Hardcover. Washington DC, GPO, 1st, 1968, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth, title in gilt on spine and insignia in gilt on front. B&w illustrations, 377 pages. First printing of first edition. Related article pasted to front endpapers, Book covers and interior bright and clean. Foreword by Rear Admiral Ernest McNeill Eller. Homer Norman Wallin (December 6, 1893 - March 6, 1984) was a vice admiral in the United States Navy, best known for his salvage of ships sunk in the attack on Pearl Harbor. In 1941, Captain Wallin became material officer for commander, Battle Force, U.S. Pacific Fleet, and was serving in that position when Japan attacked Pearl Harbor on 7 December 1941. He was placed in charge of the Pearl Harbor Navy Yard's Salvage Division. Through most of 1942, he directed the Pearl Harbor ship salvage effort, a huge task that enabled the navy to recover the use of three sunken battleships.
Softcover. NY, Pantheon Books, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 297 pages. This compelling social history uses diaries, memoirs, fiction, trial testimony, personal recollections, and eyewitness accounts to weave a fascinating tale of what ordinary Japanese endured throughout their country's era of economic growth. Through vivid, often wrenching accounts of peasants, miners, textile workers, rebels, and prostitutes, Mikiso Hane forces us to see Japan's "modern century" (from the beginnings of contact with the West to World War II) through fresh eyes. In doing so, he mounts a formidable challenge to the success story of Japan's "economic miracle." Starting with the Meiji restoration of 1868, Hane vividly illustrates how modernization actually widened the gulf, economically and socially, between rich and poor, between the mo-bo and mo-ga ("modern boy" and "modern girl") of the cities and their rural counterparts. He interlaces his scholarly narrative with sharply etched individual stories that allow us see Japan from the bottom up. Clean copy.
Hardcover. Princeton NJ, Princeton University Press, 2nd pr., 1969, Book: Very Good, Dust Jacket: Very Good, 637 pages, black cloth covers with red and gilt design on spine. Previous owner's signature on front fly leaf. Bright, price-clipped dust jacket.
Hardcover. Cambridge MA, Harvard University Press , 1st, 1967, Book: Very Good, Dust Jacket: Good, Hardcover in an edgeworn dust jacket with minor tape repairs. 346 pages. A study of the bakufu, or administrative structure of the predominant ruling family in early modern Japan. The achievements of the Tokugawa family, who gave Japan 250 years of peace, are placed in a broad context through comparisons with contemporary institutional developments in other Asian countries and in Europe. Name on front fly leaf, otherwise clean.
Hardcover. NY, W. W. Norton, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 635 pages. The definitive history of one of the most brutal campaigns of the war in the Pacific. "What Iris Chang did for our understanding of the Rape of Nanking, James M. Scott has now done for the Battle of Manila. Here is a sweeping tale of frenzied fighting and heartbreaking devastation, written by a meticulous historian who has unflinchingly probed the truth of this largely forgotten episode from the Pacific." Clean copy.
Softcover. London/NY, Thames & Hudson, 1st, 2024, Book: Very Good, Dust Jacket: None, Softcover, 288 pages. An accessible and visually rich study of Japanese photography since 1945 by an experienced curator specializing in Japanese art and culture. From the severity of post-war Realism to the diversity and technical ingenuity of the present, via movements and groups such as Vivo in the 1960s and 'girls' photography' in the 1990s, this visually bold and richly volume traces the development of Japanese photography since 1945. Interleaved are new interviews with some of the most influential practitioners in photographic history, from Moriyama Daido to Araki Nobuyoshi and Kawauchi Rinko. Lena Fritsch writes with imagination and clarity, interrogating a cross-section of photographic movements and works against the vivid, shifting backdrop of Japanese social, cultural and political history. The result is both an accessible introduction and an illuminating work of analysis for general readers and aficionados alike.
Hardcover. Tokyo, Sophia University, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, 210 pages, b&w illustrations. Beige cloth spine with patterned boards and a bright dust jacket with a glassine wrapper.
Hardcover. London, Ashgate, reprint, 2010, Book: Very Good, Dust Jacket: Very Good, 248 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Silver gilt on spine. 'Like "the ring" itself, this book is viral: it gathers into itself literature and film, disease and survival, cultural studies and aesthetics, Japan and America, technology and the family. We won't read Suzuki's novels or watch the films in the same way again. A thoroughly readable and teachable text!' Steven Bruhm, Robert and Ruth Lumsden Professor of English, The University of Western Ontario, and author of Reflecting Narcissus: A Queer Aesthetic 'Taking as its point of departure the phenomenon of The Ring in all its manifestations"the Japanese novel, the Japanese film, the American film, and the various sequels"The Scary Screen offers an in-depth and sustained speculation about the anxiety created by the development of communication technologies. The collection introduces startling insights into the relationship between changes in media forms and widespread fears of contagion, while also identifying a new universal form of horror that has emerged in recent decades as the status of reproduction"both technological and biological"has undergone a profound transformation. The essays included here represent a powerful theoretical response to this transformation.' Todd McGowan, University of Vermont, and author of The Impossible David Lynch and The Real Gaze '... The Scary Screen is a useful contribution to studies of The Ring, horror film, and cultural anxieties evoked by technology.' Journal of the Fantastic in the Arts.
Softcover. Tokyo, Shinbaku Books, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 112 pages, illustrated in color. The modern era of underground doll-making in Japan began in the late 1960s, with the experiments of Simon Yotsuya and Nori Doi. Directly inspired by the Surrealist Doll constructed by Hans Bellmer in 1932, Simon Yotsuya created a series of ball-jointed, life-sized dolls which featured in his ground-breaking "Eve In The Past And The Future" exhibition in Tokyo, in 1973. Simon Yotsuya's work inspired a new wave of avant-garde Japanese doll-making, headed by artists such as Ryo Yoshida and Katan Amano, which has continued to flourish to the present day. SECRET DOLLeEUR^UNDERGROUND, presented by Yuichi Konno, features dolls by fifteen artists, from Simon Yotsuya onwards, with over 80 full-sized colour photographs never before published outside Japan. It also includes Konno's introductory history of the underground doll in Japan.
Softcover. NY, Burns Archive Press, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 106 pages, color plates throughout. SIGNED/INSCRIBED BY STANLEY BURNS on the title page. Japan, an island nation isolated until the mid-nineteenth century, opened its doors to foreign photographers in the 1860s. These photographers presented a visual cultural kaleidoscope of Japanese life to an eager outside world. The 160 photographs in this volume are curated from tourist albums and presented in the typical sequence. The modern reader will experience Meiji Japan in the way of a nineteenth century armchair traveler. While photographers in other countries were marketing sepia-toned prints, photographers in Japan took advantage of local artists and had their prints exquisitely painted. As with all hand-rendered artworks, quality varied; many photographs were executed so well as to challenge modern color photography. Photographers were limited by government restrictions and many scenes were set in studios rather than in real life. Despite the limitations, tourists visiting the country could purchase albums filled with colorful renditions of Japan's peoples and places. The carefully staged and approved photographs promoted an idealized and romanticized vision of Meiji Japan. Modernization and industrialization changed the country dramatically and the last vestiges of the disappearing feudal culture are captured by the camera. These intriguing photographs are beautiful multi-media artworks representing a vanished world. Clean copy.
Hardcover. NY, W. W. Norton, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This stimulating and comprehensive collection of original essays on twentieth-century Japan's history and culture provides a unique mix of American and Japanese perspectives on Showa. With an important, substantial Introduction by Carol Gluck, the volume explores the strengths of the Japanese economy, the issue of democracy and Japan's political culture, Japan's achievements in technology and the arts, and its relations with other Asian nations and the United States. Name on front fly leaf, otherwise clean.
Hardcover. NY, Knopf, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 418 pages, b&w illustrations. From the author of the best-selling One Minute to Midnight, a riveting account of the pivotal six-month period spanning the end of World War II, the dawn of the nuclear age, and the beginning of the Cold War. When Roosevelt, Stalin, and Churchill met in Yalta in February 1945, Hitler's armies were on the run and victory was imminent. The Big Three wanted to draft a blueprint for a lasting peace--but instead set the stage for a forty-four-year division of Europe into Soviet and western spheres of influence. After fighting side by side for nearly four years, their political alliance was rapidly fracturing. By the time the leaders met again in Potsdam in July 1945, Russians and Americans were squabbling over the future of Germany and Churchill was warning about an "iron curtain" being drawn down over the Continent. These six months witnessed some of the most dramatic moments of the twentieth century: the cataclysmic battle for Berlin, the death of Franklin Roosevelt, the discovery of the Nazi concentration camps, Churchill's electoral defeat, and the dropping of atomic bombs on Japan. While their armies linked up in the heart of Europe, the political leaders maneuvered for leverage: Stalin using his nation's wartime sacrifices to claim spoils, Churchill doing his best to halt Britain's waning influence, FDR trying to charm Stalin, Truman determined to stand up to an increasingly assertive Soviet superpower.
Hardcover. New York, The Museum of Modern Art, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.
Hardcover. New York, The Museum of Modern Art, New York, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.
Softcover. Annapolis MD, Naval Institute Press, reprint, 1989, Book: Very Good, Dust Jacket: None, Softcover, 596 pages. The second part of H. P. Willmott's three-volume history of the war in the Pacific, this work tells how Japan arrived at a situation in which war with the United States was the only means of ensuring long-term security and resolving her immediate problems of access to raw materials and of an unwinnable war in China. Totally balanced in presentation, the book also explains the basis of Allied miscalculations and provides explanations of the defeats that overwhelmed American, British, and Dutch forces throughout Southeast Asia in a little more than three months. Willmott argues that it was Japan's concentration and economy of force that contributed to its success in that early campaign. It was a later decision to disperse forces over a large area, he says, that resulted in Japan's loss of the Coral Sea and Midway battles and ultimately the entire war. Clean copy
Softcover. UK, Cambridge University Press, reprint, 2011, Book: Very Good, Dust Jacket: None, Softcover, 231 pages, b&w illustrations. The Chinese peoples' experience of war during the Second World War, as it is known in the West, was one of suffering and stoicism in the face of dreadful conditions. China's War of Resistance began in 1937 with the Japanese invasion and ended in 1945 after eight long years. Diana Lary, one of the foremost historians of the period, tells the tragic history of China's war and its consequences from the perspective of those who went through it. Using archival evidence only recently made available, interviews with survivors, and extracts from literature, she creates a vivid and highly disturbing picture of the havoc created by the war, the destruction of towns and villages, the displacement of peoples, and the accompanying economic and social disintegration. Her focus is on families torn apart, men, women, and children left homeless and struck down by disease and famine. It is also a story of courage and survival. By 1945, the fabric of China's society had been utterly transformed, and entirely new social categories had emerged. As the author suggests in a new interpretation of modern Chinese history, far from stemming the spread of communism from the USSR, which was the Japanese pretext for invasion, the horrors of the war, and the damage it created, nurtured the Chinese Communist Party and helped it to win power in 1949. Clean copy.
Hardcover. Stanford CA, Stanford University Press, reprint, 1976, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth covers, black lettering to spine, 288 pages. About 1307 a remarkable woman in Japan sat down to complete the story of her life. The result was an autobiographical narrative, a tale of thirty-six years (1271-1306) in the life of Lady Nijo, starting when she became the concubine of a retired emperor in Kyoto at the age of fourteen and ending, several love affairs later, with an account of her new life as a wandering Buddhist nun. Through the vagaries of history, however, the glory of Lady Nijo's story has taken six and half centuries to arrive. The Confessions of Lady Nijo or Towazugatari in Japanese, was not widely circulated after it was written, perhaps because of the dynastic quarrel that soon split the imperial family, or perhaps because of Lady Nijo's intimate portrait of a very human emperor. Whatever the cause, the book was neglected, then forgotten completely, and only a single manuscript survived. This was finally discovered in 1940, but would not be published until after World War II in 1950. This translation and its annotations draw on multiple Japanese editions, but borrow most heavily from the interpretations offered by Tsugita Kasumi. No dust jacket. Name on front fly leaf, otherwise a bright, clean copy.
Hardcover. Princeton NJ, Princeton University Press, 1st, 1958, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket, 513 pages, b&w illustrations. In 1918 the U.S. government decided to involve itself with the Russian Revolution by sending troops to Siberia. This book re-creates that unhappily memorable story: the arrival of British marines at Murmansk, the diplomatic maneuvering, the growing Russian hostility, the uprising of Czechoslovak troops in central Siberia which threatened to overturn the Bolsheviks, the acquisitive ambitions of the Japanese in Manchuria, and finally the decision by President Wilson to intervene with American troops. Of this period Kennan writes, "Never, surely, in the history of American diplomacy, has so much been paid for so little." Name on front fly leaf, otherwise clean.
Hardcover. NY, Orion/Crown, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Recaptures the World War II bombing raid over Tokyo under the command of Lt. Col. "Jimmy" Doolittle and the incredible seek-and-destroy mission that he and other American pilots endured after the bombing.
Hardcover. NY, St. Martin's Press, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket with light fading to spine, 487 pages. In this book Ryoshin Minami studies the last hundred years of Japan's remarkable economic growth from the Meiji period up to the present day. First, he reveals the factors which account for Japan's successful economic take-off during the Meiji period. Second, he explains why Japan achieved a more rapid rate of economic growth than other developed countries. This forms the major part of the book and will interest those in the developed countries who have felt the full force of Japan's export drive and whose own industries are consequently in decline. Finally, the author evaluates the results of Japan's economic growth and makes predictions for its future. The book makes a comprehensive survey of the Japanese experience in the pre- and post-war periods and points out lessons not only for developed countries but also for developing countries. Name on front fly leaf, otherwise clean.
Hardcover. NY, Viking Press, 2nd pr., 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 430 pages. Immediately after Japan's attack on Pearl Harbor, President Franklin D. Roosevelt sought to restore the honor of the United States with a dramatic act of a retaliatory bombing raid on Tokyo. On April 18, 1942, eighty brave young men, led by the famous daredevil Jimmy Doolittle, took off from a navy carrier in the mid-Pacific on what everyone regarded as a suicide mission but instead became a resounding American victory and helped turn the tide of the war. The First Heroes is the story of that mission. Meticulously researched and based on interviews with twenty of the surviving Tokyo Raiders, this is a true account that almost defies belief, a tremendous human drama of great personal courage, and a powerful reminder that ordinary people, when faced with extraordinary circumstances, can rise to the challenge of history. Clean copy.
Hardcover. NY, Random House, 1st, 1954, Book: Very Good, Dust Jacket: Good, 403 pages. Hardcover. 65 illustrations, 40 in full color. Price clipped dust jacket worn with tape repairs, fading - jacket now protected with clear plastic cover. "An account of the life and death of an art, of the men who made it and of the lusty age in which they flourished. 65 illustrations, including 40 in full color." Index, glossary, bibliography, appendices, artist biographies, chronology. Clean, tight copy.
Hardcover. NY, Viking, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 294 pages, b&w photos. Sam Kleiner's The Flying Tigers uncovers the hidden story of the group of young American men and women who crossed the Pacific before Pearl Harbor to risk their lives defending China. Led by legendary army pilot Claire Chennault, these men left behind an America still at peace in the summer of 1941 using false identities to travel across the Pacific to a run-down airbase in the jungles of Burma. In the wake of the disaster at Pearl Harbor this motley crew was the first group of Americans to take on the Japanese in combat, shooting down hundreds of Japanese aircraft in the skies over Burma, Thailand, and China. At a time when the Allies were being defeated across the globe, the Flying Tigers' exploits gave hope to Americans and Chinese alike. Clean copy.
Hardcover. NY, New York University Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, pages. The GI War Against Japan recounts the harrowing experiences of American soldiers in Asia and the Pacific. Based on countless diaries and letters, it sweeps across the battlefields, from the early desperate stand at Guadalcanal to the tragic sinking of the U.S.S. Indianapolis at war's very end. From the daunting spaces of the China-India theater to the fortress islands of Iwo Jima and Okinawa, Schrijvers brings to life the GIs' struggle with suffocating wilderness, devastating diseases, and Japanese soldiers who preferred death over life. Amidst the frustration and despair of this war, American soldiers abandoned themselves to an escalating rage that presaged Hiroshima and Nagasaki.