Hardcover. New York, Henry Z. Walck, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, 61 pages. Cloth boards. Two color Illustrations by Hogner. Dust jacket has minor chipping along edges and all corners clipped. Clean, tight copy.
Hardcover. London, Jonathan Cape, 1st, 1935, Book: Good, Dust Jacket: None, Hardcover, green cloth covers, 317 pages. Four friends walk and tell tales while hiking over moors. A light hearted narrative in which Henry Williamson intended to evoke a holiday spirit. The conceit of four friends on a hiking holiday and telling tales to one another links six short stories. Williamson focusses on presenting Devon and its people as it was in the mid 1930s. Covers with fading, chipping to spine cloth, clean copy.
Hardcover. NY, Crown Publishers, 2nd pr., 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 190 pages. A mystery novel about the adventurous librarian lifestyle. INSCRIBED BY AUTHOR on the front fly leaf.
Paperback. New York, Pantheon, Uncorrected proof wraps, 1996, Book: Very Good, Dust Jacket: None, 358 pages. Softcover with light wear to wrappers. SIGNED BY MALLON on title page. Tight copy. In 1948, the small town of Owosso, Michigan, is electrified by the presidential campaign of native favorite Thomas Dewey. Just as voters must decide between Dewey and Harry Truman, so must bookstore clerk Anne Macmurray choose between two suitors-the ardent United Auto Workers organizer and his polar opposite, the wealthy young Republican attorney with political ambitions.
Softcover. New York, Pantheon Books, Uncor. Proof, 1996, Book: Good, Dust Jacket: None, 358 pages. Softcover with moderate creasing and wear to edges. SIGNED BY AUTHOR ON TITLE PAGE. Previous owner's notes throughout. Previous owner was novelist, Jay Parini. Tight copy.
Hardcover. New York, Simon & Schuster, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 317 pages. Remainder mark to top edge, light wear to pictorial dust jacket, else a very neat, tight copy.
Hardcover. Germany, Taschen, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 3-vol set in slip case. Hardcovers. Like new in publisher's shrink-wrap. Editor Dian Hanson traces the fascinating development of the genre from 1900 to 1969 in three compact, informative volumes. In Volume 1 you'll learn about the first magazines that appeared around 1900 in France, Germany, and the U.S., and follow the development of the genre through the First and Second World Wars. Covered are men's magazines masquerading as movie magazines, humor magazines, art magazines, nudist magazines, and "spicy" fiction. Volume 2 documents the proliferation of pin-up magazines following World War II, most notably a little item called Playboy that debuted in December 1953 and spawned dozens of imitators. This volume also charts the emergence of English men's magazines, fetish magazines, and the top five covergirls of the 1950s. Volume 3 begins with an explosion of new American pin-up magazines following the loosening of U.S. obscenity laws, and continues with French titles in decline, England going pervy; nudists going hippy, and Germany going pervy, hippy and political.
Hardcover. New York, The Limited Editions Club, Ltd. ed., 1954, Book: Very Good, Dust Jacket: None, Hardcover, 354 pages. Padded blue silk covers with gilt lettering and design. Illustrated in color by Reginald Marsh. Edges speckled blue and yellow. Limited edition copy #880/1500 and SIGNED BY MARSH. Very good condition. No slipcase.
Softcover. New York, Dell Publishing, 1st, 1957, Book: Very Good, Dust Jacket: None, 191 pages. Paperback. Dell Book #A146. Minor wear to paper wrappers. Creasing to covers and spine. Ink notation on first page.
Hardcover. NY, Grosset Dunlap, reprint, Book: Very Good, Dust Jacket: None, Violet cloth stamped in blue, 240 pages. No date but appears to be 1940s. Clean copy.
Hardcover. NY, Macmillan, 1st, 1957, Book: Good, Dust Jacket: None, Color and black & white illustrations by the Haders. Shows wear. Previous owner's signature front paste-down, some water damage to cover, edges and preliminary pages. Otherwise clean. Hardbound, no dust jacket.
Hardcover. Roslyn NY, Walter J. Black, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. Three complete unabridged mysteries in one volume. Detective Book Club Edition. Clean, bright copy.
Hardcover. Chapel Hill NC, Algonquin Books, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 236 pages. INSCRIBED BY AUTHOR on half title page. Faint foxing to top edge, light shelf-wear to dust jacket, else a clean, tight copy.
Hardcover. New York, Viking Press, 1st Edition, 1977, Book: Very Good, Dust Jacket: Very Good, 255 pages. Hardcover. INSCRIBED BY AUTHOR. Previous owner's gift label on front flyleaf. Tan, speckled cover boards, brown quarter cloth, gilt title on spine. Dust jacket unclipped, a touch of tanning from age, a couple of very small tears (barely noticeable--see image) at top along edge of dj. Part New England gothic, part fantasy, and pure rollicking adventure story, this book traces the history of a unique clan of hardy Vermonters who have survived in Kingdom County, near the Canadian border, for several generations.
Hardcover. New York, Viking Press, 1st, 1977, Book: Very Good, Dust Jacket: Good, 255 pages. Hardcover with dust jacket. INSCRIBED AND SIGNED ON FRONT FLY LEAF. Moderate wear and tearing to dust jacket. Covers clean and tight.
Hardcover. New York, Viking, 1st US, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 220 pages. Faint foxing to top edge, minor wear and soiling to white dust jacket, else a very nice, tight copy. Winner of the Booker Prize.
Hardcover. NY, Columbia University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 379 pages. As religious leaders, ministers are often assumed to embody the faith of the institution they represent. As cultural symbols, they reflect subtle changes in society and belief-specifically people's perception of God and the evolving role of the church. For more than forty years, Douglas Alan Walrath has tracked changing patterns of belief and church participation in American society, and his research has revealed a particularly fascinating trend: portrayals of ministers in American fiction mirror changing perceptions of the Protestant church and a Protestant God. From the novels of Harriet Beecher Stowe, who portrays ministers as faithful Calvinists, to the works of Herman Melville, who challenges Calvinism to its very core, Walrath considers a variety of fictional ministers, including Garrison Keillor's Lake Woebegon Lutherans and Gail Godwin's women clergy. He identifies a range of types: religious misfits, harsh Puritans, incorrigible scoundrels, secular businessmen, perpetrators of oppression, victims of belief, prudent believers, phony preachers, reactionaries, and social activists. He concludes with the modern legacy of nineteenth- and early-twentieth-century images of ministers, which highlights the ongoing challenges that skepticism, secularization, and science have brought to today's religious leaders and fictional counterparts. Clean copy.
Hardcover. New York, Mysterious Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 294 pages. SIGNED BY AUTHOR on title page. Lovely copy with only minor wear to dust jacket.
Hardcover. New York, Mysterious Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 294 pages. Advertisement and biographical brochure from publishers laid-in. Light blue boards, illustrated dust jacket with mylar protective covering. Clean boards and dust jacket, pages crisp and unmarked, stiff binding; a very clean, tight copy.
Hardcover. NY, Harper & Brothers, reprint, 1924, Book: Good, Dust Jacket: None, Hardcover in black gilt-stamped cloth. Copyright page states 1924 with a K-Y code. No date on title page. A collection of satires written by poet Edna St. Vincent Millay under pseudonym as "Nancy Boyd." Millay offers a preface under her own name to "Boyd's" work, and writes, "I take pleasure in recommending to the public these excellent small satires, from the pen of one in whose work I have a never-failing interest and delight." Millay had written and published these dialogues and short-short yarns in a range of monthly magazines during the early twenties, the period of her greatest popularity and the period during which she wrote some of her most memorable and somber poetry. Gilt lettering is bright on cover but faded on spine. Spine cracked at half-title page, name on front fly leaf.