fiction poetry

Hardcover. NY, Knopf, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. A collection of humorous verses about animals, friendly or otherwise. Additional poems by Lucy Gardner & Eugene Rudzewicz. Drawings by Lucy, Joel, Joan & John Gardner. Name on front fly leaf, otherwise clean.

Hardcover. Middlebury VT, Middlebury College Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 355 pages. Edited by Robert Pack and Jay Parini. "Collecting short stories, essays, and the long narrativ poem "Fever and Chills," this Reader reveals the range of Elliott's talents and his seemingly effortless command of the written word. The smooth, realistic style of his short stories enhances the emotional resonance of such pieces as "Hymn of Angels," or contrasts with the caustic satire of others, such as the darkly Orwellian "The N.R.A.C.P." Clean copy.

Hardcover. NY, The Truth Seeker Company, 1st, 1894, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth stamped in black and gilt. Morgan Andrew Robertson [1861-1915] was an American author and the self-proclaimed inventor of the periscope. This title is apparently his rare first book- a narrative poem about heaven versus the devil. B&w frontis and great text illustrations by A. Carey K. Jurist. Inscription on front fly leaf, otherwise clean.

Hardcover. Brussels, B. Le Francq, 1st Thus, 1798, Book: Good, Dust Jacket: None, 4 volumes. Leather bound hardcovers. Text in ENGLISH & FRENCH Books measure: 3.75"W by 5.75"L. Volume 1 - Front cover loose from book. Crack in leather length of spine - text block still firm. Previous owners bookplate on inside front cover. 2 black & white illustrations. Moderate rubbing to leather covers. Volume 2 - Previous owners bookplate on inside front cover. Half of front endpaper removed. 2 black & white illustrations. Moderate rubbing to leather covers. Volume 3 - Previous owners bookplate on inside front cover. 1 black & white illustration. Moderate rubbing to leather covers. Volume 4 - Previous owners bookplate on inside front cover. 1 black & white illustration. Moderate rubbing to leather covers.

Hardcover. New York, W.W. Norton & Company, 1st, 1995, Book: Near Fine, Dust Jacket: Near Fine, 72 pages. Blue cloth, silver title to spine, pictorial dust jacket. Beautiful copy. Like new.

Hardcover. Garden City, New York , Doubleday & Company, 1st US, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover, 48 pages, 1-color illustrations by Edward Ardizzone. dust jacket with edgewear, small tears.

Hardcover. NY, Macmillan , Reprint, 1925, Book: Very Good, Dust Jacket: None, 431 pages. Black & whiite illust and color frontis and title page by F.D. Bedford. Some browning to end-papers. Front and spine of yellow cloth cover with black illust. Clear mylar dust jacket.

Hardcover. NY, Macmillan , Reprint, 1925, Book: Very Good, Dust Jacket: None, Hardcover, 431 pages. Black & white illustrations and color frontis and title page by F.D. Bedford. Some browning to end-papers. Front and spine of gray cloth cover with black and red design. Clean copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 327 pages, clean copy. Few diseases have exercised the Western imagination as chronically as hysteria--from the wandering womb of ancient Greek medicine, to the demonically possessed witch of the Renaissance; from the "vaporous" salon women of Enlightenment Paris, through to the celebrated patients of Sigmund Freud, with their extravagant, erotically charged symptoms. In this fascinating and authoritative book, Mark Micale surveys the range of past and present readings of hysteria by intellectual historians; historians of science and medicine; scholars in gender studies, art history, and literature; and psychoanalysts, psychiatrists, clinical psychologists, and neurologists. In so doing, he explores numerous questions raised by this ever-growing body of literature: Why, in recent years, has the history of hysterical disorders carried such resonance for commentators in the sciences and humanities? What can we learn from the textual traditions of hysteria about writing the history of disease in general? What is the broader cultural meaning of the new hysteria studies? In the second half of the book, Micale discusses the many historical "cultures of hysteria." He reconstructs in detail the past usages of the hysteria concept as a powerful, descriptive trope in various nonmedical domains, including poetry, fiction, theater, social thought, political criticism, and the arts. His book is a pioneering attempt to write the historical phenomenology of disease in an age preoccupied with health, and a prescriptive remedy for writing histories of disease in the future.

Hardcover. NY, Ives Washburn, 1st, 1962, Book: Very Good, Dust Jacket: Very Good, 43 pages. Hardcover with dust jacket. Black & white illust. by Erik Blegvad. Dust jacket price clipped.

Hardcover. NY, Walker and Co., 1st, 1975, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth, b&w illustrations by Laura Lydecker. Short essays interspersed with poetry. No dust jacket.

Softcover. Mt. Vernon NY, Italian American Writers Association, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 118 pages. INSCRIBED BY PERICONI on the title page. Limited to 1000 copies. A bibliography of fiction, nonfiction, and poetry by and about Italian Americans. Mild tanning to wraps, otherwise clean.

Hardcover. NY, Hurd and Houghton, unk, 1878, Book: Good, Dust Jacket: None, Hardcover, color illustrated boards, corner wear, minor edgewear, previous owner's signature otherwise nice. Copyright 1877. Many b&w engravings, not credited. Children's stories, poems, and songs embedded in the daily life of a comfortable, cultured, and unassuming New England family. From the first Bodley series, very popular in their day. Scudder (1838 - 1902) was closely connected to Houghton for most of his career and for nine years the editor of the Atlantic Monthly.

Hardcover. NY, Oxford University Press , 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket. 158 pages. Illustrated with black & white drawings by T. Ritchie and N. Montgomerie. Dust jacket with spine fade. Clean copy.

Hardcover. New York, Ecco, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 58 pages. INSCRIBED BY PLUMLY on the half-title page.

NY, Thomas Y. Crowell, 1st, 1948, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth covers, Black & white illustrations by Garry MacKenzie. Front fly leaf corner clipped. A Christmas story told in poetry. Clean copy.

Hardcover. New York, Charles Scribner's Sons, 1st, 1912, Book: Good, Dust Jacket: None, Hardcover, green cloth stamped with gilt and black, 119 pages. Eight color and six b&w plates by Florence Storer. Previous owner's signature on front fly leaf, otherwise clean.

Hardcover. New York, Simon & Schuster, 1st US, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 423 pages, SIGNED BY AUTHOR on title page. Very clean and tight copy. With "humanism, generosity, and a passionate, beating heart" (The Times, London), Janice Galloway's Clara reignites, from between the lines of history, the great love of Robert and Clara Schumann. In her lifetime, Clara was a celebrated concert pianist and composer, editor and teacher, friend of Brahms -- as well as mother of the eight Schumann children and caretaker of her husband through a series of crippling mental illnesses. In its luminous integrity the novel brings Clara Schumann to life as a woman of genius. Galloway is at once a meticulous researcher of her subjects' remarkable and highly dramatic artistic careers and a virtuoso storyteller whose imagination and empathy lead her to that place off limits to history and biography -- inside the human mind. Distilling the memories, poetry, and musical notes therein, she examines the ways artists divine patterns out of life's chaos. "Passion," writes Galloway of Clara's performance philosophy, "one might take for granted -- its control is the mechanism through which all else flows." Though music may have bent to Clara's will, love served her far more tragically. Dismissing the cliches of Great Art and rejecting the romantic conflation of Madness and Creativity, Clara boldly ventures that in a life marred by alienation and isolation, "Work alone endures."

Hardcover. NY, Harper & Brothers, reprint, 1924, Book: Good, Dust Jacket: None, Hardcover in black gilt-stamped cloth. Copyright page states 1924 with a K-Y code. No date on title page. A collection of satires written by poet Edna St. Vincent Millay under pseudonym as "Nancy Boyd." Millay offers a preface under her own name to "Boyd's" work, and writes, "I take pleasure in recommending to the public these excellent small satires, from the pen of one in whose work I have a never-failing interest and delight." Millay had written and published these dialogues and short-short yarns in a range of monthly magazines during the early twenties, the period of her greatest popularity and the period during which she wrote some of her most memorable and somber poetry. Gilt lettering is bright on cover but faded on spine. Spine cracked at half-title page, name on front fly leaf.

Hardcover. New York, E. P. Dutton & Company, Reprint, 1888, Book: Good, Dust Jacket: None, All edges gilt. Mustard cloth covers with beveled edges. Elaborate gilt pictorial design. Gravure plates, b&w line drawings and text illustrations by Edmund Garrett and Chas Copeland. Patterned end papers. Front hinge starting. Shelf worn cover. Spine ends worn. Blank prelim page missing. Otherwise clean, tight copy.

Hardcover. NY, Enchanted Lion Books, 3rd pr., 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Enormous Smallness is a nonfiction picture book about the poet E.E. cummings. Here E.E.'s life is presented in a way that will make children curious about him and will lead them to play with words and ask plenty of questions as well. Lively and informative, the book also presents some of Cummings's most wonderful poems, integrating them seamlessly into the story to give the reader the music of his voice and a spirited, sensitive introduction to his poetry. In keeping with the epigraph of the book -- "It takes courage to grow up and become who you really are," Matthew Burgess's narrative emphasizes the bravery it takes to follow one's own vision and the encouragement E.E. received to do just that. Lovely color plates by Kris Di Giacomo enhance the story. Clean copy.

Hardcover. Knoxville TN, University of Tennessee Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 235 pages. Evelyn Scott was a significant literary figure in American letters of the 1920s and 1930s, an important contributor in the experimental forms and techniques of the modernist movement. She wrote and published in many genres -- the novel, short fiction, poetry, memoir, criticism, and drama. Since that time, Scott's work has been forgotten by most readers and critics, and her reputation as an important writer of her day has been obscured. This collection, which features an introduction and thirteen critical essays, is the first volume to focus on Scott's work rather than her intriguing yet troubled life and initiates a long-needed examination of Scott's innovations in fiction, memoir, and other genres. The various essays take diverse critical approaches to Scott's canon, including her best-known works -- Escapade and The Wave -- and explore her views on topics such as women, politics, religion, art, and the South. Clean copy.

Hardcover. Garden City, NY, Doubleday, Page and Co. , 1st, 1922, Book: Very Good, Dust Jacket: Very Good, Hardcover, 71 pages, illustrated end papers, copyright page and title page, color frontispiece. Color plates at pages 22 and 49. Light edge wear, small tears to dust jacket; protected by mylar cover. Foxing to top edge. Else a very clean, tight copy.

Hardcover. Ottawa Ontario, Ru-Mi-Lou Books, 1st, 1928, Book: Good, Dust Jacket: None, Hardcover, pictorial boards stamped in two shades of blue, 79 pages, endpaper illustration and line drawings by the author. Dime-size stain to front cover, two pages with small chips to fore-edge. Otherwise a clean copy.