Softcover. McGill-Queen's University Press, reprint, 1987, Book: Very Good, Dust Jacket: None, Softcover, 913 pages, b&w illustrations, maps. Trigger's work integrates insights from archaeology, history, ethnology, linguistics, and geography. This wide knowledge allows him to show that, far from being a static prehistoric society quickly torn apart by European contact and the fur trade, almost every facet of Iroquoian culture had undergone significant change in the centuries preceding European contact. He argues convincingly that the European impact upon native cultures cannot be correctly assessed unless the nature and extent of precontact change is understood. His study not only stands Euro-American stereotypes and fictions on their heads, but forcefully and consistently interprets European and Indian actions, thoughts, and motives from the perspective of the Huron culture. The Children of Aataentsic revises widely accepted interpretations of Indian behaviour and challenges cherished myths about the actions of some celebrated Europeans during the "heroic age" of Canadian history. In a new preface, Trigger describes and evaluates contemporary controversies over the ethnohistory of eastern Canada.
Softcover. Evanston IL, Northwestern University Press, reprints, 1995, Book: Very Good, Dust Jacket: None, Two softcover books, like new condition. The first volume INSCRIBED BY VOINOVICH on the half-title page and dated September 27, 1996. Clean copies. Published in NUP's European Classics series.
Hardcover. Algonquin Books, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY AUTHOR on title page. When Alizee Benoit, a young American painter working for the Works Progress Administration (WPA), vanishes in New York City in 1940, no one knows what happened to her. Not her Jewish family living in German-occupied France. Not her arts patron and political compatriot, Eleanor Roosevelt. Not her close-knit group of friends and fellow WPA painters, including Mark Rothko, Jackson Pollock, and Lee Krasner. And, some seventy years later, not her great-niece, Danielle Abrams, who, while working at Christie's auction house, uncovers enigmatic paintings hidden behind works by those now famous Abstract Expressionist artists. Do they hold answers to the questions surrounding her missing aunt? Entwining the lives of both historical and fictional characters, and moving between the past and the present, The Muralist plunges readers into the divisiveness of prewar politics and the largely forgotten plight of European refugees refused entrance to the United States. It captures both the inner workings of New York's art scene and the beginnings of the vibrant and quintessentially American school of Abstract Expressionism.
Hardcover. Boston, Little, Brown and Company, 1st US, 1954, Book: Very Good, Dust Jacket: None, Hardcover, 242 pages. Gray cloth cover with minor bumping to corners and edges. Residue from small sticker on front flyleaf. Inside is bright and clean. A nice copy. A series of short stories based around the Nazi regime during it's tenure in Germany and Europe.
Hardcover. Boston, Little Brown, 1st, 1960, Hardcover, 336 pages, b&w drawings by Lea. Dust jacket with light edgewear, chipping. Novel about Hank Spurling, a Marine hero of the war in the Pacific, who returned to the Cloudrock Mountains in Wyoming. In the early days of World War II, Lea became a war correspondent for Life magazine, executing paintings of action in the North Atlantic, the South Pacific, China, North Africa, and Europe. Lea's career thereafter involved both painting and writing, on a variety of subjects but generally reflective of his roots in the Southwest. Clean copy.
Hardcover. NY, E.P. Dutton & Co., 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Translated from the Hebrew by Dalya Bilu. The Retreat is a hotel on a remote hilltop some distance from Vienna. Its patrons are all Jews and it provides lessons in assimilation: how to look, talk, and act Gentile. This is a look at the assimilated Jews of central Europe on the brink of a Holocaust that they cannot believe is winding up to take place. Clean copy.
Softcover. New Haven CT, Yale University Press, reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 292 pages. This fascinating book examines Western perceptions of war in and beyond the nineteenth century, surveying the writings of novelists, anthropologists, psychiatrists, poets, natural scientists, and journalists to trace the origins of modern philosophies about the nature of war and conflict. Daniel Pick compares philosophical and historical models of conflict with fictions of invasion and biological speculation about the nature and value of conquest. He discusses the work of such familiar commentators on war as Clausewitz, Engels, and von Bernhardi, and examines little-known writings by Proudhon, De Quincey, Ruskin, Valery, and many others. He explores nineteenth-century English fears of French contamination through the Channel Tunnel and the widespread continuing dread of German domination. And he analyzes the history of the widely-shared European belief that war is beneficial or at least functionally necessary. Clean copy.