france history

Hardcover. NY, Charles Scribner's Sons, 1st, 1976, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket. Autobiography of the owner of the bookshop La Maison des Amis des Livres in Paris, a center, between the World Wars, for the best contemporary French writing and for its authors. 536 pages, b&w illustrations. Clean copy.

Hardcover. Hartford, Joel Barlow, 1st, 1787, Book: Very Good, Dust Jacket: None, 258 pages. Red leather covers with gilt lines along cover edges, and decorations on spine. Covers with light rubbing to edges and at corners. Title on spine in gilt on black. Marbled endpapers. Previous owners name on preliminary page and at top of title page. Includes Dedication to The King of France, and Introduction. All edges gilt.

Hardcover. NY, Random House, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 487 pages, b&w illustrations. Napoleon's colorful but disastrous Russian campaign has been strangely neglected by American publishers. Bridging the gap between popular and scholarly history, historian Cate has written a thoroughly detailed and researched account that should also appeal to the lay reader. His writing is deliberately paced but dramatic and does far more justice to the extremely complex political and military situation of 1812 than Philippe de Segur's Napoleon's Russian Campaign (1965), the only other work available in the United States. Clean copy.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 391 pages. How Maoism captured the imagination of French intellectuals during the 1960s. Michel Foucault, Jean-Paul Sartre, Julia Kristeva, Phillipe Sollers, and Jean-Luc Godard. During the 1960s, a who's who of French thinkers, writers, and artists, spurred by China's Cultural Revolution, were seized with a fascination for Maoism. Combining a merciless expose of left-wing political folly and cross-cultural misunderstanding with a spirited defense of the 1960s, The Wind from the East tells the colorful story of this legendary period in France. Richard Wolin shows how French students and intellectuals, inspired by their perceptions of the Cultural Revolution, and motivated by utopian hopes, incited grassroots social movements and reinvigorated French civic and cultural life.

Hardcover. NY, Museum of Modern Art , 1st, 1982, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, price-clipped dust jacket. Volume Two Only. First Edition. Photographs by Eugene Atget. Essay and notes to the plates by Maria Morris Hambourg. Appendixes include Berenice Abbott's typewritten copy of Andre Calmette's handwritten letter to her (late 1928). Maroon cloth with debossed title blind-stamped on cover and in gilt on spine, with dust jacket. 192 pp. with 116 plates and 84 black and white reference illustrations. Printed by The Meriden Gravure Company from halftone negatives made by Richard Benson. Clean, tight copy.

Hardcover. NY, Museum of Modern Art , 1st, 1983, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, price-clipped dust jacket. Volume Three Only. First Edition. 188 pages, 120 plates. Fore-edge of dust jacket has chipping, edgewear. Otherwise a clean, VG copy.

Hardcover. NY, Museum of Modern Art , 1st, 1985, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, price-clipped dust jacket. Volume Four Only. First Edition. Photographs by Eugene Atget. Essay and notes to the plates by Maria Morris Hambourg. 182 pages, 117 bw photographic plates and several text illustrations. A nice, bright copy.

Hardcover. NY, Museum of Modern Art , 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. Volume One Only. First Edition. 180 pages,121 plates with 83 b&w photo illustrations, slight edgewear to jacket, else a very nice, clean copy. Atget was a groundbreaking photographer, documenting three decades of rapid urban transition in Paris from the late 19th to early 20th centuries. His works depict the architecture, streets, gardens, and people of the city.

Hardcover. Baltimore, Johns Hopkins University Press, 1st, 1996, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket with sunning to spine, 325 pages, b&w illustrations. In The World of the Paris Cafe, W. Scott Haine investigates what the working-class cafe reveals about the formation of urban life in nineteenth-century France. Cafe society was not the product of a small elite of intellectuals and artists, he argues, but was instead the creation of a diverse and changing working population. Making unprecedented use of primary sources -- from marriage contracts to police and bankruptcy records -- Haine investigates the cafe in relation to work, family life, leisure, gender roles, and political activity. This rich and provocative study offers a bold reinterpretation of the social history of the working men and women of Paris. Clean copy.

Hardcover. New Haven CT, Yale University Press, reprint, 1991, Book: Very Good, Dust Jacket: None, Hardcover in a dust jacket with fading to some areas, 338 pages. Margaret Fuller - journalist, critic, radical feminist, and political activist - traveled in Europe between 1846 and 1850 as a foreign correspondent for the New York Tribune. Her letters from England, France, and Italy, which began as engaging travel sketches, soon became moving accounts of the most widespread revolutionary upheaval within modern history. These dispatches are now reproduced in their entirety for the first time. Clean copy.

Hardcover. NY, Arcade Publishing, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 452 pages. The French painter Jean Helion's unique and deeply moving account of his experiences in Nazi prisoner-of-war camps prefigures the even darker stories that would emerge from the concentration camps. This serious adventure tale begins with Helion's infantry platoon fleeing from the German army and warplanes as they advanced through France in the early days of the war. The soldiers chant as they march and run, "They shall not have me!" but are quickly captured and sent to hard labor. Writing in English in 1943, after his risky escape to freedom in the United States, Helion vividly depicts the sights, sounds, and smells of the camps, and shrewdly sizes up both captors and captured. In the deep humanity, humor, and unsentimental intelligence of his observations, we can recognize the artist whose long career included friendships with the likes of Mondrian, Giacometti, and Balthus, and an important role in shaping modern art movements. Helion's picture of almost two years without his art is a self-portrait of the artist as a man. Clean copy.

Softcover. London, T. Plummer, Printer, Seething Lane, reprint, 1801, Book: Very Good, Dust Jacket: None, Disbound stab-stitched pamphlet. 4 pages in small typeface. Presumably reduced from the 8 page 1798 printing. Moore, a Scottish cartographer, chart seller and educator with a somewhat controversial reputation, was accused of copying a chart of the coasts of France, Spain and Portugal drawn up by William Heather. The case was heard before Lord Kenyon with the prosecution led by Erskine; the jury quickly found for the defendant despite Kenyon's balanced instruction.

Hardcover. Princton NJ, Princeton University Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Fairy tales, often said to be ''timeless'' and fundamentally ''oral,'' have a long written history. However, argues Elizabeth Wanning Harries in this provocative book, a vital part of this history has fallen by the wayside. The short, subtly didactic fairy tales of Charles Perrault and the Grimms have determined our notions about what fairy tales should be like. Harries argues that alongside these ''compact'' tales there exists another, ''complex'' tradition: tales written in France by the conteuses (storytelling women) in the 1690s and the late-twentieth-century tales by women writers that derive in part from this centuries-old tradition. Grounded firmly in social history and set in lucid prose, Twice upon a Time refocuses the lens through which we look at fairy tales.

Softcover. Paris, ACAER/GPC, 1st, 1994, Book: Very Good, Dust Jacket: None, 68 pages. Softcover. Exhibition catalog. French and English text. Black & white photographs. From the introduction: "This catalogue has been re-edited by advanced reading copy wraps en reve architecture centre with the Georges Pompidou Centre, for the presentation in France of the exhibition "Warchitecture-Sarajevo, a wounded city". The exhibition and the catalogue were prepared by the architects of the Sarajevo association, members of the associations of Architects of Bosnia-Herzegovina DAS-SABIH". Light rubbing to cover edges, minor creases at corners. Clean, unmarked text.

France, Michelin & Co., 1st, 1931, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Guide book to WW1 battlefield, illust. with black & white photos, maps (color two-page of Verdun). End-pages with ads. Previous owner's signature front endpaper. Dust jacket in excellent condition.

Softcover. UK, Antony Rowe, reprint, nd, Book: Very Good, Dust Jacket: None, Softcover, 112 pages, b&w illustrations. 178 b/w photos. The great German assault on Verdun opened on 21 February 1916 and the battle went on with furious attacks and counterattacks till it finally petered out on 18 December, ten months later, some two and a half months longer than the British offensives of the Somme and Third Ypres combined. After describing the origins and conduct of the battle with maps and illustrations the book takes us on a tour of the town and of various parts of the battlefield with its numerous forts. Originally published in 1919 by Michelin. Clean copy.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1963, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 292 pages. A look at early Federal society and government in an epistolatory format by a young Scottish woman on tour in America in the early 1800s. Edited by Paul R. Baker. Name on front fly leaf, otherwise clean

Hardcover. New York, Harry N. Abrams, 1st English, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages, b&w photographs throughout. A very clean, tight copy.

Softcover. SelfMadeHero, 1st US, 2015, Softcover, 142 pages illustrated in color by Stok. Translated from the Dutch by Laura Watkinson. This graphic biography documents the brief and intense period of creativity Vincent van Gogh (1853-1890) spent in Arles, Provence, in southern France. Here van Gogh dreams of setting up an artists' studio--a haven where he and his friends can paint together. But attacks of mental illness leave the painter confused and disoriented. When his friend and fellow artist Paul Gauguin refuses to reside permanently at the Yellow House, a distraught van Gogh cuts off part of his own ear. Throughout this period of intense emotion and hardship, Vincent's brother, Theo, stands by him, offering constant and unconditional support. Writer and illustrator Barbara Stok breathes riveting new life into a fascinating episode of art history, creating a vivid portrait of one of the world's most beloved and legendary artists. Clean copy.

Softcover. London, Frances Lincoln, 1st, 2011-08-30, Book: Very Good, Dust Jacket: None, Illustrated throughout in b&w. Softcover. Clean, unmarked copy with only minor wear to wrappers. Here are 160 unique street photographs of London when it was the style, musical, political and fashion capital of the world.

Softcover. London, Frances Lincoln, 1st, 2011, Book: Very Good, Dust Jacket: None, Illustrated throughout in b&w. Softcover. Clean, unmarked copy with only minor wear to wrappers. No other city has the variety of hairstyles male and female that parade the streets of London. The bouffant, the duck arse, the white wings of power swept over the ears, the coxcomb punk, the flat top, the social outrider's bowl cut. They're all there to make a place. In respect of the hair of the 80s, the rest of the world was dead from the neck up.' Buy a 35mm camera at the beginning of 1980 and spend the next 10 years walking around London taking half a roll of black and white a day and photograph whatever happens in front of you. You get Mick Jagger, New Romantics, Ra Ra skirts, Boy George, Sloane Rangers. The beginning of Covent Garden, Yuppies, The IRA bombings, the Iranian Embassy siege. 100s of newspaper flyers - John Lennon Shot Dead - Margaret Thatcher's London, Fashions that came and went. Here are 160 unique street photographs of London when it was the style, musical, political and fashion capital of the world.

Hardcover. NY, Thames & Hudson, 1st, 2009, Hardcover, 320 pages. The best pages from the sensational photo magazine published in France in the 1920s and 1930s.Established in Paris in 1928, VU combined stunning photography with dynamic layouts and first-rate reporting, creating a revolution in journalism and setting the stage for future photo magazines like Life, Stern, and Paris Match.VU covered a wide and eclectic range of subjects including politics, world affairs, social issues, discoveries, exploration, the arts, sports, and entertainment. It intended to be an illustrated journal of the week's events-a movie newsreel on paper-and published work by some of the most important photographers of the time: Robert Capa, Andre Kertesz, Henri Cartier-Bresson, Brassai, Man Ray, and more.This book gathers some of the best work from more than 600 issues of VU: covers, double-page spreads, and complete reports. It provides both a record of the prewar world of the twenties and thirties, and an unparalleled history of photojournalism in the early twentieth century. 200+ b&w illustrations

Hardcover. NY, Palgrave Macmillan, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 266 pages. This book focuses on the development of towns in France, taking into account military technology, physical geography, shifting regional networks tying urban communities together, and the emergence of new forms of public authority and civic life as embodied in the "wall," an image at once intensely physical and deeply symbolic. It traces the evolution of towns across much of what is today France from the Middle Ages to the eighteenth century when the walls began to come down, opening up new, ultimately revolutionary possibilities for urban life. This long-term perspective on town fortifications--how they were built, the contests to control them, and how they shaped the lives of people both inside and outside them. Clean copy.

Hardcover. NY, Houghton Mifflin Harcourt, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Nigel Hamilton's celebrated trilogy culminates with a story of triumph and tragedy. Just as FDR was proven right by the D-day landings he had championed, so was he found to be mortally ill in the spring of 1944. He was the architect of a victorious peace that he would not live to witness. Using hitherto unpublished documents and interviews, Hamilton rewrites the famous account of World War II strategy given by Winston Churchill in his memoirs. Seventy-five years after the D-day landings we finally get to see, close-up and in dramatic detail, who was responsible for rescuing, and insisting upon, the great American-led invasion of France in June 1944, and why the invasion was led by Eisenhower. As FDR's D-day triumph turns to personal tragedy, we watch with heartbreaking compassion the course of the disease, and how, in the months left him as US commander in chief, the dying president attempted at Hawaii, Quebec, and Yalta to prepare the United Nations for an American-backed postwar world order. Now we know: even on his deathbed, FDR was the war's great visionary.