fiction folk

Chicago, Judson, 1st, 1940, Book: Very Good, Dust Jacket: None, Decorated cloth covers with bold black title, 142 pages. Black & white illustrations by Charles H. Steinbacher. A collection of folk tales from Burma. No dust jacket.

Softcover. Saranac Lake NY, self published, 1st, 1968, Book: Very Good, Dust Jacket: None, Softcover, 104 pages, light tan card wraps. SIGNED BY TYLER on title page. Clean, bright copy.

New York, Delacorte Press, 1st US, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 144 pages. Color and black & white illustrations by Patrick James Lynch. Dust jacket is protected by a mylar cover. A great collection of folktales from England & Wales, filled with boggarts, hobgoblins & other creatures.

Hardcover. NY, Vanguard Press, 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, green cloth, spine stamped in black and gilt, gilt faded. 165 pages, 20 Native American myths. Emdossed stamp on title page, otherwise clean, very good. Uncommon title.

Softcover. NY, Thames & Hudson, 1st, 2004, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. An unparalleled virtuoso, he captured the pulse of style from the 1960s to the 1980s, and is still revered as the most inspiring illustrator by today's practitioners. Recording and predicting contemporary style trends, Antonio also used his immense versatility to adopt a broad range of art movements, from Pop Art to Surrealism. The man himself, his life and friendships, particularly with Juan Ramos, his constant collaborator, define his oeuvre. For Antonio, life-bestial and sublime-surpassed any fiction. His illustrations and photographs capture the beautiful people who are part of celebrity folklore, and who were more often than not his friends: Jerry Hall (to whom he was engaged), Grace Jones, Mick Jagger, Audrey Hepburn, Andy Warhol (with whom he worked on Interview magazine), Paloma Picasso and Marlene Dietrich. Packed with previously unpublished material, this is a thrilling retrospective about an artist who is represented in major collections from the Metropolitan to the Louvre. Even posthumously, Antonio has not relinquished his grip on the fashion world: his style and quest for beauty live on. 230 illustrations, 155 in color

Philadelphia, Muhlenberg Press, 1st , 1961, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Black & white woodcut illustrations by the author. 108 pages, a collection of humorous animal stories from the Old Testament. Clean copy.

Hardcover. New York, E. P. Dutton & Co., 1st, 1938, Book: Good, Dust Jacket: Good, Hardbound, 63 pages. 18 three-color illustrations by Desmond Smith. Child's writing in pencil front endpaper. Edgewear. Corners worn. Dust jacket with soiling, chipping. Brodart cover. Dust jacket price clipped.

Hardcover. New York, Charles Scribners Sons, reprint, 1966, Book: Good, Dust Jacket: None, Hardcover in a price-clipped dust jacket. Two-color illustrations by Helen Sewell. School stamp on front end paper, otherwise clean. Newberry honor book based on an old Pennsylvania folktale about bears on Hemlock mountain.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover, 129 pages. Anthology of 20 stories gathered from 16th Century chronicles of missionaries. Illustrated by Bierhorst, Jane Byers. Clean copy. Dust jacket price-clipped.

NY, Seabury Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover. B&W illustrations by Imero Gobbato. In a bight, unclipped dust jacket. A young soldier battle a dozen devils after being locked in the turret of an old mansion. Based on a Latvian folk tale.

Hardcover. NY, Macmillan, 1st US, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 165 pages with b&w drawings by Ralph Pinto. A leprechaun must recapture the tune he lost to a fiddler. Pinto's chapter-top illustrations liven this already lively chain of Irish folk tales, loosely tied together through Brogeen the Leprechuan. Clean copy.

Softcover. Brattleboro VT, Green Writers Press, 1st, 2016, Book: Very Good, Dust Jacket: None, Softcover, 213 pages, like new condition. A mythic tale about loneliness and survival set in the northern hills of Vermont. Illustrated by Donald Saaf.

Hardcover. New York, Duell, Sloan & Pearce, 1st, 1966, Book: Very Good, Dust Jacket: Good, 209 pages. Hardcover with dust jacket. Black & white illustrations by Charles Keeping. Dust jacket price clipped, has light edgewear.

Hardcover. NY, Horn Book, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 359 pages. Using as a framework his two essays "Out on a Limb with the Critics" and "Coming to Terms with Criticism," Paul Heins has selected contributions which expand and elucidate "the invariable questions that beset the criticism of children's books: the classification, defense, and evaluation of children's literature." Included is the controversial exchange between Eleanor Cameron and Roald Dahl on the validity of the child as critic; Jane Langton's perceptive and original discussion of the fine distinction between fantasy and reality in literature; Alvin Schwartz's remarks on folklore and humor; Mary Orvig's consideration of Swedish books in translation; and treatments of individual titles such as Watership Down, Tom Sawyer, and A Wizard of Earthsea. Name and stamp on front fly leaf, otherwise clean.

Hardcover. Boston, Houghton Mifflin, 1st, 1894, Book: Very Good, Dust Jacket: None, Hardcover, light green cloth stamped in b&w on the front color, gilt lettering on the spine. Robinson (1833-1900) was a noted Quaker author from a well-respected and artistic Vermont family whose writings and art captured the dialect, culture and time of pre-Civil War Vermont, set in the imaginary town of Danvis, largely drawing from his the inhabitants and experiences of Ferrisburgh, VT. Bright, clean copy.

Hardcover. NY, Atlantic Monthly, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket.

Hardcover. NY, G.P. Putnam's Sons, 1st, 1940, Book: Good, Hardcover, pastel peach cloth stamped in dark blue. 175 pages, illustrated with charming b&w drawings by Flavia Gag. Evans' first story about white folks full of the spirit of a vanished era. 12 yr old Emma Belle is in a small Tennessee town in 1881 As the undisputed leader of her two younger sisters she must figure out how to get to Kinfolks Meeting which their mother has opposed. Spine has a small 3/4" tear, otherwise sound, clean copy.

Hardcover. New York, Viking Press, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 196 pages. Publisher's release and photo of author laid in. Foxing to top edge. Spine slightly cocked. Else a very clean, tight copy. The author's first work of fiction and his second book to be published (the first being a philosophical work published 1988 under the title "Being and Race: Black Writing Since 1970"). Writing of this debut Novel in the New York Times, Anne Gotlieb stated "This is a strange and often wonderful hybrid -- an ebullient philosophical novel in the form of a folktale-cum-black girl's odyssey. It is a book bubbling like a conjure woman's kettle with African lore, preserved intact in the half-magical, half-demeaning world of Hatten County, Georgia."

Hardcover. New York, Dial Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover. 90 pages. Black & white illustrations by Alan E. Cober. Edgewear, light rubbing to dust jacket. Clear plastic protective cover.

Hardcover. NY, Vanguard Press, 2nd pr., 1965, Book: Very Good, Dust Jacket: Good, Hardcover, 125 pages, b&w illustrations by by Lino S. Lipinsky, Fading to dj spine and along spine edgeon front. Un-clpped, clean.

Hardcover. Thistle Hill Publications & Vermont Folklife Center, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 108 pages, 68 b&w photographs. SIGNED BY BOTH MOSHER AND MILLER on the half-title page. Granite and Cedar represents an unusual collaboration between a documentary photographer and a writer of fiction to produce a haunting portrait of the people and the land of Vermont's most rural area, often referred to as the "Northeast Kingdom." Veteran photographer JOHN M. MILLER uses his brilliant collection of elegiac, but unsentimental, images dating from the 1970s to evoke the disappearing folkways, the rugged people, and the desolate and abandoned landscape of his native corner of the Green Mountain State. Miller's austere, black-and-white photos richly detail the erosion and the breakup of the small farms of the region and of the families who worked those farms. While they emphasize the stark beauty of the land, they also pay homage to the innate dignity and fierce pride of the people who live in such hardscrabble circumstances.

Hardcover. Thistle Hill Publications & Vermont Folklife Center, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 108 pages, 68 b&w photographs. Granite and Cedar represents an unusual collaboration between a documentary photographer and a writer of fiction to produce a haunting portrait of the people and the land of Vermont's most rural area, often referred to as the "Northeast Kingdom." Veteran photographer JOHN M. MILLER uses his brilliant collection of elegiac, but unsentimental, images dating from the 1970s to evoke the disappearing folkways, the rugged people, and the desolate and abandoned landscape of his native corner of the Green Mountain State. Miller's austere, black-and-white photos richly detail the erosion and the breakup of the small farms of the region and of the families who worked those farms. While they emphasize the stark beauty of the land, they also pay homage to the innate dignity and fierce pride of the people who live in such hardscrabble circumstances.

Hardcover. London/New York, Viking/Kestrel, Revised Ed., 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 408 pages, illustrated in b&w by Antony Maitland. Edited by Brian Alderson with his notes on the stories in the rear. Previous owner's handwritten note inside front cover otherwise clean with a bright dust jacket with light edgewear.

Hardcover. NY, Pantheon Books , 3rd pr., 1945, Book: Very Good, Dust Jacket: None, Hardcover, green cloth with gilt design, 864 pages. Based on the translation of Margaret Hunt, with 212 beautiful illustrations (many in color) by Josef Scharl, an Introduction by Padraic Colum and Folkloristic Commentary at the rear by Joseph Campbell. Bright, clean copy.