flowers

Hardcover. Rochester, Chase Brothers Company, 1st, Book: Very Good, Dust Jacket: None, Flexible tan cloth covers, 134 pages. Illustrated with beautiful, bright, full color illustrations and blow-in sheets of flowers and fruit. A fine, bright copy. No date but appears to be early 1900s.

Hardcover. New York, Morrow, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. SIGNED BY AUTHOR ON TITLE PAGE. Beautiful copy in clear mylar sleeve.

Hardcover. NY, Scholastic Inc., 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 64 pages. SIGNED BY WILLARD on the title page. An A-to-Z gift collection of angels presents a celestial character for every occasion, such as a wish-delivering angel of Knapsacks and a dew-faced angel of Morning. Willard has assembled a collection of photographs of angel statuettes- ceramic, cloth, wood, or metal; blond, darkskinned, Oriental, or gnomish. Ingeniously arranged against backgrounds of light and shadow, posed against painted settings or among flowering plants, the full-page pictures offer a gallery of portraits. Some of the winged dolls are guardians of the mundane (eggs, flowers, ink, and vegetables), while others are more imaginative or visionary, associated with dreaming, night, planets, and "yonder." Rhyming couplets link the letters of the alphabet to the scenes and seek to make sense of the sometimes mystifying choices of settings.

Hardcover. London, Macdonald, 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with gilt lettering on spine, 109 pages with color photos, b&w illustrations. Small name on front fly leaf, otherwise clean.

Hardcover. Mineola NY, Calla Editions, reprint, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Designers, collectors, and Art Nouveau aficionados will treasure this original collection of 100 plates of decorative full-color graphics. These authentic images are reproduced from the now extremely hard-to-find periodical La decoration artistique, which was published in Paris during the decade before World War I. They constitute some of the rarest and best material printed during the Art Nouveau period, and these uncommonly graceful and appealing illustrations are now available in this beautifully designed hardcover edition. The dazzling array of images includes headpieces, typographical banners, and other sinuous designs bursting with parrots and peacocks, vines and flowers, and other natural motifs. Examples include storefront signage for bakeries and cafes; decorative friezes of theatrical masks and grapevines; borders of flowers, books, and birds; stenciled decorations for fire screens; and corner and ceiling ornaments. An essential acquisition for any library or collector of Art Nouveau graphics and illustration, this volume promises to provide a lasting source of inspiration and pleasure. Clean copy.

Hardcover. NY, Monacelli Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages illustrated in color. Presents the life and work of one of the foremost landscape designers of the early 1900s. Born into a prominent New York family (she was the niece of Edith Wharton), Farrand eschewed the traditional social life of the Gilded Age to pursue her passion for landscape and plants. Many of her clients were members of the highest echelon of society with estates in Newport, the Berkshires, and Maine, but Farrand ultimately became a consultant for university campuses, including Yale and Princeton, and for public gardens, including the Santa Barbara Botanic Garden and the Rose Garden at The New York Botanical Garden. Perhaps her best-known work is the extensive garden at Dumbarton Oaks, originally a private residence and now a research institute of Harvard University. Deeply influenced by the English landscape designer Gertrude Jekyll, Farrand was known for broad expanses of lawn with deep swaths of borders planted in a subtle palette of foliage and flowers. Her gardens have been photographed at their peak especially for this book, and these lush illustrations are complemented by beautiful watercolor wash renderings of her designs, now preserved at the library of the University of California at Berkeley. Clean copy.

Softcover. Tucson AZ, Grilled Flowers Press, 1st, 1978, Book: Very Good, Dust Jacket: None, Softcover, includes critical essays by Louis Gallo and Alan Ziegler, an interview by Naomi Shihab, and a preface and portfolio of 18 new poems by Benedikt. 75 pages. INSCRIBED BY BENEDIKT on title page. Also signed on copyright page in red. Clean copy.

Softcover. Evansville, Evansville Museum of Arts & Science, First Edition, 1990, Book: Very Good, Dust Jacket: None, 32 pages. Softcover SIGNED & INSCRIBED BY ARTIST to title page. Bright illustration to covers with french flaps, published to accompany the exhibition of the same title held at the Evansville Museum of Arts & Science, Evansville, Indiana, April 22 - May 27, 1990 among other touring locations.

Hardcover. US, Yale University Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 549 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket. This book presents a survey of Chinese painting from the eighth to the 14th century, a period during which the nature of China's pictorial art changed dramatically. Illustrated by works in the collection of The Metropolitan Museum of Art, New York, the author begins by describing the advent toward the end of the Bronze Age of figural representation in Chinese art, and next traces the development of Chinese landscape painting from the third to the tenth century. He then moves on to discuss the art of the Sung dynasty, when the imperial government was increasingly absolute and repressive. In this period artists shifted from a realistic rendition of nature to more symbolic representation of single flowers, rocks and trees. By the time of the Yuan dynasty, following the Mongol conquest of 1279, objective representation in art had been replaced by imagery that drew on the artist's inner response to his world. Because it was believed that the meaning of a painted subject, made complex by personal and symbolic associations, could no longer be expressed without language, the painter began to inscribe poems and incorporate calligraphy in his works, the multiple relationships among word, image and calligraphy forming the basis of a new art. At this stage Chinese art entered its richest and most diverse stage f development.

Hardcover. Austin, University of Texas Press , 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, 249 pages, color photos. Green cloth, gilt title on spine. No dust jacket. Faint foxing to top edge and end papers. Clean, tight copy.

Hardcover. Toronto, Fruit Growers' Assoc. of Ontario, 1st, 1884, Book: Very Good, Dust Jacket: None, A year's bound collection (Jan.- Dec. 1884) of the journal. Features eight bright color lithographs of flowers and fruit. One black & white plate. Portrait of editor Beadle. 295 pages. Half-leather with marbled boards. Spine with gilt lettering, label, raised bands.

Hardcover. Toronto, Fruit Growers' Assoc. of Ontario, 1st, 1885, Book: Very Good, Dust Jacket: None, A year's bound collection (Jan.-Dec. 1885) of the journal. Features 12 bright color lithographs of flowers & fruit. 292 pages. Half-leather with marbled boards with light corner wear. Spine with gilt lettering, label, raised bands.

Softcover. London, Phoenix Press, reprint, 2002, Book: Very Good, Dust Jacket: None, Softcover, 500 pages. The youngest member ever of the esteemed Academie Francaise--and winner of the Legion of Honor--produces a towering, erudite study of the humble men and women who were Christ's very first followers. Historically rich, it captures everything from the occupations, families, and homes to the flowers and birds native to the land. ".wealth of information.about customs, language, habits, clothes, food and all the other features.will make the reading of the New Testament far more real and vivid."--The Times. Clean copy.

Hardcover. NY, Rizzoli, 1st US, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 207 pages. Entertainingly idiosyncratic in its selection of material, this historical compendium of facts and fascinating lore takes off on a visual romp through the history of gardens. Rather than adhere to a conventional narrative format, Vercelloni--an Italian architect, city planner and landscape gardener--arranges his material as though it were a slide show, devoting each page to an image and accompanying text. Beginning with the "landscape" of the Ice Ages, forging ahead to the Renaissance and finally reaching contemporary times, the author presents a captivating grab-bag of information, covering such topics as the significance of flowers in Renaissance painting, the reasoning behind the 17th-century craze for tulips and the role of contemporary urban parks in society. With its strong visual orientation and pungent text, Vercelloni's "historical atlas" looks deftly and light-heartedly at humanity's ongoing love of gardens. Clean copy.

Hardcover. London, Merrell Holberton/Natural History Museum, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages, 62 color plates, 33 b&w illustrations. A detailed monograph on this early 19th century natural history artist. In publisher's shrinkwrap.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1984, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and faded dust jacket, 267 pages. Novels affirm the power of fiction to portray the horizons of knowledge and to dramatize the ways that the truths of human existence are created and preserved. Professor Saldivar shows that deconstructive readings of novels remind us that we do not apprehend the world directly but through interpretive codes. Previous owner's name, stamp to front fly leaf.

Hardcover. NY, Delacorte Press, 1st, 1987, Book: Very Good, Dust Jacket: Good, Hardcover, dust jacket has edgewear, chips. A phone ringing after midnight means trouble, especially in private eye Harry Stoner's business. This time the 1:30 call is trouble, all right. A motel clerk wants somebody to pick up the loser registered as Harry Stoner who just tried to kill himself. When the real Stoner gets to the Encantada Motel, he finds his old college roommate nearly dead and too many memories still alive. It's a suicide attempt that forces Stoner back into his own past, where a pretty woman, a brutal murder, and the bitter remnants of the sixties drug culture make Stoner's future look rosy...like flowers on a grave.

Hardcover. Burlington, VT, Self Published, 2nd Edition, 1935, Book: Very Good, Dust Jacket: None, 130 pages. Hardcover. Contributions to the Botany of Vermont, IX. Inscribed by author's husband. Previous owner's stamp on front endpapers. Ex-library book with some label residue and markings expected. B/w frontispiece (picture of author). Blue cloth cover boards, gilt title on spine and front cover board. Spine straight. Pages clean, slightly tanned with age. Very good copy.

Hardcover. NY, Rizzoli International , 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Introduction by Donald Sultan. Celebrity portrait photographer Lynn Goldsmith turns to a new subject, flowers, in this interesting book. As Donald Sultan comments in his introduction, this is "an entirely new and compelling way of experiencing this classic subject." Each image is "shot in natural light with a macro lens from unexpected angles." The purpose: "I don't want to be looking at the flower, I wanted to be in it." Donald Sultan feels the results are "a tribute to the minimalist and abstract expressionist schools." The work "imparts a sense of digital eroticism to the color which is at once referential and intensely real." Lynn Goldsmith says, "I desired to create a highly subjective impression [of flower as] . . . the transcendental image . . . ." Clean, bright copy.

Hardcover. NY, Harry N. Abrams, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover 148 pages. Esther Heins' watercolors of leaves and flowers organized by month of bloom, crisp interior. A full color botanical drawing left-hand page is dedicated to each species. On the right page is explanatory text. Free of any markings, not ex-library. INSCRIBED BY THE ARTIST HEINS on the front fly leaf. Otherwise clean.

Hardcover. New York, Abrams, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages, illustrated with color photographs by Morell. Conversation by Lawrence Weschler, afterword by Lisa McElaney. Bright, clean copy in a similar dust jacket.

Hardcover. US, Bulfinch , 1st, 1990-10-01, Book: Very Good, Dust Jacket: Very Good, 50 plates in color. Clean, unmarked copy with only minor wear to dust jacket. A collection of the acclaimed photographer's flower images features pieces from his final years.

Hardcover. US, Bulfinch, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 139 pages, illustrated throughout in color. Light shelf-wear to dust jacket with small tear to upper edge. Clean, tight copy. Foliage is an amazing plant book filled with artistic photos of "the architecture of nature." Close-up photos fill the 13" x 11" pages. From grasses and ferns, edibles, leaf coloration, cati and succulents, the essence of green, to seeds of change the reader is in for a visual treat.

Hardcover. New York, W.W. Norton, 2nd, 2004, Book: Very Good, Dust Jacket: Very Good, 627 pages. Hardcover with dust jacket. Clean, tight copy with minor wear to edges. Color pictures in center.