germany language

Hardcover. US, Schirmer/Mosel, 1st, 2010-02-15, Book: Very Good, Dust Jacket: Very Good, Like new in publishers shrink-wrap. Text in German. English language booklet included. Text by Kurt Forster. Color photos of Berlin's unseen corners.

Hardcover. Leipzig, E.A. Seemann, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 132 pages of German text followed by 264 b&w plates. A catalog of nature studies by the artist, mostly botanical. Cclean copy.

Hardcover. Berlin GR, Nicolai Publishing, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. GERMAN TEXT. The history of Berlin's grand hotel. The Adlon opened on October 23, 1907, with the Kaiser, his wife, and many other notables in attendance. It quickly became the social center of Berlin. As the rooms in the Stadtschloss were cold and drafty, the Kaiser paid an annual retainer to keep suites available for his guests.[2] Likewise the Foreign Office used the Adlon for accommodation during state visits, with guests including Tsar Nicholas II of Russia and Maharaja Bhupinder Singh of Patiala. Notable guests of the early years included industrialists such as Thomas Edison, Henry Ford, and John D. Rockefeller, as well as politicians like Walter Rathenau, Gustav Stresemann and the French prime minister Aristide Briand. Many wealthy Berliners lived for extended periods of time in the hotel, while its ballrooms hosted official government functions and society events. Many photos. Clean copy.

Hardcover. Cambridge, Mass., Harvard University Press, 1st thus, 1951, Book: Very Good, Dust Jacket: None, 4 volume set of Geldner's German translation from the original Sanskrit, GERMAN TEXT, Volumes 33-36 of the Harvard Oriental Series edited by Charles Rockwell Lanman. Volume 4 has publication date of 1957. Previous owner's signature on front fly leaf, otherwise, unmarked, bright, and crisp copies. The Rigveda or Rig Veda is an ancient Indian collection of Vedic Sanskrit hymns (suktas). It is one of the four sacred canonical Hindu texts (sruti) known as the Vedas. DOMESTIC SHIPPING ONLY.

Hardcover. Hamburg, Cigaretten Bilderdienst, 1st, 1933, Book: Good, Dust Jacket: None, Hardcover, tan cloth with embossed gilt design on front cover. 150 pages with 225 mounted black and white and color images. German text. There is a frontispiece portrait of Hitler and a few other similar panels. A monumental propaganda work on Herr Hitler, Der Fuhrer, 9" x 12", The quality of the photographs is excellent, but one giant picture at the end, which opens out to 6 solid pages all joined together showing "Standartenweihe im Luitpoldhain1933" A vast sea of Hitler's armed forces in a giant arena. All photographs were taken and carefully selected by Heinrich Hoffmann, Adolf Hitler's official photographer. Hoffmann's photography was used. A chilling piece of German history and a fascinating example of the NSDAP's propaganda machine. Volume shows some shelf wear, name on half-title page, good plus overall.

Hardcover. Braunschweig GR, Vieweg und Sohn, 1st, 1900-01, Book: Good, Dust Jacket: None, Two volumes, 506 and 527 pages. Ex-library bound in 3/4 leather and marbled boards. The usual stamping, end paper residue, sticker to bottom of spines. Previous owner's signature. Light wear to covers, internally crisp and clean. GERMAN TEXT. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Leipzig, K.F. Koehler, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt title block on spine and a gilt design of a naval battlship on the front cover. 166 pages. b&w plates, GERMAN TEXT. Inscription in German on front fly leaf dated 1934. Copyright states 1920. Clean copy.

Hardcover. Kunsthalle Bremen & Verlag Fred Jahn, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Black cloth with dust jacket. Text in German by numerous contributors. illustrated checklist to the exhibition. 170 pages with 69 four-color plates and numerous b/w reference illustrations. GERMAN LANGUAGE.

Softcover. San Francisco, Chronicle Books, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 133 pages illustrated in color. This lavishly illustrated volume offers a unique survey of Italian commercial graphic design during a period of both creative artistic vitality and extreme political turmoil. The first English-language book to showcase the bold typography and streamlined imagery of modern Italian design motifs on commercial products of the day, this fascinating and important resource for designers, history buffs, and collectors includes a discussion of the Futurist influence on the Italian Art Deco style and the success of such individualized expression despite a ruthless Fascist regime. Clean copy.

Hardcover. Philadelphia, University of Pennsylvania Press, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 266 pages. Ex-lib with a small stamp to title page and top edge, label on spine. Otherwise a clean, bright copy. After Franz Kafka died in 1924, his novels and short stories were published in ways that downplayed both their author's roots in Prague and his engagement with Jewish tradition and language, so as to secure their place in the German literary canon. Now, nearly a century after Kafka began to create his fictions, Germany, Israel, and the Czech Republic lay claim to his legacy. Kafka's Jewish Languages brings Kafka's stature as a specifically Jewish writer into focus. David Suchoff explores the Yiddish and modern Hebrew that inspired Kafka's vision of tradition. Citing the Jewish sources crucial to the development of Kafka's style, the book demonstrates the intimate relationship between the author's Jewish modes of expression and the larger literary significance of his works. No dust jacket.

Hardcover. London, The Cresset Press, 1st, 1966, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear. 297 pages + 26 b&w plates. English language edition. Translated from the German and with an introduction by Innes and and Gustav Herdan. Contains very clever and funny remarks on Hogarth's engravings by an 18th century German professor of physics. Small owner's stamp on front fly leaf, otherwise clean.

Hardcover. NY, Pantheon, 1st US, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. A magisterial achievement: part biography, part history, part moral meditation on the resurrection of torture as an instrument of political power in the twentieth century, The Good Listener tells the story of Helen Bamber, a good but complex woman now in her seventies, who has spent her life battling to bring the dark side of history into the light. In almost every situation in our century where mankind has demonstrated its capacity to intensify evil--during the Nazi Holocaust, in Algeria, Chile, Africa, the USSR, and Israel, as well as in postwar Britain and Germany--Bamber has served as a witness, an expert, or a reproach, as well as a repository of our collective memory of debasement. Her father, a Polish Jew, had been so obsessed by the Fascist threat that he would read to Helen from Goebbels' speeches, teaching her how corrupting and manipulative language can be. She went to Bergen-Belsen after World War II had ended, and upon her return to London she dedicated herself to caring for the young survivors of the camp. So began Bamber's brave devotion to the grim and dangerous task of undoing the work of the torturer--culminating, after her participation as a central force in Amnesty International, in her establishment in England of the Foundation for the Care of Victims of Torture. Because Bamber's uncanny openness to others has been one of her great skills, Clean copy.

Hardcover. Chicago, University Of Chicago Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. In When Buildings Speak,Anthony Alofsin explores the rich yet often overlooked architecture of the late Austro-Hungarian Empire and its successor states. He shows that several different styles emerged in this milieu during the late nineteenth and early twentieth centuries. Moreover, he contends that each of these styles communicates to us in a manner resembling language and its particular means of expression. Covering a wide range of buildings--from national theaters to crematoria, apartment buildings to warehouses, and sanatoria to postal savings banks--Alofsin proposes a new way of interpreting this language. He calls on viewers to read buildings in two ways: through their formal elements and through their political, social, and cultural contexts. By looking through Alofsin's eyes, readers can see how myriad nations sought to express their autonomy by tapping into the limitless possibilities of art and architectural styles. And such architecture can still speak very powerfully to us today about the contradictory issues affecting parts of the former Habsburg Empire.

Softcover. NY, Four Way Books, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 66 pages. These poems map out a topography where global movements of diaspora and war live alongside personal reckonings: a house's foreclosure, parents' divorce, the indelible night spent drunk with a best friend "[lying] down inside a chronic row of corn." Here, her father's voice "is the stray dog barking / at the snow, believing the little strawberries grow wilder / against a field." In these pages, she points to Russia and Poland and Germany, saying, "It was / another time. My people / another time. The synagogues burn decades / of new snow." The brilliance of this collection illuminates the relationship between memory and language; "another time" means different, back then, gone and lost to us, and it means over and over, always, again. With this linguistic dexterity and lyrical tenderness, Hoffman's work bridges private and public histories, reminding us of the years cloaked in shadows and the years when there was light. Clean, bright copy.