Softcover. New York, Popular LIbrary, 1st, 1957, Book: Very Good, Dust Jacket: None, 158 pages. Paperback. Popular Library Eagle Book #EB96. Spine edge tanned. Ink notation on first page. Creasing to cover wrappers.
Hardcover. Garden City, Garden City, 1st Thus, 1912, Book: Very Good, Dust Jacket: None, 249 pages. Hardcover. Previous owners bookplate on inside front cover. Full color and black & white illustrations by J. M. Gleeson and Paul Bransom. Clean, unmarked copy.
Hardcover. Garden City, NY, Doubleday Page & Co., reprint, 1924, Book: Very Good, Dust Jacket: None, 249 pages, dark green cloth with black decoration, b&w drawings by Kipling. Top and bottom of spine cloth with light fraying. Otherwise clean and tight copy.
Hardcover. NY, Greenwillow, 3rd Pr., 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 217 pages. Library Edition with spine sticker (NOT EX-LIB). Young adult science fiction novel, the first in a trilogy, and at the time one of the few novels for young readers in the genre to feature black characters and by a black author. The book won a Coretta Scott King honor in 1979.
Hardcover. New York, Greenwillow, 3rd, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 217 pages. Library edition sticker shadow on dust jacket spine. Clean copy.
Hardcover. NY, Books of Wonder, reprint, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover. Facsimile reprint of book first published in 1922.Color plates and b&w illustrations by John R. Neill.
Hardcover. Philadelphia, University of Pennsylvania Press, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 266 pages. Ex-lib with a small stamp to title page and top edge, label on spine. Otherwise a clean, bright copy. After Franz Kafka died in 1924, his novels and short stories were published in ways that downplayed both their author's roots in Prague and his engagement with Jewish tradition and language, so as to secure their place in the German literary canon. Now, nearly a century after Kafka began to create his fictions, Germany, Israel, and the Czech Republic lay claim to his legacy. Kafka's Jewish Languages brings Kafka's stature as a specifically Jewish writer into focus. David Suchoff explores the Yiddish and modern Hebrew that inspired Kafka's vision of tradition. Citing the Jewish sources crucial to the development of Kafka's style, the book demonstrates the intimate relationship between the author's Jewish modes of expression and the larger literary significance of his works. No dust jacket.
Hardcover. New York, Viking Press, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 500 pages. Beige cloth spine with red-colored lettering. Dust jacket with clear plastic cover. Binding slightly wrinkled at top. First edition of this large adventure novel by the author of the Dortmunder series of humorous crime stories.
Hardcover. NY, George H. Doran , 1st, 1923, Book: Good, Dust Jacket: None, Hardcover, pictorial boards with orange cloth spine, paper spine label chipped. First printing with Doran logo on copyright page. With a preface by Hilaire Belloc, 333 pages. "Bramah attained commercial and critical success with his creation of Kai Lung, an itinerant storyteller. He first appears in The Wallet of Kai Lung which was rejected by eight publishers before Grant Richards published it in 1900. It was still in print a hundred years later. The Kai Lung stories are humorous tales set in China, often with fantasy elements such as dragons and gods." Covers rubbed, edgeworn. Clean internally.
Hardcover. NY, Doubleday, Doran and Company, reprint, 1923, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with tan cloth spine with a blue title label. Preface By Hillaire Belloc. 'Bramah attained commercial and critical success with his creation of Kai Lung, an itinerant storyteller. He first appears in The Wallet of Kai Lung which was rejected by eight publishers before Grant Richards published it in 1900. It was still in print a hundred years later. The Kai Lung stories are humorous tales set in China, often with fantasy elements such as dragons and gods." Numeral 1 on copyright page, no date on title page, so suspected 2nd printing. Clean copy.
Hardcover. New York, Pantheon, 1st US, 2003, Book: Very Good, Dust Jacket: Very Good, 186 pages, hardcover with like new, bright, unclipped dust jacket. SIGNED BY AUTHOR on title page. Tight copy.
Hardcover. NY, Longmans, Green and Co., 1st, 1958, Book: Very Good, Dust Jacket: Very Good, Hardcover, 181 pages, illustrated in b&w by E. Harper Johnson. Dust jacket very good, price-clipped.
Hardcover. Norwalk, CT, Easton Press, Collectors, 1986, Book: Very Good, Dust Jacket: None, Hardcover. Masterpieces of Science Fiction Series. 281 pages, lovely color frontispiece by Richard Powers. Blue genuine leather with gilt decorations, no dust jacket as issued. All edges gilt, ribbon bookmark. Lovely copy, like new. Collectors notes laid in.
NY, D. Appleton & Co., 1st, 1902, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth with gilt, red and green decoration to cover and spine. 429 pages + ads. Black & white illustrations by A.I. Keller and D. Potter. Frontispiece illustration with tissue guard. Front hinge partially cracked. Spine fade.
Hardcover. London, Adam and Charles Black, reprint, 1905, Book: Good, Dust Jacket: None, Hardcover, 300 pages. Contains black & white and color illustrations. Faded spine and chipping to top of spine. Foxing to front edge. Gilt top edge.
Hardcover. Glens Falls, Champlain Publishing, 1st, 1914, Book: Very Good, Dust Jacket: None, 255 pages. Blue cloth covers with title rubbed from spine and some rubbing to gilt title on cover. Book has slight damp smell. Clean, tight copy.
Hardcover. New York , Random House , 1st, 1961, Book: Very Good, Dust Jacket: Good, Hardcover. Unpaginated, illustrated throughout in 3-colors by Ellie Simmons. Illustrated gray cloth with a edgeworn dust jacket.
Hardcover. NY, E.P. Dutton, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Despite the disapproval of her mother and three sisters, Katie Thorne persists in her search for a husband, approaching her goal along an open road of initially promising but ultimately unsuitable candidates
Hardcover. New York, Junior Books- Doubleday Doran, 1st, 1940, Book: Good, Dust Jacket: None, Hardbound. Black & white and color illustrations by Holbrook. Previous owner's signature front endpaper. Soiling to covers. Tear at top of spine. Corners a bit bumped, rubbed.
Hardcover. New York, Harcourt, Brace & World, Inc., 1st, 1967, Book: Very Good, Dust Jacket: Good, 192 pages. Hardcover. Ex. library copy with stamp to endpaper. Red cloth covered boards with black design & black printed titles to spine. Illustrated in black & white by Al Savitt. Dust jacket with dime sized chip to lower right corner, light toning & pen mark to price corner, non clipped. tone to top edge & light scuff marks to rear. Clean & unmarked.
Hardcover. Alpharetta GA, Black & White Publishing, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. SIGNED BY AUTHOR on title page, also INSCRIBED by him on dedication page. Clean copy.
Hardcover. Princeton NJ, Princeton University Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 281 pages, b&w illustrations. "For, Lo! We live in an Iron Age--In the age of Steam and Fire!" wrote a poet mesmerized by the engines that were transforming American transportation, agriculture, and industry during his lifetime. Indeed, by the nineteenth century fire had become America's leitmotif--for good and for ill. "Keeping the flame" was deadly serious: even the slightest lapse of attention could convert a fire from friendly ally to ravaging destroyer. To examine the cultural context of fire in "combustible America," Margaret Hazen and Robert Hazen gather more than a hundred illustrations, most never before published, together with anecdotes and information from hundreds of original sources, including newspapers, diaries, company records, popular fiction, art, and music. What results is an immensely entertaining and encyclopedic history that ranges from stories of the tragic "great fires" of the century to fire imagery in folktales and popular literature. Dealing more with technology than with fire in nature, the book provides a vast amount of information on fire manipulation and prevention in urban life. Hazen and Hazen discuss the people who worked with fire--or against it. Founders, gaffers, blacksmiths, boilers at saltworks, and housewives knew how to "read" a fire and employ it for their purposes. A few dedicated investigators inquired about the scientific nature of heat and flame. And firefighters gradually progressed from "bucket brigades" to "using fire to fight fire" with the newly invented steam engine. The colorful stories of these Americans--the risks they took and the rewards they received--will fascinate not only social historians but also a broad audience of general readers. Clean copy.