history italy

Rome, Contrasto, 1st, 2010, Book: Very Good, Dust Jacket: None, Hardcover, 136 pages, 53 b&w plates. A collection of 53 photographs of Pompeii, never published before, shot by the master photographer Mimmo Jodice. Unique images, visions conjuring up a long-lost past tradition, coupled with texts by Ethan Canin, Jim Nisbet and Jay Parini. No dj issued.

Softcover. London, Imperial War Museums, 1st, 2014, Book: Very Good, Dust Jacket: None, 96 pages. Softcover. Very clean, unmarked copy with only minor edgewear. Posters of the First World War collects more than one hundred posters from America, Britain, France, Germany, and Italy that showcase renewed concern among the warring nations with national character and conduct.

Softcover. Milano, Longanesi & Co., 1st, 1980, Book: Good, Dust Jacket: None, Softcover, 103 pages. Text in Italian. Light edgewear to wrappers, faint foxing to edges and end papers.

Hardcover. Roma, CalicEditori, First Thus, 2004, Book: Very Good, Dust Jacket: Very Good, 440 pages. Hardcover in Italian text. Red cloth boards with black titles to spine. Bright navy dust jacket with photograph & red printed titles. Clean, unmarked & crisp copy.

Hardcover. Venice IT, Arsenale Editrice, 2nd Ed., 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 168 pages, color photos throughout. This edition of Secret Gardens in Venice, entirely in color, is intended to satisfy the growing desire of Venetians and tourists to know more about this fascinating city and its history. Examining both the present reality and the past history of the gardens of Venice, the authors seek to understand the special fascination of these places. Gianni Berengo Gardin has created a series of fascinating poetic images, which reveal a wholly new and unknown side of Venice. Clean copy.

Hardcover. New York, G.P. Putnam's Sons, 1st Edition, 1920, Book: Very Good, Dust Jacket: None, 580 pages. Hardcover. 24 b/w illustrations throughout including frontispiece with tissue guard and 6 maps (fold out). Blue cover boards, gilt title on spine (slightly faded) and front cover, some moisture damage to front cover, bump to bottom right corner of board. Tanning to pages and edges, pages otherwise unmarked.

Softcover. NY, American Italian Historical Assoc., 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 248 pages. This volume consists of a selection of 14 scholarly works examining the urban experience of Italian Americans in small towns and big cities, out of the approximately 60 stimulating papers presented at the 41st annual Conference of the American Italian Historical Association, held in 2008. Clean copy.

Hardcover. New York, The Museum of Modern Art, New York, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.

Hardcover. New York, The Museum of Modern Art, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.

Hardcover. London, Smith, Elder and Co., Second Edition, 1858, Book: Very Good, Dust Jacket: None, Three hardcover volumes with blue leather covers featuring marbled endpapers, raised bands along brown spines with red title plates, gilt decoration. Second Edition. Black & white, and some color illustrations in all 3 volumes by John Ruskin. Volume 1 - "The Foundations". 400 pages. Top edge gilt. Light, faint pencil marginalia to a few pages. Minor abrasion to covers. Clean, tight copy. Volume 2 - "The Sea Stories". 394 pages. Top edge gilt. Faint foxing to some pages. a few moderate abrasions to rear cover. Clean, tight copy. Volume 3 - "The Fall". 362 pages. Top edge gilt. Light pencil marginalia scattered throughout. Faint foxing to some pages. Minor abrasions to covers. Clean, tight copy. A nice set.

Hardcover. Chicago, Art Institute of Chicago, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 199 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. This catalogue presents 59 masterful Italian drawings from the late 15th, 16th, and 17th centuries: working drawings, preparatory sketches, and finished compositions that have been added in recent years to the private collection of Jean and Steven Goldman. In her essays, Jean Goldman assesses the collection within the context of Mannerism and the role of drawing in the business of art. She and Nicolas Schwed coauthor detailed entries on the works' attributions, subjects, and functions, complete with documentation including provenance, bibliography, exhibition history, and comparative illustrations. The catalogue presents the work of more than forty artists, some of whom, such as Giorgio Vasari and Pietro da Cortona, were major figures, and others who were virtually unknown. Together, these magnificent works trace the rise and evolution of Mannerism in Italy.

Softcover. NY, Center for Migration Studies, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 289 pages, b&w illustrations. Clean, bright copy.

Hardcover. Cambridge, The MIT Press, 1st Edition, 1977, Book: Very Good, Dust Jacket: Very Good, 220 pages. Hardcover. Black & white illustrations throughout.Light foxing to edges, pen markings on a couple pages. Dust jacket with shelf wear, small tears to edges. Previous owner's signature to front flyleaf. Otherwise clean, tight copy.

Softcover. Washington DC, National Gallery of Art, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 430 pages. This volume of essays reexamines the establishment and early history of the Accademia di San Luca in Rome, one of the most important centers of governance, education, and theory in the arts for the early modern period and the model for all subsequent academies of art worldwide. It is the most comprehensive history of the Accademia to be published in more than forty years, and the first in nearly two hundred years to be based almost entirely on new primary and documentary material. In reconstructing the early history of the institution, the volume also provides a new basis for tracking the careers of painters, sculptors, and architects working in Rome in the early 16th century, and for understanding the artistic and professional issues that engaged them.

Hardcover. New Haven CT, Yale University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. How does the artist's self-conception change in old age? How does old age affect artistic practice? In this intriguing study, art historian Philip Sohm considers some of the greatest artists of Renaissance and Baroque Italy and their experiences of aging. Sohm investigates how art critics, collectors, biographers, and fellow artists dealt with old painters, what mental landscapes preconditioned responses to art by the elderly, and how biology and psychology were co-opted to explain the imprint that artists left on their art. He also looks carefully at the impact of prejudices, stereotypes, and other imaginary truths about old age. For some artists, the problems of old age were related to physical decline-Poussin's hands became shaky, Titian's eyesight dimmed. For others, psychological symptoms emerged. The book's cast of characters includes Michelangelo, the hypochondriac young fogy; Titian, the shrewd marketer of old age; the multiphobic Pontormo; and others. With sensitivity and insight, Sohm uncovers what it meant to be an old artist and how successive generations have looked at the art of an old master.

Hardcover. NY, Benjamin Blom, 1st, 1964, Book: Very Good, Dust Jacket: None, Hardcover, light orange cloth with brown titles on spine. Traces the history of the time-honored farce, featuring Pulcinella, Harlequin, Pierrot, Pantaleone, and other traditionsl characters, from Roman comedy to Cruikshank's Punch & Judy. Originally published in 1912, this new edition adds 46 pages of illustrations and a folding color frontispiece. Clean copy, no dust jacket.

Hardcover. NY, E. P. Dutton, 1st, 1919, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt lettering, 402 pages. Translated form the Italian by Maria Sermolino. An account of WW1 by an officer in the Italian Army. Clean, tight copy.

Hardcover. Dublin, Brett Smith, 1st thus, 1788, Book: Very Good, Dust Jacket: None, Hardcover, leather bound. 553 pages plus Index of Proper Names. Uncommon translation from Ireland. Hawkey was a Reverend and Master of the Free-School in Dundalk. "The Commentaries of his Wars in Gaul" is Julius Caesar's firsthand account of the Gallic Wars, written as a third-person narrative. In it Caesar describes the battles and intrigues that took place in the nine years he spent fighting the Germanic peoples and Celtic peoples in Gaul that opposed Roman conquest. The Gallic Wars were a series of military campaigns waged by the Roman proconsul Julius Caesar against several Gallic tribes. Rome's war against the Gallic tribes lasted from 58 BC to 50 BC and culminated in the decisive Battle of Alesia in 52 BC, in which a complete Roman victory resulted in the expansion of the Roman Republic over the whole of Gaul (mainly present-day France and Belgium). "His Commentaries of the Civil War" is an account written by Julius Caesar of his war against Gnaeus Pompeius and the Senate. It covers the events of 49-48 BC, from shortly before Caesar's invasion of Italy to Pompey's defeat at the Battle of Pharsalus and flight to Egypt with Caesar in pursuit. It closes with Pompey assassinated, Caesar attempting to mediate rival claims to the Egyptian throne, and the beginning of the Alexandrian War. Prelim pages gone so the book opens on the title page. Interior pages bright with no foxing, firm binding. Light wear to covers, front cover with partial split along spine, Otherwise clean.

Softcover. NY, Center For Migration Studies, 3rd pr., 1999, Book: Very Good, Dust Jacket: None, Softcover, 230 pages. The Italians of San Francisco is the first comprehensive description of the economic and social aspects of the Italian migratory experience in San Francisco to be presented in a side-by-side bilingual edition, providing teachers and students of Italian and English with a linguistically definitive and an historically important learning tool. This text pieces together the fragmented story of one of the largest immigrant groups to come to California charting the history of their economic and social development as it began in San Francisco, and as it was to be found throughout California. The Italians of San Francisco tells the story of a community whose strength was maintained in the vibrancy and perseverance of its members, and whose accomplishments were achieved through the ambition and efforts of each of its members. Clean copy.

Hardcover. Princeton Architectural Press , 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 144 pages. With photos taken in the mid 1980s the author takes us on a pictorial trip along the former Iron Curtain from the Baltic sea coast at Travemunde (West-East Germany) to the Adriatic sea coast at Trieste (Italy-Yugolsalvia [today Slovenia]); with a separate chapter on the Berlin Wall. They are superb photos full of (sad) atmosphere, poignancy and historical importance.

Softcover. Baltimore MD, Johns Hopkins University, 1st pbk., 2006, Book: Very Good, Dust Jacket: None, Softcover, 210 pages. Historian and literary scholar Christopher Celenza argues that serious interest in the intellectual life of Renaissance Italy can be reinvigorate, and the nature of the Renaissance itself re-accessed, by recovering a major part of its intellectual and cultural activity that has been largely ignored since the Renaissance was first "discovered": the vast body of works-literary, philosophical, poetic, and religious-written in Latin. Produced between the mid-fourteenth and the early sixteenth centuries by major figures such as Leonardo Bruni, Lorenzo Valla, Marsilio Ficino, and Leon Battista Alberti, as well as minor but interesting thinkers like Lapo da Castiglionchio the Younger, this literature was initially overlooked by scholars of the Renaissance because they were not written in the vernacular Italian which alone was seen as was the supreme expression of a culture. Clean copy.

Hardcover. NY, W. W. Norton , 2nd Ed., 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 291 pages, b&w illustrations. Records the findings and methodology of archaeologists concerned with the civilizations of ancient Italy. Clean copy.

Hardcover. NY, Verso, 1st, 2009, Hardcover in a bright, unclipped dust jacket, 561 pages. The New Old World looks at the history of the European Union, the core continental countries within it, and the issue of its further expansion into Asia. It opens with a consideration of the origins and outcomes of European integration since the Second World War, and how today's EU has been theorized across a range of contemporary disciplines. It then moves to more detailed accounts of political and cultural developments in the three principal states of the original Common Market-France, Germany and Italy. A third section explores the interrelated histories of Cyprus and Turkey that pose a leading geopolitical challenge to the Community. The book ends by tracing ideas of European unity from the Enlightenment to the present, and their bearing on the future of the Union. The New Old World offers a critical portrait of a continent now increasingly hailed as a moral and political example to the world at large. Clean copy.