history italy

Softcover. Baltimore MD, Johns Hopkins University, 1st pbk., 2006, Book: Very Good, Dust Jacket: None, Softcover, 210 pages. Historian and literary scholar Christopher Celenza argues that serious interest in the intellectual life of Renaissance Italy can be reinvigorate, and the nature of the Renaissance itself re-accessed, by recovering a major part of its intellectual and cultural activity that has been largely ignored since the Renaissance was first "discovered": the vast body of works-literary, philosophical, poetic, and religious-written in Latin. Produced between the mid-fourteenth and the early sixteenth centuries by major figures such as Leonardo Bruni, Lorenzo Valla, Marsilio Ficino, and Leon Battista Alberti, as well as minor but interesting thinkers like Lapo da Castiglionchio the Younger, this literature was initially overlooked by scholars of the Renaissance because they were not written in the vernacular Italian which alone was seen as was the supreme expression of a culture. Clean copy.

Hardcover. NY, W. W. Norton , 2nd Ed., 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 291 pages, b&w illustrations. Records the findings and methodology of archaeologists concerned with the civilizations of ancient Italy. Clean copy.

Hardcover. NY, Verso, 1st, 2009, Hardcover in a bright, unclipped dust jacket, 561 pages. The New Old World looks at the history of the European Union, the core continental countries within it, and the issue of its further expansion into Asia. It opens with a consideration of the origins and outcomes of European integration since the Second World War, and how today's EU has been theorized across a range of contemporary disciplines. It then moves to more detailed accounts of political and cultural developments in the three principal states of the original Common Market-France, Germany and Italy. A third section explores the interrelated histories of Cyprus and Turkey that pose a leading geopolitical challenge to the Community. The book ends by tracing ideas of European unity from the Enlightenment to the present, and their bearing on the future of the Union. The New Old World offers a critical portrait of a continent now increasingly hailed as a moral and political example to the world at large. Clean copy.

Hardcover. NY, Harper and Row, 1st US, 1967, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, lightly worn dust jacket, 355 pages, b&w illustrations. Offers the general reader the complete history of Norman Sicily--"from the first day, in 1016, when a party of Norman pilgrims was accosted in the shrine of the Archangel Michael on Monte Gargano, to the last, a hundred and seventy-eight years later, when the brightest crown of the Mediterranean passed to one of the blackest of the German Emperors." The present volume covers the first hundred and fourteen of those years and is a history of struggles, intrigues, sieges, and insurrections, dominated by the sons and grandsons of Tancred de Hauteville and, above all, by the "gigantic blond buccaneer," Robert Guiscard, one of the most incredible men of the Middle Ages. The Other Conquest is an excellent book distinguished by its Horatian ability to delight as well as teach. Lord Norwich does not pretend to have unearthed any new material or to have put forward any startlingly original conclusions, but he has succeeded admirably in explaining "how the Normans got to Sicily in the first place, what sort of country they made of it, and how they managed to imbue it with a culture at once so beautiful and so unique." Clean copy.

Softcover. Padova Italy, Editrice Antenore, 1st, 1961, Book: Very Good, Dust Jacket: None, Softcover, cream color wrappers with black and blue type, 141 pages with index. Foreword by author. English text. Name on front fly leaf, light pencil marking to 10 pages.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 375 pages. In probing chapters on C. G. Jung, Hans-Georg Gadamer, Georges Bataille, and Maurice Blanchot, Wolin discovers an unsettling commonality: during the 1930s, these thinkers leaned to the right and were tainted by a proverbial "fascination with fascism." Frustrated by democracy's shortcomings, they were seduced by fascism's grandiose promises of political regeneration. The dictatorships in Italy and Germany promised redemption from the uncertainties of political liberalism. But, from the beginning, there could be no doubting their brutal methods of racism, violence, and imperial conquest. Postmodernism's origins among the profascist literati of the 1930s reveal a dark political patrimony. The unspoken affinities between Counter-Enlightenment and postmodernism constitute the guiding thread of Wolin's suggestive narrative. In their mutual hostility toward reason and democracy, postmodernists and the advocates of Counter-Enlightenment betray a telltale strategic alliance--they cohabit the fraught terrain where far left and far right intersect. Clean copy.

Hardcover. NY, Fordham University Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 234 pages. INSCRIBED BY AUTHOR on the half-title page. The writer Giuseppe Prezzolini said that Italian immigrants left behind tears and sweat but not "words," making their lives in America mostly in silence, their memories private and stories untold. In this innovative portrait of the Italian-American experience, these lives are no longer hidden. Ilaria Serra offers the first comprehensive study of a largely ignored legacy-the autobiographies written by immigrants. Here she looks closely at fifty-eight representative works written during the high tide of Italian migration. Scouring archives, discovering diaries, and memoirs in private houses and forgotten drawers, Serra recovers the voices of the first generation-bootblacks and poets, film directors and farmers, miners, anarchists, andseamstresses-compelled to tell their stories. Mostly unpublished, often thickly accented, these tales of ordinary men and women are explored in nuanced detail, organized to reflect how they illuminate the realities ofwork, survival, identity, and change.

Softcover. Woodstok VT, The Woodstock Foundation, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 123 pages, b&w illustrations. SIGNED BY JANE AND WILL CURTIS on the front fly leaf. This work was published in observance of the 100th anniversary of Marsh's death in 1882. It graphically portrays the many-faceted career of this extraordinarily versatile Vermonter. Marsh is best known for his pioneering environmental study, Man and Nature, which was first published in 1864. Marsh was a lawyer, linguist, businessman, farmer, designer, Congressman, and diplomat (he was Minister to Turkey and to the newly-united Kingdom of Italy, where he spent the last twenty-one years of his life, a tour of duty unprecedented in American diplomacy). In Congress he supported creating of the Smithsonian Institution.

Hardcover. New Haven CT, Yale University Press, reprint, 1991, Book: Very Good, Dust Jacket: None, Hardcover in a dust jacket with fading to some areas, 338 pages. Margaret Fuller - journalist, critic, radical feminist, and political activist - traveled in Europe between 1846 and 1850 as a foreign correspondent for the New York Tribune. Her letters from England, France, and Italy, which began as engaging travel sketches, soon became moving accounts of the most widespread revolutionary upheaval within modern history. These dispatches are now reproduced in their entirety for the first time. Clean copy.

Hardcover. NY, Knopf, 1st US, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 288 pages, color & b/w plates, sources, index.

Hardcover. Boulder CO, Westview Press, 2nd pr., 1999, Hardcover in a bright dust jacket, 264 pages, color and b&w illustrations. This introduction to the life and works of one of the giants of Western painting also surveys the golden age of Venetian painting from Bellini to Veronese and its place in the history of Western art. Sometimes referred to as the founder of modern painting Titian's legacy and influence was immense and continuing?: Italian Baroque painting, El Greco, Rubens, Rembrandt and Dutch painting, French 18th century painting, Velazquez, and Picasso. There are 119 black and white illustrations integrated with the text and 8 plates in full color, a selected bibliography and index. Clean copy.

Softcover. Boston, Museum of Fine Arts, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 315 pages. Color illustrations. For nearly four decades in the sixteenth century, the careers of Venice's three greatest painters-, Titan, Tintoretto and Veronese, overlapped, producing mutual influences and bitter rivalries that changed art history. Venice was then among Europe's richest cities, and its plentiful commissions fostered an exceptionally fertile and innovative climate. In it, the three artists, brilliant, ambitious and fiercely competitive, vied with one another for primacy, employing such new media as oil on canvas, with its unique expressive possibilities, and such new approaches as a personal and identifiable signature style. They also pioneered the use of easel painting, a newly portable format that led to unprecedented fame in their lifetimes. With more than 150 stunning examples by the three masters and their contemporaries, this volume elucidates the technical and aesthetic innovations that helped define the uniquely rich "Venetian style," as well as the social, political and economic context in which it flourished. Essays range from examinations of seminal new techniques to such crucial institutions as state commissions and the patronage system. Most of all, by concentrating on the lives and careers of Venice's three greatest painters, Titian, Tintoretto, Veronese paints a vibrant human portrait--one brimming with savage rivalry, one-upmanship, humor and passion. Clean copy. DOMESTIC SHIPPING ONLY.

Hardcover. London, Phaidon Press, 1st, 2007, Book: Very Good, Dust Jacket: None, 240 pages. Hardcover no dust jacket. Like new in publisher's shrink-wrap. Titian (Tlziano Vecellio, c. 1488/90-1576) was an outstanding painter of the Renaissance. An Ideal introduction to Titian's life and work for the general reader and scholar alike. Places Titian's career and work into the social and historical context of sixteenth-century Italy and explores his approach to a number of themes.

Hardcover. NY, Simon & Schuster, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light sticker residue, 203 pages. The travel author and historian journeys to the beguiling city of Trieste, Italy, which has enchanted her for more than fifty years, to explore issues of patriotism, decency, wildness, and sex. In this love letter to Trieste a city she has grown to love over the years and never got tired of exploring Morris looks back on her life. She recalls first coming to Trieste as a soldier [male] in World War II and discusses the impact the city's way of life has had on her own philosophy of life. Each chapter begins with a philosophical quote stating its theme and setting the atmosphere. Morris is not only skilled at vividly describing townspeople and buildings in a way that brings Trieste to life, but she also successfully balances the personal with the historical by providing references to both history and literature. Clean copy.

Hardcover. London, National Gallery , 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages, illustrated throughout in color. Light shelf-wear to dust jacket with small scratch on front cover. Clean, tight copy. With over 150 illustrations and an in-depth chronology, this beautifully produced and comprehensive book surveys Velazquez's entire career and explores his universal popularity. Fascinating essays by world-class Velazquez scholars address the artist's life and technique, examining his studies in Seville and Italy to his final great works at the court of Philip IV.

Hardcover. NY, Nan A. Talese / Doubleday, 1st US, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, demi dust jacket. The history, cultural life, customs and social life of Venice. 403 pages. Chronology, Bibliography, Index. Two 8 page sections of full color illustrations, and two of black and white; b/w drawings at each chapter head. Clean copy.

Hardcover. London, George Allen, 4th Ed., 1896, Book: Very Good, Dust Jacket: None, Hardcover, flexible black cloth with red and gilt stamping, edges stained red. 268 pages with a 10 page catalogue of Hare's other titles in rear. With 23 illustrations and a double page color map. Detailed information on the history and landmarks of Venice. Clean, bright copy of this vintage travel guide.

Hardcover. Princeton NJ, Princeton University Press, 2nd pr., 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 372 pages, color plates throughout. Dust jacket protected with a mylar covering.A comprehensive survey of the work of this most influential Florentine artist and teacher Andrea del Verrocchio (c. 1435-1488) was one of the most versatile and inventive artists of the Italian Renaissance. He created art across media, from his spectacular sculptures and paintings to his work in goldsmithing, architecture, and engineering. His expressive, confident drawings provide a key point of contact between sculpture and painting. He led a vibrant workshop where he taught young artists who later became some of the greatest painters of the period, including Leonardo da Vinci, Sandro Botticelli, Lorenzo di Credi, and Domenico Ghirlandaio. This beautifully illustrated book presents a comprehensive survey of Verrocchio's art, spanning his entire career and featuring some fifty sculptures, paintings, and drawings, in addition to works he created with his students. Through incisive scholarly essays, in-depth catalog entries, and breathtaking illustrations, this volume draws on the latest research in art history to show why Verrocchio was one of the most innovative and influential of all Florentine artists.Published in association with the National Gallery of Art, Washington, Small white sticker on dj spine, otherwise like new. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. New York, Princeton Architectural Press, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 152 pages. Hardcover with dust jacket. Minor soiling to front cover of dust jacket. An otherwise clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout. A tight copy. "A collection of exquisite large-format pen-and-ink watercolor renderings of all of Palladio's villas."

Hardcover. NY, Viking , 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 282 pages. Black & white maps, plans and illustrations. Documents the experiences of late-Renaissance Venetian nuns, many of whom were upper-class women immured against their will, exploring how convents of the period were often political hotbeds and the sites of illicit love affairs in their resident's efforts to find fulfillment. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st thus, 1950, Book: Very Good, Dust Jacket: None, Hardcover. The Chronicles of America Vol. 54. 364 pages, b&w illustrations. Red gilt-decorated cloth, top edge gilt, no dust jacket as issued. Details the campaigns of the U.S. Armed Forces in all theaters of World War II, including Tunisia, France, Italy, the Philippines, and Guadalcanal. A very nice, tight, clean copy in excellent condition.

Hardcover. Philadelphia, PA, Philadelphia Museum of Art in association with Yale University Press, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Very clean, like new in publishers shrinkwrap. Peter Paul Rubens (1577-1640) proudly described his monumental painting Prometheus Bound as first among "the flower of my stock." This singular work demonstrates how Rubens engaged with and responded to his predecessors Michelangelo and Titian, with whom he shared an interest in depictions of physical torment. The Wrath of the Gods offers an in-depth case study of the Flemish artist's creative process and aesthetic, while also demonstrating why this particular painting has appealed to viewers over time. Many scholars have elaborated on Rubens's affinity for Titian, but his connection to Michelangelo has received far less attention. This study presents a new interpretation of Prometheus Bound, showing how Rubens created parallels between the pagan hero Prometheus and Michelangelo's Risen Christ from the Sistine Chapel's Last Judgment. Christopher D. M. Atkins expands our understanding of artistic transmission by elucidating how Rubens synthesized the works he saw in Italy, Spain, and his native Antwerp, and how Prometheus Bound in turn influenced Dutch, Flemish, and Italian artists. By emulating Rubens's composition, these artists circulated it throughout Europe, broadening its influence from his day to ours.