holland

Hardcover. Boston, MFA Publications, Museum of Fine Arts, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages, profusely illustrated. From the 1890s through the turn of the century, there was a flourishing of new, imaginative art and craft throughout Europe that we now know as Art Nouveau. The Netherlands experienced an inventive variant of this art and design phenomenon, but until now it has been largely overshadowed by its counterparts in other countries, especially France. This richly illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of more than 100 works on paper--posters, decorative calendars and illustrated books, as well as prints and drawings. These innovative works of graphic design reveal the progressive Dutch artists' conscious reaction against the past, their inspiration in natural forms and exotic cultures, and their embrace of the principle that art should transform everyday life. They also show how the New Art--Nieuwe Kunst in Dutch--coexisted and sometimes intertwined in the Netherlands with other artistic strands, including persistent realist trends, Symbolism and the emergence of modernism. Included here are early drawings by well-known artists Vincent van Gogh and Bart van der Leck, as well as new discoveries from Jan Toorop, Theo Nieuwenhuis, Samuel Jessurun de Mesquita, Theo Hoytema, G. W. Dijsselhof and C. A. Lion Cachet. This beautifully illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of over one hundred posters, decorative calendars, and illustrated books, as well as prints and drawings. With text by Clifford S. Ackley, one of the leading specialists on Dutch prints and drawings, Holland on Paper in the Age of Art Nouveau provides a fascinating and visually rewarding introduction to a rich and creative artistic era.

Hardcover. New York , Scribners, 1st, 1907, Book: Very Good, Dust Jacket: None, Hardcover, yellow cloth stamped with black decoration, 147 pages. 30 tipped-in color plates by Penfield. Excellent condition.

Hardcover. New York , Charles Scribner's Sons, 1st, 1907, Book: Good, Dust Jacket: None, Hardcover, 147 pages, 30 tipped in color illustrations, b&w drawings, end paper illustration by Edward Penfield. Tan cloth with yellow cover paste-down that has some soiling. Internally bright, clean.

Hardcover. New York , Charles Scribner's Sons, 1st, 1907, Book: Good, Dust Jacket: None, Hardcover, 147 pages, 30 tipped in color illustrations, b&w drawings, end paper illustration by Edward Penfield. Previous owner's inscription on half-title page, bookplate opposite. Yellow board covers with light wear, soil. Internally bright, clean.

Hardcover. Chicago, Rand McNally, 1st, 1913, Book: Very Good, Dust Jacket: None, Hardcover, beige cloth covers stamped in blue. Illustrated with 12 color plates, b&w drawings by Bonnibel Butler. Previous owner's signature on front paste-down, otherwise bright and clean copy.

Hardcover. Haarlem Holland, Jon. Enschede En Zonen, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. A delightfully written and whimsically illustrated history of the Netherlands and its contributions to world history. Illustrated boards, 123 pages. Light rubbing to the edges and a little age-toning to the spine and tiny portion of the front cover, good hinges, sound text block, very clean pages free from names or other markings.

NY, Atheneum, 1st , 1972, Book: Very Good, Dust Jacket: Good, Hardcover in a bright dust jacket. Black & white drawings by Norman MacDonald. Dust jacket with light edgewear, closed tear. What happened when two parades met--half the book is printed rightside up; the other half upside down, so of course the parades collide!

Hardcover. New York, Harry Abrams, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Tight copy with minor wear to edges. Illustrated heavily by author. Previous owner's marking on half title page. The illustrator of "Gnomes" imaginatively captures his own heritage in a stunning visual recreation of his family, ranging from an eight-year-old cowherd in the 1600s up through the present day.

Hardcover. New York, Harry Abrams, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover with dust jacket. Tight, clean copy with Illustrated heavily by author. Previous owner's marking on half title page. The illustrator of "Gnomes" imaginatively captures his own heritage in a stunning visual recreation of his family, ranging from an eight-year-old cowherd in the 1600s up through the present day. Color throughout.

Softcover. Woodbury NY, Barron's , 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, 90 pages, color illustrations. English language edition. Paintings of France and Holland by Dutch artist, Johan Barthold Jongkind [1819-1891]. A volume in the series, 'Les Carnets de dessins'. Clean copy.

Softcover. Amsterdam, Amsterdam Scheltema en Holkema's Boekhandel, First Edition, 1912, Book: Very Good, Dust Jacket: None, Hardcover, large folio size, in Dutch text. 40 pages text followed by 470 plates in black & white. Brown cloth covered boards with embossed illustration in black & gilt. Moderate rubbing, scuff marks to covers. Fraying to head & heel of spine. Gilt titles to cover & spine. Tender front board with crack to top quarter hinge. Toning to edges throughout. Striking, full page black & white illustrations detailing castles, gardens, mansions, intricate woodwork throughout. Previous owner's signature & stamp to front flyleaf. Otherwise clean & unmarked.

Hardcover. NY, E.P. Dutton, 1st US, 1966, Book: Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 214 pages, illustrated in b&w by Charles Keeping. Ex-lib with stamping and residue to endpapers. An adventure story from a 13th c folk-poem with elements from invasions of the 9th and 10th century, redone by a well known modern writer and illustrator. Prince Horn, driven from his father's kingdom at 15 by Turkish invaders, flees to Westernesse and becomes a page at the royal court. Then his love for the Princess is treacherously revealed and he is exiled to Ireland, from which he battles to free his kingdom and win his princess. Published when the author was 24, and the second of his many vivid translations and retellings of traditional narratives.

Hardcover. London, Arthur A. Levine, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 409 pages. Hardcover with dust jacket. Very good pictorial dust jacket, in mylar. SIGNED BY AUTHOR. Tight and bright copy.

Hardcover. NY, The Century Co., 1st, 1894, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth with gilt decorated cover and spine, top edge gilt. 313 pages, with illustrations throughout. Stories and sketches about Holland and the Dutch. Mild foxing throughout and previous owner's inscription on front fly leaf. Otherwise, bright and tight copy.

Hardcover. Lawrence KS, University Press of Kansas, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Through the shadowy persona of Deep Throat, FBI official Mark Felt became as famous as the Watergate scandal his leaks helped uncover. Best known through Hal Holbrook's portrayal in the film version of Bob Woodward and Carl Bernstein's All the President's Men, Felt was regarded for decades as a conscientious but highly secretive whistleblower who shunned the limelight. Yet even after he finally revealed his identity in 2005, questions about his true motivations persisted.Max Holland has found the missing piece of that Deep Throat puzzle--one that's been hidden in plain sight all along. He reveals for the first time in detail what truly motivated the FBI's number-two executive to become the most fabled secret source in American history. In the process, he directly challenges Felt's own explanations while also demolishing the legend fostered by Woodward and Bernstein's bestselling account. Clean copy.

Softcover. Lanham MD, Scarecrow Press, 2006, Book: Very Good, Dust Jacket: None, Softcover, 331 pages, b&w illustrations. Like most ground-breaking art forms, contemporary creative music is rarely understood or accepted in its own time, and for those reasons, can largely go unheard. Music and the Creative Spirit: Innovators in Jazz, Improvisation, and the Avant Garde aims to give today's brightest music innovators due recognition and respect, celebrating their work and creativity. Through personal interviews, artists such as Pat Metheny, Regina Carter, Joshua Redman, Fred Anderson, Dave Holland, Bill Frisell, David Murray, and John Zorn-to name just a few-offer clear, frank discussions about music, creativity, work, society, culture, current events, and more. Clean, bright copy.

Softcover. NY, privately printed, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 83 pages, color illustrations. This book presents the street art of Richard Hambleton, showcasing 87 of his paintings photographed by Franc Palaia. The images capture the artist's work in New York City from 1981 to 1989, as well as his travels to Italy and Holland during that time. SIGNED BY PALAIA on the title page. Clean copy.

Softcover. NY, Scala, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 224 pages. The diversity of New York City's people, cultures, religions, and backgrounds make it the indicator of American sexuality. It is black, white, gay, straight, rich, poor, rough, and tender all at once. From Margaret Sanger's dissemination of birth control to the Stonewall riot of 1969, New York City has repeatedly seen its sexual dynamics changed and American and international culture follow suit. Published to coincide with the much-anticipated opening of the Museum of Sex in New York, NYC Sex features conversations between major cultural figures and historians on sexual topics, including Grady T. Turner on "Sodom on the Hudson"; Martin Duberman and Joan Nestle on queers; Timothy J. Gilfoyle, Xaviera Hollander, and Tracy Quan on whores; Karen Finley, Luc Sante, Gene Simmons, and Art Spiegelman on the underground; and Vanessa del Rio, Legs McNeil, and Annie Sprinkle on porn. And what's a book about sex without pictures? In between the steamy conversation, NYC Sex posts photographs by Mapplethorpe, Ferrato and Gatewood; 19th-century drawings and photographs; film stills; posters; magazine pin-ups; and images of sex symbols past and present. It's a treat the whole family can enjoy. NYC Sex is the official book of the inaugural exhibition of the Museum of Sex, which will open in New York in September.

Softcover. NY, Scala, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, 224 pages. The diversity of New York City's people, cultures, religions, and backgrounds make it the indicator of American sexuality. It is black, white, gay, straight, rich, poor, rough, and tender all at once. From Margaret Sanger's dissemination of birth control to the Stonewall riot of 1969, New York City has repeatedly seen its sexual dynamics changed and American and international culture follow suit. Published to coincide with the much-anticipated opening of the Museum of Sex in New York, NYC Sex features conversations between major cultural figures and historians on sexual topics, including Grady T. Turner on "Sodom on the Hudson"; Martin Duberman and Joan Nestle on queers; Timothy J. Gilfoyle, Xaviera Hollander, and Tracy Quan on whores; Karen Finley, Luc Sante, Gene Simmons, and Art Spiegelman on the underground; and Vanessa del Rio, Legs McNeil, and Annie Sprinkle on porn. And what's a book about sex without pictures? In between the steamy conversation, NYC Sex posts photographs by Mapplethorpe, Ferrato and Gatewood; 19th-century drawings and photographs; film stills; posters; magazine pin-ups; and images of sex symbols past and present. It's a treat the whole family can enjoy. NYC Sex is the official book of the inaugural exhibition of the Museum of Sex, which will open in New York in September.

Hardcover. NY, Charles Scribner's Sons, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY AUTHOR on title page. "Narrator Kyle Malachi, writing as Stokes Moran, is a syndicated mystery reviewer working on his first mystery novel. His "beautiful agent, " Lee Holland, convinces him to take a $25, 000 assignment from Playboy to find and interview a reclusive bestselling mystery author. The only clue to Seymour Severe's whereabouts is the New Orleans setting of his books. Kyle goes there, spends some time in a dark gay bar, passes out and wakes up in bed next to a naked, dead boy. He flees back to Connecticut, but Lee convinces him he's been hoaxed and must return to the Crescent City where the puzzle finally assembles itself--without any help from Kyle". Clean copy.

Hardcover. London, Adam & Charles Black, 1st, 1910, Book: Very Good, Dust Jacket: None, Hardcover, 32 tipped-in color plates, 32 small black & white illustrations by Jungman. Intro. by Gordon Hume. Light spotting to covers.

Hardcover. Seattle, Fantagraphics, 1st, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 298 pages. Published for the first time in English -- and the first time in color -- the classic Petra Cherie by Italian master Attilio Micheluzzi follows the dramatic adventures of a mysterious heroine during the end of World War I. Originally published in serial format from 1977-1982, Petra Cherie follows the adventures of Petra De Karlowitz, 'Cherie' to creator Micheluzzi, who addresses her throughout the book. Born to a Polish businessman and the most beautiful woman in Paris, raised in Canton, China, and now based in neutral Holland, she is a spy who answers only to herself. Evoking but cleverly eschewing stereotypes of the femme fatale, Petra is equally at home in the cockpit of an airplane and behind the wheel of a motorcar. More than that, she is an endlessly fascinating enigma and one of the most iconic characters in Italian comics. In short, thrilling tales across sky, sea, and land, zipping from Northern Europe to Mitteleuropa, from the Balkans to the Bosphorus to the nascent Soviet Union, Micheluzzi grapples with an era when Europe's borders were in flux and battle lines were often blurred. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 183 pages. This beautiful book examines the art of Pieter de Hooch, one of the most famous and innovative painters of Holland's Golden Age. It discusses de Hooch's position in Dutch genre painting, his favorite themes and their cultural context, his artistic development, and his approach to narration. The book was the catalogue for an exhibition at the Wadsworth Atheneum in Hartford. A 75-page text covering the artist's life and techniques and themes of his work is followed by nearly 100 pages presenting plates of works in the show; eight entries bring the catalog raisonne up to date. Sutton has achieved the rare feat of creating a work that is both a significant addition to scholarship and a reader-friendly introduction for those not already familiar with the artist. Clean copy.

Softcover. New York, Rizzoli, 1st US, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover, 302 pages. Blue cloth cover with gilt lettering to spine, color illustrated dust jacket, 405 b&w and 80 color illustrations, stapled cardboard slipcase. Bottom right corner of cover slightly bumped. Very light wear to dust jacket edges; a very clean, tight copy. This book is the first to survey the whole i development of porcelain n Europe between the Napoleonic era and the First World War. The nineteenth century was a period of technological change and of artistic innovation: both these strands came together in the development of porcelain, which industrialization brought within the reach of the burgeoning middle classes of industrial Europe. While early in the century Neoclassicism had brought about a new purity of line and decoration, in Germany and in England taste demanded more elaborate styles and resulted in the emergence of the 'new Rococo' and later in the development of revived styles of decoration such as Minton's 'Majolica' and the work of studio potters. This book covers not only the great factories, Sevres, Limoges, Copenhagen, Meissen, but also the smaller producers in Holland, Italy and Spain and extends to the birth of Art Nouveau.