france south

Hardcover. NY, Knopf, 1st, 20, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Drawing on original and exhaustive research from interviews and never-before-seen material in the Picasso family archives, this book opens with a visit by the Hungarian-French photographer Brassai to Picasso's chateau in Normandy, Boisgeloup, where he would take his iconic photographs of the celebrated plaster busts of Marie-Therese, Picasso's mistress and muse. Picasso was contributing to Andre Breton's Minotaur magazine and he was also spending more time with the likes of Man Ray, Salvador Dali, Lee Miller, and the poet Paul Eluard, in Paris as well as in the south of France. It was during this time that Picasso began writing surrealist poetry and became obsessed with the image of himself as the mythic Minotaur--head of a bull, body of a man--and created his most famous etching, Minotauromachie. Richardson shows us the artist is as prolific as ever, painting Marie-Therese, but also painting the surrealist photographer Dora Maar who has become a muse, a collaborator and more. In April 1937, the bombing of the town of Guernica during the Spanish Civil War inspires Picasso's vast masterwork of the same name, which he paints in just a few weeks for the Spanish Pavilion at the Paris World's Fair. When the Nazis occupy Paris in 1940, Picasso chooses to remain in the city despite the threat that his art would be confiscated. In 1943, Picasso meets Francoise Gilot who would replace Dora, and as Richardson writes, "rejuvenate his psyche, reawaken his imagery and inspire a brilliant sequence of paintings." As always, Richardson tells Picasso's story through his work during this period, analyzing how it shows what the artist was feeling and thinking. His fascinating and accessible narrative immerses us in one of the most exciting moments in twentieth century cultural history, and brings to a close the definitive and critically acclaimed account of one of the world's most celebrated artists.

Softcover. Rio de Janeiro, Liberia Francisco Alves, 1st, 1977, Softcover in pictorial wraps, 108 pages. Scholarly book on African-Brazilian religious cults in South America and Mexico. Clean copy

Hardcover. Kehrer, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. All across the world a uniform, homogeneous model of development, inspired by Los Angeles style urban sprawl--consisting of massive freeways, parking lots, shopping malls, and large-scale master-planned communities with golf courses--is being stamped onto the earth's topography. This globalized model of architecture does not respect or adapt itself to the natural or cultural environment onto which it is implanted. German American photographer Robert Harding Pittman began working on this project in Los Angeles ten years ago. Since then he has been photographing the spread of "L.A. style development" in Las Vegas, Spain, France, Germany, Greece, Dubai, and South Korea.

Hardcover. Chicago, University of Chicago Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, 320 pages, b&w illustrations. Clean, unmarked copy with only minor wear to dust jacket. Building the Devil's Empire is the first comprehensive history of New Orleans's early years, tracing the town's development from its origins in 1718 to its revolt against Spanish rule in 1768. Shannon Lee Dawdy's picaresque account of New Orleans's wild youth features a cast of strong-willed captives, thin-skinned nobles, sharp-tongued women, and carousing travelers. But she also widens her lens to reveal the port city's global significance, examining its role in the French Empire and the Caribbean, and she concludes that by exemplifying a kind of rogue colonialism--where governments, outlaws, and capitalism become entwined--New Orleans should prompt us to reconsider our notions of how colonialism works.

Hardcover. San Diego, Sunbelt Publications, Revised Ed., 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 246 pages, color photographs and illustrations throughout, illustrated end paper. The Great Murals of Mexico's Baja California are one of the five greatest sites in the world for primitive rock art. They rank with those of southern France, northern Spain, northwest Africa, and outback Australia. These Great Murals, created by an unknown people, are without doubt the most distinctive trove of rock art in the Western Hemisphere. The site was unveiled to the modern world in the 1960s by adventure/mystery writer Erle Stanley Gardner who brought in UCLA archaeologist Clement Meighan to validate the importance of his find. But it was not until the 1970s, when author/photographer Harry W. Crosby undertook a systematic search for the largely unknown works hidden in the mountains of central Baja that the scope and significance of the find became known. He documented his search and discovery of over 200 previously unreported rock art sites leading to the original publication of The Cave Paintings of Baja California by Copley Books in 1975 which first introduced this cave art to the general public. Since that time, Baja California's Great Murals have been designated a United Nations Heritage Site. This lavishly illustrated full-color account is greatly revised and expanded from the original edition and offers Crosby's unique perspective on the painted sites and painting styles found in different parts of the Great Mural area. Light edge wear to dust jacket. Else a very clean, tight copy.

Hardcover. Chapel Hill, University of North Carolina, 1st, 1957, Book: Very Good, Dust Jacket: None, Hardcover, very good in slipcase, no dust jacket issued. Decorated red-brown Cloth and Beige Cloth Covers; book is clean and tight and interior bright; pictorial red-brown endpapers. 292 pages, 270 b/w photographs including frontispiece by Frances Benjamin Johnston. Features foreword, and Index with text divided into six parts titled as: "The Land and the People," "Cities and Towns," "Domestic Architecture of Coastal Georgia". Illustrated slipcase with rubbing and edgewear, light soil, starting to split at seams.

Hardcover. New York, Da Capo Press, 2nd pr., 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 258 pages, illustrated in b&w. Recorded during the blazing summer of 1971 at Villa Nellcote, Keith Richards' seaside mansion in the south of France, Exile on Main St. has been hailed as one of the Rolling Stones' best albums-and one of the greatest rock records of all time. Yet its improbable creation was difficult, torturous...and at times nothing short of dangerous.In self-imposed exile, the Stones-along with wives, girlfriends, and a crew of hangers-on unrivaled in the history of rock-spent their days smoking, snorting, and drinking whatever they could get their hands on. At night, the band descended like miners into the villa's dank basement to lay down tracks. Out of those grueling sessions came the familiar riffs and rhythms of "Rocks Off," "Tumbling Dice," "Happy," and "Sweet Virginia."All the while, a variety of celebrities-John Lennon, Yoko Ono, and Gram Parsons among them-stumbled through the villa's neverending party, as did the local drug dealers, known to one and all as "les cowboys." Villa Nellcote became the crucible in which creative strife, outsize egos, and all the usual byproducts of the Stones' legendary hedonistic excess fused into something potent, volatile, and enduring.Here, for the first time, is the season in hell that produced Exile on Main St.

Hardcover. NY, Thames & Hudson, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. "While it seems we've already seen photographs of every centimeter of Paris from every angle, it's a pleasure to look at the postwar city through Child's viewfinder. A trained draftsman, painter and lithographer, he had strong theories about composition and light, as well as a desire to distill 'some aspect of each place,' whether it be fishermen on the Seine, geometrically framed by the overlapping arches of a bridge, or an old woman unwittingly anchoring an angular shadow in the South of France. As accomplished as the photographs are, and as engaging a character as Paul Child is revealed to be, the real draw here will undoubtedly be his intimate portraits of Julia Child before she was, well, Julia Child. What ultimately makes this enjoyable celebration of his work an important part of the Child archive is that it illuminates the third side of that fabled triangle, connecting us to his love of Julia - and France." (NYTimes) Clean copy.

Hardcover. Other Distribution, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in publisher's shrink-wrap. 378 pages. Gloria F. Ross (1923-1998) described her work as the translation of paint into wool. She was deeply committed to reinventing the centuries-old art of tapestry, particularly championing the handmade in contemporary art. This remarkable book, written by textile scholar Ann Lane Hedlund, draws from rare unpublished archives to unravel the evolution of Ross's modern tapestries and to illuminate the significance of her creative partnerships. Gloria F. Ross and Modern Tapestry features the collaborative work of 28 acclaimed modernist painters and sculptors, including Helen Frankenthaler (Ross's sister), Kenneth Noland, and Louise Nevelson, with several dozen traditional-yet-innovative weavers in France, Scotland, and the Southwestern United States. Brief biographies of the artists, letters, notes, sketches, and photographs illustrate the practical and aesthetic challenges that occupied Gloria Ross for over three decades

Hardcover. US, Other Distribution, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Hardcover with dust jacket, 378 pages. Gloria F. Ross (1923-1998) described her work as the translation of paint into wool. She was deeply committed to reinventing the centuries-old art of tapestry, particularly championing the handmade in contemporary art. This remarkable book, written by textile scholar Ann Lane Hedlund, draws from rare unpublished archives to unravel the evolution of Ross's modern tapestries and to illuminate the significance of her creative partnerships.Gloria F. Ross and Modern Tapestry features the collaborative work of 28 acclaimed modernist painters and sculptors, including Helen Frankenthaler (Ross's sister), Kenneth Noland, and Louise Nevelson, with several dozen traditional-yet-innovative weavers in France, Scotland, and the Southwestern United States. Brief biographies of the artists, letters, notes, sketches, and photographs illustrate the practical and aesthetic challenges that occupied Gloria Ross for over three decades.

Softcover. Athens GA, University of Georgia Press, reprint, 2001, Softcover, clean, unmarked pages. 415 pages, followed by a short Index. Fanny Kemble offers a gripping, first-hand account of life on a Southern plantation before the Civil War. Combining a keen observational style with a candid narrative voice, Kemble lays bare the complexities of plantation life, including the stark realities of slavery and the socio-economic hierarchies of antebellum Georgia. The journal entries provide an intimate glimpse into the daily lives of both the enslaved and the plantation owners, reflecting her deep moral convictions and growing abolitionist sentiments against a backdrop of genteel Southern culture. Fanny Kemble, a British actress and writer, was thrust into the world of the Southern elite through her marriage to a plantation owner, which provided her with unprecedented access to the intricacies of plantation management and its social fabric.

Hardcover. New York, Aperture/SADEV, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 104 pages, b&w photographs, small format catalogue with extensive notes. A fine copy in the illustrated dust jacket. Bridges made aerial photographs of the earthworks in Peru, Yucatan and Chiapas, and in the U.S. in California, Arizona, New Mexico, Mississippi, South Dakota, as well as France and England. Preface by Haven O'More. Essays by Maria Reiche, Charles Gallenkamp, Lucy Lippard, Keith Critchlow. Clean, bright in an unclipped dust jacket.

Hardcover. NY, Browndeer Press/Harcourt, 1st, 1999, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. No dust jacket. Color illustrations by Emily Arnold McCully. Monsieur Lapin and Monsieur Blanc own the Spinach Main, a restaurant in the south of France famous for its fresh vegetables and excellent cuisine. Business is good until the day Monsieur Reynard, the fox, walks in. "Such tasty patrons--I mean portions," he says. "I plan to eat here often." The restaurant empties. What can Monsieur Lapin and Monsieur Blanc do? They have given up their pirate ways and are now rabbits of peace, but the fox is not easily discouraged. Clean copy.

Hardcover. NY, William Morrow , 1st, 1962, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 215 pages. John Tunis vividly imagines the drama of Operation Dynamo, the evacuation of Allied forces from Dunkerque Sergeant Edward Williams of the Second Battalion was among the first British troops to land in France, just across the English Channel from his family in Dover, after the declaration of war in September of 1939. Battles have been few and far between since then, in what the Germans have been calling der Sitzkrieg--the sitting war. In May 1940, under the leadership of their new prime minister, Winston Churchill, the British are hoping to stem the tide of invasion along their southern border. But now, flanked to the east and west by German troops and cut off from the Allies further south, Sergeant Williams and his battalion must retreat to Dunkerque in the north, and escape by sea is their only hope. Clean copy.

Hardcover. London, M Q Publications, 1st, 2006, Book: Near Fine, Dust Jacket: Near Fine, Clean, unmarked copy with only minor wear to dust jacket. Like new. An exclusive collection of drawings that reveal the tender side of R. Crumb. Evocative haunting images of people and places such as Aline, his daughter Sophie, scenes from the village and region he lives in the South of France, Jesse Crumb, his first wife Dana and their son Jesse and of course the Blues musicians he treasures from his 78rpm record collection. Unpaginated, but about 120 pages.

Softcover. UK, Faber & Faber, reprint, 1988, Book: Very Good, Dust Jacket: None, Softcover, 271 pages. In the twelfth century, Languedoc, in the far south, was among the most beautiful parts of France, far away from the world of the feudal north. However, it was in this rich region that a heresy of Eastern origin took hold, forcing the Catholic Church to confront a rival whose teachings questioned the foundations of Christian thought. These heretics, called Cathars, held a profoundly pessimistic view of the world that was based on the duality of all things, including good and evil: according to one heretic, "The one, the good God, made the invisible world, while the other, the evil God, made the visible one." Jonathan Sumption's acclaimed history examines the roots of this heresy as well as of the crusade the Church undertook in 1208 to stamp out the infidels, who ultimately were conquered by the Catholic armies. But this book does more than simply describe this terrible war; it reconstructs a lost world of great cultural richness, one that saw the creation in Languedoc of the troubadour tradition as well as the magnificent castles at Cabaret and Carcassonne. Clean copy.

Softcover. London, Tate Gallery, 1999, Book: Very Good, Dust Jacket: None, Softcover, 296 pages, illustrated in color and b&w. Wonderfully written and illustrated account of the work of the Bloomsbury artists, Vanessa Bell, Duncan Grant and Roger Fry. Contains detailed chronologies of their lives. Catalogue entries on two hundred works, all illustrated in color, bring out the chief characteristics of Bloomsbury painting--domestic, contemplative, sensuous, and essentially pacific. These are seen in landscapes, portraits, and still lifes set in London, Sussex, and the South of France, as well as in the abstract painting and applied art that placed these artists at the forefront of the avant-garde before the First World War. Portraits of family and friends--from Virginia Woolf and Maynard Keynes to Aldous Huxley and Edith Sitwell--highlight the cultural and social setting of the group. Essays by leading scholars provide further insights into the works and the changing critical reaction to them, exploring friendships and relationships both within and outside of Bloomsbury, as well as the movement's wider social, economic, and political. Clean, bright copy.

Hardcover. NY, The New Press, 1st US, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 252 pages. While almost all of Duras's novels have been translated into English, her debut The Impudent Ones (Les Impudents) has been a glaring exception--until now. Fans of Duras will be thrilled to discover the germ of her bold, vital prose and signature blend of memoir and fiction in this intense and mournful story of the Taneran family, which introduces Duras's classic themes of familial conflict, illicit romance, and scandal in the sleepy suburbs and southwest provinces of France. Clean copy.

Softcover. GR, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, Two softcover volumes in a card slipcase. 750 total pages. Lost since 1939, the Mexican suitcase contains nearly 4,500 negatives documenting the Spanish Civil War by Robert Capa, Chim (David Seymour), and Gerda Taro. These films had traveled from Paris via the south of France to Mexico City, where, almost seventy years later, they were rediscovered and now reside in the collection of the International Center of Photography.

Softcover. GR, Steidl, 1st, 2010, Book: Very Good, Dust Jacket: None, Two softcover volumes in a card slipcase. 750 total pages. Lost since 1939, the Mexican suitcase contains nearly 4,500 negatives documenting the Spanish Civil War by Robert Capa, Chim (David Seymour), and Gerda Taro. These films had traveled from Paris via the south of France to Mexico City, where, almost seventy years later, they were rediscovered and now reside in the collection of the International Center of Photography.

Hardcover. NY, Walker & Company, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. chronicles the Roman Catholic Church's crusade against--and ultimate annihilation of--the Albigenses, or Cathars, a group of heretical Christians who thrived in what is now the Languedoc region of Southern France. The Cathars held revolutionary beliefs that threatened the authority of the church. The world, they maintained, was not created by a benevolent God. Rather, it was the creation of a force of darkness, immanent in all things. They considered worldly authority a fraud, and authority based on some divine sanction, such as claimed by the church, outright hypocrisy. Innocent III, resolved to eradicate the Cathar threat to church authority, recruited the military powers of France, eager to expand their territory to the south. Together, they systematically exterminated the Cathars and their supporters in a series of crusades between 1209 and 1229. The Dominican-led Inquisition that ensued built upon this momentum of intolerance and tormented Europe for centuries to come. 333 pages, endpapers map.

Hardcover. Salem MA, Peabody Museum, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price clipped dust jacket. 192 pages with frontispiece, maps, color plates, black and white plates, figures, facsimiles and index. Admiral Henry Byam Martin's first command in the British Navy was Captain of the 50-gun frigate, H.M.S. Grampus, in the year 1846. He was ordered to a sail from Plymouth 'round the Horn to Hawaii for further orders. Those orders sent him to Tahiti for a full year, the fatal year in which the French subjugated the Tahitians by bloody force, made the island a "Protectorate" of France but allowed the glamorous Queen Pomare to be the titular ruler until they took it over completely, as a colony, in 1880. This Polynesian portion of Captain Martin's daily Journal has lain unnoticed in the depths of the British Museum until this publication. But it still sparkles with wit and with acute observations of the personalities and events of that critical year in the struggle between the French and English for the conquest of the Pacific and the hopeless struggles of the poor islanders to defend their homelands and their freedom. Inscription on front fly leaf, otherwise clean.

Hardcover. NY, BlueBridge, 1st US, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 246 pages. This narrative history masterfully weaves together the sweeping events surrounding what has become known as the "Babylonian captivity" of the popes into the broader story of 14th-Century Europe?one of the most turbulent times in the continent's history. It was a time of fear, ferocity, and religious agony, which saw the suppression of the Knights Templar and the Cathars, the first onslaught of the plague, and the beginning of the Hundred Years' War. The century also produced some of the greatest writers and artists in the western tradition, including Giotto, Boccaccio, Petrarch, and Chaucer. Central to this period was the movement of the papal seat from Rome to Avignon in the south of France, where seven successive popes held power from 1309 to 1377. The drama, intrigue, and tumult associated with the papacy in exile forms the perfect lens through which to clearly see a Europe making the transition from the Middle Ages to the Renaissance. Clean copy.

Softcover. Carbondale IL, Southern Illinois University Press, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 408 pages. Makes accessible to modern readers the 17th-century rhetorics of Thomas Hob-bes (1588-1677) and Bernard Lamy (1640-1715) Hobbes' A Briefe of the Art of Rhet-orique, the first English translation of Aristotle's rhetoric, reflects Hobbes' sense of rhetoric as a central instrument of self-defense in an increasingly frac-tious Commonwealth. In its approach to rhetoric, which Hobbes defines as "that Faculty by which wee understand what will serve our turne, concerning any subject, to winne beliefe in the hearer," the Briefe looks forward to Hobbes' great political works De Cive and Leviathan. Published anonymously in France as De l'art de parler, Lamy's rhetoric was translated immediately into English as The Art of Speaking. Lamy's long associa-tion with the Port Royalists made his works especially attractive to English readers because Port Royalists were en-gaged in a vicious quarrel with the Jesuits during the last half of the 17th century. Name at top of front cover and front fly leaf.