fiction scifi

Hardcover. NY, Doubleday, 1st, 1961, Book: Very Good, Dust Jacket: Very Good, 188 pages. Hardcover with dust jacket. Illustrations by Albert Orbaan. Nice dust jacket, unclipped.

Hardcover. NY, Library Of America, 1st thus, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 832 pages. From the Hugo, Locus, and Nebula Award-winning author of Kindred, the Parable novels, and Bloodchild, here in its spellbinding entirety is Octavia E. Butlers epic of human survival and transformation. Conceived against a backdrop of Reagan-era nuclear brinksmanship, Liliths Brood: The Xenogenesis Trilogya classic of Afrofuturist speculative fiction offers profound reflections on race, biology, colonialism, resistance, consent, sexuality, community, hybridity, technology, power, and the future of humankind.

Hardcover. Sauk City, Mycroft & Moran, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, 220 pages. Hardcover. Light wear. Dust jacket protected with clear plastic cover. Clean, tight copy.

Hardcover. NY, Library of America, 1st thus, 2021, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt and black stamping, in a cardboard slipcase. Gathers four of his greatest works in a single volume. Here is The Martian Chronicles in the complete form Bradbury came to prefer, its twenty-eight linked story-chapters offering visionary glimpses of our spacefaring future. In the dystopian thriller Fahrenheit 451, books and all they contain are forbidden. Dandelion Wine distills the enchanting essences of a childhood summer, while Something Wicked This Way Comes conjures the wild, centrifugal imaginings of youthful terror, in a fight to the death against supernatural foes. Biographer Jonathan R. Eller offers a newly researched chronology of Bradbury's life and career and detailed textual and explanatory notes. Clean copy.

Hardcover. London, Korero Press, Revised Ed., 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 479 pages in color. Science-fiction paperbacks exploded over the 1940s and '50s literary landscape with the force of an alien gamma bomb. Titles such as Rodent Mutation, The Human Bat vs. The Robot Gangster, Dawn of the Mutants and Mushroom Men from Mars appeared from fly-by-night publishers making the most of the end of post-war paper rationing. They were brash and seductive - for around a shilling the future was yours. Despite the tight deadlines and poor pay, the books' cover artists still managed to produce works of multi-hued, brain-bending brilliance, and collected here is an overview of their output during an unparalleled period of brash optimism and experimentation in publishing. This is the updated edition with 16 new pages. Clean copy.

Hardcover. London, Korero Press, Revised Ed., 2025, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 479 pages in color. Science-fiction paperbacks exploded over the 1940s and '50s literary landscape with the force of an alien gamma bomb. Titles such as Rodent Mutation, The Human Bat vs. The Robot Gangster, Dawn of the Mutants and Mushroom Men from Mars appeared from fly-by-night publishers making the most of the end of post-war paper rationing. They were brash and seductive - for around a shilling the future was yours. Despite the tight deadlines and poor pay, the books' cover artists still managed to produce works of multi-hued, brain-bending brilliance, and collected here is an overview of their output during an unparalleled period of brash optimism and experimentation in publishing. This is the updated edition with 16 new pages. Clean copy.

Softcover. NY, Abrams, 1st, 2005, Book: Very Good, Dust Jacket: None, Flexible covers, 540 pages, 1,500 illustrations in full color. A visual survey of the scientific developments and cultural significance of robots documents the history of automatons, androids, and other forms of artificial intelligence, both of the fictional and real-world arenas, in a volume that features interviews with scientists, doctors, toy creators, science-fiction writers, and more.

Hardcover. Northridge CA, Lord John Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 162 pages, SIGNED BY AUTHOR on front fly leaf. Very clean and tight copy. This book is actually 3 stories linked together by a common theme compiled into a novel that beautifully illustrates how our decisions might really be what determines our destiny.

Hardcover. Northridge CA, Lord John Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 162 pages,Very clean and tight copy. This book is actually 3 stories linked together by a common theme compiled into a novel that beautifully illustrates how our decisions might really be what determines our destiny. Color frontis by Rick Araluce.

Hardcover. Dallas TX, Taylor Pub, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 150 pages, in a bright, unclipped dust jacket. Illustrated in color and b&w. Traces the history of science fiction comics from the 1930s to the present, discussing characters and themes, the influence of television and film, and other topics.

Hardcover. London/ New York, Dorling Kindersley, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 312 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket, else a clean, tight copy. A year by year overview of critical science fiction works (and movies and TV series), and a synopsis of all the major writers of serious,quality science fiction up to the mid-1990s (when the book was published). An invaluable reference for the avid science fiction fan, especially one who wishes to learn about the many overlooked, but decent, writers of yesteryear.

Softcover. Seattle, Fantagraphics, 2nd pr., 2026, Book: Very Good, Dust Jacket: None, Softcover, 264 pages in color. Basil Wolverton is one of the greatest, most idiosyncratic talents in comic book history. Though he is best known for his humorous grotesqueries in MAD magazine, it is his science-fiction character Spacehawk that Wolverton fans have most often demanded be collected. The wait is over: Spacehawk features every story from Spacehawk's intergalactic debut in 1940 to his final, Nazi-crushing adventure in 1942. Spacehawk is the closest thing to a colorfully-costumed, conventional action hero Wolverton ever created, yet the strip is infused with Wolverton's quintessential weirdness: controlled, organic artwork of strangely repulsive aliens and monsters and bizarre planets, and stories of gruesome retribution that bring to mind Wolverton's peer, Fletcher Hanks. Spacehawk had no secret identity, no fixed base of operations beyond his spaceship, and no sidekicks or love interests. He had but one mission in life: to protect the innocent throughout the Solar System, and to punish the guilty. Clean copy.

Softcover. London, Routledge, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 214 pages. Horror fiction has provided our culture with some of its most enduring themes. In examining the cultural apparatus surrounding it, Grixti argues that such narratives raise important questions about the relationship between fiction and society. Clean copy.

Hardcover. Seattle, Fantagraphics Books, 1st, 2025, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. 424 pages, color throughout. After becoming a professional comics artist in 1948 at the age of 17, by 21 Al Williamson was well-regarded enough as a Western and science-fiction illustrator to be recruited for the EC Comics staff roster - the absolute peak of the field in the 1950s, and a team rarely challenged since. After the Comics Code forced EC to reduce their business, Williamson found himself at the door of Atlas Comics, the largest employer of freelancers in the field.From 1955-60, Williamson would draw 99 stories for Atlas (both solo and with help by "Fleagle Gang" studio cohorts Angelo Torres and Roy Krenkel, plus Gray Morrow and Ralph Mayo) in mostly western and fantasy genres, with a smattering of war, romance and "jungle girl adventure". He flourished on Westerns, freely and loosely rendered four-page morality plays, many scripted economically by Stan Lee. With his extensive oeuvre subsequently based mostly in newspaper strips (including Flash Gordon, Secret Agent Corrigan, and the syndicated Star Wars, at George Lucas' own request), or working largely as an inker, his Atlas stories collectively are the largest single body of work Williamson would ever do as a primary creator for one company. Fantagraphics is proud to present this Al Williamson Artist Edition to finally showcase this distinct period of his remarkable career. Clean, bright copy. DOMESTIC SHIPPING ONLY.

Hardcover. Seattle, Fantagraphics Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardccover, pictorial boards, 290 pages in color. In the late 1940s, the first half of the Venus series from Marvel Comics predecessors Timely and Atlas Comics was published as a lighthearted romance comic about the goddess Venus taking a job on Earth at a beauty magazine. Never a company to miss a trend, Atlas began introducing more science fiction elements in the 1950s, and eventually turned Venus' dating adventures into a straight-out horror anthology. Collected here, 70 years later and for the first time ever, is that swift-changing second half of the 19-issue run. Future Marvel stars Bill Everett (seven issues) and Werner Roth (three issues) take Venus to heights of four-color weirdness and pre-Code horror ghastliness. Everett in particular is given free rein and seizes the opportunity: writing, drawing, and lettering twenty ghoulish and goofy masterpieces, including classics like "Hangman's House," "The Day Venus Vanished," "The House of Terror," "The Sealed Spectors," Tidal Wave of Terror," and the phantasmagorical "Cartoonist's Calamity!" These stories showcase the brilliant draftsmanship and storytelling of Everett, one of the giants of the 1940s and '50's comic book industry. His slick, fluid line rendered at Timely/Atlas, from his seminal god-child Prince Namor, the Sub-Mariner, to the atomic age Marvel Boy, is some of the finest pre-Code horror this side of E.C.'s Graham Ingels. Clean, bright copy.

Hardcover. West Plains MO, Russ Cochran, 1st, 1982, Book: Very Good, Hardcover Very Good+ Two volume set in a slipcase. Volumes entitled: Weird Science-Fantasy No. 23-29 and Incredible Science Fiction No. 30-33. Black and white reproductions of the comics with color reproductions of the covers. Featuring tales by Frank Frazetta, Wally Wood, Al Williamson, Reed Crandall, and Joe Orlando.

Hardcover. Flame Tree Publishing, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. From classic Star Wars, Blade Runner and Matrix all the way back to The Day the Earth Stood Still sf movie posters have lurked and flickered across our subways, streets and bedroom walls since the early 1950s. From the kitsch of the Attack of the 50ft Woman, through to the many versions of Time Machine or War of the Worlds the 1980s hailed a more sophisticated filmic appeal for our sf dollar, with the onset of green screen and cgi. The films may change, but somehow the posters remain the same: geeky, powerful, escapist fantasy, and we love them all! The book features an arguable, quirky selection of what we think are the best.

Hardcover. Boston, Houghton Mifflin, 1st US, 1932, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in blue, 313 pages. A borderline science fiction novel by the Scottish author John Buchan, known for his classic mysteries. Part of the action is autobiographical, featuring the agonies of a contemporary up-and-coming politician. It explores the theory of serial time put forward by J W Dunne: Buchan had been reading An Experiment with Time. Mild soil to covers, no markings.

Hardcover. Ny, Vanguard Press, 1st, 1944, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn and chipped dust jacket. "Collection of stories including scientific romances, contes philosophiques and stories of the supernatural. The most important of the latter is the novella Dromenon, in which an antiquarian discovers the true nature of medieval Christian worship by means of a restored church organ". Bookplate on front fly leaf, otherwise clean.

Hardcover. Taschen, 2nd pr., 2021, Book: Very Good, Dust Jacket: None, Huge oversized hardcover, 16x11", 596 pages. The full, fascinating story of this fabled company, written and designed by EC-expert Grant Geissman. Even the most die-hard EC Fan-Addicts will find something new within these pages, with the Gaines family archives providing over 100 rarities that have never seen print. Cover images are reproduced from Gaines file copies. 1,000 illustrations include the rarest and most notorious covers, interior pages and panels, rare photos, vintage original artwork, and some of the most celebrated stories ever to be printed in four colors. Author Grant Geissman was a customer in Bud Plant's San Jose comic book store in 1968-69, long before he became a recording star and EC expert. Grant has written several books on EC and, in my mind, is the foremost authority on both Mad and EC. He generously did a special bookplate for us, which reproduces a "fantasy" cover for Incredible Science Fiction that he commissioned from Angelo Torres. It's in full color and signed by Grant.

Softcover. Middletown CT, Wesleyan University Press, 1st thus, 2003, Softcover, 157 pages. A new English translation by I.F. Clarke of this "demise of the human race" story. Originally published in French in 1805, The Last Man is a powerful story of the demise of the human race. Drawing on the traditional account in Revelations, The Last Man was the first end-of-the-world story in future fiction. As the first secular apocalypse story, The Last Man served as the departure point for many other speculative fictions of this type throughout the 19th century, including works by Shelley, Flammarion and Wells. Grainville's masterful imagination is evident in the vast scale of the action as Omegarus, the Last Adam, and Syderia, the Last Eve, are led toward the moment when "the light of the sun and the stars is extinguished." Essential reading for anyone interested in the roots of apocalyptic science fiction. Clean copy.

Hardcover. NY, Harper Design, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 304 pages illustrated in color and b&w. Foreword by Fraser Heston. In celebration of the fiftieth anniversary of the 1968 science fiction cult classic film the Planet of the Apes, a handsomely designed commemorative volume full of rich, behind-the-scenes detail and exclusive, never-before-seen photographs and illustrations. Based on Pierre Boulle's novel La Planete de Singes, the original Planet of the Apes was one of the most iconic films of the 1960s. Starring Hollywood stalwarts Charlton Heston and Roddy McDowell, the movie captivated audiences and sparked a franchise that included eight sequels, two television series, and a comic strip. Now, five decades after its theatrical release, New York Times bestselling author Jonathan Rinzler tells the thrilling story of this legendary Hollywood classic-a film the book's author thought would be impossible to make. Clean, bright copy. PLEASE NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Berkeley CA, Oneiric Press, reprint, 1977, Book: Very Good, Dust Jacket: None, Softcover, 222 pages. Wilson has blended H.P. Lovecraft's dark vision with his own revolutionary philosophy and unique narrative powers to produce a stunning, high-tension story of vaulting imagination. A professor makes a horrifying discovery while excavating a sinister archeological site. For over 200 years, mind parasites have been lurking in the deepest layers of human consciousness, feeding on human life force and steadily gaining a foothold on the planet. Now they threaten humanity's extinction. Clean copy.

Hardcover. NY, G.P. Putnam's Sons, 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, 326 pages. Bound in original dark red cloth with lettering in black.