england

Hardcover. Taschen, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 332 pages. Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a showplace for exhibitions of modern and contemporary artists ranging from Matthew Barney to Dan Flavin, Ellsworth Kelley, Louise Bourgeois or Rachel Whiteread. It is the only public modern and contemporary art gallery in central London, which maintains free admission and is open seven days a week.The pavilions are the work of international architects or design teams who at the time of the Serpentine's invitation have not completed a building in England. A maximum of six months from invitation to completion is allotted. The only architecture program of its type in the world, the Serpentine Gallery Pavilions attract up to 250,000 visitors each summer. The architect Richard Rogers has stated, This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Hardcover. UK, ACC Editions, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover in pictorial bpards. Felicity Green brought a new, original voice and look to the fashion pages of the '60s' Daily Mirror. For the first time in newspaper history she created fashion pages designed to appeal to both sexes as the circulation soared to more than 5 million copies a day. Great pictures, great photographers, top designers, top models - Felicity made these Swinging '60s fashion stories FUN! bringing the glamor and style of glossy magazines to the Mirror. These award-winning pages broke the fashion mould and captured the stellar time when London fashion conquered the world. Under Felicity Green's by-line comes stories of the stars of the '60s - they're all talking in this original book: Mary Quant, Barbara Hulanicki, Vidal Sassoon, Twiggy, Terry O'Neill, and a sparkling foreword by Barbara Hulanicki, of Biba fame, tells the story of a fashion collaboration/friendship whose gingham dress made fashion history. Still in publisher's shrinkwrap.

Hardcover. NY, Prestel, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 160 pages. Illustrated with color and b&w photos. A captivating exploration of London's iconic Soho district, capturing its vibrant and eclectic mix of people, subcultures, and street life. This photographic collection delves into Soho's rich history of art, nightlife, and diversity, revealing both the allure and the edgier, untamed aspects of this unique area. Opening with a look at Soho through the years, this book includes archival images of Suffragettes learning Jiu-jitsu in a Soho gym, David Bowie preparing to record at Trident Studios, and Francis Bacon drinking at the French House. The book then presents the work of photographers who have shed light on Soho's many faces through the decades, including Kelvin Brodie, Clancy Gebler Davies, Corinne Day, William Klein, and Anders Petersen. Also featured is a new series of work by young, up-and-coming photographer Daragh Soden, whose images were specially commissioned by The Photographers' Gallery for this project. These streetscapes and portraits are by turns intimate and haunting, visceral and vibrant, nostalgic and provocative. Clean copy.

Hardcover. NY, Simon & Schuster, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, A sociological look at the influence of Shakespeare's Shylock on world mythology describes the character's creation and his evolution on the stage, and presents writing about him by Proust, James, T. S. Eliot, and others. Amazingly, Shylock is in only five scenes in the Merchant of Venice. Yet, as pointed out by Gross, the theater critic for the London Sunday Telegraph , his impact and significance transcend his physical presence, so much so that his name and "pound of flesh" idea are almost universally known. In the first part of this character/cultural study, Gross examines the antecedents of Shylock and the play, and his development within the play. The second part considers "interpretations" both theatrical and literary in England and America until World War II; the third part considers Shylock more broadly as a touchstone (e.g., how his "type" is used by the Victorians--Trollope's Lopez, Dickens's Riah, Ruskin's use of him in Munera Pulveris ). Clean copy.

Hardcover. Boston, Houghton Mifflin, 1st US, 1961, Book: Very Good, Dust Jacket: Good, Hardcover, 144 pages First American edition, first printing. Cartoons which appeared in London's Daily Express since 1939. The author/artist presents the full sweep of his wit and a vivid retrospective view of our world during the angst-haunted 40s and 50s in England. Dustjacket with light edgewear.

Hardcover. Princeton, NJ, Princeton University Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 468 pages, b&w illustrations, some color. Illustrated from photographs, paintings, and other works of art, portraits, and plans. Eastlake (1793-1865), an artist, scholar, collector, and public administrator, served as president of the Royal Academy and the first Director of the National Gallery. Robertson covers the artists, writers, scholars, and statesmen of Eastlake's Victorian art world, as well as exhibitions and sales, critical controversies and art-historical writing. With appendices which include checklists of Eastlake's own paintings and private collection, a record of the National Gallery's acquisitions of 1824-1865, and much more. Includes bibliographical references and index. Rubbing, edge wear to dust jacket; closed tears to bottom of spine and rear top right corner. Else a clean, tight copy.

Hardcover. London, Hodder & Stroughton, 1st, 1923, Book: Very Good, Dust Jacket: Very Good, Hardcover, 280 pages, blue cloth covers with gilt design. Color frontispiece portrait of the famous English architect. Illustrated with 12 color plates, 91 b&w plates (some fold-outs). Top edge gilt, clean copy with the scarce light blue dust jacket that has light edgewear with coat-of-arms on front panel, title on spine.

Hardcover. Boston, Gambit , 1st, 1973, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket. Emissar of Charles the First, second governor of Massachusetts, pillar of the Protectorate, and victim of Charles the Second, atypical Puritan and passionate lover, Sir Harry Vane was a man of peace who initiated genocide in the New World and found martyrdom in the Old. His experience reaches from Indian wigwam to royal palace. This is an unparalleled picture of a formative age which is with us yet. Clean copy.

Hardcover. Cambridge, Cambridge University Press, 1st, 2000, Book: Very Good, Dust Jacket: None, 328 pages with bibliography and index. A revised and abridged version of Watkins earlier work on Soane (1753-1837), concentrating on the twelve lectures the eminent architect gave to the Royal Academy between 1810 and 1820, dealing with the huge scope of the lessons to be gained from world architecture.

Hardcover. NY, Charles Scribner's Sons, 1st, 1934, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, chipped dust jacket, 362 pages. Richard Steele, best known for his essays in The Tatler and The Spectator, was a powerful and humane influence in letters, the theatre and politics during the times of Queen Anne and the first George. B&w frontis. Clean copy.

Hardcover. NY, St. Martin's Press, 1st US, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. 382 pages, 150 b&w photos and 24 pages in color. Clean copy. From 1946 to 1957, Vita Sackville-West, the British poet, bestselling author of All Passion Spent and maker of Sissinghurst, wrote a weekly column in the Observer depicting her life at Sissinghurst, showing her to be one of the most visionary horticulturalists of the twentieth-century. With wonderful additions by Sarah Raven, a famous British gardener in her own right who is married to Vita's grandson Adam Nicolson, Sissinghurst draws on this extraordinary archive, revealing Vita's most loved flowers, as well as offering practical advice for gardeners. Often funny and completely accessibly written with color and originality, it also describes details of the trials and tribulations of crafting a place of beauty and elegance.

Hardcover. NY, Hurd and Houghton, 2nd Ed., 1869, Book: Very Good, Dust Jacket: None, Hardcover, dark green pebbled cloth with a gilt-stamped title on the spine and bright gilt illustration of the author riding a donkey on the front cover. Second Edition (first: 1868) of the American illustrator's trip to England and the Continent undertaken in 1867-68. 192 pages, 88 plates & text illus. (incl. frontis.) engraved on wood by J. Augustus Bogert & James L.Langridge after drawings by the author. Darley's volume is composed of excerpts from letters written home concerning his travels around the states and Europe. His sketches illuminate the scenes described in his letters. The final page is a charming self-portrait in miniature, of Darley tipping his cap to the reader for their time. A whimsical collection of brief travel vignettes. Inscribed on the first blank page. Bright copy in exceptional condition.

Hardcover. Boston, David Godine, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Color illustrations. Edward Ardizzone, one of England's most beloved artists and illustrators, was also an artist who could never resist the temptation of filling his letters to family and friends with enchanting vignettes and sketches. Like all of his work, these were done quickly, humorously, and lovingly, with a sure touch for outline, wash, and color that always distinguished his work. For the first time, here is a selection of those letters, envelopes, and illustrations, selected and edited by Judy Taylor, longtime children's book editor at the Bodley Head and among Ardizzone's closest friends and correspondents.

Hardcover. Boston, David Godine, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Color illustrations. Edward Ardizzone, one of England's most beloved artists and illustrators, was also an artist who could never resist the temptation of filling his letters to family and friends with enchanting vignettes and sketches. Like all of his work, these were done quickly, humorously, and lovingly, with a sure touch for outline, wash, and color that always distinguished his work. For the first time, here is a selection of those letters, envelopes, and illustrations, selected and edited by Judy Taylor, longtime children's book editor at the Bodley Head and among Ardizzone's closest friends and correspondents.

Hardcover. UK, self-published, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. "A careful study of an ancient craft, peculiar to the County of Cornwall, that of carving Family Portraits in Slate." Foreword by Dorothy Dudley. 184 pages, many b&w illustrations. Clean.

NY, Holt Rinehart Winston, 1st US, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly soiled dust jacket, 190 pages. Dust jacket illustration by Alan Cobe. Gerald Briggs runs away from his home, a thriving sheep farm, and from his stepfather's crooked ways. He and his lamb Smudge stay quietly with an old hermit until he uncovers thefts and violence. Dust jacket price-clipped. Clean copy.

Softcover. NY, Schocken Books, reprint, 1967, Book: Very Good, Dust Jacket: None, Softcover, 520 pages. In order to understand the English Revolution and Civil War we need to understand Puritanism. Using his consummate skill as a historian, Professor Hill suggests that there might have been non-theological reasons for supporting the Puritans, or for being a Puritan. He shows Puritanism as a living faith, answering the hopes and fears of yeomen and gentlemen, merchants and artisans. He looks at oath-taking, the Sabbath, bawdy courts, and poor relief and assesses the significance of the household (rather than the Parish) and the dignity of labor. He shows Puritanism in daily life and discusses the emergence of the seemingly paradoxical Puritan revolutionaries. Light bump to top corner of about 50 pages, clean copy.

Hardcover. London, Eveleigh Nash, 1st, 1912, Book: Very Good, Dust Jacket: None, Hardcover, dark green cloth with gilt design, 315 pages plus ads. Black & white illustrations. Minor foxing to some pages. Light wear to covers. Clean, tight copy. Illustrated from rare prints and portraits in the collection of A. M. Broadley. Frontispiece plate of Elizabeth Chudleigh, Countess of Bristol with tissue facing. Illustrated with 24 more plates in text.

Softcover. London, Frank Cass, reprint, 2006, Book: Very Good, Dust Jacket: None, Softcover, 526 pages, b&w illustrations. An Account of the Work of the British Special Operations Executive in France 1940-1944. Maps, appends., sources, index, Updated edition of the HMSO Official History Volume. Originally withdrawn shortly after publication due to threats of legal action by Peter Churchill, then re-released with emendations, Clean copy.

Hardcover. New York, Frederick A. Stokes, 1st, 1939, Book: Very Good, Dust Jacket: None, Non-paginated. Hardcover with red covers. Lightly soiled. Black and white wordless cartoons by Soglow.

Hardcover. Athens GA, University of Georgia Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 135 pages. INSCRIBED BY AUTHOR on the title page. In the fall of 1996 Sydney Plum encountered a solitary Canada goose on a pond near her home in New England. Caring for the animal became a way for her to reconnect with nature. Walks to the pond were daily rituals--reflective times during which Plum thought about the relationships between humans and animals. Mixing memoir with closely observed nature writing, Plum searches for a deeper understanding of what was changed by the experience with the solitary goose she named SG. In the tradition of Elizabeth Marshall Thomas, Plum writes lyrical lessons on the life cycle of geese, the mystery of their great migratory patterns, and their amazing adaptability. Canada geese were not always so plentiful in the United States, she explains, nor were they always denigrated as "flying carp." Plum shows how species-management programs reestablished the birds outside their previous range at the same time as golf courses, office parks, and suburban ponds began dotting the countryside, providing them with prime habitats where they were unwanted.

Hardcover. London, Chatto & Windus, 1st, 1899, Book: Very Good, Dust Jacket: None, 332 pages plus publisher's ads in rear. Blue cloth covers with gilt design and lettering, top edge gilt. Etching frontispiece by Francis Walker and 119 b&w illustrations. Previous owner's signature on blank page opposite preface, otherwise a clean, bright copy.

Hardcover. New York, Macmillan, 1st, 1940, Book: Very Good, Dust Jacket: None, Hardcover, 398 pages. Previous owners inscription on dedication page. Light fading to cloth covers. Clean, tight copy.