ephemera

Softcover. Burlington VT, New England Telephone & Telegraph Company, 1933, Book: Very Good, Dust Jacket: None, Softcover, light green card covers with dark blue lettering. 60 pages of listed subscriber phone numbers with ads throughout plus a 24 page classified business section. Directory covers Bristol, Burlington, Charlotte, Essex Center, Essex Junction and Richmond. Small perforated hole in upper corner, clean, bright copy of uncommon Vermont ephemera.

Hardcover. Weymouth, MA, George H. Ellis Co, 1st, 1906, Book: Good, Dust Jacket: None, 88 pages. Hardcover with no dust jacket. INSCRIBED BY AUTHOR WITH HANDWRITTEN POEMS AID IN. Light foxing and age discoloration on pages. Light soil to covers. Tight copy.

Hardcover. Sausalito CA, Windgate Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 172 pages illustrated in color. These beautiful and colorful promotional materials were designed to attract tourists and home seekers to the Golden State. Produced by the thousands, these now rare publications touted California as a land of perpetual spring and boundless opportunity. Many of the posters in this book are part of a special collection held at the California State Library. Clean copy.

Hardcover. Albuquerque NM, University of New Mexico Press, 1st, 1955, Book: Very Good, Dust Jacket: Poor, Hardcover, 150 pages, b&w photo illustrations. Dust jacket present but badly worn, chipped. Book condition is very good. SIGNED BY AUTHOR on title page. Also INSCRIBED BY VAN VECHTEN on front fly leaf: "For Dannie with fond affection from Carlo/April 6 1955/New York". Laid-in: an original b&w photo/postcard embossed "Photograph by Carl Van Vechten", dark exposure with 3 unidentified individuals. With verso handwritten note signed Carlo with a mailing date of 12/30/1958. Also: 4-page mimeographed memorial (speech) by George S. Schuyler dated December 23 1964 and a similar one (5-page) by Lincoln Kirstein. Several clippings. obituaries on his passing at age 84.

Softcover. Los Angeles, Paul Monash, N/A, Book: Good, Dust Jacket: None, 141 pages, 3-hole punched pages but blue cover gone, back present. Two brads holding pages. Title page states: ADAPTED from the NOVEL by STEVEN KING (note that STEPHEN KING" is misspelled in this First Draft as "STEVEN KING"). This is an ORIGINAL FIRST DRAFT SCREENPLAY. At this point the film, Carrie, was in early development. This was, perhaps, a spec script under the umbrella of Producer Paul Monash. Stamped with logo and address of the Ziegler Ross Agency.

Softcover. Los Angeles, Paul Monash Productions, N/A, Book: Good, Dust Jacket: None, 138 pages, pale blue paper wraps with die-cut screen revealing title, 3-hole punched pages with two brads holding pages. Title page states: adapted from the novel by STEVEN KING (note that STEPHEN KING" is misspelled in this First Draft as "STEVEN KING"). This is an ORIGINAL REVISED FIRST DRAFT SCREENPLAY. At this point the film, Carrie, was in early development. This was, perhaps, a spec script under the umbrella of Producer Paul Monash. Stamped with logo and address of the Ziegler Ross Agency. This draft has handwritten notations, crossed-out sections, some pages initialed (unreadable) - in xeroxed image, not original. Light overall wear. Number 12 in pencil in corner of title page.

Softcover. Los Angeles, Paul Monash Productions, N/A, Book: Good, Dust Jacket: None, 138 pages, pale blue paper wraps with die-cut screen revealing title, 3-hole punched pages with two brads holding pages, top of rear cover loose from brad. Title page states: adapted from the novel by STEVEN KING (note that STEPHEN KING" is misspelled in this First Draft as "STEVEN KING"). This is an ORIGINAL REVISED FIRST DRAFT SCREENPLAY. At this point the film, Carrie, was in early development. This was, perhaps, a spec script under the umbrella of Producer Paul Monash. Stamped with logo and address of the Ziegler Ross Agency. This draft has handwritten notations, crossed-out sections, some pages initialed (unreadable) - in xeroxed image, not original. Light overall wear.

Hardcover. US, Prestel USA, 1st, 2015, Book: Very Good, Dust Jacket: None, 304 pages. Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to boards. Color and black and white pictures throughout. Developed in close collaboration with the artist, this vivid book captures the movement and pace of Charles Atlas's celebrated and highly collaborative time-based art. Looking back at a career that has spanned four decades, this beautiful volume profiles over 75 projects by Charles Atlas-including works recently exhibited at Tate Modern and the 2012 Whitney Biennial. As one of the first artists to explore the possibilities of video as a genre of expression, and especially through his long-lasting collaboration with Merce Cunningham, Atlas has teamed with numerous dancers and artists to create projects that range from feature-length documentaries to shorter media works, transforming the way performance is viewed by its audiences and the art world. In this inventive publication, Atlas's own commentary accompanies exquisite images that capture the structure and flow of his work in film, video, dance, and performance. The volume also includes interviews between Atlas and a number of writers and collaborators who have played a critical role in the development and reception of his oeuvre, as well as an array of fascinating ephemera from the artist's personal archives.

Hardcover. New York, Grosset & Dunlap, 1st, 1930, Book: Very Good, Dust Jacket: None, 334 pages. Yellow cloth covering with black lettering on front cover and spine. Top edge of papers stained blue. Previous owners' names written in red pen on top of front end paper. Related ephemera laid in. B&W photos from Fox Movietone movie. Cover corners bumped, front and back covers slightly marked. A couple spots of discoloration on page edges.

Softcover. New York, Fleischmann & Co., 1893, Book: Very Good, Dust Jacket: None, 47 pages, printed in brown ink, black textured paper wrappers with gilt lettering. Mostly baking recipes from the famous yeast maker. String tie binding a little frayed but overall very good.

Softcover. np, Morgan Horse Club et al, 1st, 1925, Book: Very Good, Dust Jacket: None, Softcover, 12 pages stapled, light tan wrappers. The annual contest was held in Vermont, October 19-24, 1925. This little booklet has all the rules and regulations, Awards were given for condition and speed. The object was to identify the type, soundness and proper selection of horses for a long, difficult ride.

Softcover. New York, New York Review of Books, 1st, 1982, Book: Good, Dust Jacket: None, Paper wrapper covering a 1983 calendar featuring each month a drawing of different authors by David Levine. Clean, tight copy. Wrappers lightly faded on reverse.

Hardcover. Benteli Verlags , 1st, 2017, Book: Very Good, Dust Jacket: None, Oblong hardcover with a pictorial label, 192 pages. The faded remnants of a glorious past are captured in all their morbid beauty, in images that manifest the ephemeral and go beyond all conventional associations and conceptions of the American South: Days Gone By combines carefully crafted photographs from the past ten years with a cultural history of the region's social and structural changes. With an unflinching gaze, Jorg Rubbert presents the demise of countless small towns between Georgia, Mississippi and Texas, their suffering particularly tangible following the financial crisis. Rural towns, idyllic at first glance, are soon revealed as forgotten relics of times long past.

Softcover. Morristown NY, W.H. Comstock Co., n/a, 1895, Book: Very Good, Dust Jacket: None, 30 pages with color lithographed paper wrappers. Recipes from the turn of the century interspersed with advertisements for their pills. Cover depicts Native American on horseback ready to spear an attacking bear. Brochure was once folded and has a mild crease in center. Overall, very good. No date but letters of recommendation inside dated 1895.

Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 223 pages, 250 color illustrations. Betsy Beinecke Shirley, one of the great collectors of American children's literature, gathered a peerless collection of books, original illustrations, manuscripts, and ephemera. This gorgeously illustrated book presents over 200 selected original artworks from the enchanting collection she bequeathed to the Beinecke Rare Book and Manuscript Library of Yale University. Artists whose works are represented include many beloved favorites, among them Ludwig Bemelmans, Maurice Sendak, A. B. Frost, Wanda Gag, Peter Newell, N. C. Wyeth, Tony Sarg, Robert Lawson, and Johnny Gruelle. From variant illustrations for Goodnight Moon and Where the Wild Things Are to little-known sketches for nineteenth-century periodicals that delighted generations of children.

Softcover. Leicester UK, Dryad Handicrafts, ND, Book: Very Good, Dust Jacket: None, Softcover, small 16-page leaflet, stapled, 5 1/2 X 8 1/2". No date. B&w illustrations, photos. Clean copy.

Softcover. Garden City, N.Y., Doubleday & Co., 1st, 1971, Book: Good, Dust Jacket: None, Small folio. Eight loose reproductions in stiff paper chemise folder with "photographer sheet" by Peter Bunnell. Fine in faintly soiled and faintly rubbed illustrated slipcase. Plates are 11" x 14" and are suitable for framing.

Hardcover. NY, Abrams, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 191 pages, color plates. Reflects Goldsworthys lifelong interest in the landscape of the British Isles, its history, and the people who work on it, 'Enclosure' is a collection of ephemeral work that relates to sheep, including a spectacular series of large sheep paintings--made by the hoof-prints of sheep. Very nice clean, tight copy free of any marks.

Hardcover. Texas A&M University Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 498 pages. Engraved Prints of Texas, 1554-1900 presents the whole range of early Texas history as portrayed in published engravings: from the first printed representation of a buffalo in 1554 to a 1900 view of the University of Texas Medical School in Galveston. Entries include information on more than 2000 engravings, 470 of which are illustrated in this volume. Presented chronologically by century and decade of publication, each chapter features a brief introduction to the historical background of the era, highlighting key illustrations and placing the art within the context of major events of the period. Several topical discussions address subjects that span decades or recur as pervasive themes in illustration.

Softcover. Los Angeles, The Augustan Reprint Society , reprint, 1984, Book: Very Good, Dust Jacket: None, Softcover, 56 pages. Introduction by Frank Ellis. A facsimile reprint.

Hardcover. NY, Thames & Hudson, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, color illustrations. Introduction by Paul Theroux. This album of over 200 century-old postcards takes the reader on a magical journey across the world in five travelogues, depicting the Orient, the Arab lands, Africa, the Americas and Oceania. These haunting postcards and the people they depict strike us with a special force today, vividly expressing a deep-seated connection with the land and customs that gave them their identities. Clean, bright copy in a dust jacket.

Hardcover. NY, Frederick Warne, 1st, 2009, Pictorial boards, 16 pages with 8 interactive spreads, all using Barker's art from her Flower Fairies series. What happens when a little girl moves into a new house and discovers a tiny door? One day she manages to open it . . . and her world is forever changed when she gets her fi rst peek at the homes and the magical world of the Flower Fairies. As she starts to explore her neighborhood with a friend, they discover that there are more doors--all leading to the most secret of fairy places. Filled with gorgeous paper ephemera, pop-ups and special interactive features on every spread, this beautiful novelty book leads the reader to eight fairy doors to open and investigate. Each door has its own individual shape, color and characteristics-- some are decorated, others have little signs or notices, a set of footprints leading up to it, or magical fairy glitter at the doorstep. As the book progresses, more of the fairies and their world are revealed, culminating in an exciting and secret fairy nighttime ball.

Columbia Pictures, 1979, Book: Very Good, Four b&w glossy photos from the hit Bob Fosse production.

Softcover. NY, Princeton Architectural Press , 1st, 2010, Softcover, 224 pages. color illustrations throughout. It's a situation we are all acquainted with: planning to visit friends in an unfamiliar part of the city, you draw yourself arudimentary map with detailed directions. In March 2008, graphic designer Kris Harzinski founded the Hand Drawn Map Association in order to collect just such drawings of the everyday. Fascinated by these accidental records of a moment in time, he soon amassed a wide variety of maps, ranging from simple directions to fictional maps, to maps of unusual places, including examples drawn by well-known historical figures such as Abraham Lincoln, Ernest Shackleton, and Alexander Calder. From Here to There celebrates these ephemeral documents usually forgotten or tossed aside after having served their purpose giving them their due as artifacts representing stories from people's lives around the world. There is the young woman suffering from juvenile rheumatoid arthritis who created maps of the Humira injections on her stomach and thighs to help her remember the sites, and give them time to heal. Or the young boy who imagined a whole country for ants and put it to paper. Lucas from Australia drew an obsessively detailed map of his local traffic island, and a teenage girl contributed a map of her high school locker. Two American tourists got lost in the Bulgarian mountains following the hand drawn map of a local, and Britanny from Denmark drew directions to an animal rights protest in Copenhagen. The maps featured in From Here to There are as varied and touching as the stories they tell.