film

Softcover. New Haven CT, Yale University Press, reprint, 1990, Book: Very Good, Dust Jacket: None, 271 pages, paperback. Cultural criticism regarding the Weimar Republic. With many color and black-and-white illustrations throughout. Unmarked. Bright and clean; a tight copy. Examines intellectual life in the Weimar Republic, looks at paintings, caricatures, dance, architecture, and films, and discusses the Nazi rise to power.

Hardcover. Solana Beach CA, Santa Monica Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 231 pages. Illustrated in color. "I Say, I Say . . . Son!" offers a rare behind-the-scenes look at the work of the McKimson brothers, three of the most accomplished and influential animators in history. Tracing the brothers' careers from the 1920s onward, this beautifully illustrated book details how Bob McKimson created such beloved characters as Foghorn Leghorn, the Tasmanian Devil, Sylvester Jr., and the original Speedy Gonzales, and explores Chuck and Tom McKimson's voluminous body of work at Warner Bros. Cartoons, Dell Comics, and Golden Books. Featuring original art from the Golden Age of Animation, "I Say, I Say . . . Son!" includes a wealth of material from the top animation archives--original drawings, reproductions of animation cels, comic book illustrations, lobby cards, and screen captures--along with never-before-seen photographs and other memorabilia from author Robert McKimson Jr.'s personal collection."I Say, I Say . . . Son!" is a vibrant tribute to three groundbreaking animators whose long careers included work on the Looney Tunes, Pink Panther, and Mr. Magoo series, as well as many other animation classics.

Hardcover. San Rafael, CA, Insight Editions, 2nd, 2020, Book: Very Good, Dust Jacket: None, 213 pages. Hardcover with no dust jacket. Laminated boards. Color illustrations throughout. Clean, tight copy. n a world of rascally rabbits, megalomaniacal ducks, and stuttering pigs, what defines greatness? This question was posed to thousands of cartoon fans, historians, and animators to create The 100 Greatest Looney Tunes Cartoons, the definitive Looney Tunes collection. Jerry Beck and the Cartoon Brew team of animation experts reveal the amusing anecdotes and secret origins behind such classics as "What's Opera, Doc?," "One Froggy Evening," and "Duck Dodgers in the 24 1/2 th Century." Featuring more than 300 pieces of original art from private collectors and the Warner Bros. archives, The 100 Greatest Looney Tunes Cartoons settles the debate on the best of the best, and poses a new question: Is your favorite one of the greatest?

Softcover. New York, Queens Museum, 1st, 2015, Book: Very Good, Dust Jacket: None, 152 pages. Softcover. Very clean, like new in publishers shrink-wrap. This volume brings expert opinion and first-hand testimony to bear upon the events surrounding the creation and destruction of Andy Warhol's Thirteen Most Wanted Men at the 1964 New York World's Fair. The complex constellation of art, politics and gay life surrounding Warhol's mural and its painting-over comes alive in 13 interviews-with historian Hilary Ballon, critic Douglas Crimp, poet Diane di Prima, 1964 World's Fair head of television Albert Fisher, poet John Giorno, art historian Anthony Grudin, civil rights historian Felicia Kornbluh, former Warhol assistant and poet Gerard Malanga, filmmaker Jonas Mekas, art historian Richard Meyer, former Warhol assistant and photographer Billy Name, Rockefeller biographer Richard Norton Smith and architect and critic Mark Wigley. The interviews are introduced by the show's co-curator Larissa Harris, and accompanied by reproductions of all of the Thirteen Most Wanted Men; photographs of Warhol and the Fair by Factory regulars and photojournalists; and rarely seen archival documents from Warhol's Time Capsules.

Softcover. New York, Queens Museum, 1st, 2015, Book: Very Good, Dust Jacket: None, 152 pages. Softcover. Very clean, like new in publishers shrink-wrap. This volume brings expert opinion and first-hand testimony to bear upon the events surrounding the creation and destruction of Andy Warhol's Thirteen Most Wanted Men at the 1964 New York World's Fair. The complex constellation of art, politics and gay life surrounding Warhol's mural and its painting-over comes alive in 13 interviews-with historian Hilary Ballon, critic Douglas Crimp, poet Diane di Prima, 1964 World's Fair head of television Albert Fisher, poet John Giorno, art historian Anthony Grudin, civil rights historian Felicia Kornbluh, former Warhol assistant and poet Gerard Malanga, filmmaker Jonas Mekas, art historian Richard Meyer, former Warhol assistant and photographer Billy Name, Rockefeller biographer Richard Norton Smith and architect and critic Mark Wigley. The interviews are introduced by the show's co-curator Larissa Harris, and accompanied by reproductions of all of the Thirteen Most Wanted Men; photographs of Warhol and the Fair by Factory regulars and photojournalists; and rarely seen archival documents from Warhol's Time Capsules.

Hardcover. London, Book Palace, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 160 pages, illustrated in b&w and color. In August 1914 much of Europe was pitched into a war which would eclipse all others in terms of its industrialized ferocity. With photography and film recording still in their infancy, much of the news was relayed through wartime illustrators. Preeminent among them was Fortunino Matania, The Sphere's artist-on-the-spot for events ranging from coronations to disasters. Sent to a variety of fronts to cover the conflict, his illustrations created a gripping testimony. Over 150 paintings and drawings of the World War I conflict depict all its horrors and special moments. Clean copy.

Hardcover. London, Book Palace Books, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 160 pages. In August 1914 much of Europe was pitched into a war that would eclipse all others in terms of its industrial ferocity. In an era when photography and film recording were still in their infancy, much of the news was relayed through the work of reportage artists. Pre-eminent amongst such artists was Fortunino Matania who was The Sphere's artist-on-the-spot for events ranging from coronations to colliery disasters. Sent to a variety of Fronts to cover the conflict, his illustrations created a gripping and, at times, life-affirming testimony to those traumatic times, drawn from the personal visits he made and interviews he conducted with survivors. For the first time ever, this book collects those images in large format so that they can be viewed as they were intended. OVER 150 paintings and drawings on the World War 1 conflict, depicting all its horrors and special moments. His work inspired many contemporary artists: Annigoni and Russell Flint both visited his studio, and many comic strip artists collected his work including Al Williamson, Roy Krenkel, Frank Frazetta, John Bolton, Bernie Wrightson as well as film directors such as Cecil B DeMille and Alfred Hitchcock.

Softcover. London, Laurence King, 1st, 2016, Book: Very Good, Dust Jacket: None, Illustrated cardboard covers, large format, 12 x 16". 20 removable posters ready for framing. The posters included are: The Man with the Golden Arm; Saint Joan; Love in the Afternoon; Bonjour Tristesse; The Big Country; Vertigo; Anatomy of a Murder; Exodus; Spartacus; The Magnificent Seven; Advise & Consent; The Cardinal; In Harm's Way; Bunny Lake is Missing; Seconds; Grand Prix; The Fixer; Such Good Friends; The Shining; Schindler's List.

Hardcover. NY, Simon & Schuster, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover, 95 pages. Gathers Harold Lloyd's 3-D photographs of Hollywood actors, actresses, and celebrities. 3-D glasses included in back pocket.

Hardcover. London, Pavilion, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 144 pages. Hardcover with dust jacket. A very clean, unmarked copy with minor wear and curling to dust jacket edges. Color photographs throughout. Includes DVD. Genius innovators in haute couture, AP have commissioned Mike Figgis to portray Kate Moss in her first acting role, resulting in four unique films: "Shadows", "Scale", "Exhibitionist and "Narcissus" - "The 4 Dreams of Miss X". Shot in night vision, these films are intensely intimate: a beautiful woman's private dream experiences.

Softcover. NY, Assouline, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, 152 pages. The history of advertising is detailed here through five of the world's most influential figures in the field. Albert Davis Lasker, who changed the consumer habits of the American public with his campaigns for Palmolive, Kotex and Lucky Strike. Leo Burnett, who gave life to mythical characters such as the Marlboro man and the Green Giant. Marcel Bleustein-Blanchet, the Frenchman who earned a place at the side of the American giants. David Ogilvy, who brought British style to American advertising. And finally, Bill Bernbach, who invented a new style of advertising, inspiring unique and creative work for clients such as Levy's bread and Polaroid film. This book profiles these pioneers and illustrates the campaigns that made them authorities in the advertising world. Although The 5 Giants Of Advertising focuses primarily on these men, it also includes many others who created, animated and reformed this profession. This book is a tribute to all these great talents who have made history with their contributions to the advertising industry.

Hardcover. NY, HarperResource, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages. Lee Mendelson and Bill Melendez reveal how the storyline of one of the most beloved TV shows unfolded, and reflect upon more than three decades of work with Charles M. Schulz. Includes full-color images from the animated film; never-before-seen photographs, sketches and production materials, interviews with musicians who were inspired by Vince Guaraldi's music, the full script of the show, and more. Clean copy.

Hardcover. NY, W. W. Norton & Company, 1st, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 272 pages, b&w illustrations. Over the course of her sixty-five-year career, the longest of any female filmmaker, Agnes Varda (19282019) wrote and directed some of the most acclaimed films of her era, from her tour de force Cleo from 5 to 7 (1962), a classic of modernist cinema, to the beloved documentary The Gleaners and I (2000) four decades later. She helped to define the French New Wave, inspired an entire generation of filmmakers, and was recognized with major awards at the Cannes, Berlin, and Venice Film Festivals, as well as an honorary Oscar at the Academy Awards. In this lively biography, former Philadelphia Inquirer film critic Carrie Rickey explores the "complicated passions" that informed Varda's charmed life and indelible work. Rickey traces Varda's three remarkable careers-as still photographer, as filmmaker, and as installation artist. Remainder dot to top edge, otherwise clean.

Hardcover. Berghahn Books, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 193 pages, b&w illustrations. With six Academy Awards, four entries on the American Film Institute's list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish emigre from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism and the world of entertainment as well as with an awareness of literary culture and the avant-garde, features that lead to productive and often highly original confrontations between high and low. Clean copy.

Hardcover. San Francisco, Ten Speed Press, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 128 pages. A GRAND TOUR OF ASIA recreates a time and a place that no longer exists except in the lyrical images so lovingly preserved by the lens of a wandering American, and so wryly captured in the prose of his mysterious companions nearly a century ago. Christian Rub, a character actor in Hollywood films, presented the intriguing album to its current owner, Hania Tallmadge, in 1949, when she was a child.A historically unique collection of photographs taken in the spring of 1910 on a four-month tour of the Far East, presented in an exquisite facsimile edition of the album in which they were originally discovered.Includes more than 150 images reproduced in their actual size, their hand-tinted colors authentic and un-retouched. Even the handwritten script has been carefully replicated.

Hardcover. NY, Abrams Press, 1st, 1919, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 286 pages, b&w illustrations. The list of films Irwin Winkler has produced in his more-than-fifty-year career is extraordinary: Rocky, Goodfellas, Raging Bull, The Right Stuff, Creed, and The Irishman. His films have been nominated for fifty-two Academy Awards, including five movies for Best Picture, and have won twelve. In A Life in Movies, his charming and insightful memoir, Winkler tells the stories of his career through his many films as a producer and then as a writer and director, charting the changes in Hollywood over the past decades. Winkler started in the famous William Morris mailroom and made his first film--starring Elvis--in the last days of the old studio system. Beginning in the late 1960s, and then for decades to come, he produced a string of provocative and influential films, making him one of the most critically lauded, prolific, and commercially successful producers of his era. Clean copy.

Hardcover. NY, Abrams Press, 2nd pr., 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The list of films Irwin Winkler has produced in his more-than-fifty-year career is extraordinary: Rocky, Goodfellas, Raging Bull, De-Lovely, The Right Stuff, and Creed. His films have been nominated for fifty-two Academy Awards, including five movies for Best Picture, and have won twelve. In this charming and insightful memoir, Winkler tells the stories of his career through his many films as a producer and then as a writer and director, charting the changes inHollywood over the past decades. Clean copy.

Hardcover. NY, Putnam, 1st, 2005, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket with light edgewear, wrinkling to front flap. SIGNED by author and movie star Goldie Hawn directly on the title page with purple flair pen. A rather unconventional memoir from one of the world's most beloved actresses. Goldie writes about everything from her early years as a little girl who felt like an ugly duckling to her go-go dancing years in New York in the Sixties to Hollywood and memorable films like the Oscar-winning Cactus Flower, Swing Shift, and Private Benjamin. She speaks of her relationship with her family, her partner Kurt Russell, her children Kate Hudson, Oliver Hudson, Wyatt Russell, and her stepson Boston Russell.

Softcover. UK, Watford Borough Council, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover. Original card covers. 12 b/w plates, essays, biography. Sir Hubert von Herkomer was a Bavarian-born British painter, pioneering film-director, and composer. Though a very successful portrait artist, especially of men, he is mainly remembered for his earlier works that took a realistic approach to the conditions of life of the poor. Clean copy.

Hardcover. NY, Hyperion/Miramax, 1st, 1997, Book: Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 191 pages, b&w illustrations. Light waviness to some pages, otherwise clean copy. In an expert guide to the history of American film, enhanced by many wonderful full-color and black-and-white photographs and film stills, the acclaimed director takes a look at many American movies while exploring them from a both a professional and personal perspective. An academically trained filmmaker (NYU film school) who is among today's most innovative directors, Scorsese presents an engrossing, idiosyncratic memoir of his experiences with motion pictures, including recollections of his first boyhood journeys to movie theaters and the impressions the films made on him. In analyzing American film since the silent era, he especially highlights Westerns, musicals, and gangster movies, genres that originated in America. No markings.

Hardcover. NY, Harcourt, Brace & Co., 1st, 1959, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering to spine. 307 pages, b&w photos. No dust jacket. The biography of actor Leslie Howard, star of great movies such as "Of Human Bondage" and "The Scarlet Pimpernel". En route from Lisbon to London, Howard was shot down by German fighters. Clean, tight copy.

Softcover. NY, Noonday Press, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, full color as well as B&W illustrations. Detailed overview of American Black movies from 1915 to 1965. Introduction by Donald Bogle. Foreword by Spike Lee. A collection of movie posters featuring black actors, with brief comments on each plus a brief history of the black cinema. Pages are bright and clean (no writing, underlining, or highlighting). Binding is tight with no cracks or breaks.

London/NY, Faber & Faber, 1st, 1993, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, edgeworn dust jacket that has a closed 2" tear along spine. 500 pages, b&w illustrations. Don Siegel was one of Hollywood's most controversial directors. Invasion of the Body Snatchers is one of the very few acknowledged science-fiction classics, and Magnum Force - with its catch-phrase 'Make my day' - has become part of our modern consciousness. Siegel's five-film collaboration with Clint Eastwood created a body of films that are as distinctive as they are different, and enriched the reputation of both of them. This autobiography has all the fun and energy one would expect from Don Siegel. From his first days as an assistant editor in the Warner Brothers cutting rooms, Siegel charts his rich and varied career. This is a wonderful book of reminiscences, told in a lively and vivid style, whose cast of characters includes John Wayne, Lee Marvin, Steve McQueen, Bogart and Bacall, studio head Jack Warner and other luminaries of the golden age of the Hollywood studios (including a fading film star called Ronald Reagan, whose last film, The Killers, was directed by Siegel).At the centre of the book is Siegel's relationship with Clint Eastwood, whose directing career was encouraged by Siegel, and who supplies an amusing and appreciative foreword to the book. No markings.

Hardcover. NY, Knopf, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 592 pages, b&w illustrations. Samuel Fuller, independent director-producer extraordinaire, tells the story of his life, a life that spanned most of the twentieth century. His twenty-nine tough, gritty pictures made from 1949 to 1989 set out to capture the truth of war, racism, and human frailties, and incorporate some of his own experiences. He writes of his years in the newspaper business--selling papers as a boy on the streets of New York, working for Hearst's New York Journal American, first as a copyboy, then as personal runner for the famous Hearst editor in chief Arthur Brisbane. His film Park Row was inspired by his years as a reporter for the New York Evening Graphic, where his beat included murders, suicides, state executions, and race riots--he scooped every other New York paper with his coverage of the death by drug overdose of the legendary Jeanne Eagels. Fuller talks about directing his first picture (he also wrote the script), I Shot Jesse James . . . and how, as a result, he was sought after by every major studio, choosing to work for Darryl Zanuck of Twentieth Century Fox. We see him becoming one of the most prolific, independent-minded writer-directors, turning out seven pictures in six years, among them Pickup on South Street, House of Bamboo, and China Gate. He writes about making Underworld U.S.A., a movie that shows how gangsters in the 1960s were no longer seen as thugs but as "respected" tax-paying executives . . . about the making of the movie Shock Corridor--about a journalist trying to solve a murder in a lunatic asylum--which exposed the conditions in mental institutions . . . and about White Dog (written in collaboration with Curtis Hanson), a film so controversial that Paramount's then studio heads, Jeffrey Katzenberg and Michael Eisner, refused to release it. Clean copy.