history music

Hardcover. San Diego, Thunder Bay, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, color throughout. Nevermind, Achtung Baby, Use Your Illusion 1&2 - the 90s saw some classic albums produced by artists such as Nirvana, U2, Gun n Roses and Red Hot Chili Peppers, as well as a resurgence in country music popularized by Shania Twain and Garth Brooks. Combining information from both the US and UK charts provided by the Recording Industry Association of America (RIAA) and British Phonographic Industry (BPI), 100 Best Selling Albums of the 90s features chart-topping work from Michael Jackson, Puff Daddy and Green Day. Each album entry is accompanied by the original sleeve artwork front and back - and is packed full of facts and recording information, including a complete track listing, musician and production credits, and an authoritative commentary on the record and its place in cultural history. Soundtracks featured include the 60s and 70s hits on Forrest Gump, the Elton John/Tim Rice songs in The Lion King, and the orchestral score for Titanic (and Celine Dion's Oscar-winning My Heart Will Go On). Other stand-out albums include the Eagles' reforming to make Hell Freezes Over and Eric Clapton's Unplugged, a career revival for him in the popular 90s back-to-basics semi-acoustic series.

Hardcover. San Diego, Thunder Bay Press , 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 224 pages. From singer-songwriters like Billy Joel and the Bee Gees to folk artists like John Denver and James Taylor to the rock legends Aerosmith and Led Zeppelin, you won't find a more complete list of albums that defines the '70s music scene. Each listing features the full-color, original sleeve artwork, and is packed with information about the musician lineup, track listings, and number-one singles that resulted. A celebration of this funky era. Clean, bright copy.

Softcover. NY, Princeton Architectural Press , 2nd pr, 2002, Book: Very Good, Dust Jacket: None, Softcover, unpaginated, color illustrations throughout. This book is the first and only compilation of more than 200 45 record covers from all genres of music. Unpaginated, includes brief historical essays by collectors and graphic designers. Covers the 50s through the 90s. Clean, bright copy.

Softcover. New York , Princeton Architectural Press, 2nd printing, 2002, Book: Very Good, Dust Jacket: None, Illustrated throughout in color. Light edgewear to wrappers, else a clean, tight copy. 45 RPM: A Visual History of the Seven-Inch Record celebrates a often overlooked, yet vital form of art, that of the seven inch sleeve. Not only are there more than 200 pictures display in this book, but an excellent history detailing the rise and fall of this format. There are basically five main chapters starting with the 50's all the way to the 90's. Each chapter is preceded by a written piece authored by different individuals, ranging from a record collector, renown sleeve artists, a music journalist and a music critic. Each provides thoughful, authorative, and interesting insights into the period of time they are introducing. The real meat is the pictures, and there are a lot of them.

Hardcover. NY, HarperResource, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 192 pages. Lee Mendelson and Bill Melendez reveal how the storyline of one of the most beloved TV shows unfolded, and reflect upon more than three decades of work with Charles M. Schulz. Includes full-color images from the animated film; never-before-seen photographs, sketches and production materials, interviews with musicians who were inspired by Vince Guaraldi's music, the full script of the show, and more. Clean copy.

Hardcover. NY, Hyperion/Miramax, 1st, 1997, Book: Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 191 pages, b&w illustrations. Light waviness to some pages, otherwise clean copy. In an expert guide to the history of American film, enhanced by many wonderful full-color and black-and-white photographs and film stills, the acclaimed director takes a look at many American movies while exploring them from a both a professional and personal perspective. An academically trained filmmaker (NYU film school) who is among today's most innovative directors, Scorsese presents an engrossing, idiosyncratic memoir of his experiences with motion pictures, including recollections of his first boyhood journeys to movie theaters and the impressions the films made on him. In analyzing American film since the silent era, he especially highlights Westerns, musicals, and gangster movies, genres that originated in America. No markings.

Softcover. London, Black Dog Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 190 pages, pictorial wrappers. Now the world's foremost blues, rockabilly, soul and rock 'n' roll reissue label, Ace Records has been responsible for unearthing lost classics and neglected pioneers for over three decades, and provided some of the finest and most influential records of the post-war era. Illustrated with many unseen archive photographs dating back to the 1920s, rare artwork and newspaper clippings. Written by established music journalist and author David Stubbs.

hardcover. London, Mitchell Beazley, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages illustrated in color. A visual history of the record album cover. Great graphic reference. In a bright, unclipped dust jacket.

Hardcover. Privately Printed, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 283 pages. INSCRIBED By AUTHOR on title page. Illustrated throughout in b&w. Dust jacket spine slightly faded, else a clean, unmarked copy with only minor wear to dust jacket. CD inside rear cover. Covers the 40 year production span of the mechanical organs that provided music in the last pert of the 19th century and first 30 years of the 20th.

Hardcover. Bloomington, IN, Indiana University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, 272 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear. A tight copy. Christopher Felver has collected over 240 photographs from tours and encounters with musicians over the past 25 years. From Doc Watson to John Cage and Mavis Staples to Sonny Rollins, this collection celebrates the tapestry and diversity of musical styles that make up the American sonic landscape.

Hardcover. New Haven CT, Yale University Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. INSCRIBED BY AUTHOR on the front fly leaf. "During its first two centuries, opera was dominated by sopranos. There were male sopranos, or castrati, whose supercharged voices (female vocal cords powered by male lungs) were capable of feats of vocalism that are hard to imagine today. And there were female sopranos, or prime donne, whose long battle for social acceptance and top billing was crowned in the early nineteenth century when the castrati disappeared from the opera stage and left them supreme.", "Whether they were male or female, these singers wre amazing vertuosi, perhaps the greatest singers there have ever been - "angels." Unfortunately, some of them (and often the most famous) were also capable of behaving extremely badly, both on and off stage - "monsters." This book tells their colorful stories." Clean copy.

Softcover. NY, Grolier Club Of New York, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover. A lively look at an under-explored niche in the history of American ads: pop-ups. Drawing from Ellen G. K. Rubin's extensive collection of more than 7,000 pop-up books and related ephemera, Animated Advertising demonstrates how animated and dimensional paper devices have been used throughout US history to promote products, art, entertainment, and ideas. The book displays the creativity of advertisers in food, fashion, tobacco, pharmaceuticals, travel, music, politics, and more. Rubin's diverse examples of historical paper pop-ups show how they leaped from the pack of standard marketing materials to catch the eye and inform patrons and clientele about the items being sold. Illustrated with two hundred and fifty color images, and published to coincide with a Winter 2023 exhibition at the Grolier Club's New York headquarters, Animated Advertising is a lively look at an under-explored niche in the history of American marketing, graphic design, and paper engineering.

Softcover. NY, Grolier Club, 1st, 2023, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. A lively look at an underexplored niche in the history of American ads: pop-ups. Drawing from Ellen G. K. Rubins extensive collection of more than 7,000 pop-up books and related ephemera, Animated Advertising demonstrates how animated and dimensional paper devices have been used throughout US history to promote products, art, entertainment, and ideas. The book displays the creativity of advertisers in food, fashion, tobacco, pharmaceuticals, travel, music, politics, and more. Rubins diverse examples of historical paper pop-ups show how they leaped from the pack of standard marketing materials to catch the eye and inform patrons and clientele about the items being sold. Illustrated with two hundred and fifty color images, and published to coincide with a Winter 2023 exhibition at the Grolier Clubs New York headquarters, Animated Advertising is a lively look at an underexplored niche in the history of American marketing, graphic design, and paper engineering. Still in publisher's shrinkwrap.

Hardcover. Toronto, McClelland & Stewart, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, A fully illustrated, stylish look back at the story behind a Canadian design icon. With 250 illustrations, including previously unpublished drawings, rare film stills, confidential memorandums, and original photography,The Art of Clairtone is a candid and in-depth look at the company's skyrocketing success and sensational collapse.

Softcover. Santa Fe Springs CA, Hathaway and Bowers, 1st, 1970-71, Book: Good, Dust Jacket: None, Nine softcover catalogs from the foremost dealer in antique music makers: Organs, pianinos, automatic harps, music boxes, etc. Catalogues No. 9 through 17, 1969-1971. All with b&w illustrations. Pages vary, 60-100. From a museum library with light stamping, small stickers on covers. Otherwise clean.

Hardcover. NY, Canongate , 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dustjacket, 694 pages. Destined to become a classic on the subject alongside Legs McNeil's Please Kill Me , Babylon's Burning is a groundbreaking, definitive account of punk rock, one of the most influential and lasting music movements in history--a movement that ironically was built on self-annihilation. Acclaimed critic Clinton Heylin seamlessly weaves together the lives of disparate artists who had in common not the music (there was no distribution) but the pictures, words, and fashions depicted in magazines like Creem and NME . It was a sound that eschewed conventional lyrics, promoted a gutteral musicality but yet contained a keen pop sensibility. Whether exploring the work of early progenitors like Suicide, The New York Dolls, and Patti Smith or charting the progress of the bands who legitimately took up the mantle in the eighties and nineties, Clinton Heylin brings to life the strands of a global artform. From the Sex Pistols's clarion call of a record, "Never Mind the Bollocks," to Kurt Cobain's songs of an alienated youth, Babylon's Burning is the brilliant, exhaustively researched story that once and for all defines what Punk is and is not.

Softcover. New Haven CT, Yale University Press, 1st, 2009, Book: Very Good, Dust Jacket: None, 128 pages, softcover. This striking collection of photographs features nearly every important figure in the world of rock & roll, from Elvis to Eric Clapton, the Beatles to Bob Dylan, Jimi Hendrix to John Coltrane. The more than fifty photographers who contribute to the volume are among the most talented in their field, including Lee Friedlander, Lynn Goldsmith, Bob Gruen, Mick Rock, and many more. Like new in publishers shrink-wrap.

Hardcover. New Brunswick, Rutgers University Press, 1st, 1960, Book: Very Good, Dust Jacket: Good, 177 pages. Hardcover. Illustrated with black & white photographs. Price clipped dust jacket with wear along edges - now protected with clear plastic cover. Clean, tight copy. Report on the men and women who lived in the South and created work songs, spirituals, blues, and jazz.

Softcover. Berkeley CA, University of California Press, 1st, Book: Very Good, Dust Jacket: None, Softcover, 232 pages. "Professor DeNora's achievement in placing Beethoven, and the reception of Beethoven's music, in social context is all the more impressive because it goes so much against the grain of conventional habits of thought. In illuminating how changing social institutions created opportunities for Beethoven to gain contemporary and posthumous recognition, and, in so doing, created new forms for thinking and talking about musical achievement-the author at once provides fresh insights into the institutional origins of 'classical' music and offers an exemplary contribution to the sociological study of the arts." Clean copy.

Softcover. NY, Skyhorse, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 361 pages, b&w illustrations. Burlesque was one of America's most popular forms of live entertainment in the first half of the 20th century. Gaudy, bawdy, and spectacular, the shows entertained thousands of paying customers every night of the week. And yet the legacy of burlesque is often vilified and misunderstood, left out of the history books.By telling the intimate and surprising stories from its golden age through the women (and men!) who lived it, Behind the Burly Q reveals the true story of burlesque, even as it experiences a new renaissance. Lovingly interviewed by burlesque enthusiast Leslie Zemeckis who produced the hit documentary of the same name, are former musicians, strippers, novelty acts, club owners, authors, and historians--assembled here for the first time ever to tell you just what really happened in a burlesque show. From Jack Ruby and Robert Kennedy to Abbott and Costello--burlesque touched every corner of American life. The sexy shows often poked fun at the upper classes, at sex, and at what people were willing to do in the pursuit of sex. Sadly, many of the performers have since passed away, making this their last, and often only interview. Behind the Burly Q is the definitive history of burlesque during its heyday and an invaluable oral history of an American art form. Funny, shocking, unbelievable, and heartbreaking, their stories will touch your hearts. We invite you to peek behind the curtain at the burly show.

Softcover. Libreria Musicale Italiana, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 215 pages, b&w illustrations. A history of the diaspora of Neapolitan musicians in New York. This book reviews the period from the unification of Italy to the fascist era through significant Neapolitan performers such as Gilda Mignonette and Enrico Caruso. It traces the transformation of a popular tradition written in dialect into a popular tradition, written in Italian, that contributed to the production of 'American' identity. PLEASE NOTE: ITALIAN TEXT. Simona Frasca is a lecturer on early sound reproduction and Italian migration, and a freelance music journalist. She hold a doctorate in History and Analysis of Musical Culture from La Sapienza University in Rome. Mild sunning to wraps, clean copy.

Hardcover. Chicago, University of Chicago Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. It started with the searing sound of a slide careening up the neck of an electric guitar. In 1970, twenty-three-year-old Bruce Iglauer walked into Florence's Lounge, in the heart of Chicago's South Side, and was overwhelmed by the joyous, raw Chicago blues of Hound Dog Taylor and the HouseRockers. A year later, Iglauer produced Hound Dog's debut album in eight hours and pressed a thousand copies, the most he could afford. From that one album grew Alligator Records, the largest independent blues record label in the world. Bitten by the Blues is Iglauer's memoir of a life immersed in the blues--and the business of the blues. No one person was present at the creation of more great contemporary blues music than Iglauer: he produced albums by Koko Taylor, Albert Collins, Professor Longhair, Johnny Winter, Lonnie Mack, Son Seals, Roy Buchanan, Shemekia Copeland, and many other major figures. In this book, Iglauer takes us behind the scenes, offering unforgettable stories of those charismatic musicians and classic sessions, delivering an intimate and unvarnished look at what it's like to work with the greats of the blues. It's a vivid portrait of some of the extraordinary musicians and larger-than-life personalities who brought America's music to life in the clubs of Chicago's South and West Sides. Bitten by the Blues is also an expansive history of half a century of blues in Chicago and around the world, tracing the blues recording business through massive transitions, as a genre of music originally created by and for black southerners adapted to an influx of white fans and musicians and found a worldwide audience.

Hardcover. NY, Doubleday, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 390 pages, b&w illustrations. Growing up in Greenwich Village, Sean Wilentz discov-ered the music of Bob Dylan as a young teenager; almost half a century later, he revisits Dylan's work with the skills of an eminent American historian as well as the passion of a fan. Drawn in part from Wilentz's essays as "historian in residence" of Dylan's official website, Bob Dylan in America is a unique blend of fact, interpretation, and affinity--a book that, much like its subject, shifts gears and changes shape as the occasion warrants. Beginning with his explosion onto the scene in 1961, this book follows Dylan as he continues to develop a body of musical and literary work unique in our cultural history. Wilentz's approach places Dylan's music in the context of its time, including the early influences of Popular Front ideology and Beat aesthetics, and offers a larger critical appreciation of Dylan as both a song-writer and performer down to the present. Remainder dot on bottom edge otherwise clean.

Hardcover. Boston, Bulfinch Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 470 pages, illustrated with over 500 color and b&w images including posters, programs, maps and other archival material. Like new in publisher's shrinkwrap.