Hardcover. London, Hard Case Crime, 1st , 2019, Book: Very Good, Dust Jacket: None, Hardcover, colorful dust jacket with a retro-style illustration by the author. In 1919, the National Prohibition Act was passed, making it illegal across America to produce, distribute, or sell liquor. With this act, the U.S. Congress also created organized crime as we know it. Italian, Jewish, and Irish mobs sprang up to supply the suddenly illegal commodity to the millions of people still eager to drink it. Men like Lucky Luciano and Meyer Lansky, Dutch Schultz and Bugsy Siegel, Al Capone in Chicago and Nucky Johnson in Atlantic City, waged a brutal war for power in the streets and on the waterfronts. But if you think you already know this story...think again, since you've never seen it through the eyes of one the mobsters who lived it. Called "one of the most significant organized crime figures in the United States" by the U.S. District Attorney, Vincent "Jimmy Blue Eyes" Alo was just 15 years old when Prohibition became law. Over the next decade, Alo would work side by side with Lansky and Luciano as they navigated the brutal underworld of bootlegging, thievery and murder. Alo's later career included prison time and the ultimate Mob tribute: being immortalized as "Johnny Ola" in The Godfather, Part II. Introduced to the 91-year-old Alo living in retirement in Florida, Dylan Struzan based this book on more than 50 hours of recorded testimony--stories Alo had never shared, and that he forbid her to publish until "after I'm gone." Alo died, peacefully, two months short of his 97th birthday. And now his stories--bracing and violent, full of intrigue and betrayal, hunger and hubris--can finally be told. With cover art and 24 interior illustrations by Drew Struzan, one of the most acclaimed movie poster painters of all time. Small remainder dot bottom edge, otherwise like new.
Softcover. Gainesville FL, University Press of Florida, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 283 pages. Index and bibliography. Many never-published-before images and a complete history of the slow development and long decline of the railroad in Florida. Clean copy.
Softcover. Tampa, FL, University of South Florida, Unknown, N. D., Book: Very Good, Dust Jacket: None, Softcover exhibition catalog. 54 pages, illustrated throughout in color and b&w. Green pictorial stiff wrappers. Light wear to covers and spine, front cover slightly sunned, else a very nice, tight, clean copy.
Hardcover. Baltimore, Johns Hopkins University, 1st, 2002, Book: Very Good, Dust Jacket: None, An extraordinary work, unparalleled in its breadth and depth of detail, this three-volume set offers the first comprehensive history of architecture and town planning throughout colonial North America, from Russian Alaska to French Quebec, to Spanish Florida and California, to British, Dutch, and other settlements on the East Coast. Across this vast terrain, James Kornwolf conjures the outlines of the constructed environment as it emerged in settlements and communities, in structures and sites, and in the flourishes and idiosyncrasies of the families and individuals who erected and inhabited colonial buildings and towns. Here as never before readers can observe the impulses and principles of colonial design and planning as they are implemented in the buildings and streets, harbors and squares, gardens and landscapes of the New World. Incorporating more than 3,000 illustrations, Kornwolf's massive work conveys the full range of the colonial encounter with the continent's geography, from the high forms of architecture through formal landscape design and town planning. From these pages emerge the fine arts of environmental design, an understanding of the political and economic events that helped to determine settlement in North America, an appreciation of the various architectural and landscape forms that the settlers created, and an awareness of the diversity of the continent's geography and its peoples. Considering the humblest buildings along with the mansions of the wealthy and powerful, public buildings, forts, and churches, Kornwolf captures the true dynamism and diversity of colonial communities-their rivalries and frictions, their outlooks and attitudes-as they extended their hold on the land. His work conveys for the first time the full scale, from intimate to grand, of their enduring transformation of the natural landscape of North America. NOTE: DOMESTIC SHIPPING ONLY.
Hardcover. Boston, Godine, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 23 pages of text plus 63 black & white plates. Dust jacket has light edgewear. Dust jacket with mild edgewear, protected by a mylar cover.
Hardcover. NY, Walker & Co., 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The author's third novel, the first featuring Brad Axx, like Huber himself, a transplant to the West coast of Florida.
Softcover. Jackson MS, University Press of Mississippi, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 147 pages, b&w photos throughout. When photojournalist and writer Roby Page first started trekking to Daytona Beach, Florida, for Bike Week in 1985, the counterculture gathering was dominated by rogues, ruffians, and rebels. Now the leather-clad biker rumbling down Atlantic Avenue might be a doctor or a lawyer. More than a half-million enthusiasts arrive at Daytona Beach every March, a number swelled by new bikers from the American mainstream. Page sets out on his Harley-Davidson to search for what it really means to be a biker. Part memoir, part narrative history, and part photo essay, the book not only chronicles Bike Week, but also vividly documents the evolution of two American icons--the Harley and the biker. Remainder dot on bottom edge, light crease to back cover, otherwise like new.
Hardcover. Athens GA, University of Georgia Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Foreword by Michael Connelly. 414 pages. In 2010, Ted Geltner drove to Gainesville, Florida, to pay a visit to Harry Crews and ask the legendary author if he would be willing to be the subject of a literary biography. His health rapidly deteriorating, Crews told Geltner he was on board and would even sit for interviews and tell his stories one last time. Ask me anything you want, bud, Crews said. But you'd better do it quick. The result is Blood, Bone, and Marrow, the first full-length biography of one of the most unlikely figures in twentieth-century American literature, a writer who emerged from a dirt-poor South Georgia tenant farm and went on to create a singularly unique voice of fiction. With books such as Scar Lover, Body, and Naked in Garden Hills, Crews opened a new window into southern life, focusing his lenson the poor and disenfranchised, the people who skinned the hogs and tended the fields, the grits, as Crews affectionately called his characters and himself. Clean copy.
Softcover. Sarasota FL, John and Mable Ringling Museum of Art, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, oblong format, 151 pages. Catalogue of an exhibition held May 14-July 18, 1982 at the John and Mable Ringling Museum of Art. 151 pages: illustrations, some color.
Hardcover. NY, Charles Scribner's Sons, 1st, 1942, Book: Very Good, Dust Jacket: Poor, Hardcover in a worn and chipped dust jacket with small chunks gone, $2.50 on flap. Pictorial cloth in color mimics the dj. This is the first edition with 1942 on title page and "A" on the copyright page. Cross Creek Cookery was compiled by Pulitzer Prize-winning author Marjorie Kinnan Rawlings at the request of readers who wanted to recreate the luscious meals described in Cross Creek -- her famous memoir of life in a Florida hamlet. Lovers of old-fashioned, down-home cooking will treasure the recipes for Grits, Hush-Puppies, Florida Fried Fish, Orange Fluff, and Utterly Deadly Southern Pecan Pie. For more adventuresome palates, there are such unusual dishes as Minorcan Gopher Stew, Coot Surprise, Alligator-Tail Steak, Mayhaw Jelly, and Chef Huston's Cream of Peanut Soup. 230 pages with b&w drawings by Robert Camp. No markings.
Softcover. NY, E. P. Dutton & Co., 1st, 1988, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 116 pages illustrated in color. Documents the superb and amazing Art Deco buildings of Miami Beach. Bright and beautiful full color photos feature mainly the exteriors of these gems. Clean copy.
Hardcover. NY, William Morrow, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY McBAIN on the half-title page. A Florida orange grower visits the Big Apple and stumbles into twenty-four hours of wild and funny trouble, finding himself robbed, framed for murder, and hunted by an assassin. Clean copy.
Hardcover. Gainesville, University Press of Florida, 1st, 1995, Book: Very Good, Dust Jacket: None, Hardcover, 306 pages. Red cloth, no dust jacket issued. Light wear to edges, else a clean, tight copy.
Softcover. Ashland OR, Blackstone Publishing, reprint, 2018, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Ms. Moxie Mooney is Hollywood royalty--and she's in trouble. At the summons of his on-again, off-again lover, Fletch drops in on Moxie's film set, located in sunny Florida. If being called up for help by the box office beauty isn't work enough, Steve Peterman, Moxie's sleazy manager, is murdered while the cameras are rolling, and no one managed to see a thing. Despite the obvious lack of evidence, the rumor mill is still quick to churn up a potentially plausible suspect: Moxie. Realizing the need for a little R&R away from prying eyes, he hastily flies Moxie and her drunken father off to Key West. But trouble follows Fletch, in every sense of the word, and soon enough he's playing host to a full house of Hollywood's brightest.I n true Fletch style, he delves into the investigation, dodging police inquiry, betting on race horses, taking a leisurely sail, and talking up his elite houseguests to get the dirt and solve this perplexing murder.
Softcover. Ashland OR, Blackstone Publishing, reprint, 2018, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps. Ms. Moxie Mooney is Hollywood royalty--and she's in trouble. At the summons of his on-again, off-again lover, Fletch drops in on Moxie's film set, located in sunny Florida. If being called up for help by the box office beauty isn't work enough, Steve Peterman, Moxie's sleazy manager, is murdered while the cameras are rolling, and no one managed to see a thing. Despite the obvious lack of evidence, the rumor mill is still quick to churn up a potentially plausible suspect: Moxie. Realizing the need for a little R&R away from prying eyes, he hastily flies Moxie and her drunken father off to Key West. But trouble follows Fletch, in every sense of the word, and soon enough he's playing host to a full house of Hollywood's brightest.I n true Fletch style, he delves into the investigation, dodging police inquiry, betting on race horses, taking a leisurely sail, and talking up his elite houseguests to get the dirt and solve this perplexing murder.
Softcover. Miami Beach, FL, Florida Architecture, Inc., 1st, 1951, Book: Good, Dust Jacket: None, Large softcover, 168 pages, illustrated throughout, a publication of Architecture and Allied Design in Florida, floor plan sketches by David B. Spalding. Minor corner and edge wear and fade, light foxing on top edge, otherwise, clean and tight.
Hardcover. Guilford CT, Rowman & Littlefield, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 294 pages, b&w illustrations. The story of how Florida became entwined with Americans' twentieth-century hopes, dreams, and expectations is also a tale of mass delusion, real estate collapses, and catastrophic hurricanes. For Sale -- American Paradise concentrates on the experiences of American icon William Jennings Bryan, journalist Edwin Menninger, and others who shaped the image of Florida that we know today and who sold that image as America's paradise. The cast also includes the Marx Brothers, Thomas Edison, Al Capone, a pack of backwoods bandits known as the Ashley Gang, and the visionaries and businessmen who poured their dreams and their cash into Florida in the roaring, raucous 1920s.
Hardcover. New York, Harper Collins, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Clean, tight copy with color illustrations by Thatcher Hurd.
Hardcover. London, England, C. Arthur Pearson Limited, 1st Edition, 1902, With 48 illustrations. B/w illustrations throughout. Gilt top edge.Green cloth bound cover boards, gilt title and design on front cover and spine. Spine has fading and fraying at top and bottom. Front cover board has fading to top. Cover boards having shipping at edges. Pages and edges have some tanning from age.
Softcover. London, Tampa Museum of Art/ D Giles Ltd, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 172 pages illustrated in color. This is a fascinating exploration of the incredible body of artwork produced at Graphicstudio, a print atelier based at the University of South Florida. Since its foundation in 1968, the studio has developed an international reputation, and this volume features over ninety modern artworks by thirty-four Graphicstudio artists, including Louise Bourgeois, Chuck Close, Jim Dine, Keith Edmier, Alex Katz, Guillermo Kuitca, Roy Lichtenstein, Christian Marclay, Vik Muniz, Robert Rauschenberg, James Rosenquist, Ed Ruscha, Kiki Smith, Janaina Tschape, and Theo Wujcik. It features interviews with current and past Graphicstudio directors as well as artists, including former Graphicstudio master printer Theo Wujcik. Clean copy. DOMESTIC SHIPPING ONLY.
Softcover. Sarasota FL, Pineapple Press, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 260 pages. Follow Ernest Hemingway's exploits on the Bahamian island of Bimini from 1935 to 1937, the very moment in time when the International Game Fish Association (under the author's co-leadership) was emerging. Covers Hemingway's role in the formation of the IGFA, his underappreciated seminal writing about competitive saltwater angling when the sport was still in its infancy, the amazing fishing he enjoyed on the island, and the way all of these experiences translated into the composition of his posthumous novel Islands in the Stream. This is the only book on this period in Hemingway's life and reveals unexpected dimensions to the Hemingway portrait that deserve attention, including his surprising humor, his advanced conservationist views several decades before the environmental movement even began, and his egalitarian ideas about his contemporary female counterparts in the big-game fishing world--challenging the usual portrait of Hemingway as a chauvinist with no personal rules, boundaries, or conscience. Includes beautiful vintage photographs of 1930s Bimini that have never been published in book form.
Hardcover. Florida, Brevard County Historical Commission, 1st, 1995, Book: Very Good, Dust Jacket: Good, Hardcover, 271 pages. Extensive b&w photography throughout. Gilt decoration on cover. Gilt titles on spine. Small tear to bottom corner of dust jacket repaired with tape. Light wear to dust jacket. Otherwise clean, tight copy.
Hardcover. Lily Bay Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcovr, 98 pages. After the horrendous events of September 2001, photographer Peter Elliott loaded his cameras and some clothes into his car and began a cross-country journey, looking for the flag. He found it everywhere: painted on a retaining wall in Tacoma, flying over a trailer in Bozeman, carried billowing by a lone man walking a sandbar in Florida, made of plastic cups stuck in a fence in Mississippi, draped over a fake horse in Salinas, immaculately hanging from a Beverly Hills mansion's window. Home Front is both a tribute to the profound emotions of the country and a testament to Elliott's eye. His genius in these eighty-seven arresting images is to wed these serendipitous meetings with the flag to a language of light and composition that draws as much from classic landscape photography as it does from urban visual idioms. Elliott manages to convey here America's stirring and complex national character, one in which those who have not benefited from the nation's prosperity nonetheless feel the same sense of pride as those who have. With its inspiring introduction by Julia Reed, Home Front is the record--both somber and joyous--of Elliott's encounters with spontaneous patriotism.
Hardcover. NY, Dutton, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. A murder mystery set in Florida in the 1950s. INSCRIBED BY AUTHOR on half-title page.