essays

Brattleboro VT, Stephen Greene Press, 2nd pr., 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Essays on Boston's favorite athletes: Ted Williams, Bob Cousy, Carl Yastrzemski, Bobby Hull and others. 248 pages, b&w illustrations. Short inscription on front fly leaf, otherwise clean.

Hardcover. Santa Fe, Arena, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good, unclipped dust jacket, 117 pages. 64 duotone photographs. Essays by Pierre Borhan and Diane Johnson, and commentary by Thomas Mellins.

Hardcover. Brighton UK, Alpha Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 127 pages, illustrated in color and b&w. This book examines the extraordinary metamorphosis that has occurred in the presentation of the human face during the twentieth century. A series of essays charts the portraits which are the "Milestones" to that change, while the discussion that follows - "Changing Perceptions" - endeavours to identify its nature, its causes, and to show the manner in which the artists reveal this transformation when painting their sitters. Clean copy.

Softcover. San Jose CA, Permanent Press, 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, glossy green paper wrappers, 272 pages plus ads in rear. Wilson and Michael Shea published a quarterly journal in the late eighties called TRAJECTORIES. It was a "newsletter of mind-blowing iconoclasm." This is a collection of the best articles from the first few issues. Contributors include Arlen Wilson, Scott Apel, Timothy Leary, Linus Pauling, George Carlin and Ed McMahon. Clean, bright copy.

Hardcover. New York, Museum of Contemporary Art, 1st, 1998, Book: Very Good, Dust Jacket: None, Hardcover, 119 pages, mostly illustrated in color. Essays by Paul Schimmel and Lisa Phillips. Illustrated boards, no dust jacket issued.

Hardcover. Washington DC, Smithsonian Institution, 1st, 1968, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, unclipped dust jacket. 156 pages, b&w and color illustrations. Accompanied the exhibit of the same name shown at the Smithsonian, the Philadelphia Museum of Art and the Whitney in 1968 and 1969. Essays by Martin Friedman, Bartlett Hayes and Charles Millard. Whitney Museum of American Art. Bibliography: p. 106-107. Charles Sheeler (July 16, 1883 - May 7, 1965) was an American painter and commercial photographer. He is recognized as one of the founders of American modernism, developing a "quasi-photographic" style of painting known as Precisionism and becoming one of the master photographers of the 20th century. Mild shelf wear, clean copy.

Hardcover. NY, Abrams, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Small paper scar on front fly leaf where tape pull left dime-size white spot. Otherwise like new. 256 pages. Childe Hassam's impressive career as one of America's foremost Impressionists is celebrated and illuminated in this dazzlingly beautiful volume.No other American Impressionist ever surpassed the quality and variety of Hassam's output as a painter and draftsman. Equally talented in oils, watercolors, and prints, he explored rain-swept city scenes, glorious gardens, exquisite women, and stirring flag-lined streets. Many of these irresistible pictures are hidden in private collections and are rarely, if ever, accessible to the public; others are on view at major museums across the country, from the Metropolitan Museum to the Museum of Fine Arts, Boston, to the Los Angeles County Museum of Art. By approaching Childe Hassam (1859-1935) from different angles, the three authors reveal this multitalented artist's many facets and uncover previously unknown aspects of his life and work. The authoritative essays are illustrated with a brilliant array of color illustrations that represent all of Hassam's styles, from Barbizon-inspired Tonalism to Impressionism to Post-Impressionism. The book concludes with an invaluable illustrated chronology and an annotated bibliography.

Hardcover. Chicago, University of Chicago, 1st, 1953, Book: Very Good, Dust Jacket: None, Hardcover, light green cloth stamped in dark green, 290 pages with index. Includes six life-histories of Chinese gentry families by Yung-teh Chow. Illustrations based on drawings by Hames K. Y. Kuo. Studies the social role of the scholar-gentry in imperial and modern China. Clean copy, no dust jacket.

Softcover. Chico CA, Scholars Press, reprint, 1985, Book: Very Good, Dust Jacket: None, Softcover, 374 pages. A collection of essays first published in 1869. Clean copy.

Hardcover. Newcastle UK, Locus + Publishing Ltd., 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 416 pages, gray hardcover with photo illustrated dust jacket all in very good condition. Contains 377 illustrations, including 244 in color. Five essays, documentation of pieces, reference material. the most comprehensive monograph on Chris Burden to date. Like new in publisher's shrink-wrap.

Softcover. Jackson MS, University Press of Mississippi, 1st, 1996, Book: Very Good, Dust Jacket: None, 208 pages, illustrated throughout in color and b&w. Light shelf-wear and rubbing to wrappers, otherwise a clean, tight copy. Essays by Trudy Wilner Stack and Allen Tullos was published in conjunction with a traveling exhibition of the same name. Christenberry's paintings, photography, sculpture and instal lations address the Southern identity. They describe and examine the social and material culture of the deep South.

Softcover. Hatje Cantz, 1st, 2013, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. Softcover, 220 pages. Throughout her career, Cindy Sherman (born 1954) has been interested in exposing the darker sides of human nature, noticeable both in her selection of subject matter (fairytales, disasters, sex, horror, surrealism) and in her disquieting interpretations of well-established photographic genres, such as film stills, fashion photography and society portraiture. Delving relentlessly into the more grotesque extremes of delusion, vanity and self-image, Sherman probes deeply into the masks and distractions we all employ to set apart our public and our private personae, and challenges us to consider how bizarre and unconvincing our attempts at projecting a semblance of normality can be. Attracting a certain degree of notoriety, intense and ongoing public interest as well as extensive critical acclaim, Sherman's works continue to challenge and intrigue in equal measure. This richly illustrated publication deploys a selection of works from across her career to highlight and acknowledge these particular aspects of her art. These images are accompanied by more recent work, as well as essays from well-known authors, filmmakers and artists who likewise deal with the grotesque, the uncanny and the extraordinary in their practice.

Hardcover. NY, Harper, 5th pr., 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 391 pages with index. In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans--and all movie lovers--could have hoped for. Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining. At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT's and with the rare perspective about cinema possible only from one of the greatest practitioners of the art form ever.

Softcover. Rochester NY, Visual Studies Workshop Press, 1st, 1983, Book: Very Good, Dust Jacket: None, 199 pages, paperback. Fictions and the fictions of theory from acclaimed theorist of film. With a foreword by Annette Michelson. Mild rubbing and edgewear to wraps. Light bumping to spine. Previous owner's signature to front endpapers. Scarce. A clean and tight copy.

Hardcover. Chicago, Quadrangle Books, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly rubbed dust jacket, 290 pages. These brief essays appeared in a regular column that Rexroth did for The Saturday Review of Literature. The subjects include many of the standard classic texts from world literature, i.e., Homer, Plato, Shakespeare, Chaucer, Gibbon, Whitman, Tolstoy, etc. Clean copy.

Hardcover. Lincoln MA, Penmaen Press, 1st Ltd Ed., 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 103 pages. Introduction by Walter Harding. Actor/author Christopher Childs compiled these excerpts and performed them as a stage monologue in order to convey the essence and personality of Henry David Thoreau. The first performance took place on July 6, 1975, in Concord, Mass. This book appeared three years later. Here the selections are organized into fourteen chapters that address a variety of topics, such as Gods, On Being a Writer, Friendship and Singularity, and John Brown. Source footnotes appear in an appendix. The book begins with an introduction by Thoreau Society secretary Walter Harding. Selected wood engravings by Michael McCurdy supplement the text. A publication note on the final page indicates that only 2,000 copies of this book were printed. Short tear to dj repaired on the reverse side. Clean copy.

Hardcover. Oxford UK, Clarendon Press, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 347 pages. Light pencil notes on rear fly leaf, otherwise clean, tight copy. Volume 1 only of a two volume set.

Hardcover. Oxford UK, Clarendon Press, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, pages 349-708. A clean, tight copy. Volume 2 only of a two volume set.

Hardcover. NY, Viking Press, 1st US, 1973, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket, 492 pages. Includes his renowned essays on Churchill, Hobsbawn, Max Eastman, De Gaulle, and Simone Weil. No markings.

Softcover. Cambridge MA, Harvard University Press, 4th pr., 2001, Book: Very Good, Dust Jacket: None, Softcover, 656 pages. John Rawls's work on justice has drawn more commentary and aroused wider attention than any other work in moral or political philosophy in the twentieth century. Rawls is the author of two major treatises, A Theory of Justice (1971) and Political Liberalism (1993); it is said that A Theory of Justice revived political philosophy in the English-speaking world. But before and after writing his great treatises Rawls produced a steady stream of essays. Some of these essays articulate views of justice and liberalism distinct from those found in the two books. They are important in and of themselves because of the deep issues about the nature of justice, moral reasoning, and liberalism they raise as well as for the light they shed on the evolution of Rawls's views. Some of the articles tackle issues not addressed in either book. They help identify some of the paths open to liberal theorists of justice and some of the knotty problems which liberal theorists must seek to resolve. A complete collection of John Rawls's essays. Owner's name on front fly leaf otherwise clean.

Softcover. Berkeley CA, University of California Press, 1st pbk, 1997, Book: Very Good, Dust Jacket: None, Softcover, 472 pages. The prose writings of Charles Olson (1910-1970) have had a far-reaching and continuing impact on post-World War II American poetics. Olson's theories, which made explicit the principles of his own poetics and those of the Black Mountain poets, were instrumental in defining the sense of the postmodern in poetry and form the basis of most postwar free verse. The Collected Prose brings together in one volume the works published for the most part between 1946 and 1969, many of which are now out of print. A valuable companion to editions of Olson's poetry, the book backgrounds the poetics, preoccupations, and fascinations that underpin his great poems. Included are Call Me Ishmael, a classic of American literary criticism; the influential essays "Projective Verse" and "Human Universe"; and essays, book reviews, and Olson's notes on his studies. In these pieces one can trace the development of his new science of man, called "muthologos," a radical mix of myth and phenomenology that Olson offered in opposition to the mechanistic discourse and rationalizing policy he associated with America's recent wars in Europe and Asia. Clean copy.

Hardcover. UK, Oxford University Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 280 pages. Adolf Grunbaum is one of the giants of 20th century philosophy of science. This volume is the first of three collecting his most essential and highly influential work. The essays collected in this first volume focus on three related areas. They discuss scientific rationality-the problem of what it takes for a theory to be called scientific, and ask whether it is plausible to draw a clear distinction between science and non-science as was famously proposed by Karl Popper. They delve into the debate between determinism and indeterminism, in both science and in the humanities. Grunbaum defends the position of the Humane Determinist, which then leads to a thorough criticism of the current theological approaches to ethics and morality-where Grunbaum defends an explicit Secular Humanism-as well as of prominent theistic interpretations of twentieth century physical cosmologies. Name, date on front fly leaf otherwise clean.

Hardcover. Boston, Houghton Mifflin, reprint, 1913, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering and design on spine. SIGNED BY BRIGGS opposite title page. Introduction is dated January, 1913. The author was Dean of the faculty of Arts and Sciences at Harvard University. This volume contains four essays, two each from two of Briggs' earlier works -- School, College, and Character, and Ideals -- focused mainly on students. 124 pages. Clean copy. Laid in is a folded mimeographed sheet: "Message from Dean Briggs of Harvard", date unknown.

Hardcover. Cambridge, Cambridge University Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover with a bright dust jacket, 459 pages. Green cloth with silver gilt lettering on spine. Book comes with a press release from "News From Cambridge". Black and white plates throughout. Thirty-one essays on colonial painting organized in three chronological sections: Origins and Beginnings, to 1680; The Transition, 1680-1840; and The Culmination, 1740-1790. Bibliography.