Softcover. Ashland OR, Hellgate Press, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 230 pages, b&w illustrations. Italy, July 1944. The unendurable insult to Italy's inherently genial way of life brought about by Hitler's storm-troopers and Mussolini's Fascist toadies was both taking its toll on the people of Italy and creating a fledgling underground Resistance movement whose heroic ranks would soon swell to nearly 200,000 brave men and women. Author Leon Weckstein was there--an American GI in combat fighting with and befriending the Partisans. Here is the story, as told through eyewitness accounts and carefully researched historical archives, of the Italian Partisans and their American OSS allies' battle to destroy the Nazi-Fascist regime and expel the culprits from their beloved Italy. Clean, bright copy.
Hardcover. NY, Arno Press, reprint, 1969, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt decoration and lettering. A reprint of the 1927 edition published by J.M. Dent in London. Bright, clean copy.
Hardcover. Cambridge UK, Cambridge University Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 288 pages.This substantial and unusual volume is not an encyclopedic summary of names, dates, and images but a roughly chronological series of scholarly, sometimes provocative essays by specialists in various aspects of the medium's history. Contributors (identified only in the table of contents) are from France, Italy, Germany, Switzerland, England, and the United States. The chapters on photo-journalism, the illustrated press, and photography between the world wars are particularly informative, while high-quality illustrations from public and private collections worldwide convey photography's technical and aesthetic development and its ubiquity.
Softcover. Los Angeles, Frederick S Wight Art Gallery, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. B&w and color illustrations. Issued in conjunction with several 1977-1978 exhibitions featuring the work of Italian artist Alberto Burri (1915-1995). The entire book is an illustrated essay by Gerald Nordland that serves as a good introduction to the man and his craft. Also includes a chronology and an expansive exhibition history. Faint crease to front cover, otherwise a clean, bright copy.
Hardcover. Notre Dame IN, University of Notre Dame Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black and gilt. 227 pages plus a section of b&w plates in rear.. A series of nine papers delivered at a conference with the same name in 1988 at the University of Notre Dame. It considered the relationship between politics and the literary and visual arts. Political scientists and anthropologists focus on the institutions that express power relationships. The aim of the Notre Dame Conference was to consider the relationship between politics and the literary and visual arts. The visual arts considered in this volume range from the traditional fine arts categories of painting, sculpture and architecture to minor art objects such as medals, badges, banners and seals. In general terms, the study of politics denotes the study of power relationships. Within this larger framework political scientists and anthropologists have chosen to focus on the institutions and structures that express these relationships and/or the actions that are undertaken by individuals and groups to define, alter, or reinforce them. Clean copy.
Hardcover. Milan Italy, Jaca Books, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover, 315 pages, color illustrations. Like new in publishers shrink-wrap. The Panza Collection has gathered together a critical assembly of the art of the 50s, 60s and 70s. This book traces the history of Giuseppe Panza''s life as an art collector and includes an illustrated section of works by various artists like Donald Judd, Robert Ryman, Louis Cane and many others. Color and black and white illustrations. Bound in original gray boards. Housed in white pictorial dust jacket.
Hardcover. Annapolis MD, Naval Institute Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 126 pages, b&w illustrations. Princeton grad Erasmus Kloman was undergoing Army training at Fort Bragg in 1943 when, due to his passing knowledge of French, he was interviewed for potential involvement in "a highly confidential activity." The interview culminated in the question, "Would you be willing to volunteer for hazardous duty behind enemy lines?" He signed up for duty with the newly formed Office of Strategic Services (OSS) and after an intensive period of training in various aspects of espionage, found himself on assignment in wartime Cairo, Algiers, and then Caserta. At age 24 with the title of OSS Acting Chief of Operations in the Mediterranean Theater of Operations, he helped organize and coordinate the actions of Operational Groups (OGs) , which infiltrated Italy and occupied France on daring sabotage missions. Clean copy.
Softcover. Wesleyan University Press, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 166 pages. This book, first published in Italy in 1988 as Autoritratto di gruppo, documents the intricate web of individual and communal experiences in the political movements of the '60s. Luisa Passerini, internationally known for her work in memory, oral history, and their intersections with social movements, sets out to rescue the "forgotten memory" of her generation and to give it literary status. The year 1968 is symbolic in Italy of a whole decade of struggles by students, women, workers, intellectuals, and technicians. Framed and illuminated by sessions of psychoanalysis, this absorbing narrative weaves episodes of Passerini's autobiography - including her involvement in the 1968 uprisings - oral histories of other participants, and Passerini's sociological observations. It raises critical questions about how we reconstruct the past and vividly illustrates the forces that shaped a generation. Clean copy.
Hardcover. Princeton NJ, Princeton University Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 366 pages. Though Bartolomeo Scala has long intrigued historians, he is a figure whose importance has only recently been appreciated. In Alison Brown's biography Scala emerges as a man of more ability and character than anyone has imagined him to be. We begin to understand why he was employed as chancellor for the almost unrivaled period of thirty-two years. Ms. Brown's study is not only the first extensive treatment of Scala's life but also a significant contribution to our knowledge of Italian Renaissance history and of the contrast between theory and practice in Medicean government. Blank bookplate on front fly leaf, otherwise clean.
Softcover. Libreria Musicale Italiana, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 215 pages, b&w illustrations. A history of the diaspora of Neapolitan musicians in New York. This book reviews the period from the unification of Italy to the fascist era through significant Neapolitan performers such as Gilda Mignonette and Enrico Caruso. It traces the transformation of a popular tradition written in dialect into a popular tradition, written in Italian, that contributed to the production of 'American' identity. PLEASE NOTE: ITALIAN TEXT. Simona Frasca is a lecturer on early sound reproduction and Italian migration, and a freelance music journalist. She hold a doctorate in History and Analysis of Musical Culture from La Sapienza University in Rome. Mild sunning to wraps, clean copy.
Hardcover. Italy, Leonardo Arte Srl , 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 255 pages. Hardcover with dust jacket in slipcase. A very clean, unmarked copy with only minor wear to slipcase edges. Color illustrations throughout. A book about Italy's greatest jeweler.
Softcover. NY, Phaidon, 1st pbk, 2000, Book: Very Good, Dust Jacket: None, Softcover, 9 x 10". 448 pages. Michelangelo Merisi da Caravaggio (1571-1610) was one of the most innovative painters of his time, and one of the most momentous artists of any era. Rescued from neglect, he has become a cultural icon in the late twentieth century, not only for his art but also because of his violent and tragic life. Catherine Puglisi's highly praised monograph, supersedes all previous studies of the artist by far. Making full use of the latest research and a series of dramatic recent discoveries, she has produced a concise, clear-headed and comprehensive work of scholarship that also provides a moving biography of the artist and an incisive deconstruction of the genius with which he absorbed and transformed the artistic tradition of his time. Clean copy.
Softcover. Milano, Longanesi & Co., 1st, 1979, Book: Good, Dust Jacket: None, Softcover, 94 pages. Text in Italian. Light edgewear to wrappers, faint foxing to edges and end papers.
Hardcover. Boston, MA, University of Massachusetts Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 516 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. This volume documents Fenn's prolific career from the 1860s until his death in 1911. Sue Rainey also recounts his adventurous sketching trips in the western United States, Europe, and the Middle East, which enhanced his reputation for depicting far-flung places at a time when the nation was taking a more prominent role on the world stage.
Softcover. Boca Raton FL, Bordighera Press , 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, b&w illustrations. Tucked away on Via Tasso in a middle-class district in the Eternal City--a stone's throw from the Basilica of St. John in Lateran--the former prison is now the Museo Storico della Liberazione di Roma, commemorating the liberation of Rome by Resistance fighters and Allied troops in June 1944. Within, anti-fascist partisans scrawled graffiti full of pathos and the romantic idealism that so permeated the Italian Resistance. A visitor today can still read the desperate inscriptions, collected in this volume along with recollections by inmates and narratives concerning the Via Tasso. Pugliese's thoughtful narrative, accompanied by black-and-white photos by Lianna Miuccio, documents the lives of such antifascist prisoners as Arrigo Paladini, who wrote on the wall as he was dying, "There is nothing that can give the joy of a beautiful death as the consciousness of having served the country until the last breath of life." This book examines the inscriptions on the walls, translates them, shows Miuccio's stark photos of them, and gives a historical context, timeline, and survivor and family interviews. Clean copy. Scarce.
Hardcover. Leiden/NY, E.J. Brill, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 376 pages. This volume consists of 21 papers delivered at an international Spinoza conference on Disguised and Overt Spinozism around 1700, held at the Erasmus University (Rotterdam) in October 1994. In these papers, scholars from Italy, France, Germany, Great Britain, the Netherlands and the United States examine the impact of Spinoza's philosophy on the European Republic of Letters, one generation after the death, in 1677, of the greatest philosopher in the history of the Netherlands. Clean copy.
Hardcover. Taschen, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1940-1949: Destruction and Reconstruction. This volume covers the 1940s, when fascism came to a climax and World War II led to the extensive destruction of Europe. But the second half of this decade was also a time of reconstruction, democratization, and the related search for new social values. Unlike in Nazi Germany, in fascist Italy Modernism was able to advance in architecture and design - as proved impressively by the buildings and designs by Carlo Mollino, Gian Luigi Banfi, Franco Albini, and Giuseppe Terragni that are documented herein. After the war, Organic Design emerged alongside the International style. This edition reflects upon the economic, social, and cultural problems of the time, but also shows how the force of the avant-garde continued to thrive in Italy, Switzerland, Scandinavia and the USA. Reports and features on modern industrial design and furniture, as well as domestic and business interiors stand side by side with articles about novel prefabricated houses. In publisher's shrink wrap. Due to size and weight, DOMESTIC SHIPPING ONLY.
Softcover. Ithaca NY, Cornell University Press, 1st, 2005, Book: Near Fine, Dust Jacket: None, Softcover, 304 pages. Like new in publishers shrink-wrap. This ambitious collection treating the Italian Fascists appropriation of the past for political purposes focuses on the role of the visual in the aim of fusing the past and the modern world in Mussolini"s Italy. With contributions by art historians.
Softcover. New York, Universe Pub, 1st, 1993, Book: Very Good, Dust Jacket: None, 138 pages. Softcover. Color photographs. Light edgewear to wrappers otherwise clean, unmarked copy. Hotchkiss (1833-69), an American painter and intimate of Asher B. Durand and Elihu Vedder, is the quintessential delicate artist who dies, underappreciated, at a young age. The title refers not only to his romantic landscapes but also to his sketchy career. This catalog accompanies an exhibition that opens this fall at the National Academy of Design. Novak, a premier art historian of the Hudson River School, provides a provocative essay on Hotchkiss as the fragile, poetic artist fixated on capturing evocative images of the ancient past. Felker, the exhibition curator, provides an insightful catalog of works arranged by subject matter. Appendixes include an exhibition checklist, a chronology of the artist's life, and transcriptions of selected manuscript material. Recommended for academically oriented art history collections.
Hardcover. Boston, David R Godine, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover, 218 pages. Dust jacket spine slightly sunned, else like new. 21 black & white plates (some folding), and facsimiles. Edited by Nicholas Barker, and published posthumously. Printed at the Stamperia Valdonega. A major work examining the history and development of early Italian writing books from one of the world"s most noted typographic historians.
Hardcover. Florence, Flor & Findel, 3rd, 1907, Book: Good, Dust Jacket: None, 254 pages. Tipped in illustrations and photographs. Age discoloration to pages, beveled brown leather over covers with three bands on spine continued on front and back cover ending in flor de lis decoration. Rubbing all edges. front and rear hinge cracked.
Hardcover. NY, Random House, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 387 pages. These essays originated in a series of lectures and seminars held by the Graduate School of Contemporary European Studies and the Centre for the Advanced Study of Italian Society of the University of Reading in 1966-1967. The countries covered include Italy, Germany, Austria, Hungary, Rumania, Poland, Finland, Norway, Great Britain, France, Spain, and Portugal. Name on front fly leaf otherwise clean.
Firenze IT, Sillabe, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, pictorial wrappers, 269 pages in color and b&w. ITALIAN TEXT. Light bump to top outer corner, otherwise bright and clean.