georgia

Hardcover. Athens GA, University of Georgia Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Set in the 1950s and 1960s, The Line of the Sun moves from a rural Puerto Rican village to a tough immigrant housing project in New Jersey, telling the story of a Hispanic family's struggle to become part of a new culture without relinquishing the old. At the story's center is Guzman, an almost mythic figure whose adventures and exile, salvation and return leave him a broken man but preserve his place in the heart and imagination of his niece, who is his secret biographer. SIGNED BY AUTHOR on title page and INSCRIBED on half-title. Clean copy.

Hardcover. NY, Harper and Row, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 309 pages. Library Edition with spine sticker (NOT EX-LIB). Complete number row. Horn Book review, 1983: "The author interweaves black folklore with her own family history in a tale remarkable for its total integration of the novel with the imaginative possibilities of legend." An African god-child and her older brother travel as albatrosses on a slave ship to Georgia, witnessing two centuries of history in two god-days! Clean copy.

Softcover. Bloomington IN, Indiana University Press, 2nd Ed., 1994, Book: Very Good, Dust Jacket: None, Softcover, 418 pages. Like the other republics floating free after the demise of the Soviet empire, the independent republic of Georgia is reinventing its past, recovering what had been forgotten or distorted during the long years of Russian and Soviet rule. Whether Georgia can successfully be transformed from a society rent by conflict into a pluralistic democratic nation will depend on Georgians rethinking their history. This is the first comprehensive treatment of Georgian history, from the ethnogenesis of the Georgians in the first millennium B.C., through the period of Russian and Soviet rule in the nineteenth and twentieth centuries, to the emergence of an independent republic in 1991, the ethnic and civil warfare that has ensued, and perspectives for Georgia's future.

Hardcover. Athens GA, University of Georgia Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 176 pages. INSCRIBED BY AUTHOR on front end paper. In the 1960s, as the underpinnings of society weakened, the traditional novel form seemed less suited to describe American reality. Theorists groped towards non-mimetic fiction as the tools that had sustained the novel since its birth-coherent characterization, linear plot, symbolism-became tools of New Journalism. The New American Novel of Manners explores the virtual reinvention of the novel of manners in America out of the same subjectivity that charged the works of New Journalism.In place of the rigid social structures that never seemed to depict America, novelists such as Richard Yates, Dan Wakefield, and Thomas McGuane located America's modern-day manners in its semiotics, in the system of signs that envelops us-the blue jeans people wear, the fast food they eat, the decor of the bars they drink in and the rock-and-roll lyrics that play through memories. The new generation of mannerists describe lifestyles that are determined by words and images, by actions that are dictated by what has been read and seen, and patterns of behavior in which life is edited and fictionalized. Klinkowitz reveals a fiction that is once again capable of reflecting the way people live. Clean copy.

Softcover. Rochester NY, George Eastman House, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 127 page book with 40 black & white and color images by Stieglitz. Essays by Eugenia Parry, Laura Downey and Therese Mulligan. A complete illustrated catalog in rear of the collection O'Keeffe left to George Eastman House in 1951.

Hardcover. NY , Norton, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket with fading to spine, 253 pages. This series of sketches captures Stalin with irony, humor and pathos. The author calls his fictionalized version of Stalin "artistic documentation" in the spirit of reality based on research, personal experience and conversations with others. Yuri Krotkov, a Soviet Georgian, as was Stalin, was a prominent dramatist and screenwriter in the Soviet Union before his defection. As a member of the Russian intelligentsia, he was in the confidence of top-ranking Soviet and party officials in Moscow. Review slip laid in. Foxing to top edge otherwise clean copy.

Hardcover. NY, Privately Printed, 1st, 1934, Book: Very Good, Dust Jacket: None, Two hardcover volumes, original two-tone cloth (dark green spines and light green sides). Gilt titles and decorations. Top edge gilt. Memoir of a successful banker and financial businessman. Notable for his his World War 1 recollections and numerous accounts of sporting trips: trolling for lake trout and moose hunting in Quebec, dove shoots in Georgia, trout fishing and elk hunting in Yellowstone, duck shooting in Minnesota, salmon fishing in Newfoundland, grayling fishing in Yukon, black bass fishing in Canada, fishing for sailfish and dolphin off Florida. Clean bright set.

Athens GA, University Of Georgia Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 464 pages. Caroline Ferguson Gordon (1895-1981) was a notable American novelist and literary critic who, while still in her thirties, was the recipient of two prestigious literary awards, a 1932 Guggenheim Fellowship and a 1934 O. Henry Award . Offers the most complete and accurate portrait to date of the writer. Clean copy.

Athens GA, University of Georgia Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 78 pages. Mercer University Lamar Memorial Lectures, No. 12. Name on front fly leaf, otherwise clean.

Hardcover. NY, HarperCollins, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY TROCHECK on the title page. The second mystery featuring cleaning lady and sometime sleuth Callahan Garrity Set in Atlanta, Georgia.

Hardcover. NY, Simon & Schuster, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 449 pages, b&w illustrations. Ty Cobb is baseball royalty, maybe even the greatest player who ever lived. His lifetime batting average is still the highest of all time, and when he retired in 1928, after twenty-one years with the Detroit Tigers and two with the Philadelphia Athletics, he held more than ninety records. But the numbers don't tell half of Cobb's tale. The Georgia Peach was by far the most thrilling player of the era: "Ty Cobb could cause more excitement with a base on balls than Babe Ruth could with a grand slam," one columnist wrote. When the Hall of Fame began in 1936, he was the first player voted in.But Cobb was also one of the game's most controversial characters. He got in a lot of fights, on and off the field, and was often accused of being overly aggressive. In his day, even his supporters acknowledged that he was a fierce and fiery competitor. Because his philosophy was to "create a mental hazard for the other man," he had his enemies, but he was also widely admired. After his death in 1961, however, something strange happened: his reputation morphed into that of a monster--a virulent racist who also hated children and women, and was in turn hated by his peers. Clean copy.

Hardcover. Athens GA, University of Georgia, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. WInner of the Flannery O'Connor Award for Short Fiction. One of his landmark, defining works. Ha Jin has seamlessly and eloquently melded historical fact with personal experience. His short stories have been compared to the works of Isaac Babel, the greatest Russian short-story writer of the 20th century. Clean copy.

Hardcover. Athens GA, University of Georgia Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover, 464 pages, b&w photographs. Light edge wear to dust jacket. Else a very clean, tight copy. This biography offers the most complete and accurate portrait to date of the writer Caroline Gordon (1895-1981). Viewing Gordon's life in the context of female literary tradition, Nancylee Novell Jonza reclaims Gordon's integrity, individuality, and artistic vision from beneath a self-effacing, sometimes detractive, public image carefully fostered by the artist herself. Gordon's nine novels and three short-story collections are a major contribution in their own right to the southern literary renaissance. Despite an enduring readership, however, she still remains in the shadow of her husband, Allen Tate, the Fugitive Poet and Agrarian critic, partially due to her contrived persona of a traditional southern lady turned artist under the tutelage of a gifted, benevolent male writer. Drawing on manuscript drafts, unpublished works, letters, and a significant body of her journalistic writing, Jonza investigates fully the causes and effects of Gordon's self-mythologizing and covers substantially more ground than the thirty years during which she was closest to Tate.

Hardcover. Augusta, Georgia, Morris Museum of Art, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 89 pages. Hardcover with no dust jacket. SIGNED AND INSCRIBED TO FRAN BULL BY WILLIAM CHRISTENBERRY. Gilt edged page block, clean covers with inset painting and gilt lettering. Tight copy.

Hardcover. Augusta, Georgia, Morris Museum of Art, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 89 pages. Hardcover with no dust jacket. Gilt edged page block, clean covers with inset painting and gilt lettering. Tight copy.

Hardcover. Augusta, Georgia, Morris Museum of Art, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 89 pages. Hardcover with no dust jacket. Gilt edged page block, clean covers with inset painting and gilt lettering. Tight copy.

Softcover. Athens GA, University of Georgia Press, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 75 pages. Galvin's 4th book, his photo on back cover. Name on front fly leaf, otherwise clean.