germany

Hardcover. Cambridge, Mass., The Belknap Press of Harvard University Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 442 pages, b&w illustrations. In the beginning, they rallied behind Hitler in the national interest of Germany; in the end, they sacrificed their lives to assassinate him. A history of German resistance to Hitler in high places, this book offers a glimpse into one of the most intractable mysteries. Why did high-ranking army officers, civil servants, and religious leaders support Hitler? Why did they ultimately turn against him? What transformed these unlikely men, most of them elitist, militaristic, and fiercely nationalistic, into martyrs to a universal ideal?

Eagle attacking dachshund, America vs, Germany WW1 allegory. Art by Lynn Bogue Hunt, 10.5 x 14", very good. Mailing label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. Germany, Hatje Cantz Publishers, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 303 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color and Black and white pictures throughout. This catalogue raisonne of Picasso's lithographic work contains 855 pieces with entries for every printed sheet as an individual work, including test and state printings, and unpublished sheets. Scholarly essays from various contributors. Light fraying to bottom spine cover.

Hardcover. NY, Holt Rinehart & Winston, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with minor edgewear, 294 pages. Depicts the German occupation of Paris during World War II from the perspectives of both the defeated Parisians and the victorius Germans, accompanied by 116 contemporary photographs in b&w, some color. Clean copy.

Hardcover. GR, Edel Classica Gmbh , 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 120 pages. Party Tonight: Berlin Hamburg Frankfurt Cologne Munich Dancing, Clubbing, Chilling A night out in Germany's trendsetting metropolises -- five of the life-style magazine MAX's hottest night life photographers set out to party in Berlin, Hamburg, Frankfurt, Cologne, and Munich. Along the way, their fascinating pictures capture a glimpse of all the things the night has to offer. Cruising, Clubbing, Party, and Chill Out in the cities' most stylish places. Music CDs: House and Chill Out music from the trendsetting labels Kontor and MAXELECT-Records on 4 CDs turn night to day.

Hardcover. Orlando FL, Academic Press, 1st, 1984, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with some discoloration along edges. 299 pages, b&w illustrations. This book contains a selection of papers from the Third International Conference on Hunting and Gathering Societies held in Bad Homburg, Germany, in 1983; these papers combine archaeology, history, and ethnography to explore the relationship between prehistoric and living hunter gatherer societies; they look for both continuity in these societies through time and for the effects of changing degrees of contact with surrounding farmers, herders, traders, and settlers. Clean copy.

Hardcover. NY, Harcourt, Inc., 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Nobel Prize winning author Gunter Grass' autobiography causing controversy because of his admission of volunteering for the submarine corps at the age of 15 and then being drafted into the Waffen SS, the combat force of the SS, in 1944 when he was 17. Much of the German novelist's work has dealt with the idea of morally dealing with one's past, in this case Germany's collective conscious. Clean copy.

Hardcover. Chicago, Albert Whitman, 1st, 1935, Book: Very Good, Dust Jacket: Very Good, 96 pages. Hardcover with no dust jacket. Illustrated in 3-colors by Helen Sewell. Light edgewear and stains to covers. Illustrated end papers.

Hardcover. Kerber, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. In 1953, Peter Keetman spent a week at the Volkswagen plant in Wolfsburg. The result was a series of exceptionally clear, almost abstractly detailed photographs that document the entire production process of the VW Beetle. Storage stacks of shiny metal bumpers look like so many Modernist sculptures; car bodies hovering above the assembly line retrospectively form a surreal Pop art montage. This oversize publication reproduces the Volkswagenwerk series in full, in their original size, together with texts that refer both to this series and to Keetman's greater oeuvre. Keetman was known throughout his career as photographer of systemically conceived picture series on themes that included close-ups of water and oil drops, a style of working he developed as a member of Fotoform. Fotoform, a German movement of the 1950s of which Keetman was a primary proponent, was critical in the development of German photography as it is today: the group's "subjective photography" combined scientific objectivity with abstraction. PLEASE NOTE: DUE TO SIZE & WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, Library of America, 12th pr., Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 830 pages. Known in his lifetime primarily to readers of science fiction, Philip K. Dick is now seen as a uniquely visionary figure, a writer who, in editor Jonathan Lethems words, wielded a sardonic yet heartbroken acuity about the plight of being alive in the twentieth century, one that makes him a lonely hero to the readers who cherish him.This Library of America volume brings together four of Dicks most original novels. The Man in the High Castle (1962), which won the Hugo Award, describes an alternate world in which Japan and Germany have won World War II and America is divided into separate occupation zones. The dizzying The Three Stigmata of Palmer Eldritch (1965) posits a future in which competing hallucinogens proffer different brands of virtual reality, and an interplanetary drug tycoon can transform himself into a godlike figure transcending even physical death.Do Androids Dream of Electric Sheep? (1968), about a bounty hunter in search of escaped androids in a postapocalyptic society where status is measured by the possession of live animals and religious life is focused on a television personality, was the basis for the movie Blade Runner. Ubik (1969), with its future world of psychic espionage agents and cryonically frozen patients inhabiting an illusory half-life, pursues Dicks theme of simulated realities and false perceptions to ever more disturbing conclusions. Remainder mark to bottom edge, otherwise like new.

Hardcover. Germany, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: None, 288 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Photographs of President Abraham Lincoln spanning over 20 years. Tight copy.

Hardcover. Cambridge MA, The MIT Press, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 362 pages, hardcover in a bright dust jacket. Generously illustrated account [435 b/w photo reproductions] of the photogrphy produced by various well-known Bauhaus associates such as Laszlo Moholy-Nagy, Lucia Moholy, T. Lux Feininger, Florence Henri, Herbert Bayer, and others during the mid-1920s and early 1930s. An invaluable compilation of images and information about the work of this dynamic group of artists, designers, photographers and their students who had such an important impact on Western aesthetics and culture throughout the subsequent decades of the 20th century.

Hardcover. NY, Macmillan Company, 1st US, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 461 pages. Laval began his career as a socialist, but over time drifted far to the right. Following France's defeat and armistice with Germany in 1940, he served in prominent roles in Philippe Petain's Vichy Regime, first as the vice-president of the Council of Ministers from 11 July 1940 to 13 December 1940, and later as the head of government from 18 April 1942 to 20 August 1944. After the liberation of France in 1944, Laval was arrested by the French government under General Charles de Gaulle. In what was widely regarded as a flawed trial, Laval was found guilty of plotting against the security of the State and collaboration with the enemy, and after a thwarted suicide attempt, he was executed by firing squad. His manifold political activities left a complicated and controversial legacy, resulting in more than a dozen conflicting biographies of him. Name on front fly leaf, otherwise a bright, clean copy.

Hardcover. Lexington KY, University Press of Kentucky, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages, in a bright unclipped dust jacket, b&w illustrations. Pola Negri (1897-1987) rose from an impoverished childhood in Warsaw, Poland, to become one of early Hollywood's greatest stars. After tuberculosis ended her career as a ballerina in 1912, she turned to acting and worked under legendary directors Max Reinhardt and Ernst Lubitsch in Germany. Negri preceded Lubitsch to Hollywood, where she quickly became a fan favorite thanks to her beauty, talent, and diva personality. Known for her alluring sexuality and biting artistic edge, she starred in more than sixty films and defined the image of the cinematic femme fatale. Author Mariusz Kotowski brings the screen siren's story to English-speaking audiences for the first time in this fascinating biography. At the height of her fame, Negri often portrayed exotic and mysterious temptresses, headlining in such successes as The Spanish Dancer (1923) and Forbidden Paradise (1924), before returning to Europe in the 1930s. The devastating effects of World War II soon drove her back to the United States, where she starred in Hi Diddle Diddle (1943) and pursued her vaudeville career before retiring from the entertainment industry. Kotowski also illuminates Negri's dramatic personal life, detailing her numerous love affairs-including her engagement to Charlie Chaplin and her romance with Rudolph Valentino-as well as her multiple marriages. This long-overdue biography not only paints a detailed portrait of one classic Hollywood's most intriguing stars and the film industry's original Jezebel, but also explores the link between Hollywood and European cinema during the interwar years.

Softcover. New York, Rizzoli, 1st US, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 302 pages. Blue cloth cover with gilt lettering to spine, color illustrated dust jacket, 405 b&w and 80 color illustrations, stapled cardboard slipcase. Bottom right corner of cover slightly bumped. Very light wear to dust jacket edges; a very clean, tight copy. This book is the first to survey the whole i development of porcelain n Europe between the Napoleonic era and the First World War. The nineteenth century was a period of technological change and of artistic innovation: both these strands came together in the development of porcelain, which industrialization brought within the reach of the burgeoning middle classes of industrial Europe. While early in the century Neoclassicism had brought about a new purity of line and decoration, in Germany and in England taste demanded more elaborate styles and resulted in the emergence of the 'new Rococo' and later in the development of revived styles of decoration such as Minton's 'Majolica' and the work of studio potters. This book covers not only the great factories, Sevres, Limoges, Copenhagen, Meissen, but also the smaller producers in Holland, Italy and Spain and extends to the birth of Art Nouveau.

Hardcover. Germany, Steidl Publishers, 1st, 2008, Book: Very Good, Dust Jacket: None, 295 pages. Hardcover with no dust jacket. A clean, unmarked copy with only minor edgewear. Minor yellowing to textblock edges. Black and white photographs throughout. Richard Avedon, America's preeminent portraitist and fashion photographer, photographed the many faces of politics throughout his career. Portraits of Power brings together Avedon's political portraits for the first time. Juxtaposing images of elite government, media and labor officials with counter-cultural activists, writers and artists, as well as ordinary citizens caught up in national debates, it offers a five-decade taxonomy of politics and power by one of America's best-known artists. The book features several of Avedon's extended projects addressing these themes, including coverage of the civil rights debate in the early 1960s (published in 1964 in Nothing Personal); the American anti-war movement and the war in Vietnam from 1969-1971; portraits of the American power elite in 1976, produced for his groundbreaking Rolling Stone portfolio "The Family;" "Exiles: The Kennedy Court at the End of the American Century," a retrospective homage to the Camelot generation published in the New Yorker in 1993; and his final photo-essay, "Democracy," surveying the national mood during the politically fractious period prior to the 2004 presidential elections (published posthumously in the New Yorker in 2004).

Softcover. London, Imperial War Museums, 1st, 2014, Book: Very Good, Dust Jacket: None, 96 pages. Softcover. Very clean, unmarked copy with only minor edgewear. Posters of the First World War collects more than one hundred posters from America, Britain, France, Germany, and Italy that showcase renewed concern among the warring nations with national character and conduct.

Hardcover. Brewster MA, Paraclete Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. This volume marks the first translation of these prayer-poems into English. Originally written in 1899, Rilke wrote them upon returning to Germany from his first trip to Russia. His experience of the East shaped him profoundly. He found himself entranced by Orthodox churches and monasteries, above all by the icons that seemed to him like flames glowing in dark spaces. He intended these poems as icons of sorts, gestures that could illumine a way for seekers in the darkness. As Rilke here writes, "I love the dark hours of my being, for they deepen my senses." Translated by Mark S. Burrows.

Hardcover. Zurich/NY, Edition Stemmle, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dustjacket. 223 pages. Foreword by James H. Billington. Text by Leah Bendavid-Val. Includes images by Max Alpert, Dmitri Debakov, Georgy Lipskerov, Max Penson, Leonid Shokin, Esther Burley, Jack Delano, Walker Evans, Dorothea Lange, Russell Lee, Gordon Parks, Marion Post Wolcott, Ben Shahn, and numerous others. Afterword by Philip Brookman and with biographies of the photographers. Clean copy.

Softcover. Cambridge MA, Harvard University Press, 2nd pr., 1988, Book: Very Good, Dust Jacket: None, Softcover, 414 pages, b&w illustrations. Scholars exploring the history of science under the Nazis have generally concentrated on the Nazi destruction of science or the corruption of intellectual and liberal values. Racial Hygiene focuses on how scientists themselves participated in the construction of Nazi racial policy. Robert Proctor demonstrates that the common picture of a passive scientific community coerced into cooperation with the Nazis fails to grasp the reality of what actually happened-namely, that many of the political initiatives of the Nazis arose from within the scientific community, and that medical scientists actively designed and administered key elements of National Socialist policy. The book presents the most comprehensive account to date of German medical involvement in the sterilization and castration laws, the laws banning marriage between Jews and non-Jews, and the massive program to destroy "lives not worth living." The study traces attempts on the part of doctors to conceive of the "Jewish problem" as a "medical problem," and how medical journals openly discussed the need to find a "final solution" to Germany's Jewish and gypsy "problems." Clean, bright copy.

Softcover. Germany, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: None, 224 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. Adieu Saigon covers a varied range of imagery from Saigon, where Depardon photographed two wars and, on visits as recent as 2014, the unrecognizable, globalized city now called Ho Chi Minh. Depardon's work bears witness to a city in transition.

Softcover. Germany, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: None, 224 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. Adieu Saigon covers a varied range of imagery from Saigon, where Depardon photographed two wars and, on visits as recent as 2014, the unrecognizable, globalized city now called Ho Chi Minh. Depardon's work bears witness to a city in transition.

Hardcover. UK, Cambridge University Press, 1st, 1984, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 251 pages. In a unique application of critical theory to the study of the role of ideology in politics, Jeffrey Herf explores the paradox inherent in the German fascists' rejection of the rationalism of the Enlightenment while fully embracing modern technology. He documents evidence of a cultural tradition he calls 'reactionary modernism' found in the writings of German engineers and of the major intellectuals of the. Weimar right: Ernst Juenger, Oswald Spengler, Werner Sombart, Hans Freyer, Carl Schmitt, and Martin Heidegger. The book shows how German nationalism and later National Socialism created what Joseph Goebbels, Hitler's propaganda minister, called the 'steel-like romanticism of the twentieth century'. By associating technology with the Germans, rather than the Jews, with beautiful form rather than the formlessness of the market, and with a strong state rather than a predominance of economic values and institutions, these right-wing intellectuals reconciled Germany's strength with its romantic soul and national identity. Light pencil underlining to some pages, otherwise clean.

Softcover. Durham NH, University of New Hampshire, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover, original publisher's sewn paperback, pictorial frontcover, square format, 78 pages, 13 text-illustrations, catalogue of 72 items depicted and described, credits.