france north

Hardcover. Boston, Houghton Mifflin, 2nd pr., 1969, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, chipped dust jacket, 505 pages with b&w illustrations. Amazing detail, yet easily flowing narrative of the governor who preceded FDR, who--with Frances Perkins assistance as Industrial Commissioner--shaped a state's humane response to sweatshops, immigration. His 1928 presidential campaign faced burning Klu Klux Klan crosses and harrassment when he ventured outside the Northeast. After losing to Herbert Hoover he left his successor to Governor of New York, Franklin D. Roosevelt, a working government and blueprint for social reform that Roosevelt would later put to use as President. Name on half title page, otherwise clean internally.

Atgen PA, Schiffer, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 144 pages illustrated in color and b&w. In 1942, Ed Vebell landed with the US Army in North Africa and was recruited by Stars & Stripes, the US armed forces newspaper, as their official staff artist. Daily, he drew illustrations and reported on the progress of World War II throughout Europe. This book offers a selection of his sketches, drawings, paintings, and photographs from that time, and presents one artist's view of the war from North Africa, through the campaigns in Italy, France, and Germany. After the war, the author spent two weeks with the Russians in Berlin, and was then assigned as the courtroom artist during the Nuremberg War Crimes Trials. Along the way are Ed's reminiscences about such personalities as famed war correspondent and artist Bill Mauldin, singers Josephine Baker and Edith Piaf, Charles de Gaulle, Gen. Teddy Roosevelt Jr., and many others. Ed also reminisces about his two years photographing backstage at the Folies Bergere in Paris, as well as his time as an Olympic fencer. Clean copy.

Softcover. NY, Cambridge University Press, 1st pbk, 2009, Book: Very Good, Dust Jacket: None, Softcover, 309 pages. An Empire of Facts presents a fascinating account of the formation of French conceptions of Islam in France's largest and most important colony. During the period from 1870 to 1914, travelers, bureaucrats, scholars, and writers formed influential and long-lasting misconceptions about Islam that determined the imperial cultural politics of Algeria and its interactions with republican France. Narratives of Islamic mysticism, rituals, gender relations, and sensational crimes brought unfamiliar cultural forms and practices to popular attention in France, but also constructed Algerian Muslims as objects for colonial intervention. Personal lives and interactions between Algerian and French men and women inflected these texts, determining their style, content, and consequences. Drawing on sources in Arabic and French, this book places such personal moments at the heart of the production of colonial knowledge, emphasizing the indeterminacy of ethnography, and its political context in the unfolding of France's empire and its relations with Muslim North Africa. Clean copy.

Hardcover. NY, Dial Press, 1st US, 1966, Book: Very Good, Dust Jacket: Good, Hardcover. Dust jacket shows wear, chipping and some tears. Internally clean. Quentin Blake illustrations in black & white & blue. Hardbound. One summer, whilst on holiday in northern France Aristide is given a blue Li-Lo by his Grandmother. Despite being told not to go too far from the shore Aristide manages to float all the way across the channel to England where he is captured and held prisoner by some boys. (Robert Tibber is the nom-de-plume of Rosemary Friedman)

Hardcover. Long Beach CA, Safari Press, reprint, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, This is the English translation of Decoster's original Le Vent des Pistes, published in 2003. Edouard-Piere Decoster is the son of a French industrialist, brought up in Northern France, and only introduced to Africa as an adult through national service in the interior of Algeria. This book "relates Decoster's memories of forty years of travelling and hunting in Africa for lion, buffalo, leopard, waterbuck, kudu, eland, antelope, elephant, and just about every other creature legal to hunt. Unlike many big-game hunting books, Decoster's tales of his safaris and expeditions are tinged with romanticism and nostalgia." Chapters include: The gates to Atlantis; The lion and the warthog at the Faleme River; Akagera Game Reserve; The accident; A lion in Sologne; Eland at the ends of the earth; In Hemingway's footsteps; Dinner in the bush; On the banks of the Faro River; Embo's revenge; An invaluable network; Friends; Hunting the baboon; How to hunt a warthog; Eland of the bad moon; The kudu of Mount Gorogoza; Paka Doume - the Well-Named;. Still in publisher's shrinkwrap.

Hardcover. San Diego, Sunbelt Publications, Revised Ed., 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 246 pages, color photographs and illustrations throughout, illustrated end paper. The Great Murals of Mexico's Baja California are one of the five greatest sites in the world for primitive rock art. They rank with those of southern France, northern Spain, northwest Africa, and outback Australia. These Great Murals, created by an unknown people, are without doubt the most distinctive trove of rock art in the Western Hemisphere. The site was unveiled to the modern world in the 1960s by adventure/mystery writer Erle Stanley Gardner who brought in UCLA archaeologist Clement Meighan to validate the importance of his find. But it was not until the 1970s, when author/photographer Harry W. Crosby undertook a systematic search for the largely unknown works hidden in the mountains of central Baja that the scope and significance of the find became known. He documented his search and discovery of over 200 previously unreported rock art sites leading to the original publication of The Cave Paintings of Baja California by Copley Books in 1975 which first introduced this cave art to the general public. Since that time, Baja California's Great Murals have been designated a United Nations Heritage Site. This lavishly illustrated full-color account is greatly revised and expanded from the original edition and offers Crosby's unique perspective on the painted sites and painting styles found in different parts of the Great Mural area. Light edge wear to dust jacket. Else a very clean, tight copy.

Softcover. NY, Pierpont Morgan Library, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 281 pages. This annotated and illustrated catalogue presents 90 specific pieces. "I felt that it would be of unusual value to scholars and to the public generally if we could see Raphael in relation to the artists working in his circle in Rome. Therefore, nearly half of the works described in this volume are by Raphael; the others are by Giulio Romano, Giovanni Francesco Penni, Perino del Vaga, Polidoro da Caravaggio, and Baldassare Peruzzi." Color and b&w plates. Clean copy.

Hardcover. Chapel Hill, University of North Carolina, 1st, 1957, Book: Very Good, Dust Jacket: None, Hardcover, very good in slipcase, no dust jacket issued. Decorated red-brown Cloth and Beige Cloth Covers; book is clean and tight and interior bright; pictorial red-brown endpapers. 292 pages, 270 b/w photographs including frontispiece by Frances Benjamin Johnston. Features foreword, and Index with text divided into six parts titled as: "The Land and the People," "Cities and Towns," "Domestic Architecture of Coastal Georgia". Illustrated slipcase with rubbing and edgewear, light soil, starting to split at seams.

Hardcover. London, Faber and Faber, 1st UK, 1976, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt and red title block on spine. 422 pages, b&w map. Light bump to top corner otherwise very good, clean copy. "An analysis That carries an indictment of the whole colonial system."

Hardcover. NY, Macmillan Company, 1st, 1932, Book: Very Good, Dust Jacket: None, Hardcover, brick-red cloth with bright gilt lettering on cover and spine. Illustrated with 56 reproductions of etchings, aquatints, and drawings by John Taylor Arms, each with a captioned tissue-guard.. A delightful travelogue with exquisite artwork of John Taylor Arms. He specialized in portraying the gothic architecture of France and Italy. Traveling the back roads and visiting the then out-of-the-way towns of northern Italy by car, he visually captures the look and feel as his wife provides a charming travelog. Clean, bright copy.

NY, Random House, 1st US, 1968, Book: Very Good, Hardcover, black cloth stamped in green on front, gilt on spine. 313 pages. Lacouture's biography of Ho Chi Minh examines the North Vietnamese leader's political development from his early years in France, through World War Two, and up until 1968 when this book was first published. Lacouture doesn't avoid the negative aspects of his political career, but these negatives (e.g. harsh control of the starving North Vietnamese in the 50s) only help to put in perspective Vietnam's similarly harsh treatment by Western and Eastern powers alike. A former Le Monde correspondent, author has also written books on Vietnam and DeGaulle. Internally bright and clean.

Hardcover. NY, Doubleday, Doran & Company, 1st, 1930, Book: Good, Dust Jacket: None, Hardcover, yellow cloth covers stamped in black, 268 pages. True story of the Alaskan sled dog who went to France during the Great War and won the Croix de Guerre; presumably targeted for older children. B&w frontispiece and endpapers illustration by Charles Livingston Bull. Covers with mild soil, clean inside.

Hardcover. Cambridge MA, Harvard University Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 404 pages. The Napoleonic wars did not end with Waterloo. That famous battle was just the beginning of a long, complex transition to peace. After a massive invasion of France by more than a million soldiers from across Europe, the Allied powers insisted on a long-term occupation of the country to guarantee that the defeated nation rebuild itself and pay substantial reparations to its conquerors. Our Friends the Enemies provides the first comprehensive history of the post-Napoleonic occupation of France and its innovative approach to peacemaking. From 1815 to 1818, a multinational force of 150,000 men under the command of the Duke of Wellington occupied northeastern France. From military, political, and cultural perspectives, Christine Haynes reconstructs the experience of the occupiers and the occupied in Paris and across the French countryside. The occupation involved some violence, but it also promoted considerable exchange and reconciliation between the French and their former enemies. Clean copy.

Hardcover. Casemate, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dustjacket, 264 pages. Following the Allied breakout from the Normandy beachhead in July 1944, the vaunted German Army seemed on the verge of collapse. As British and US forces fanned out across northwestern France, enemy resistance unexpectedly dissolved into a headlong retreat to the German and Belgian borders. In early September an elated Allied High Command had every expectation of continuing their momentum to cripple the enemy's warmaking capability, by capturing the Ruhr industrial complex and plunging into the heart of Germany. After a brief pause to allow for resupply, Courtney Hodge's First Army prepared to punch through the ominous but largely outdated Westwall (Siegfried Line) surrounding Aachen. Drawing on primary Wehrmacht and US sources, including battle analysis and daily situation and after-action reports, The Roer River Battles provides insight into the desperate German efforts to keep a conquering enemy at the borders of their homeland. Tactical maps down to battalion level help clarify the very fluid nature of the combat. Combined, they serve to explain not just how, but why decisions were made and events unfolded, and how reality often differed from doctrine in one of the longest US campaigns of World War II.

Hardcover. NY, William Morrow , 1st, 1962, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 215 pages. John Tunis vividly imagines the drama of Operation Dynamo, the evacuation of Allied forces from Dunkerque Sergeant Edward Williams of the Second Battalion was among the first British troops to land in France, just across the English Channel from his family in Dover, after the declaration of war in September of 1939. Battles have been few and far between since then, in what the Germans have been calling der Sitzkrieg--the sitting war. In May 1940, under the leadership of their new prime minister, Winston Churchill, the British are hoping to stem the tide of invasion along their southern border. But now, flanked to the east and west by German troops and cut off from the Allies further south, Sergeant Williams and his battalion must retreat to Dunkerque in the north, and escape by sea is their only hope. Clean copy.

Hardcover. NY, Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Steinberg's high-concept graphic art--epitomized by his oft-imitated cartoon map in which a Manhattan distended with self-importance shoves the continents of North America and Asia to the margins--is enchantingly showcased in this lavishly illustrated retrospective of his work for the New Yorker. Smith, a curator at the Frances Lehman Loeb Art Center at Vassar and author of Edward Steichen: The Early Years, surveys six decades of Steinberg's pieces, including all 89 New Yorker covers (in full color), cartoons, wartime sketches from overseas, evocative (but never literal-minded) illustrations for articles, and unpublished items from the artist's portfolio. The material is arranged thematically, examining such recurring motifs as cats, pedestals and rubber-stamped figures and documenting the turn to visual metaphor in Steinberg's later work, where symbolic graphic representations of sound, abstract relationships and existential conundrums replace the usual scenario-with-verbal-punch line cartoon setup. Smith's pithy biographical essay situates Steinberg as a self-conscious modernist who helped develop a distinctive New Yorker visual style, one with "a wry, informal wit... attuned to the jittery optimism of the Atomic Age." Steinberg's cartoons usually made readers think before they laughed, and so will this splendid memorial to a 20th-century artistic landmark.

Softcover. Chapel Hill NC, The University of North Carolina Press., 1st pbk, 2000, Book: Very Good, Dust Jacket: None, Softcover, 363 pages, b&w illustrations. Laura Wexler presents an incisive analysis of how the first American female photojournalists contributed to a "domestic vision" that reinforced the imperialism and racism of turn-of-the-century America. These women photographers, white and middle class, constructed images of war disguised as peace through a mechanism Wexler calls the "averted eye," which had its origins in the private domain of family photography.Wexler examines the work of Frances Benjamin Johnston, Gertrude Kasebier, Alice Austen, the Gerhard sisters, and Jessie Tarbox Beals. The book includes more than 150 photographs taken between 1898 and 1904, such as photos Johnston took aboard Admiral Dewey's flagship as it returned home from conquering Manila, Austen's photos of immigrants at Ellis Island, and Beals's images of the St. Louis World's Fair of 1904. In a groundbreaking approach to the study of photography, Wexler raises up these images as "texts" to be analyzed alongside other texts of the period for what they say about the discourses of power. Tender Violence is an important contribution not only to the fields of history of photography and gender studies but also to our growing understanding of U.S. imperialism during this period.

Softcover. UK, Faber & Faber, reprint, 1988, Book: Very Good, Dust Jacket: None, Softcover, 271 pages. In the twelfth century, Languedoc, in the far south, was among the most beautiful parts of France, far away from the world of the feudal north. However, it was in this rich region that a heresy of Eastern origin took hold, forcing the Catholic Church to confront a rival whose teachings questioned the foundations of Christian thought. These heretics, called Cathars, held a profoundly pessimistic view of the world that was based on the duality of all things, including good and evil: according to one heretic, "The one, the good God, made the invisible world, while the other, the evil God, made the visible one." Jonathan Sumption's acclaimed history examines the roots of this heresy as well as of the crusade the Church undertook in 1208 to stamp out the infidels, who ultimately were conquered by the Catholic armies. But this book does more than simply describe this terrible war; it reconstructs a lost world of great cultural richness, one that saw the creation in Languedoc of the troubadour tradition as well as the magnificent castles at Cabaret and Carcassonne. Clean copy.

Hardcover. London , Rupert Hart=Davis, 1st, 1968, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket with light edgewear, 365 pages. An informal military history of the North American continent. The two major campaigns covered being the war with France for the possession of Canada & the American War of Independence. Service discipline in the British Army meant a bloody back, hence the nickname for the soldiers of the time. Name on front fly leaf, otherwise clean.