light wear to cover, small date stamp to corner of rear endpaper; otherwise book in great condition. Includes a complete roster of the regiment & details of Virginia actions.

Hardcover. Chapel Hill NC, University of North Carolina Press, 1st, 2001, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with silver lettering, 384 pages, b&w illustrations. Say "New England" and you likely conjure up an image in the mind of your listener: the snowy woods or stone wall of a Robert Frost poem, perhaps, or that quintessential icon of the region--the idyllic white village. Such images remind us that, as Joseph Conforti notes, a region is not just a territory on the ground. It is also a place in the imagination. This ambitious work investigates New England as a cultural invention, tracing the region's changing identity across more than three centuries. Incorporating insights from history, literature, art, material culture, and geography, it shows how succeeding generations of New Englanders created and broadcast a powerful collective identity for their region through narratives about its past. Whether these stories were told in the writings of Frost or Harriet Beecher Stowe, enacted in historical pageants or at colonial revival museums, or conveyed in the pages of a geography textbook or Yankee magazine, New Englanders used them to sustain their identity, revising them as needed to respond to the shifting regional landscape. Clean copy. No dust jacket.

Softcover. Boston, Museum of Fine Arts Boston , 1st, 1982, Book: Good, Dust Jacket: None, 3 Softcover Volumes. Volume 1 - 94 pages. Features:Introduction/Migration and Settlement. Many illustrations in black & white and 8 pages in full color. Covers show light/moderate wear with some soiling to rear cover. Clean, tight copy. Volume 2 - 260 pages. Features: Mentality and Environment. Many illustrations in black & white and 8 pages in full color. Light/moderate wear. Clean, tight copy. Volume 3 - 209 pages. Features: Style. Many illustrations in black & white and 16 pages in full color. Light/moderate wear. Clean, tight copy. All 3 Volumes: Good+ condition.

Hardcover. Boston, Lee and Shepard, 1st, 1893, Book: Very Good, Dust Jacket: None, Hardcover, 121 pages. Illustrated with numerous drawings and photographs by the author. All edges gilt. Original full dark blue cloth binding. Front board decorated in gold with a design of a overshot water wheel. Exceptional condition, bright and clean.

Hardcover. New York, Macmillan, 1st, 1940, Book: Very Good, Dust Jacket: None, Hardcover, 398 pages. Previous owners inscription on dedication page. Light fading to cloth covers. Clean, tight copy.

Hardcover. Mountain Sports Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 180 pages. Since the 1950's, Stowe has been called the "Ski Capital of the East." Peter Oliver's stunning coffee-table book is the story of Stowe's past and present, the mountain, the village, and the people who helped it grow and made it famous.

Chelsea, VT, Chelsea Green, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white illustration. 188 pages. Slight cock to spine. Dust jacket price clipped. Previous owner's signature front fly leaf.