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Hardcover. Dublin, Dolmen Editions, First Edition, 1977, Book: Very Good, Dust Jacket: None, 78 pages. Hardcover. Limited to 650 copies. Black cloth boards with white printed decoration & white titles to spine. Ink paintings by Louis le Brocquy in black & white throughout. Previous owner's bookplate to front endpaper. Clean, unmarked, tight copy. No dust jacket.

Hardcover. New York, Harry Abrams, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, 216 pages. Hardcover with dust jacket. SIGNED AND INSCRIBED ON TITLE PAGE. Clean, tight copy.

Softcover. NY, Metropolitan Museum of Art, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 238 pages. Illustrated profusely in b&w and 16 plates in color. An exhibition sponsored by the government of the Republic of Greece and the Musee du Louvre. Metalwork, bronze, clay, marble: all manner of objects 4th millennium B.C. to 4th century B.C.

Hardcover. NY, Thames & Hudson Ltd, reprint, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 480 pages illustrated in color and b&w. first published in 1970, this is the new enlarged edition. The miniaturist art of gem engraving is the least familiar of the major arts of ancient Greece, yet we know it to have been practiced by the greatest artists. This book presents a comprehensive account of the art in Greek lands from the early Bronze Age down to the Hellenistic period. The gems are related to history and to the artistic achievements in other media of their day, and the subject matter of the scenes engraved upon them is examined and found to hold much that will be new to students of Greek myth and iconography. The development of the Bronze Age studios in the Minoan and Mycenaean world is discussed, and the works of the great period of Classical gem engraving are resolved into their styles and schools, with a special chapter devoted to Greek works within the Persian Empire. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. Baltimore, Johns Hopkins University Press , 1st, 1977, Book: Good, Dust Jacket: None, Hardcover, blue cloth covers, silver lettering, 152 pages. Light pencil marking in text.

Hardcover. Le Trou du Lezard, Ltd. Ed., 2004, Book: Very Good, Dust Jacket: None, Hardcover green cloth cover, oatmeal colored spine with a 3-color label. #8 of an unknown quantity printed, SIGNED BY MCARTHUR on the colophon page. Handmade endpapers, ribbon marker. A lovely production.

Hardcover. NY, HarperCollins, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, After her grandfather's death, eight-year-old Sophia fulfills his last request and journeys to Greece with her mother to see the land where her roots are. Color art by Karen Barbour.

Hardcover. London, Society for the Promotion of Hellenic Studies, 1st, 1903 1904, Book: Very Good, Dust Jacket: None, Two years (1903 and 1904) bound in one volume. Handsome half black calf with raised bands on spine along with red label and gilt lettering. Part one for 1903: 373 pages plus 13 full-page b&w and color plates. Part two for 1904: 354 pages plus 14 b&w (including 2 fold-outs). Former university library with minimal stamping to edge of text block and on bookplate inside front cover. Sticker residue to bottom of spine.

Hardcover. London, Society for the Promotion of Hellenic Studies, 1st, 1905 1906, Book: Very Good, Dust Jacket: None, Two years (1905 and 1906) bound in one volume. Handsome half black calf with raised bands on spine along with red label and gilt lettering. Part one for 1905: 382 pages plus 13 full-page b&w plates and 1 color fold-out. Part two for 1906: 303 pages plus 16 b&w and 2 color plates. Former university library with minimal stamping to edge of text block and on bookplate inside front cover. Sticker residue to bottom of spine.

Hardcover. London, Society for the Promotion of Hellenic Studies, 1st, 1913 1914, Book: Very Good, Dust Jacket: None, Two years (1913 and 1914) bound in one volume. Handsome half black calf with raised bands on spine along with red label and gilt lettering. Part one for 1913: 410 pages plus 22 full-page b&w plates. Part two for 1914: 362 pages plus 20 b&w plates. Plus a 164 page catalogue of lantern slides in the Society's collection. Former university library with minimal stamping to edge of text block and on bookplate inside front cover. Sticker residue to bottom of spine.

Hardcover. London, Society for the Promotion of Hellenic Studies, 1st, 1915 1916, Book: Very Good, Dust Jacket: None, Two years (1915 and 1916) bound in one volume. Handsome half black calf with raised bands on spine along with red label and gilt lettering. Part one for 1915: 290 pages plus 9 full-page b&w plates. Part two for 1916: 417 pages plus 9 b&w plates. Former university library with minimal stamping to edge of text block and on bookplate inside front cover. Sticker residue to bottom of spine. Chip to calf at top of spine.

Hardcover. Boston, Houghton Mifflin , 1st, 1966, Book: Very Good, Dust Jacket: Very Good, 230 pages, hardcover with dust jacket. B&w decorative illustrations by Ellen Raskin. Dust jacket with light tanning, price-clipped. Tight copy.

Hardcover. Library of American Comics, 1st, 2014, Book: Very Good, Dust Jacket: None, Oblong hardcover, 336 pages. In Alley Oop, Hamlin created a unique concept, marrying his fascination with dinosaurs and prehistoric times to a rollicking style of storytelling and drawing that was simultaneously serious, fantastic, and loaded with slapstick. The series was set in the kingdom of Moo and starred Alley Oop, the club-wielding caveman, his girlfriend Ooola, friends Dinny the dinosaur and Foozy (who speaks in rhyme), plus Oop's rival, King Guz, and Guz's Queen Umpateedle. Yet Hamlin knew that the strip's horizons in Moo were limited. So it was, in early 1939, that Alley Oop and Ooola see a mysterious box and, to the utter amazement of Guz and his minions, promptly fade from view, followed by the caption: "Dear Reader: you must now say goodbye to Moo...if you are to follow Alley Oop in this strangest of many strange adventures. --V. T. Hamlin". Oop and Ooola had entered a time machine and were now living in the modern-day 20th Century! Their host was the inventor of the time machine, Dr. Elbert Wonmug! No change of such magnitude had ever occurred in a continuing newspaper strip, and readers responded enthusiastically. With every time period in history available as a backdrop, Alley Oop became even more popular. This volume features Oop's final Moo adventure, followed by his trips to the 20th Century and ancient Greece, where he and Ooola share adventures with brave Ulysses, the lovely Helen of Troy, and the mighty Hercules. V.T. Hamlin would send his characters everywhere and everywhen--but the classic Alley Oop begins with the stories contained in this volume. The book is introduced by Michael T. Price, who first met V. T. Hamlin in the 1960s and remained friendly with him for the rest of the cartoonist's life. Price also composed the musical score for Hip Pocket Theatre's production, Alley Oop.

Softcover. London, Black Dog Publishing, 1st, 2010, Book: Very Good, Dust Jacket: None, 192 pages. Softcover. Like new in publisher's shrink-wrap. Mapping the Invisible: EU-Roma Gypsies takes the reader on a visual journey across Europe with a focus on its fastest-growing ethnic minority: the Roma. This publication is the result of a unique partnership called EU-ROMA formed by a group of architects, designers and artists wishing to raise awareness to the diversity and richness of the Roma people. The book shows us the EU-ROMA projects conducted together with the gypsy communities in Romania, Greece, Italy and the UK.

Softcover. Berkeley CA, University of California Press, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 282 pages, b&w illustrations. Masks are found world-wide in connection with seasonal festivals, rites of passage, and curative ceremonies. They provide a means of investigating the paradoxical problems that appearances pose in the experience of transitional states. In this far-reaching work, A. David Napier studies mask iconography and the role played by masks in the realization of change. The masks of preclassical Greece?in particular those of the Satyr and the Gorgon?provide his starting point. A comparison of Greek to Eastern and especially Indian models follows, and the book concludes with an examination of the interpretation of Hindu ideas in Bali that demonstrates the importance of ambivalence in mask iconography. Clean, bright copy.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1960, Book: Very Good, Dust Jacket: Very Good, Hardcover in a pictorial dust jacket with light edgewear. Housed in a cardboard slipcase. Approx. 210 pages. 96 color plates. Tipped-in color frontispiece. Clean copy.

Hardcover. London, Bloomsbury Publishing, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial cloth, 301 pages, color illustrations. Across the Mediterranean, one delicious cuisine gives way to the next. From Spain and Italy, through Greece and Turkey and down to North Africa, the region is rich with deeply delicious food. In Mediterra, renowned chef and author Ben Tish gives the tour of a lifetime. With seven-spice falafel from Lebanon, pork belly gyros from Greece, classic tiramisu from Italy, and grilled smoky sardines from Crete, the full flavors of the region are on glorious display for recipes that work across diets and seasons. Clean, bright copy.

Hardcover. NY, Aperture, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 118 pages with b&w plates. From Italy, France, Spain, Greece, Macedonia, Turkey, Tunisia, Syria, and Jordan, Jodice's luminous photographs evoke a vision of Mediterranean civilization that is a conflation of history and mythology. His dramatic yet ethereal images refuse both classical and contemporary boundaries in a fusion of the topographical and the intimate. Ruined temples, lost cities, heroic landscapes, gods and goddesses, vistas of Vesuvius and of the omnipresent sea transcend the constraints of their historical context in terms of both time and space. Clean copy.

Hardcover. London, Jonathan Cape Ltd], 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 373 pages. 50 line and 24 halftone illustrations. In this text, the author argues that the celebrated archaeologist, Sir Arthur Evans, who at the turn of the century claimed to have discovered the labyrinth which housed the Minotaur, was in fact a fabulist. MacGillivray uses Evans's own papers as evidence for his exposee.

Hardcover. London, Oxford University Press, 1st, 1955, Book: Very Good, Dust Jacket: Very Good, 178 pages. Hardcover. Dust jacket with light wear - jacket now protected with clear plastic cover. Clean, unmarked pages.

Hardcover. NY, Arno Press, reprint, 1976, Book: Very Good, Dust Jacket: None, Hardcover, red cloth. Black and gilt spine lettering. 404 pages plus plates at back. 27 pages of plates and illustrations; Preface by W.E. Gladstone, M.P. Reprint of author's 1880 edition. Issued without a dust jacket. Schliemann's account of his excavations at the Greek Bronze Age citadel site of Mycenae. He carried out these excavations from 1876 to 1878, and were less damaging than those of his first excavations at Troy from 1871 to 1874. Clean copy.

Softcover. NY, Zone Books, reprint, 2006, Book: Very Good, Dust Jacket: None, Softcover, 525 pages. Jean-Pierre Vernant and Pierre Vidal-Naquet are leaders in a contemporary French classical scholarship that has produced a a stunning reconfiguration of Greek thought and literature. In this work, published here as a single volume, the authors present a disturbing and decidedly non-classical reading of Greek tragedy that insists on its radical discontinuity with our own outlook and with our social, aesthetic, and psychological categories. Originally published in French in two volumes, this new single-volume edition includes revised essays from volume one and is the first English translation of both volumes. Remainder mark top edge otherwise a clean copy.