france war

Hardcover. Cambridge MA, Harvard University Press, 3rd pr., 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 370 pages with index. Photographs, illustrations, notes, index. "This is the story of how America's first women soldiers helped win World War I, earned the vote, and fought the U.S. Army. In 1918, the U.S. Army Signal Corps sent 223 women to France. They were masters of the latest technology: the telephone switchboard. General John Pershing, commander of the American Expeditionary forces, demanded female 'wire experts' when he discovered that inexperienced doughboys were unable to keep him connected with troops under fire. Without communications for even an hour, the army would collapse". Clean copy.

Hardcover. NY, St. Martin's Press, 2nd pr., 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 388 pages, b&w illustrations. A revealing biography of Florence Gould, fabulously wealthy socialite and patron of the arts, who hid a dark past as a Nazi collaborator in 1940's Paris.Born in turn-of-the-century San Francisco to French parents, Florence moved to Paris at the age of eleven. Believing that only money brought respectability and happiness, she became the third wife of Frank Jay Gould, son of the railway millionaire Jay Gould. She guided Frank's millions into hotels and casinos, creating a luxury hotel and casino empire. She entertained Zelda and Scott Fitzgerald, Pablo Picasso, Joseph Kennedy, and many Hollywood stars-like Charlie Chaplin, who became her lover. While the party ended for most Americans after the Crash of 1929, Frank and Florence stayed on, fearing retribution by the IRS. During the Occupation, Florence took several German lovers and hosted a controversial Nazi salon. As the Allies closed in, the unscrupulous Florence became embroiled in a notorious money laundering operation for Hermann Goring's Aerobank.Yet after the war, not only did she avoid prosecution, but her vast fortune bought her respectability as a significant contributor to the Metropolitan Museum and New York University, among many others. It also earned her friends like Estee Lauder who obligingly looked the other way. A seductive and utterly amoral woman who loved to say "money doesn't care who owns it," Florence's life proved a strong argument that perhaps money can buy happiness after all.

Hardcover. Cambridge UK, Cambridge University Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 288 pages.This substantial and unusual volume is not an encyclopedic summary of names, dates, and images but a roughly chronological series of scholarly, sometimes provocative essays by specialists in various aspects of the medium's history. Contributors (identified only in the table of contents) are from France, Italy, Germany, Switzerland, England, and the United States. The chapters on photo-journalism, the illustrated press, and photography between the world wars are particularly informative, while high-quality illustrations from public and private collections worldwide convey photography's technical and aesthetic development and its ubiquity.

Hardcover. NY, Knopf, 1st, 20, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Drawing on original and exhaustive research from interviews and never-before-seen material in the Picasso family archives, this book opens with a visit by the Hungarian-French photographer Brassai to Picasso's chateau in Normandy, Boisgeloup, where he would take his iconic photographs of the celebrated plaster busts of Marie-Therese, Picasso's mistress and muse. Picasso was contributing to Andre Breton's Minotaur magazine and he was also spending more time with the likes of Man Ray, Salvador Dali, Lee Miller, and the poet Paul Eluard, in Paris as well as in the south of France. It was during this time that Picasso began writing surrealist poetry and became obsessed with the image of himself as the mythic Minotaur--head of a bull, body of a man--and created his most famous etching, Minotauromachie. Richardson shows us the artist is as prolific as ever, painting Marie-Therese, but also painting the surrealist photographer Dora Maar who has become a muse, a collaborator and more. In April 1937, the bombing of the town of Guernica during the Spanish Civil War inspires Picasso's vast masterwork of the same name, which he paints in just a few weeks for the Spanish Pavilion at the Paris World's Fair. When the Nazis occupy Paris in 1940, Picasso chooses to remain in the city despite the threat that his art would be confiscated. In 1943, Picasso meets Francoise Gilot who would replace Dora, and as Richardson writes, "rejuvenate his psyche, reawaken his imagery and inspire a brilliant sequence of paintings." As always, Richardson tells Picasso's story through his work during this period, analyzing how it shows what the artist was feeling and thinking. His fascinating and accessible narrative immerses us in one of the most exciting moments in twentieth century cultural history, and brings to a close the definitive and critically acclaimed account of one of the world's most celebrated artists.

Hardcover. Chicago, Rand McNally , unknown, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages, 15 color plates and b&w drawings by Warner Carr. Green boards with color label, sharp, clean copy.

Hardcover. New Havn CT, Yale University Press, 1st , 2001, Book: Very Good, Dust Jacket: Very Good, 333 pages. Hardcover with dust jacket. Illustrated in color, B&W. Clean, tight copy. Few painters lived the intellectual adventures of the early twentieth century as intensely as Albert Gleizes. At the centre of the public scandal over Cubism that broke out in Paris in 1911, he was with Marcel Duchamp and Francis Picabia in New York during the war and was one of the first European avant-garde artists to respond to the scale and vigour of New York life. Gleizes was also one of the few French painters of the 1920s to recognise nonrepresentational painting as the logical development of Cubism. His work as a painter is accompanied by an immense body of theoretical work, addressing the question posed so starkly by Duchamp and Picabia: why should we paint? What is the justification for the work of art? Over his life he touches on many spheres of human activity - religious, political and cultural history, physics and the philosophy of work.This book follows Gleizes' argument as it evolves, drawing on painting, and both published and unpublished writings. It reveals Gleizes, not just as a significant historical personality, but as a man whose work and thinking remains surprisingly fresh and relevant to the needs of our own time.

Softcover. Ithaca NY, Cornell University Press, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 283 pages. A particularly vicious and bloody civil war has racked Algeria for a decade. Amnesty International notes that since 1992, in a population of 28 million, 80,000 people have been reported killed, and the actual total is almost certainly higher. This terrible war overshadows Algeria's long and complex history and its prominence on the world economic stage-second in size among African nations, Algeria has the longest Mediterranean coastline and contains the world's fifth-largest natural gas reserves. Algeria, 1830-2000 is a comprehensive narrative history of the country. Benjamin Stora, widely recognized as the leading expert on Algeria, presents the story of this turbulent area from the start of formal French colonialism in the early nineteenth century, through the prolonged war for independence in the latter 1950s, to the internal strife of the present day.This book adapts and updates three short volumes published originally in French by La Decouverte. For this English edition, Stora has written a new introductory chapter on Algeria's colonial period (1830-1954) and has revised the final section to bring the volume up to date.

Atgen PA, Schiffer, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 144 pages illustrated in color and b&w. In 1942, Ed Vebell landed with the US Army in North Africa and was recruited by Stars & Stripes, the US armed forces newspaper, as their official staff artist. Daily, he drew illustrations and reported on the progress of World War II throughout Europe. This book offers a selection of his sketches, drawings, paintings, and photographs from that time, and presents one artist's view of the war from North Africa, through the campaigns in Italy, France, and Germany. After the war, the author spent two weeks with the Russians in Berlin, and was then assigned as the courtroom artist during the Nuremberg War Crimes Trials. Along the way are Ed's reminiscences about such personalities as famed war correspondent and artist Bill Mauldin, singers Josephine Baker and Edith Piaf, Charles de Gaulle, Gen. Teddy Roosevelt Jr., and many others. Ed also reminisces about his two years photographing backstage at the Folies Bergere in Paris, as well as his time as an Olympic fencer. Clean copy.

Hardcover. NY, Flammarion, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages illustrated in b&w. A previously unpublished body of work from the late, great photographer Andre Kertesz, featuring a collection of photographs that capture the ephemeral beauty of Paris in 1963. Andre Kertesz, a master photographer of the twentieth century, was a pioneer in photographic composition and photojournalism who gained critical acclaim for his image distortions. Born in Hungary, he moved from Paris to New York during World War II. In 1963, he returned to Paris and took more than 2,000 black-and-white photographs and nearly 500 slides that capture the city's essence--from Montmartre to the banks of the Seine to its gardens and parks. Kertesz edited these photographs into book form, but the work was set aside and was only recently rediscovered in his archives, twenty-five years after his death. The previously unpublished material is reproduced here as he originally intended and completed with archival documents and a critical essay.

Hardcover. London, Frances Lincoln, 1st US, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. A biography of the Pop artist told in a graphic novel format. Follow Warhol through his upbringing in Pittsburgh, moving to New York City, finding inspiration and conquering the creative world, in this unique graphic biography. Discover what made Warhol tick - his delights, drives and frustrations. Immerse yourself in his fascinating lifestyle within the New York scene and the incredible way that he continually evolved as an artist. 126 pages in color. Clean copy.

Softcover. New York , Aperture Book, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover. Fall 1897. Includes work by: Sebastiao Salgado, Susan Meiselas, David Goldblatt, Bill Burke. Also writing by Arthur Miller, William Shawcross, Frances Hodgson, Nadine Gordimer.

Softcover. NY, Aperture Foundation, 1996, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Features: The Earth Remembers By Jeanloup Sieff, Blaise Cendrars, and Ernst Junger Photographs by Jeanloup Sieff Midway Poem by Robert Desnos Photographs by Marc Le Mene Moments in the City Vignettes by Annie Ernaux Photographs by Dolores Marat In the World's Heart Poem by Blaise Cendrars Photographs by Mi-Hyun Kim, Sarah Moon Autobiographical Stories Installations and texts by Sophie Calle Love Chambers Photographs and texts by Bernard Faucon Evening Poem by Tristan Tzara Photographs by Caroline Feyt The Light of Home Photographs and text by Raymond Depardon Two-Way Mirrors By Xavier Emmanuelli Photographs by Jean-Francois Joly Uprooted Lives: France's New Poverty Photographs and text by Marie-Paule Negre Veiled Destinies: Women in Algeria Photographs and text by Nadia Benchallal No Pity For Sarajevo By Jean Baudrillard Photographs by Jean-Claude Coutausse War And Dreams Photographs and text by Christine Spengler Monuments To Darkness Installations by Christian Boltanski Apartheid Photographs and text by Marc Pataut The Theatrical Identity Photographs by Lise Sarfati, Pierre et Gilles, Jean-Francois Lepage, Keiichi Tahara Sines, poem by Raymond Queneau Photography in its Childhood Interview with Robert Delpire

Hardcover. London, Batsford, 1st, Book: Very Good, Dust Jacket: None, A history of the evolution of the Arts of Building, Decoration and Garden Design under classical influence. Many b&w photos, Illustrations. 528 pgs. Some sun-fading to spines, else a clean, tight set.

Hardcover. NY, E.P. Dutton, 1st, 1919, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages. 100 plates (3 tipped-in color plates), including 37 examples by American artists. Survey of the art of the First World War by Allied artists from the United States, Canada, Great Britain, France and the Netherlands, including paintings, drawings, sculpture, lithographs, and posters. Works by Maxfield Parrish, George Luks, George Bellows, Harvey Dunn, Paul Manship, Mahonri Young, William Orpen, C.R.W. Nevinson, James McBey, Paul Nash, G. Spencer Pryse, Edmund Dulac, Wyndham Lewis, Frank Brangwyn, Th.A. Steinlen, and others. Bibliography, p. 285-288. Handsome production, with decorations designed by Frederick W. Goudy and printed by William E. Rudge. Dark green boards with black cloth spine, bright gilt lettering on cover and spine. Previous owner's bookplate inside front cover, light corner wear, mild bump to top of rear board.

Softcover. University of Toronto Press , 1st pbk, 2020, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 312 pages. During the night of 25 July 1941, assassins planted a time bomb in the bed of the former French Interior Minister, Marx Dormoy. The explosion on the following morning launched a two-year investigation that traced Dormoy's murder to the highest echelons of the Vichy regime. Dormoy, who had led a 1937 investigation into the "Cagoule," a violent right-wing terrorist organization, was the victim of a captivating revenge plot. Based on the meticulous examination of thousands of documents, Assassination in Vichy tells the story of Dormoy's murder and the investigation that followed. At the heart of this book lies a true crime that was sensational in its day. A micro-history that tells a larger and more significant story about the development of far-right political movements, domestic terrorism, and the importance of courage, Assassination in Vichy explores the impact of France's deep political divisions, wartime choices, and post-war memory. Clean copy.

Hardcover. Annapolis MD, Naval Institute Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 126 pages, b&w illustrations. Princeton grad Erasmus Kloman was undergoing Army training at Fort Bragg in 1943 when, due to his passing knowledge of French, he was interviewed for potential involvement in "a highly confidential activity." The interview culminated in the question, "Would you be willing to volunteer for hazardous duty behind enemy lines?" He signed up for duty with the newly formed Office of Strategic Services (OSS) and after an intensive period of training in various aspects of espionage, found himself on assignment in wartime Cairo, Algiers, and then Caserta. At age 24 with the title of OSS Acting Chief of Operations in the Mediterranean Theater of Operations, he helped organize and coordinate the actions of Operational Groups (OGs) , which infiltrated Italy and occupied France on daring sabotage missions. Clean copy.

Hardcover. Long Beach CA, Safari Press, reprint, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, This is the English translation of Decoster's original Le Vent des Pistes, published in 2003. Edouard-Piere Decoster is the son of a French industrialist, brought up in Northern France, and only introduced to Africa as an adult through national service in the interior of Algeria. This book "relates Decoster's memories of forty years of travelling and hunting in Africa for lion, buffalo, leopard, waterbuck, kudu, eland, antelope, elephant, and just about every other creature legal to hunt. Unlike many big-game hunting books, Decoster's tales of his safaris and expeditions are tinged with romanticism and nostalgia." Chapters include: The gates to Atlantis; The lion and the warthog at the Faleme River; Akagera Game Reserve; The accident; A lion in Sologne; Eland at the ends of the earth; In Hemingway's footsteps; Dinner in the bush; On the banks of the Faro River; Embo's revenge; An invaluable network; Friends; Hunting the baboon; How to hunt a warthog; Eland of the bad moon; The kudu of Mount Gorogoza; Paka Doume - the Well-Named;. Still in publisher's shrinkwrap.

Hardcover. Boston, Bulfinch Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 192 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. The first comprehensive retrospective of Chim's work includes many never before published images. He chronicled many of the turbulent events of the twentieth century, from France's Front Populaire and the Spanish civil war to the devastating aftermath of World War II and the birth of Israel. One of the founders of Magnum, he was killed in the Suez war. Edited by Catherine Chermayeff, Kathy McCarver Mnuchin and Nan Richardson. Includes a biographical chronology and a bibliography.

Hardcover. London, George Routledge and Sons, Reprint, 1867, Book: Very Good, Dust Jacket: None, Two hardcover volumes. Translated by Thomas Johnes. 102 engravings. 3/4 blue leather & patterned paper on boards, Spine with gilt & raised bands. All edges gilt. Previous owner's name stamp on front end paper. Volume 1 - 640 pages. Light wear. Clean, unmarked text. Volume 2 - 552 pages. Light wear. Clean, unmarked pages.

Hardcover. London, Korero Press, 1st, 2019, Book: Very Good, Dust Jacket: None, 174 pages. Hardcover with no dust jacket. Contains nudity. Adults only. Black and white photographs throughout. Clean, tight copy.

Hardcover. NY, Thames and Hudson, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages. 226 illustrations, 50 in color, "Nudes comprised more than 20 percent of Degas' subject matter. His typical unclothed female is a slightly plump middle-class lady at her bath. Yet the French artist explored nudity in many guises. The symbolic figures of his Medieval War Scene and David and Goliath suggest vulnerable, naked humanity. Then there are the prostitutes of his brothel pictures, salaciously or humorously observed. There are women in meditative poses, asleep, dancing and, infrequently, making love to other women. There is a bit of the voyeur in Degas' images, but as British art historian Thomson shows, the painter transcended his own conventional categories of 'nice' bourgeois women and 'fallen' lower-class whores. His explorations of the nude in charcoal, pastel, oil and sculpture exude empathy, even nobility." Clean copy.

Hardcover. Germany, Taschen, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 3-vol set in slip case. Hardcovers. Like new in publisher's shrink-wrap. Editor Dian Hanson traces the fascinating development of the genre from 1900 to 1969 in three compact, informative volumes. In Volume 1 you'll learn about the first magazines that appeared around 1900 in France, Germany, and the U.S., and follow the development of the genre through the First and Second World Wars. Covered are men's magazines masquerading as movie magazines, humor magazines, art magazines, nudist magazines, and "spicy" fiction. Volume 2 documents the proliferation of pin-up magazines following World War II, most notably a little item called Playboy that debuted in December 1953 and spawned dozens of imitators. This volume also charts the emergence of English men's magazines, fetish magazines, and the top five covergirls of the 1950s. Volume 3 begins with an explosion of new American pin-up magazines following the loosening of U.S. obscenity laws, and continues with French titles in decline, England going pervy; nudists going hippy, and Germany going pervy, hippy and political.

Hardcover. NY, Scribner, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 405 pages, b&w illustrations. The McLaughlin twins were trailblazing female photographers, celebrated in their time as stars in their respective fields, but have largely been forgotten since. Here, in Double Click, Carol Kino brings these two brilliant women and their remarkable accomplishments to vivid life. Frances was the only female photographer on staff in Conde Nast's photo studio, hired just after Irving Penn, and became known for streetwise, cinema verite-style work, which appeared in the pages of Glamour and Vogue. Her sister Kathryn's surrealistic portraits filled the era's new "career girl" magazines, including Charm and Mademoiselle. Both twins married Harper's Bazaar photographers and socialized with a glittering crowd that included the supermodel Lisa Fonssagrives and the photographer Richard Avedon. Kino uses their careers to illuminate the lives of young women during this time, an early 20th-century moment marked by proto-feminist thinking, excitement about photography's burgeoning creative potential, and the ferment of wartime New York.

Hardcover. Chicago, University of Chicago Library, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 144 pages. Like new in publisher's shrink-wrap. With 2014 marking the one-hundredth anniversary of the commencement of World War I, En Guerre offers a fresh, thought-provoking exploration of the impact of the Great War as viewed through the lens of French graphic illustration of the period. Published in conjunction with an exhibition of these illustrations at the University of Chicago Library's Special Collections Research Center, this catalog draws from illustrated books, magazines, and prints to present a wide range of perspectives on themes essential to a deeper understanding of the war in France: patriotism, nationalism, propaganda, and the soldier's experience, as well as the mobilization of the French national home front as seen through fashion, music, humor, and children's literature. With a text by noted historians Neil Harris and Teri J. Edelstein and featuring more than one hundred reproductions of the vivid and colorful work of French illustrators, En Guerre reaffirms the persuasive role that art can play in the service of political and military power.