Hardcover. Birmingham AL, Legal Classics Library, reprint, 1986, Book: Very Good, Dust Jacket: None, Hardcover, 508 pages, handsomely bound in black cowhide leather lettered and decorated in gilt, raised spine bands, all edges gilt, attached ribbon bookmarks, marbled endpapers. A facsimile of the original 1826 first edition. Bright, clean copy.
Hardcover. Birmingham AL, Legal Classics Library, reprint, 1986, Book: Very Good, Dust Jacket: None, Hardcover, 528 pages ,handsomely bound in black cowhide leather lettered and decorated in gilt, raised spine bands, all edges gilt, attached ribbon bookmarks, marbled endpapers. A facsimile of the original 1827 first edition. Bright, clean copy.
Hardcover. Birmingham AL, Legal Classics Library, reprint, 1986, Book: Very Good, Dust Jacket: None, Hardcover, 550 pages, handsomely bound in black cowhide leather lettered and decorated in gilt, raised spine bands, all edges gilt, attached ribbon bookmarks, marbled endpapers. A facsimile of the original 1830 first edition. Bright, clean copy.
Hardcover. University Park, Pennsylvania State University Press, 1st Edition, 2012, Book: Very Good, Dust Jacket: Very Good, 346 pages. Hardcover. Dust jacket with only minor wear. Clean, unmarked and tight copy.
Hardcover. Burlington, Chauncy Goodrich, 1st, 1851, Book: Good, Dust Jacket: None, Hardcover, full leather with a red and gilt paste down on the spine.1850 on spine. 815 pages. Front hinge weak, previous owner's inscription, signatures on end papers, worn calf covers, internally VG w/ light foxing.
Hardcover. New York, Macmillan Company, 1st, 1947, Book: Good, Dust Jacket: None, Hardcover. 361 pages. Some light scratching to front cover. Rubbing to corners, spine. Spine slightly faded.
Softcover. Toronto CAN, Dundurn Press, 1st, 1997, Softcover, 192 pages, b&w illustrations. The insular character of Britain delayed the creation of professional police until the 19th century. This volume traces the course of British amateur policing until that time, at which point it deals with the foundation of the London Metropolitan Police and efforts to create similar professional urban institutions in New York and Montreal. Due attention is also given to the fact that very different conditions in rural Ireland necessitated the creation of a para-military type of force, which in turn served as the model for police in the countryside throughout the Empire. Clean copy.
Hardcover. NY, W. W. Norton & Company, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 402 pages. Remarkable study of smuggling, which illustrates how Americans related to the world from the Founding to World War I. From the beginning, the United States sought to build nationalism by limiting their own ability to trade with foreigners. But at the same time, Americans like Charles L. Lawrence defied customs authorities, insisting that trade be free. The government responded by building a potent army of customs inspectors and treasury agents, who profiled Jews, Asians, and women in the pursuit of tariff revenues.Beautifully written, the author uses the stories of smugglers like Jean Lafitte, Charles L. Lawrence, and Rose Eytinge to illustrate not only the history of Protectionism, but also the rise of American empire and the development of the modern social safety net. He shows that the tariff was far from an unpopular relic, but rather the foundation of the nineteenth century state. Clean copy.
Hardcover. London, England, Pickering & Chatto, 1st, 2001, Book: Very Good, Dust Jacket: None, Six volumes, Hardcovers. 1636-1691. Volume 1: 521 pages. Two bumps to front cover board edge.Volume 2: 674 pages. front cover board top right corner bump.Volume 3: 445 pages.Volume 4: 528 pages.Volume 5: 474 pages.Volume 6: 616 pages. Some b/w illustrations. Blue cover boards, gilt title on black with decoration on spines. Previous owner's name and information on flyleaf of volumes 1, 2, and 6. Pages clean and bright. Binding tight. Spines straight. Beautiful set right out of a professor's library. Domestic Shipping Only.
Hardcover. Princeton, NJ, Princeton University Press, 1st US, 1982, Book: Very Good, Dust Jacket: Good, Hardcover. 360 pages. Dust jacket with edgewear, sun-fading. Clean, tight copy. The first monograph on English medieval county courts, this book provides a major revision of traditional conceptions of the character of these courts and the organization of English society from the twelfth to the fourteenth century. THe county courts have been considered courts of custom dominated by local knights unskilled in the law. By analyzing county peronnel and their role of the courts, Robert C. Palmer shows that these courts were, on the contrary, clearly professional and controlled by the magnates through their lawyers. Nevertheless, as the author demonstrates by his study of the process of jurisdictional change, the county courts were increasingly relegated to lesser roles by changes meant to assure justice to county litigants, while the king's court became the normal court of original jurisdiction for most important cases.
Softcover. NY, Basic Books, 1st pbk., 1993, Book: Very Good, Dust Jacket: None, Softcover, 577 pages. In a panoramic history of our criminal justice system from Colonial times to today, one of our foremost legal thinkers shows how America fashioned a system of crime and punishment in its own image. Clean, like new.
Softcover. Beverly Hills, CA, Lawrence Bassoff Collection, 1st, 1997, Book: Very Good, Dust Jacket: None, Large softcover, 159 pages, illustrated throughout in color. Light wear to pictorial covers, else a very nice, tight. clean copy. Foreword by Robert Wise. 100 beautiful reproductions of classic crime film posters.
New York, Van Nostrand Reinhold, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 196 pages. Black & white photography. Reveals the war with Russia, the first war to be extensively recorded by photography. Here are 85 photos and commentary. Many of the photos were taken by two Englishmen, Roger Fenton and William Robertson.
Hardcover. Philadelphia, J.B. Lippincott, 2nd Ed., 1865, Book: Very Good, Dust Jacket: None, Hardcover, dark green pebbled cloth with gilt lettering on spine, 4" x 6 1/4", 303 pages including index. A detailed instructional guide for the Civil War era soldier. Copyright page states 1964, title page says 1865. Probably a second edition. Still scarce in this nice condition. A few pages with dog ears, previous owner's pencil signature on front fly leaf. Otherwise clean, tight copy.
Hardcover. Clark NJ, The Lawbook Exchange,, 2005, Hardcover, blue cloth stamped in green with gilt lettering, 752 pages. No dust jacket. Reprint of the standard critical Latin edition of Grotius's magnum opus of 1625, which established the framework of modern international law. Grotius describes the situations in which war is a valid tool of law enforcement and outlines the principles of armed combat. Though based on Christian natural law, Grotius advanced the novel argument that his system would still be valid if it lacked a divine basis. In this regard he pointed to the future by moving international law in a secular direction. A work of painstaking philological research, this edition is based on the final version edited by the author, which issued posthumously in 1646. Name on front fly leaf, otherwise clean.
Hardcover. Buffalo NY, William S. Hein, reprint, 1995, Book: Very Good, Dust Jacket: None, Hardcover, tan buckram with black spine lettering. This is a reprint of the first English translation from the Latin, originally published in 1925 by The Clarendon Press. 946 pages. Name on front fly leaf, otherwise clean. PLEASE NOTE: DUE TO WEIGHT DOMESTIC SHIPPING ONLY.
Hardcover. NY, Oxford University Press, reprint, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 344 pages. "Agricola" is Tacitus's biography of his father-in-law Gnaeus Julius Agricola, a Roman general who was governor of the province of Britain from 77 to 85 AD. This text is thus a key source of information on the Roman conquest and occupation of Britain in the first century AD. In the "Agricola", Tacitus is also keen to describe and commend the policies that Roman governors like Agricola employed to break the resistance of the ancient Britons and subjugate them to the Empire, but at the same time Tacitus presents the reader with a number of biting critiques of Rome's approach to imperial conquest. Some pencil notes in margins of about 20 pages. Name on front fly leaf.
Hardcover. Baltimore, Johns Hopkins University Press, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. America has had a love affair with the hard-boiled detective since the 1920s, when Prohibition called into question who really stood on the right and wrong side of the law. And nowhere did this hero shine more than in crime fiction. In Detectives in the Shadows, literary and cultural critic Susanna Lee tracks the evolution of this truly American character type from Race Williams to Philip Marlowe and from Mike Hammer to Jessica Jones. Lee explores how this character type morphs to fit an increasingly troubled world, offering compelling interpretations of The Wire, True Detective, and Jessica Jones. 216 pages, clean copy.
Hardcover. Germany, Taschen, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, 3-vol set in slip case. Hardcovers. Like new in publisher's shrink-wrap. Editor Dian Hanson traces the fascinating development of the genre from 1900 to 1969 in three compact, informative volumes. In Volume 1 you'll learn about the first magazines that appeared around 1900 in France, Germany, and the U.S., and follow the development of the genre through the First and Second World Wars. Covered are men's magazines masquerading as movie magazines, humor magazines, art magazines, nudist magazines, and "spicy" fiction. Volume 2 documents the proliferation of pin-up magazines following World War II, most notably a little item called Playboy that debuted in December 1953 and spawned dozens of imitators. This volume also charts the emergence of English men's magazines, fetish magazines, and the top five covergirls of the 1950s. Volume 3 begins with an explosion of new American pin-up magazines following the loosening of U.S. obscenity laws, and continues with French titles in decline, England going pervy; nudists going hippy, and Germany going pervy, hippy and political.
Hardcover. NY, Abrams Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 439 pages. In the 1950s, comics meant POW!BAM! superheroes, family-friendly gags, and Sunday funnies, but in the 1960s, inspired by these strips and the satire of MAD magazine, a new generation of creators set out to subvert the medium, and with it, American culture. Their "comix"--spelled that way to distinguish the work from their dime-store contemporaries--presented tales of taboo sex, casual drug use, and a transgressive view of society. Embraced by hippies and legions of future creatives, this subgenre of comic books and strips often ran afoul of the law, but that would not stop them from casting cultural ripples for decades to come, eventually moving the entire comics form beyond the gutter and into fine-art galleries.Brian Doherty weaves together the stories of R. Crumb, Art Spiegelman, Trina Robbins, Spain Rodriguez, Harvey Pekar, and Howard Cruse, among many others, detailing the complete narrative history of this movement. Through dozens of new interviews and archival research, he chronicles the scenes that sprang up around the country in the 1960s and '70s, beginning with the artists' origin stories and following them through success and strife, and concluding with an examination of these creators' legacies. Dirty Pictures is the essential exploration of a truly American art form that recontextualized the way people thought about war, race, sex, gender, and expression.
Hardcover. NY, Abrams Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 439 pages. In the 1950s, comics meant POW!BAM! superheroes, family-friendly gags, and Sunday funnies, but in the 1960s, inspired by these strips and the satire of MAD magazine, a new generation of creators set out to subvert the medium, and with it, American culture. Their "comix"--spelled that way to distinguish the work from their dime-store contemporaries--presented tales of taboo sex, casual drug use, and a transgressive view of society. Embraced by hippies and legions of future creatives, this subgenre of comic books and strips often ran afoul of the law, but that would not stop them from casting cultural ripples for decades to come, eventually moving the entire comics form beyond the gutter and into fine-art galleries.Brian Doherty weaves together the stories of R. Crumb, Art Spiegelman, Trina Robbins, Spain Rodriguez, Harvey Pekar, and Howard Cruse, among many others, detailing the complete narrative history of this movement. Through dozens of new interviews and archival research, he chronicles the scenes that sprang up around the country in the 1960s and '70s, beginning with the artists' origin stories and following them through success and strife, and concluding with an examination of these creators' legacies. Dirty Pictures is the essential exploration of a truly American art form that recontextualized the way people thought about war, race, sex, gender, and expression.
Hardcover. Birmingham AL, The Legal Classics Library , reprint, 1988, Book: Very Good, Dust Jacket: None, Hardcover, maroon calf, decorative gilt stamping, raised bands, marbled endpapers, all edges gilt, ribbon marker. A facsimile reprint of the 1787 London edition, the 17th Edition, corrected and improved by William Muchal. 335 pages plus index. Bright, clean copy.
Hardcover. NY, HarperCollins, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 518 pages with index. B&w illustrations. The allied bombing of Dresden created a massive fire that swept the city center, killing thousands of people and destroying its medieval heart. Debate began almost immediately: Was the destruction of this seemingly civilian city necessary militarily, or was it, some asked, equivalent to a war crime? Not just another in an endless parade of books on Dresden, Taylor's account may go a long way toward putting such questions to rest. It opens with the start, by British bombers, of the nighttime attack, and immediately turns to the past, meandering through several centuries of Dresden history, from its founding in the Middle Ages to the 20th century and the rise of the Nazis. Taylor, translator of The Goebbels Diaries, also covers the history of aerial bombardment and its international laws; gives glimpses of life under the Nazi regime; details the Allied bombing campaign against Germany; and, most excitingly, puts forth new information concerning Dresden's part in the German war effort, which turns out to be much greater than postwar information generally portrays. Clean copy.
Hardcover. Associated Publishing Company, 1st, 1899, Book: Good, Dust Jacket: None, Hardcover, blue pictorial cloth illustrated on upper cover with gilt, red, blue and black illustration and embossed gilt title. Gilt title on spine faded. 406 pages, frontispiece illustrated with b/w plate of Captain Dreyfus. Profusely illustrated with b/w portraits of the principal actors, and photographic reproductions of the places and scenes of Dreyfus trial and exile. Name and embossed stamp on front fly leaf, cover with light edge wear, interior clean.