Hardcover. NY, Dorling Kindersley Publishers Ltd, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover. Celebrates every move the Pink Panther has ever made over the past forty years, from the original Pink Panther movie starring Peter Sellers and the long-running animated series to the movie starring Steve Martin, Beyonce Knowles, and Kevin Kline.
Hardcover. US, Walt Disney Family Foundation Press, 1sr, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 351 pages. Clean, unmarked copy with only minor wear to dust jacket. Black and white & color photographs. In 1940, Walt Disney released his second feature film: Pinocchio, based on Carlo Collodi's 1883 Italian children's novel. The film was groundbreaking: it pioneered the latest animation and sound technology of the era, and established a blueprint for Disney filmmaking that remains intact today. It became the first animated feature to win a competitive Academy Award® (in fact, it won two), and earned a place on the roster of the National Film Registry.
Hardcover. US, Walt Disney Family Foundation Press, 1sr, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 351 pages. Clean, unmarked copy with only minor wear to dust jacket. Black and white & color photographs. In 1940, Walt Disney released his second feature film: Pinocchio, based on Carlo Collodi's 1883 Italian children's novel. The film was groundbreaking: it pioneered the latest animation and sound technology of the era, and established a blueprint for Disney filmmaking that remains intact today. It became the first animated feature to win a competitive Academy Award® (in fact, it won two), and earned a place on the roster of the National Film Registry.
Hardcover. US, Walt Disney Family Foundation Press, 1sr, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 351 pages. Clean, unmarked copy with only minor wear to dust jacket. Black and white & color photographs. In 1940, Walt Disney released his second feature film: Pinocchio, based on Carlo Collodi's 1883 Italian children's novel. The film was groundbreaking: it pioneered the latest animation and sound technology of the era, and established a blueprint for Disney filmmaking that remains intact today. It became the first animated feature to win a competitive Academy Award® (in fact, it won two), and earned a place on the roster of the National Film Registry.
Softcover. np, np, N/A, Book: Very Good, Dust Jacket: None, Softcover in plain sand color wrappers. Title page present, dated 11/14/83, 2nd draft, with credits for screenwriters Polanski and Brach. 123 leaves, mechanically reproduced. Pages and wrapper near fine, bound with three gold brads. Title lettered on bottom edge. otherwise clean. The film was released in 1986, delayed by Polanski's legal problems in Los Angeles. He fled the country after Paramount dropped out of the project and the movie was made in Paris and Tunisia.
Hardcover. Los Angeles, Really Great Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 265 pages.From the co-creator of "Mr. Magoo," and screenwriter for "Gun Crazy" (1950, front for Dalton Trumbo), "Unknown World" (1951), "Bad Day at Black Rock" (1955), and "Klansman" (1974), Millard expands on the craft of screenwriting. Clean copy.
Hardcover. Lexington KY, University Press of Kentucky, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages, in a bright unclipped dust jacket, b&w illustrations. Pola Negri (1897-1987) rose from an impoverished childhood in Warsaw, Poland, to become one of early Hollywood's greatest stars. After tuberculosis ended her career as a ballerina in 1912, she turned to acting and worked under legendary directors Max Reinhardt and Ernst Lubitsch in Germany. Negri preceded Lubitsch to Hollywood, where she quickly became a fan favorite thanks to her beauty, talent, and diva personality. Known for her alluring sexuality and biting artistic edge, she starred in more than sixty films and defined the image of the cinematic femme fatale. Author Mariusz Kotowski brings the screen siren's story to English-speaking audiences for the first time in this fascinating biography. At the height of her fame, Negri often portrayed exotic and mysterious temptresses, headlining in such successes as The Spanish Dancer (1923) and Forbidden Paradise (1924), before returning to Europe in the 1930s. The devastating effects of World War II soon drove her back to the United States, where she starred in Hi Diddle Diddle (1943) and pursued her vaudeville career before retiring from the entertainment industry. Kotowski also illuminates Negri's dramatic personal life, detailing her numerous love affairs-including her engagement to Charlie Chaplin and her romance with Rudolph Valentino-as well as her multiple marriages. This long-overdue biography not only paints a detailed portrait of one classic Hollywood's most intriguing stars and the film industry's original Jezebel, but also explores the link between Hollywood and European cinema during the interwar years.
Softcover. Culver City CA, MGM Film Co., N/A, 1981, Book: Very Good, Dust Jacket: None, Softcover, blank pale green wraps, 119 pages, three-hole punched photo-copied screenplay, title page dated February 1981 (with #63 by MGM logo at top), second title page with writer credits dated June 19 1981, revised pages with various dates - most early 1981. Title lettered on bottom edge otherwise a clean, sharp copy. Bound by two brads.
Hardcover. New Haven CT, Yale University Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Reaching its pinnacle during the era of Marilyn Monroe and James Bond, Haight-Ashbury and Swinging London, Pop art reflected the ideals and aspirations of a generation. By the 1960s the movement's bold imagery and style had become inseparable from the new consumer culture. This important book looks at British and American Pop art through the lens of portraiture, providing a fresh perspective on the movement and its innovative artists. Blurring the boundaries between "high" and "low" culture, Pop artists including Andy Warhol, Roy Lichtenstein, Richard Hamilton, and Peter Blake elevated portraiture to a new position. Author Paul Moorhouse explores the artists' engagement with portraits; their shared fascination with fame; their use of images from advertisements, rock music, films, and print sources; and the ways in which the British and American schools of Pop evolved and influenced one another. Bringing together key works from the peak years of Pop, this extensively illustrated book demonstrates how the conventions of portraiture were redefined as Pop artists transformed familiar images into transcendent works of art.
Softcover. NY, Vintage Crime/Black Lizard, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 217 pages. A chilling and brutally funny romp through the American South. As high sheriff of Potts County, Nick Corey spends most of his time eating, sleeping and avoiding trouble. If only people--especially some troublesome pimps, his foul-tempered wife, and his half-witted brother-in-law--would stop pushing him around. Because when Nick is pushed, he begins to kill . . . or to make others do his killing for him!The basis for an aclaimed French film noir, Coup de Torchon. Clean copy.
Hardcover. Seattle, Fantagraphics Books, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover, 168 pages illustrated in color and b&w. Fantagraphics's second volume of the acclaimed hit series collecting the entirety of E.C. Segar's original Popeye (a.k.a. Thimble Theatre) comic strips begins with a foreword by Beetle Bailey creator Mort Walker, and continues with an introduction by noted film and cartooning critic Donald Phelps. This second volume features work from 1930 to 1932, and most notably includes the debut of Segar's second greatest character: J. Wellington Wimpy, which stands as a one-of-a-kind icon some 70 years after his creation - the most likeable lowdown cad ever to grace the comics page. Popeye Volume 2 includes the stories: "Clint Gore" (continued from the cliffhanger last volume); "A One-Way Bank," in which Popeye opens a bank that allows withdrawals but no deposits; a long war story featuring King Blozo that begins with "The Great Rough-House War"; and "Skullyville," which wraps up the daily strips for this volume.
Hardcover. NY, H.N. Abrams, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. On-set photographs and reminiscences of the the making of the film White Nights, starring Mikhail Baryshnikov, Isabella Rossellini, and Gregory Hines. Photographs and text by Eve Arnold, Anthony Crickney, Josef Koudelka, and Terry O'Neill; introduction by filmmaker Taylor Hackford. 176 pages; 110 color and 65 b&w plates. Clean copy.
Softcover. San Francisco, Mercury House, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 112 pages, b&w photographs. Sanford Roth (d. 1962) quit an executive position in 1946 to pursue photography in Paris. His wife's anecdotal essay recalls their experiences photographing figures in the arts, including Colette, Picasso, Cocteau, and Stravinsky. Roth later became photographer to the film industry and made portraits of James Dean, Ava Gardner, and dozens of others. His photographs, which appeared in Life , Paris-Match , etc., are photojournalistic and new to today's audience.
Hardcover. NY, Posters Please, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, 168 pages, Catalogue for auction held Sunday, May 4, 2003 featuring American silent films, French travel posters, International posters, books and periodicals. Clean, very good.
Hardcover. New Haven CT, Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover, 238 pages. Like new in publisher's shrink-wrap. Covering the period from the Revolution to the beginning of World War II, this book considers Soviet avant-garde photography and film in the context of political history and culture. Three essays trace this generation of artists, their experiments with new media, and their pursuit of a new political order. A wealth of stunning photographs, film stills, and film posters, as well as magazine and book designs, demonstrate that their output encompassed a spectacular range of style, content, and perspective, and an extraordinary sense of the power of the photograph to change the world.
Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 164 pages. Like new in publisher's shrink-wrap. The high school prom is an American tradition, a rite of passage, and one of the most important rituals of youth in this country. The internationally recognized documentary photographer Mary Ellen Mark took on the extraordinary challenge of working with the Polaroid 20x24 Land camera to produce this fascinating look at dozens of young people from a diverse range of backgrounds on this memorable night in their lives.Traveling across the United States to complete the project from 2006 to 2009, Mark photographed prom-goers at thirteen schools from New York City to Charlottesville, Virginia, to Houston to Los Angeles. Mark's husband, the filmmaker Martin Bell, collaborated with her on the project to produce and direct a film, also called Prom, featuring interviews with the students about their lives, dreams, and hopes for the future. A DVD of the film is packaged with the book. The 127 large-format photographs are reproduced in rich detail, and quotations from the student interviews punctuate the book. Some of the students' statements are comical, while others are deeply touching. The result is a captivating and revealing document of American youth at the beginning of the twenty-first century.
Hardcover. Los Angeles, J. Paul Getty Museum, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, 164 pages. Like new in publisher's shrink-wrap. The high school prom is an American tradition, a rite of passage, and one of the most important rituals of youth in this country. The internationally recognized documentary photographer Mary Ellen Mark took on the extraordinary challenge of working with the Polaroid 20x24 Land camera to produce this fascinating look at dozens of young people from a diverse range of backgrounds on this memorable night in their lives.Traveling across the United States to complete the project from 2006 to 2009, Mark photographed prom-goers at thirteen schools from New York City to Charlottesville, Virginia, to Houston to Los Angeles. Mark's husband, the filmmaker Martin Bell, collaborated with her on the project to produce and direct a film, also called Prom, featuring interviews with the students about their lives, dreams, and hopes for the future. A DVD of the film is packaged with the book. The 127 large-format photographs are reproduced in rich detail, and quotations from the student interviews punctuate the book. Some of the students' statements are comical, while others are deeply touching. The result is a captivating and revealing document of American youth at the beginning of the twenty-first century.
Softcover. Costa Mesa CA, Mazda Publishers, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 134 pages. The history of Iran is a subject attracting increasing interest, and in it the history of the Qajar period, here dated 1796-1925, occupies a pivotal transitional place. The Qajar rulers reunited Iran after a century of weakness and division, and helped create modern Iran and its response to western power. Although the Qajars were not great reformers, their period saw the development of many new trends of thought, ranging from new religious ideas and groups to the adapting of modern ideas to Iranian circumstances. This book covers intellectual trends and equally it covers the political and socioeconomic history of Iran, including the growth of western incursions and control, which led to social, economic, and political disruptions and helped lead to a major revolution that gave Iran a modern constitution. Later developments culminated in a modernizing central government under the Pahlavi shahs. The period 1796-1925 saw a flowering of Iran's visual arts, politically oriented literature, popular culture, and crafts and carpets, and the beginnings of photography and film. The book interprets all these developments as part of a readable and comprehensible history of a period that helped bring Iran into the modern world while continuing its cultural greatness. Clean copy.
Hardcover. London, Frances Lincoln, 1st US, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. A biography of the filmmaker told in a graphic novel format. From the set of 1993's Pulp Fiction, to a bar room meeting with Robert Rodriguez and an inspirational lunch with Leonardo di Caprio, this unique graphic novel takes us across a series of Hollywood-inspired vignettes covering the movie-obsessed life and career of one of modern cinema's greatest filmmakers - Quentin Tarantino. Join the conversation as Tarantino talks John Travolta into starring in Pulp Fiction, find out about the inspiration for his earliest screenplays and learn about Tarantino's obsessive childhood growing up in California. 126 pages in color. Clean copy.
Hardcover. Berkeley CA, Counterpoint, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Dr. Crandall Taylor--or rather the actor who plays him--is enjoying a cushy new life in the City of the Lights where his now-cancelled American soap opera has become a prime time retro cult hit. This newfound stardom isn't wasted on him. Anxious to keep his brutal past a secret from fans, he's enjoying all the fruits that fame has to offer: adulation, entree into the trendiest clubs, and sex. What he really wants is to fund a feature film.Crandall uses his charm and intellect to draw into his narcissistic web four women: a horny network executive; an internet porn star; a bookish university student with a nasty bent; and the fetching starlet wife of an arms dealer. Crandall accepts both the crime lord's cash and his beautiful wife's advances. Big mistake. Now Crandall must channel his violent, megalomaniacal dark side just to stay alive--and on the run.
Softcover. Detroit MI, Wayne State University Press , 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 260 pages, b/w illustrations. INSCRIBED BY LOPEZ-VICUNA, the co-editor.
Softcover. Edinburgh, National Galleries Of Scotland, 1st, 2020, Book: Very Good, Dust Jacket: None, Softcover. Special-effects superstar Ray Harryhausen elevated stop-motion animation to an art during the 1950s to 1980s. With material drawn from his incredible archive, his daughter, Vanessa, selects 100 creatures and objects, in chronological order, that meant the most to her as she watched her father make world-famous films that changed the course of cinema. Ray Harryhausen's work included the Sinbad films of the 50s and 70s, One Million Years B.C. and Mighty Joe Young, as well as a wider portfolio including children's fairy tales and commercials. He inspired a generation of film-makers such as Peter Jackson, Aardman Animation, Tim Burton, George Lucas and Steven Spielberg, and his influence on blockbuster cinema can be felt to this day. Some of the objects featured in the book, such as Talos from Jason and the Argonauts, are world famous, while others are less well known but hold special personal significance to Vanessa. Many newly restored works that have never previously been seen are included.